Experiments with Khomeini's Revolution in Kargil: Contemporary Shi‘a networks between India and West Asia

2014 ◽  
Vol 48 (2) ◽  
pp. 370-398 ◽  
Author(s):  
RADHIKA GUPTA

AbstractShi‘i scholars from India have been a sizeable presence in seminaries in Iran and Iraq, both historically and today. Yet there is a dearth of scholarship on Shi‘i linkages between India and West Asia, with the exception of historical work on the patronage of shrine cities in Iraq by centres of Shi‘ism in India. Departing from this geographical and historical focus, this paper lends insight into contemporary religious networks between India and West Asia, using the example of the Twelver Shi‘a in Kargil, a region located on India's ‘border’ with Pakistan in the province of Kashmir. Kargili scholars travelled overland via Afghanistan or by sea from Bombay to Basra to study in seminaries in Iraq and Iran from the nineteenth century onwards. Increasing fluency in Urdu in post-colonial India enabled them to connect with Shi‘i institutions in other parts of India, which mediate religious, cultural, and financial flows from a transnational Shi‘ite realm. These networks ofreligiouslearning are not only conduits for the transmission of textual, doctrinal knowledge, but also for politico-religious ideologies that are selectively harnessed, and often exaggerated, to effect significant social and political changes in micro-locales. While local conflicts are over-determined by the evocation of transnational links, they also reflect, even if only through rhetorical and partial reproduction, doctrinal and politico-religious schisms among Shi‘i leaders in West Asia. This is illustrated by an ethnographic account of the activities undertaken and contestations provoked by the Imam Khomeini Memorial Trust in Kargil, a modernist reform movement that has selectively appropriated Khomeini's revolutionary ideologies to instigate social change and shape local politics and religious practice in Kargil.

Author(s):  
Manju Dhariwal ◽  

Written almost half a century apart, Rajmohan’s Wife (1864) and The Home and the World (1916) can be read as women centric texts written in colonial India. The plot of both the texts is set in Bengal, the cultural and political centre of colonial India. Rajmohan’s Wife, arguably the first Indian English novel, is one of the first novels to realistically represent ‘Woman’ in the nineteenth century. Set in a newly emerging society of India, it provides an insight into the status of women, their susceptibility and dependence on men. The Home and the World, written at the height of Swadeshi movement in Bengal, presents its woman protagonist in a much progressive space. The paper closely examines these two texts and argues that women enact their agency in relational spaces which leads to the process of their ‘becoming’. The paper analyses this journey of the progress of the self, which starts with Matangini and culminates in Bimala. The paper concludes that women’s journey to emancipation is symbolic of the journey of the nation to independence.


2018 ◽  
Vol 31 (1) ◽  
pp. 5-23 ◽  
Author(s):  
Kristina Hodelin-ter Wal

During the mid-nineteenth century, many Tamils in Ceylon sent their children to Protestant missionary schools while some adults went to work for missionaries to gain education and employment. Though the ties to the Vellalar caste were strong, the gains of colonial employment and education were more influential to those of the Vellalar caste intermingling with Christian missionaries. Interaction with British and American missionaries in the early to late nineteenth century ultimately led to the migration of this group to British Malaya. Circumstances in Ceylon, as well as the drive for resources such as education and employment, led to the push away from the old colony of Ceylon to the frontier colony of Malaya. This article will showcase the agency of the Ceylonese Tamils within British Ceylon and Malaya during the late colonial era. In order to understand the clout of Ceylonese Tamils in the frontier colony of Malaya, an examination of the agency they held onto in British Ceylon is essential for review. The transfer of educational and religious networks from one colony to the other is the core of comprehending the migratory experiences and intergenerational mobility over generations in colonial to post-colonial Malaya/Malaysia. JEL: N00, Z12, Z10


