Christ, creation and the drama of redemption: ‘The play's the thing . . .’

2009 ◽  
Vol 62 (2) ◽  
pp. 149-174
Author(s):  
Kimlyn J. Bender

AbstractThe Christian doctrine of creation is predicated upon two convictions: the transcendence of God and the creative activity of God in the world. While recent studies have shown the compatibility of these two seemingly conflicting convictions, the grounding for them has received less attention. This paper argues that a proper Christian understanding of these convictions and their relationship is dependent upon seeing their basis in christology and trinitarian doctrine. It thus traces the close relationship between Christ and creation and that between creation and redemption in scripture, the patristic period and their more recent retrieval in Schleiermacher and Barth, comparing such conceptions to pagan and neo-pagan alternatives for understanding the God–world relation.

2021 ◽  
Vol 3 (3) ◽  
pp. 302-321
Author(s):  
Hegumen Anthony Kamenchuk ◽  

This article outlines the key features of the Christian understanding of divine providence in comparison with the philosophical trends of Antiquity from the 1st to the 3rd centuries (before Neoplatonism). The author identifies three paradigms of understanding divine providence in the ancient pagan philosophy of this period (atheistic, pantheistic and deistic) and in this context defines the Christian paradigm as “dialogical panentheism”. According to the author, Christianity at its core offers a worldview, which is uncharacteristic for paganism: the cosmos is focused on the implementation of a dialogue between man and God and the achievement of existential intimacy between the Creator and creation. It is also noted that Christianity, in contrast to ancient thought, placed an emphasis on the fact that the fundamental property of the higher Deity is His openness in relation to the Other, and not just self-contemplating or self-contained calmness. This, in turn, determines two other aspects in the Christian doctrine of providence: the all-pervading participation of God in the life of the world and His concern for the individual and those who are flawed. The author also says that the Orthodox understanding of providence is a harmonious middle between the extremes of pantheism and deism.


Author(s):  
Joseph Mwangi Munyua

Article 69 (d) of Kenya’s Constitution (2010) encourages public participation in the management, protection, and conservation of the environment. In the context of eco-theology, this article seeks to explore the efficacy of the Christian doctrine of creation in to curbing the evidential land pollution in Kenya. Basically, air pollution, water pollution, and land pollution are the three major kinds of environmental pollution in the world. The term land pollution means the degradation (destruction) of the earth’s surface and soil via human activities. Land pollution is a major problem in Kenya that is caused by various factors such as deforestation and soil erosion, agriculture, industry, mining, landfills, illegal dumping of waste, and construction activities. Some of its devastating effects in Kenya include: water pollution, soil pollution, air pollution, human health problems, decline of tourism, and so forth. Thus, land pollution poses a serious threat to all Kenyans, a phenomenon that serves to justify the necessity of this article. As a doctrinal response, this article endeavours to unveil the Christian doctrine of creation and how it can be utilised to curb the ongoing land pollution in Kenya. In its methodology, this article reviews the appropriate and relevant literature on pollution and eco-theological approach, the exegetical method, the legal-constitutional basis of addressing the subject, and the use of archival resources.


2010 ◽  
Vol 42 (118) ◽  
pp. 317
Author(s):  
François Euvé

Os debates atuais sobre ciência e religião se esclarecem à luz de um percurso histórico que mostre o impacto da doutrina cristã da criação sobre a emergência da ciência moderna. Esta não é somente um conhecimento da ordem eterna do mundo, mas sua transformação possível pelo ser humano. As noções de “natureza” e de “história” se encontram associadas, o que permite articular o conhecimento autônomo do mundo com a acolhida de uma palavra criadora.ABSTRACT: The current debates on science and religion are clarified in the light of an historical course that shows the impact of the Christian doctrine of creation on the emergence of modern science. This is not only an understanding of the eternal order of the world, but its possible transformation by the human being. The notions of “nature” and “history” are found in association with each other which allows for the articulation of the autonomous understanding of the world with the reception of a creative word.


2020 ◽  
Author(s):  
Johann Johann And Devika

BACKGROUND Since November 2019, Covid - 19 has spread across the globe costing people their lives and countries their economic stability. The world has become more interconnected over the past few decades owing to globalisation and such pandemics as the Covid -19 are cons of that. This paper attempts to gain deeper understanding into the correlation between globalisation and pandemics. It is a descriptive analysis on how one of the factors that was responsible for the spread of this virus on a global scale is globalisation. OBJECTIVE - To understand the close relationship that globalisation and pandemics share. - To understand the scale of the spread of viruses on a global scale though a comparison between SARS and Covid -19. - To understand the sale of globalisation present during SARS and Covid - 19. METHODS A descriptive qualitative comparative analysis was used throughout this research. RESULTS Globalisation does play a significant role in the spread of pandemics on a global level. CONCLUSIONS - SARS and Covid - 19 were varied in terms of severity and spread. - The scale of globalisation was different during the time of SARS and Covid - 19. - Globalisation can be the reason for the faster spread in Pandemics.


