The Art of Reception: J.W. Waterhouse and the Painting of Desire in Victorian Britain

Ramus ◽  
2007 ◽  
Vol 36 (2) ◽  
pp. 143-186
Author(s):  
Simon Goldhill
Keyword(s):  
Royal Academy ◽  
Sense Of Self ◽  
Fundamental Aspect ◽  
Victorian Britain ◽  
Early Christian ◽  
The Past ◽  
Classical World ◽  
The Press ◽  
Victorian Art ◽  
The 19Th Century

Victorian art, particularly in the latter decades of the 19th century, turned to classical subjects obsessively. Alma-Tadema, Poynter, Leighton, Watts, and a host of less celebrated figures, produced a string of canvasses especially for the Royal Academy but also for other galleries in London and for exhibition around the country, which drew on the passion for the classical world so much in evidence in the broader cultural milieu of nineteenth-century Europe. Classics was an integral part of the furniture of the Victorian mind, through the education system, through popular culture, through architecture, through opera, through literature. The high art of the Royal Academy, viewed by thousands and extensively discussed in the press, is a fundamental aspect of this classicising discourse. This era was self-consciously a great age of progress, but it is striking to what degree the rapidly changing culture of Britain expressed its concerns, projected its ideals and explored its sense of self through images of the past—medieval, and early Christian, as much as classical. In this article, I want to look at one artist, J.W. Waterhouse, who was at the centre of this artistic moment—a discussion which will also involve us in investigating the Victorian perception of less familiar classical authors such as Josephus and Prudentius (as well as Homer and Ovid), and less familiar classical figures—St Eulalia, Mariamne—as well as the most recognisable classical icons such as the Sirens and Circe. My first aim is to show how sophisticated and interesting the art of Waterhouse is, a figure who has suffered markedly from the shifts of taste in the twentieth century. His classical pictures in particular show a fascinating engagement with the position of the male subject of desire, which has been largely ignored in the scant discussions of his work, and is strikingly absent from the most influential attempts to see Waterhouse's art in its Victorian context. Waterhouse's visualisation of classical subjects goes to the heart of Victorian anxieties about sexuality.

Finding a Platform: Studying the Copts in the 19th and 20th Centuries

2010 ◽  
Vol 42 (3) ◽  
pp. 479-482 ◽  
Author(s):  
Nelly van Doorn-Harder
Keyword(s):  
Early Modern ◽  
20Th Century ◽  
19Th Century ◽  
Early Christian ◽  
The Past ◽  
New Directions ◽  
The 19Th Century

Research on the Copts of Egypt has developed especially rapidly in new directions during the past twenty years. Having started as a corollary of Egyptology, it is advancing from the study of the early Christian centuries to include medieval, early modern, and contemporary Coptic Studies. Concurrently, Coptic issues are being inserted into studies of Egypt in general. Publications on the 19th century mostly ignored Copts, but they were given stereotypical cameo appearances in the prolific research on the profound transformations in 20th-century Egyptian society.

scholarly journals Literacka historia ołowiu. Rekonesans

2021 ◽  
pp. 109-146
Author(s):  
Marta Tomczok
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
21St Century ◽  
Harmful Effect ◽  
Literary Texts ◽  
War And Peace ◽  
The Public ◽  
The Past ◽  
The Press ◽  
The 19Th Century

This article offers an overview and preliminary arrangements of literary texts, chosen paintings and films (most of them from the past three centuries) which feature the motif of lead. The presence of lead as a symbol has been detected in poetry which treated the problem of war and peace; occasionally this use of lead has occurred in relation to printing, typesetting, and – less frequently – children’s toys. Much more often the motif of lead has been used in literary works to introduce the topic of melancholia and to express artists’ interest in alchemy. An analysis of literary prose at the turn of the 20th century related to zinc and lead metallurgy shows that lead did not occur in the context of mining, chemistry, and medicine until the 19th century. On the basis of studies of the press, historical literature, and contemporary reportage, the article shows the toxic nature of lead and its harmful effect on people and the environment, about which artists and authors try to warn the public at the turn of the 21st century. The article shows that the parallel between melancholia and saturnism is a well-documented phenomenon.

