A REPLY TO JOSEPH MASSAD

2007 ◽  
Vol 39 (1) ◽  
pp. 163-164 ◽  
Author(s):  
ANDREW SHRYOCK
Keyword(s):  
National Identity ◽  
National Culture ◽  
Critical Evaluation ◽  
Subject Position ◽  
Geographic Origins ◽  
P 16 ◽  
Interpretive Method

In noting that Joseph Massad's identity as a Palestinian Jordanian should be central to any critical evaluation of Colonial Effects, I am taking seriously his claim that writing the book entailed, for him, a gradual “coming to terms” with this identity. I am also reapplying Massad's own interpretive method. “Throughout the book,” he tells us, “you will notice that I identify the geographic origins and the religious and ethnic backgrounds of people. This is done deliberately” (p. 16). Why? Because such specificity is needed to “interrogate” the claims people make about “Jordanian national identity and Jordanian national culture” (p. 16). I find it bizarre that Massad would cry “foul” when I conclude that his own (self-announced) “subject position” influenced his thinking on these topics.

Philosophical and Pedagogical Views of Yu. F. Samarin

2019 ◽  
Vol 54 ◽  
pp. 209-218
Author(s):  
Lev E. Shaposhnikov
Keyword(s):  
National Identity ◽  
Social Development ◽  
Educational Policy ◽  
Critical Evaluation ◽  
Educational Process ◽  
Educational Context ◽  
The Government ◽  
Role Of Religion

The paper analyses the evolution of Yu. Samarin’s ideas from rationalism to “holistic knowledge”. Special attention is paid to the philosopher’s conceptualization of the key role of religion for a nation. The author also examines the scholar’s position concerning the promotion of patriotism as an important impetus for social development. Emphasis is made on analyzing the interaction of universal and national aspects in the educational process, as well as on the value of national identity in the field of humanities. The article also presents Yu. Samarin’s critical evaluation of the government educational policy and his suggestions on increasing its effectiveness. The author notes the relevance of Yu. Samarin’s views for the contemporary philosophical and educational context.

ARTISTIC ASSIMILATION OF THE WORLD IN THE ESSAY PROSE OF M. G. ATAMANOV (BASED ON THE BOOK “I AM UDMURT. WHY DOES IT HURT?”)

2020 ◽  
Vol 14 (3) ◽  
pp. 459-464
Author(s):  
Alevtina Vasilevna Kamitova ◽  
Tatyana Ivanovna Zaitseva
Keyword(s):  
Ethnic Identity ◽  
National Identity ◽  
National Culture ◽  
Native Language ◽  
Topographic Features ◽  
Wide Range ◽  
The World ◽  
The Subject ◽  
Individual Style

The paper reflects the specificity of the fundamental ideas of the artistic world of M. G. Atamanov, which includes a wide range of literary facts from the content level of the text of the works to their poetics. A particularly important role in the works of M. G. Atamanov is played by cross-cutting themes and images that reflect the author's individual style and his idea of national-ethnic identity. The subject of the research is the book of essays “Mon - Udmurt. Maly mynym vös’?” (“I am Udmurt. Why does it hurt?”), which most vividly reflected the main spiritual and artistic searches of M. G. Atamanov, associated with his ideas about the Udmurt people. The main motives and plots of the works included in the book under consideration are accumulated around the concept of “Udmurtness”. The comprehension of “Udmurtness” is modeled in his essays through specific leit themes: native language, Udmurt people, national culture, mentality, geographic and topographic features of the Udmurt people’ places of residence, the Orthodox idea. The “Udmurt theme” is recognized and comprehended by the writer through the prism of national identity.

scholarly journals National Identity: Formation and Realisation Through Poetry

wisdom ◽  
2021 ◽  
Vol 17 (1) ◽  
pp. 146-161
Author(s):  
Tetiana URYS ◽  
Tetiana KOZAK ◽  
Svitlana BARABASH
Keyword(s):  
National Identity ◽  
Identity Formation ◽  
National Culture ◽  
Literary Work ◽  
Effective Factor ◽  
Functional Aspects ◽  
Creative Personality ◽  
Important Means ◽  
The Individual ◽  
National Identity Formation

National culture, especially literature, contains invaluable nation-building potential and is an effective factor in influencing the development of the national identity of the individual and the ethnic group as a whole. In the process of forming literary works, the author’s consciousness and subconscious play an im­portant role, so they are not only one of the best ways of expressing a creative personality and a form of its reaction to events occurring in the outside world, but also one of the most important means of forming the national identity of the recipients. Therefore, such a literary work contains a modus of national identity. The main content of this concept in the literature is revealed in the article. Its theoretical components and their functional aspects in the text are defined and analysed. The modus of national identity is formulated as a way of realising the identity of one with his nation through certain aesthetic elements and structures at all levels of literary work as an artistic system. Such element-dominants are motives, artistic imagery, lyrical character as the main expression of the author’s thoughts, as well as archetypes, symbols and place names.

scholarly journals POLITICAL NATION: CONTENT AND PERSPECTIVES

2019 ◽  
pp. 23-38
Author(s):  
Dmytro Dzvinchuk ◽  
Iryna Ozminska
Keyword(s):  
National Identity ◽  
Civil Society ◽  
National Culture ◽  
National Development ◽  
The Political ◽  
Mental Work ◽  
Foreign Experience ◽  
Number Of Factors ◽  
Systematic Understanding ◽  
Conceptual Foundations