Author(s):  
Simon Nicholls ◽  
Michael Pushkin ◽  
Vladimir Ashkenazy

An introduction by Boris de Schloezer gives the genesis of the final text in the section, the Preliminary Action, and explains its relation to Skryabin’s projected life-work, the Mystery. Section I: an effusion of Orthodox religious feeling from teenage years. Sections II-VII: Around 1900, an expression of rejection of God in the face of disillusion is followed by the text of the choral finale of the First Symphony, declaring faith in the power of art. An unfinished opera libretto, symbolic in narrative, expressing belief in Art’s power to seduce and persuade. Three notebooks develop a world view in which the world is the result of the self’s creative activity. The creation of art and of the universe are identical. There is a higher self, identical with divinity. Forgetfulness of individuality leads to freedom and universal consciousness. Section VIII: The literary poem written during the composition of the symphonic Poem of Ecstasy summarises the scenario developed in the notebooks. Life starts with the desire to create, delight in creative play meets opposition, the creative goal is achieved and disappointment sets in. The process is repeated until it is realized that the struggle is itself joyful and self-affirmation is achieved. Section IX: The text of the Preliminary Action is symbolic in structure. Primal Male and Female Principles emerge; the Female is identified with Death. Life arises from the union of energies. Struggle and bloodshed follow. The conclusion is an impulse towards unification, the synthesis of experience and dematerialisation. Both the complete first draft and the incomplete revision are included.


Author(s):  
AMIR AHMADI

Abstract The main scheme of creation in Zoroastrian Pahlavi literature is adopted from the Young Avesta. In this scheme Ohrmazd creates the world in the manner of a skillful craftsman who conceives of the form of his product and then fashions it in matter. The number of the constituents of the world and the sequence in which they are created are already fixed in the Avesta. Pahlavi authors draw on Greek philosophical tradition to rationalise their account of the creation of the world. The article also explores some of the complications that their philosophical elaboration of the Avestan scheme occasions.


1952 ◽  
Vol 5 (4) ◽  
pp. 355-361
Author(s):  
Harold Knight

The purpose of this study is to elucidate the significance underlying the concept of miracle in the world of Old Testament thought and theology, in the hope that the results attained may shed fresh light upon something which touches the very centre of religious life and is a frequent cause of genuine doubt and perplexity for modern man. Perhaps the word miracle itself is ambiguous in this connexion, for it has gathered around itself a penumbra of associations derived from its use in our modern scientifically determined modes of thought and speech. Broadly speaking the background which it implies is that of nature conceived as an independent system presupposing fixed laws or if, with the more modern scientific outlook we reject the notion of materialistic determinism and mechanism, then, at any rate, we must substitute for ‘laws’ the tendency for uniform patterns and processes to emerge. Against such large uniformities, miracle, in the modern sense, stands out somewhat sharply as an exception, mysterious and apparently inexplicable, repugnant in its arbitrariness to the spirit of pure science. Such presuppositions do not exist in the Old Testament World of ideas where we are confronted by a type of thought which is through and through theological rather than philosophical and scientific. The corner-stone of the Old Testament system of ideas is the primacy of God as self-existent Creator whose creative activity is unceasing, upholding and interpenetrating by His watchful redeeming care all that is.


2021 ◽  
Vol 66 (05) ◽  
pp. 168-172
Author(s):  
Leyla Mobil Khankishiyeva ◽  

One of the realities of modern times is the evolution of new technologies around the world, as well as the use of artificial intelligence (AI) and robotics in different spheres of society. Artificial intelligence, which was founded in the middle of the last century, has been one of the most invested in and interesting fields in recent times. Recently one of the most discussed and important issues is the relationship between artificial intelligence (AI) and intellectual property rights (IPR). Thus, the ownership of works created by artificial intelligence is one of the most discussed issues. In recent years, on the initiative of President Ilham Aliyev, modern achievements of world science have been applied in the life of society in the Republic of Azerbaijan. Considering all of this, the significance and urgency of the situation are clear. In other words, this is an issue that is high on both our national and international agendas. Key words: Artificial intelligence technology, creative activity, concept of "author", “work made for hire” doctrine,computer-generated works


2020 ◽  
Vol 65 ◽  
pp. 323-334
Author(s):  
Inga V. Zheltikova

The concept of O. Spengler suggests that the history of any culture goes through certain stages of development, the last of which is civilization. During this period creative activity in culture is replaced by mechanical imitation and lost connection with the culture formed by the «pra-phenomenon». The author correlates Spengler’s postulates with the processes of actual social reality and comes to the conclusion that contemporary Russia is going through the stage of civilization. The article raises the question of how the future is seen in this situation. The author uses the term “image of the future”, introduced by F. Polak to understand the disinterest of modern post-war Europe in its future. Thus, the lack of interest in the future can be recognized as another characteristic of the state of civilization. The existence in contemporary Russia of distinct images of the future is an open question. Using the methods of content analysis, the author comes to the conclusion that in Russian contemporary society there exists a retrospective image of the future, focused on conservative values, hierarchy of society and its closed nature to the world. Thus, it is concluded that it is wrong to talk about complete absence of images of the future in contemporary Russia. But the nature and content of these images demonstrate the low level of interest in the future, which also indicates the transition of Russian culture to civilization.


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