Colchicum autumnale (Colchicaceae) w okolicach Krakowa – dawne i obecne rozmieszczenie

2019 ◽  
pp. 15-27
Author(s):  
Magdalena Zarzyka-Ryszka
Keyword(s):  
Adjacent Area ◽  
Colchicum Autumnale ◽  
The Past ◽  
The North ◽  
North Eastern ◽  
New Localities ◽  
Present Distribution ◽  
The 19Th Century ◽  
North Eastern Part

The paper describes the past and present distribution of Colchicum autumnale in the vicinity of Cracow, highlights the role of Stanisław Dembosz (who published the first locality of C. autumnale near Igołomia in 1841). Gives information about the occurrence of C. autumnale in Krzeszowice in the 19th century (reported by Bronisław Gustawicz), presents new localities noted in 2012–2014 in meadows in the north-eastern part of the Puszcza Niepołomicka forest and adjacent area (between the Vistula and Raba rivers), and gives a locality found in Cracow in 2005 (no longer extant).

The Portrayal of Islam in Some Early Nigerian Newspapers (1880-1910)

1989 ◽  
Vol 6 (2) ◽  
pp. 319-328
Author(s):  
Salahudeen Yusuf
Keyword(s):  
18Th Century ◽  
Religious Conflict ◽  
Intellectual Honesty ◽  
The People ◽  
Late 18Th Century ◽  
The Press ◽  
External Threat ◽  
History Of ◽  
The 19Th Century ◽  
The Impact

The history of Islam in part of what is known today as Nigeria datesto about the loth Century. Christianity dates to the late 18th Century. Bythe middle of the 19th Century, when Nigerian newspapers began to appearon the streets of Nigeria, both religions had won so many followers and extendedto so many places in Nigeria that very few areas were untouched bytheir influence. The impact of both religions on their adherents not only determinedtheir spiritual life, but influenced their social and political lives aswell. It therefore became inevitable that both religions receive coverage frommost of the newspapers of the time. How the newspapers as media of informationand communication reported issues about the two religions is thetheme of this paper.Rationale for the StudyThe purpose of this study is to highlight the context in which such earlynewspapers operated and the factors that dictated their performance. Thisis because it is assumed that when a society faces external threat to its territory,culture, and independence, all hands (the press inclusive) ought tobe on deck to resist the threat with all might. Were newspapers used as verbalartillery and how did they present each religion? It is also assumed thatin a multireligious society a true press should be objective and serve as avanguard in the promotion of the interest of the people in general and notcreate or foster an atmosphere of religious conflict. The study also aims atfinding out whether the papers promoted intellectual honesty and fosteredthe spirit of unity particularly when the society was faced with the encroachmentof the British who posed a threat to their freedom, culture, economy ...

‘Higher then to her no bookes doe reach’

2018 ◽  
Author(s):  
Martha Vandrei
Keyword(s):  
Early Stage ◽  
Deep Understanding ◽  
Contemporary Philosophy ◽  
James I ◽  
Historical Method ◽  
The Past ◽  
Classical World ◽  
Material Evidence ◽  
Do So

This chapter and the following both draw the reader into seventeenth-century understandings of the past, and of Boudica in particular, and makes clear that in a time before disciplines, writers of ‘history’ were erudite commentators, immersed in political thought, the classical world, and contemporary ideas, as well as in drama, poetry, and the law. Chapter 1 shows the subtleties of Boudica’s place in history at this early stage by giving sustained attention to the work of Edmund Bolton (1574/5–c.1634), the first person to analyse the written and material evidence for Boudica’s deeds, and the last to do so in depth before the later nineteenth century. Bolton’s distaste for contemporary philosophy and his loyalty to James I were highly influential in determining the way the antiquary approached Boudica and her rebellion; but equally important was Bolton’s deep understanding of historical method and the strictures this placed on his interpretive latitude.

Funding and Directing Research or Rewarding Scientific Achievements?

Nuncius ◽  
2019 ◽  
Vol 34 (2) ◽  
pp. 317-355 ◽  
Author(s):  
Patrice Bret
Keyword(s):  
19Th Century ◽  
Royal Academy ◽  
The State ◽  
Future Research ◽  
Main Question ◽  
Technical Problems ◽  
Académie Des Sciences ◽  
Academy Of Sciences ◽  
The 19Th Century ◽  
Scientific Achievements

Abstract This study examines the science and technology prize system of the Académie des Sciences through a first survey of the prizes granted over the period extending from the 1720s to the end of the 19th century. No reward policy was envisaged by the Royal Academy of Sciences in the Réglement (statute) promulgated by King Louis XIV in 1699. Prizes were proposed later, first by private donors and then by the state, and awarded in international contests setting out specific scientific or technical problems for savants, inventors and artists to solve. Using cash prizes, under the Ancien Régime the Academy effectively directed and funded research for specific purposes set by donors. By providing it with significant extra funding, the donor-sponsored prizes progressively gave the Academy relative autonomy from the political power of the state. In the 19th century, with the growing awareness of the importance of scientific research, the main question became whether to use the prizes to reward past achievements or to incentivize future research, and the scale and nature of the prizes changed.