J. M. Synge ◽  
2021 ◽  
pp. 109-135
Author(s):  
Seán Hewitt

Beginning with a reading of a short manuscript fragment, A Rabelaisian Rhapsody (1898–1900), this chapter shows that this short dramatic dialogue affords us a unique and overlooked insight into the structures and key concerns of Synge’s entire dramatic oeuvre. In doing so, the chapter excavates many new influences on Synge’s work through a close reading of new source materials by Jacob Boehme, Spinoza, Blavatsky, Nietzsche, Hegel, Rabelais, Paracelsus, and a number of esoteric figures, reinforcing the continued importance of mysticism to his dramatic development. In The Well of the Saints (1905), we find the final synthesis of the dialectical structure of ‘A Rabelaisian Rhapsody’, and the preparation for Synge’s overt sociological statements regarding modernization in Ireland in his articles ‘From the Congested Districts’, published later the same year. Synge established a spiritual basis for his aesthetic, countering asceticism with pantheism, restriction with Rabelaisian excess. The various iterations of this conflict can be traced over numerous dialogues, scenarios, and plays in his oeuvre, and this dialectical structure became subsumed into a larger literary vision of nonconformity and multidirectional irony. In turn, Synge’s spiritual and aesthetic opposition to ascetic or conforming figures began to influence his understanding of political and social change in contemporary Ireland. Finally, this chapter demonstrates that by reading The Well of the Saints as a play based in Ossianic dialogues, nineteenth-century Celticist readings of racial difference, and conflicting modes of production, we can begin to understand Synge’s drama as one urging consciously towards protest and designed political impact.


2020 ◽  
Vol 15 (1) ◽  
pp. 107-132
Author(s):  
Joseph S. Alter

Abstract As an institutionalized “indigenous” system of medicine in India, nature cure derives directly from ideas and practices developed within the rubric of Lebensreform, a radical, back-to-nature health reform movement that took shape in late nineteenth- and early twentieth-century central Europe. Nature cure developed in twentieth-century India as a deeply embodied manifestation of Swadeshi, a social, cultural, and anticolonial political movement intimately concerned with independence and liberation. Significant parallels between Lebensreform and Swadeshi point toward an understanding of medicine based on the habitus of class and global countercultural practices. Using examples from the work of Adolf Just and other Germans writing at the turn of the nineteenth century and the case of Arogya Mandir, a nature cure hospital established by Vithal Das Modi in Gorakhpur in 1940, this essay examines how the radical, utopian ideals of Lebensreform were translated into institutionalized medical practice that facilitated the embodiment of Swadeshi as a political philosophy of health reform in colonial India.


Costume ◽  
2018 ◽  
Vol 52 (2) ◽  
pp. 261-284 ◽  
Author(s):  
Lucy Johnston

This article will consider how dress, textiles, manuscripts and images in the Thomas Hardy Archive illuminate his writing and reveal the accuracy of his descriptions of clothing in novels including Far from the Madding Crowd and Tess of the D'Urbervilles. Rural clothing, fashionable styles, drawings and illustrations will shed new light on his writing through providing an insight into the people's dress he described so eloquently in his writing. The textiles and clothing in the Archive are also significant as nineteenth-century working-class dress is relatively rare. Everyday rural clothing does not tend to survive, so a collection belonging to Hardy's family of country stonemasons provides new opportunities for research in this area. Even more unusual is clothing reliably provenanced to famous people or writers, and such garments that do exist tend to be from the middle or upper classes. This article will show how the combination of surviving dress, biographical context and literary framework enriches understanding of Hardy's words and informs research into nineteenth-century rural dress.


2017 ◽  
Vol 8 (1) ◽  
pp. 68-86 ◽  
Author(s):  
Ben Thomas

This article uses the career and writings of the Highland land reformer Alexander Mackenzie, to shed new light on the evolution of Highland land reform in the years leading up to the Crofters' Act of 1886. Mackenzie's output as a writer and journalist shows that his early experiences of living and working on the land are vital to understanding his approach to the land question, and led him to focus not on abstract or ideal principles but on building popular consensus to secure the most pressing reforms. This moderate and pragmatic approach was not universally popular though, especially among Mackenzie's more radical reformist contemporaries. The tensions these disagreements created are symptomatic of the problems that beset the ‘Crofting Community’ in the 1880s and ‘90s: problems that would eventually cause the land reform movement to split. Nevertheless, Mackenzie's influence on the Crofters’ War was huge, and deserves greater scholarly recognition.