The article investigates the concept of “political nation”. The analysis of research studies and the generalization of domestic and foreign experience in the formation of political nation prove the relevance of the issues raised. The study of peculiarities of the political nation formation in the coordinates of the Modernist period enhances the understanding of processes in the socio-humanitarian sphere, makes it possible to outline the ambiguity of interpretations of the conceptual foundations of the political nation, and also helps to develop the effective state policy in this area. It should be noted that there are few studies that systematically analyze the domestic and foreign experience of forming the political nation and they need modernization. It has been determined that the identification of the sense of national identity is the result of the appropriate mental work, and external challenges greatly optimize this process. Different approaches to the content characteristics of the notion “political nation” have been considered and summarized. A number of factors (the need to preserve the integrity of state and its consolidation, the formation of civil society, hybrid aggression, etc.) have been outlined, which stipulate the necessity of developing the adequate policy on dealing with crisis phenomena, existing in the Ukrainian national identity. It has been established that the political nation forms a corresponding type of national culture, which creates a more systematic understanding of the genesis, ritual and strategy of national development.

Undoing the Myth of Childhood Innocence in Gisela Elsner’s Fliegeralarm

2021 ◽  
Vol 39 (1) ◽  
pp. 37-55
Author(s):  
Susanne Baackmann
Keyword(s):  
National Identity ◽  
Subject Position ◽  
Memory Culture ◽  
Dialectical Tension

This article examines Gisela Elsner’s 1989 novel Fliegeralarm in light of Helmut Kohl’s politics of “normalization” and the Kriegskinder victimology that has recently gained traction. Fliegeralarm presents children as Hitler’s willing executioners and categorically refutes the notion of “liberation” (from fascism) as justification for normalizing German national identity. The text questions the entire edifice upon which West and now united Germany’s official memory culture is built. I argue that Elsner not only contests the concept of “historical innocence” but fundamentally refutes the possibility of an innocent historical subject position. Fliegeralarm provocatively casts remembering and childhood innocence as calculated performances that mirror the generational complicity of those born into a legacy of perpetration. It offers a prescient intervention in post-Wende discourses and rethinks childhood innocence along the lines of historical implication, that is, in dialectical tension with knowledge and denial, marked by the traffic between knowing and not knowing.

Modern domestic cinema and the legacy of shaken Aimanov

Keruen ◽  
2020 ◽  
Vol 4 (69) ◽  
Author(s):  
A.S. Jumadilov ◽  
Keyword(s):  
National Identity ◽  
Soviet Union ◽  
National Culture ◽  
Film Industry ◽  
National Cinema ◽  
Soviet State ◽  
The Soviet Union ◽  
The World ◽  
History Of ◽  
First Time

Following the collapse of the Soviet Union, the post-Soviet state of post-Soviet autonomous republics turned out to be the ideology for which cinematographers and screenwriters have to make a film epic of epoch - national cinema. In this article, the author can only use the ever-present cinematography, the unmerciful nationalistic culture, the ideological orientation of the film industry, the uniqueness or national identity. It's a good idea to have a world-renowned artisan who is doing all the same, seeking internationalization and gloss? Another - cinematic and astrophysical art of Shaken Aimanov, whose works live in volumes or polls, and others. For many years, many changes have taken place in the national cinema, such as national culture, a national emblem of national culture. For the first time in the history of national cinema, national cinema and the world of cinema, the future and future films have been transformed into a lot of changes. The Concept of distinguished singer Shaken Aimanova is embodied in the volume, which, unlike the researchers and artists all over the world of cinema Shaken Aimnayev, the director of which, as long as he is a filmmaker, creates a film studio as part of national culture.

Nationalism

2021 ◽  
pp. 197-220
Author(s):  
Nils Holtug
Keyword(s):  
Social Psychology ◽  
National Identity ◽  
Social Identity ◽  
National Culture ◽  
Social Cohesion ◽  
Social Identity Theory ◽  
Identity Theory ◽  
Empirical Studies ◽  
Nation Building ◽  
Causal Mechanism

Chapter 7, on nationalism, addresses the so-called ‘national identity argument’, according to which a shared national identity fosters social cohesion and is required for, or at least facilitates, egalitarian redistribution. First, it is argued that the prospect for nation-building policies, built on the idea of a shared national culture, is severely restricted by the liberal egalitarian requirements of justice defended in Chapter 4. Then the causal mechanism through which a national culture is supposed to promote trust and solidarity is scrutinized, and it is argued that it is not really supported by, for example, social identity theory and evidence from social psychology. Finally, empirical studies of the effect of national identity on trust and solidarity are considered, and it is argued that these do not support the national identity argument either.

Forever Foreign? Asian Australians Assimilating to Australian Culture Are Still Perceived as Less Australian Than White Australians

2020 ◽  
Vol 11 (6) ◽  
pp. 812-820
Author(s):  
Michael Thai ◽  
Nicholas A. Szeszeran ◽  
Matthew J. Hornsey ◽  
Fiona Kate Barlow
Keyword(s):  
National Identity ◽  
National Culture ◽  
Asian Descent ◽  
White Target

Westerners of Asian descent emphasize their engagement with national culture to assert their national identity. The present research investigates whether this strategy effectively enhances observers’ perceptions of Asian Westerners’ national identity. In Study 1 ( N = 160), Australian participants evaluated an Asian or White target, manipulated to be either hyper-Australian or not. In Study 2 ( N = 440), targets were additionally manipulated to be either Australian-born or not. Across both studies, Asian targets depicted as hyper-Australian, Australian-born, or both, were considered more Australian than generic Asian targets. However, Asian targets were consistently rated as less Australian than White counterparts who were depicted equivalently apart from race. Thus, the strategy of heavy engagement with the national culture increases perceptions of Asian Westerners’ national identity, but not to the point that they are considered equivalently to White Westerners.

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