Introduction & overview

2019 ◽  
Vol 65 ◽  
pp. 1-8
Author(s):  
Yannis Galanakis ◽  
Andrew Shapland
Keyword(s):  
Current Issue ◽  
The Past ◽  
The Press

This brief introduction presents the structure and contents of the current issue of Archaeology in Greece, linking the various contributions to events or very recent discoveries that were reported in the press in the period immediately before the completion of this issue in September. It also offers an overview (not meant to be exhaustive) of archaeological activity in Greece over the past 12 months, focusing on major exhibitions and important recent publications.

scholarly journals Teamwork: the art of being a leader and a team player

2013 ◽  
Vol 19 (3) ◽  
pp. 221-228 ◽  
Author(s):  
Josie Jenkinson ◽  
Clare Oakley ◽  
Fiona Mason
Keyword(s):  
Knowledge Base ◽  
Team Effectiveness ◽  
Fundamental Aspect ◽  
Team Dynamics ◽  
Clinical Leadership ◽  
The Past ◽  
Team Player ◽  
Team Setting

SummaryThe development of the concept of clinical leadership over the past 5 years, in conjunction with an ever-increasing emphasis on its importance in the medical world, has led to an explosion of reviews, resources, fellowships and other academic programmes in this area. Arguably, with the focus on clinicians as individual leaders, teamworking is a fundamental aspect of effective clinical leadership that has perhaps received less attention. This article explores aspects of leadership in the team setting and covers theories and concepts relating to team dynamics, team roles and functioning. This is with a view to providing clinicians with a sound knowledge base in this area, increased understanding of issues they may face in their own clinical teams, and ideas and tools to help increase team effectiveness.

The Short Story: A Very Short Introduction

2021 ◽  
Author(s):  
Andrew Kahn
Keyword(s):  
19Th Century ◽  
Short Story ◽  
Popular Fiction ◽  
The Novel ◽  
Short Introduction ◽  
The Press ◽  
Character Study ◽  
The Creation ◽  
The 19Th Century ◽  
Plot Design

The Short Story: A Very Short Introduction charts the rise of the short story from its original appearance in magazines and newspapers. For much of the 19th century, tales were written for the press, and the form’s history is marked by engagement with popular fiction. The short story then earned a reputation for its skilful use of plot design and character study distinct from the novel. This VSI considers the continuity and variation in key structures and techniques such as the beginning, the creation of voice, the ironic turn or plot twist, and how writers manage endings. Throughout, it draws on examples from an international and flourishing corpus of work.

City’s Cultural Memory: Modern Practices of Symbolizing the Past

2021 ◽  
Vol 18 (4) ◽  
pp. 352-364
Author(s):  
Natalia G. Fedotova
Keyword(s):  
Cultural Memory ◽  
Point Of View ◽  
Fundamental Aspect ◽  
Modern World ◽  
Cultural Meanings ◽  
Urban Identity ◽  
Symbolic Forms ◽  
The Past ◽  
Symbolic Resource ◽  
The City

The article is devoted to the discourse of the city’s cultural memory. The relevance of studying this topic is determined not only by the fundamental aspect associated with the episodicity of existing studies of this phenomenon. From an applied point of view, the city’s cultural memory is a symbolic resource that can be used to create an appealing image, form a sustainable urban identity, and strengthen the citizen’s sense of belonging to the city. The accumulation and objectification of cultural memory take place in symbolic forms, which makes it important to study the practices of symbolizing the urban past, the essence of which is to generate the significance of the relevant or latent layers of cultural memory for the citizens.The article presents the results of the final stage of research related to the study of the process of constructing the cultural memory of the city. The purpose of the article is to analyze modern practices of symbolizing fragments of the urban past, which mean their significance for contemporaries. Basing on the culturological cross-section of the issue, the author integrates different research contexts. The methodological basis of the article is the communicative approach that focuses on the processes of meaning formation, and the constructivist method that considers memory as a multi-layered and dynamic construct. Analyzing the practices of symbolizing the urban past by the example of Russian cities, the author of the article demonstrates how the episodes of the city’s memory are updated in the modern world, how cultural meanings become memorable for citizens. The author uses the results of previous studies and identifies the following elements of the symbolization of the urban past: a) ways of encoding fragments of the past; b) communicative trajectories of memory symbolization; c) factors of producing meanings about the collective past of the city. The obtained results open up new frontiers in understanding the processes of formation of the collective ideas about the city, and prospects for empirical research, forecasting and constructing the cultural memory of Russian cities, giving them the opportunity to change their present and future.

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