Author(s):  
Khagendra Sethi ◽  
Tithi Ray

This article aims at a comparative study of GopinathMohanty with Mulk Raj Anand. The article will analyse and examine the works of both the writers from the perspective of Resistance literature. Both of them have significant contribution to Dalit literature. These two writers are non-dalits. But they have comprehensive understanding on the plight of these miserable sections who are on the margin. They have tried their best to fight for their rights. Along with that they have created for them a distinct cultural identity by dismantling their colonial identity. They have raised voice against the ethical issues like bonded labour, economical exploitation, socio-political exclusion, land displacement and sexual harassment which were immanent in dalit’s life in colonial and post-colonial India.


Author(s):  
Stefan Collini

This chapter argues that accounts of ‘the reading public’ are always fundamentally historical, usually involving stories of ‘growth’ or ‘decline’. It examines Q. D. Leavis’s Fiction and the Reading Public, which builds a relentlessly pessimistic critique of the debased standards of the present out of a highly selective account of literature and its publics since the Elizabethan period. It goes on to exhibit the complicated analysis of the role of previous publics in F. R. Leavis’s revisionist literary history, including his ambivalent admiration for the great Victorian periodicals. And it shows how Richard Hoggart’s The Uses of Literacy carries an almost buried interpretation of social change from the nineteenth century onwards, constantly contrasting the vibrant and healthy forms of entertainment built up in old working-class communities with the slick, commercialized reading matter introduced by post-1945 prosperity.


Author(s):  
Robert Louis Stevenson

The literary world was shocked when in 1889, at the height of his career, Robert Louis Stevenson announced his intention to settle permanently on the Pacific island of Samoa. His readers were equally shocked when he began to use the subject material offered by his new environment, not to promote a romance of empire, but to produce some of the most ironic and critical treatments of imperialism in nineteenth-century fiction. In these stories, as in his work generally, Stevenson shows himself to be a virtuoso of narrative styles: his Pacific fiction includes the domestic realism of ‘The Beach at Falesé, the folktale plots of ‘The Bottle Imp’ and ‘The Isle of Voices’, and the modernist blending of naturalism and symbolism in The Ebb-Tide. But beyond their generic diversity the stories are linked by their concern with representing the multiracial society of which their author had become a member. In this collection - the first to bring together all his shorter Pacific fiction in one volume - Stevenson emerges as a witness both to the cross- cultural encounters of nineteenth-century imperialism and to the creation of the global culture which characterizes the post-colonial world.


2021 ◽  
pp. 2455328X2199573
Author(s):  
Joydeep Bhattacharyya

This article seeks to understand Indian theatre’s take on Dalit politics of our time through a critical reading of two post-independence plays—Datta Bhagat’s Routes and Escape Routes and Vijay Tendulkar’s Kanyadaan. Politically, ‘Dalit’ becomes important only after 1947 in post-independence and post-colonial India or more specifically from the 1970s. In the post-Ambedkar phase of Dalit re/configuration, they begin to self-assert through politics, art, and literature, most effectively and convincingly, only with the rise of Dalit Panthers and in the aftermath of the implementation of Mandal Commission’s recommendation for Other Backward Classes (OBC) reservation. The article tries to examine the fresh critique of the Dalit vis-à-vis the upper caste-centric society, undertaken in this crucial context of reconfiguration and from beyond any traditional parameter of understanding, and map, through the plays, the plurality hidden within the perceived monolith of Dalit consciousness. Consequently, Dalit experiences against the backdrop of their struggle are laid bare, and unfamiliar realities come out to upset our comfortable knowledge about this large segment of Indian society.


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