Notes on Vegetius

1999 ◽  
Vol 44 ◽  
pp. 182-218 ◽  
Author(s):  
Michael D. Reeve
Keyword(s):  
Eighteenth Century ◽  
Ninth Century ◽  
Shed Light

Vegetius wrote his Epitoma rei militaris between 383 and 450. It survives in at least 220 witnesses designed to be complete, perhaps a dozen of them written in the ninth century. The earliest editions were all printed from inferior manuscripts, and later printers largely followed what is in many respects the worst of them, published at Rome in 1487. In the eighteenth century none of the older and better manuscripts happened to be preserved in the place that would have given it the best chance of making a mark, namely Leiden, and only G, which had reached Wolfenbüttel, seems to have been collated, first by G. Kortte, then by Wernsdorf for N. Schwebel's edition (Nürnberg 1767); not until Friedrich Haase in 1847 reported the outcome of a preliminary exploration, undertaken because he planned a corpus of ancient military tracts, did most of the others emerge. Carl Lang used several for his Teubner editions of 1869 and 1885, such a milestone that for critical purposes the earlier editions seldom repay consultation. The new Teubner edition of Alf Önnerfors, which appeared in 1995, has a fuller apparatus, but his preface sheds less light on the nature of the tradition than might have been expected; indeed, it restores darkness to areas where Lang shed light.

‘The Days of Thy Youth’

2018 ◽  
Author(s):  
Elizabeth Bouldin
Keyword(s):  
Eighteenth Century ◽  
Women Educators ◽  
Critical Period ◽  
Future Generations ◽  
Leading Role ◽  
Printed Word ◽  
Shed Light ◽  
Quaker Women

This chapter explores the range of ideas and activities that engaged Quaker women educators during the eighteenth century, a critical period in the development of Friends’ educational efforts. It analyses key writings of Deborah Bell, Rebecca Jones, and Priscilla Wakefield. These women adopted a variety of approaches to instructing youth, ranging from informal mentorship to formal teaching that stressed a ‘guarded’ (Quaker-only) environment. Bell, Jones, and Wakefield shed light on the leading role that Quaker women played in the education and socialization of young Friends. Their writings highlight the importance of the meetinghouse, the schoolhouse, and the printed word as public venues for women who sought to instil Quaker values in future generations.

Women’s Poetry in the Magazines

2018 ◽  
Author(s):  
Jennifer Batt
Keyword(s):  
Eighteenth Century ◽  
Women Poets ◽  
Women's Poetry ◽  
Male And Female ◽  
Poetic Expression ◽  
The Rich ◽  
Poetic Community ◽  
Female Poets ◽  
Poetic Culture ◽  
Shed Light

Nearly every monthly magazine published in the eighteenth century had a poetry section, a regular slot given over in each issue to poetic expression of all kinds, written by a broad range of writers, both male and female, provincial and metropolitan, amateur and established. This chapter assesses the place that women poets, both familiar and unfamiliar, occupied in the rich poetic culture that made magazines possible. Jennifer Batt’s case studies are drawn from national periodicals such as the Gentleman’s Magazine (1731–1922), London Magazine (1732–85) and British Magazine (1746–51), as well as from regional magazines. Collectively, these examples shed light on the possibilities that periodicals made available to female poets (of giving them a voice, a readership, a public profile and place within a poetic community). At the same, Batt demonstrates that women could be exploited by the medium and its editorial practices (publishing without author consent, for instance, or intrusive framing of poems) in ways that have overdetermined women poets’ critical reception.

THE DISCOURSE OF SOUND

Tempo ◽  
2016 ◽  
Vol 70 (277) ◽  
pp. 5-15 ◽  
Author(s):  
Martin Kaltenecker
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Eighteenth Century ◽  
Michel Foucault ◽  
Art Music ◽  
Sound Studies ◽  
Western Art ◽  
Compositional Styles ◽  
Technical Features ◽  
Shed Light

AbstractThis article offers a short overview of the development of listening theories concerning Western art music since the end of the eighteenth century. Referring to Michel Foucault, I consider such theories as discourses which produce ‘power effects', such as the training of listening attitudes, or the construction of specific spaces, such as the Festspielhaus in Bayreuth. During the eighteenth century, predominant discourses considered musical pieces as orations and, since the nineteenth century, as complex organisms or structures. In the last third of the twentieth century a focus on sound, evinced for instance by the field of ‘sound studies', has produced a new configuration that dissolves the prevailing model of structural listening. This perspective may shed light on some technical features of contemporary compositional styles, which I examine by considering the use of melodies, gestures and loops in two compositions by Fausto Romitelli and Simon Steen-Andersen.

A Life Recovered: Mary Hamilton 1756-1816

2014 ◽  
Vol 90 (2) ◽  
pp. 27-46 ◽  
Author(s):  
Lisa Crawley
Keyword(s):  
Eighteenth Century ◽  
Women's History ◽  
Research Tool ◽  
Intellectual Elite ◽  
The Rich ◽  
The Many ◽  
Significant Figures ◽  
Insight Into ◽  
Shed Light ◽  
Women’S History

Through her own words, Mary Hamilton demonstrates the rich resources available for the study of an elite womans life during the latter part of the eighteenth-century and allows us to resurrect more fully the life of a member of an elite circle of women during this period. Her diaries reveal the many opportunities that she had to meet with a number of the significant figures of her day, and shed light on how her academic efforts were perceived by those around her. This article shows how her writings offer researchers an insight into eighteenth-century society as viewed and lived by a woman who was close not only to the centre of high society but also to the intellectual elite of the day. It considers how valuable a resource the diaries and papers are as a potential research tool not only for the study of women‘s history but as a rich resource for the period.

Provocative Wealth: Non-Muslim Elites in Eighteenth-Century Aleppo

2010 ◽  
Vol 14 (3) ◽  
pp. 219-237
Author(s):  
Maurits van den Boogert
Keyword(s):  
Eighteenth Century ◽  
Ottoman Empire ◽  
Legal System ◽  
18Th Century ◽  
Government Officials ◽  
The Status ◽  
Common Notion ◽  
The Common ◽  
Shed Light

AbstractIn the Western sources, the Ottoman legal system is often portrayed as unreliable and incidents of Europeans or Ottoman protégés of Western embassies and consulates who claimed to have been maltreated abound. These reports strengthened the common notion in Europe that Ottoman government officials were rapacious and corrupt. The article challenges these views by analyzing two incidents from 18th-century Aleppo, which shed light not only on the dynamics of Ottoman-European relations on the ground, but also on the status of non-Muslim elites in the Ottoman Empire.

Sex Ratio and Ethnicity: a Reply to Paul E. Lovejoy

1989 ◽  
Vol 30 (3) ◽  
pp. 395-397 ◽  
Author(s):  
David Geggus
Keyword(s):  
Eighteenth Century ◽  
Sex Ratio ◽  
Slave Trade ◽  
Saint Domingue ◽  
Ethnicity Data ◽  
Shed Light ◽  
Accurate Reflection

I feel I should make clear that the ethnicity data in my article were intended only to shed light on the question of sex ratio. They do not provide an accurate reflection of the ethnic make-up of the eighteenth-century French slave trade, nor even of the trade to Saint Domingue. For this reason, I would hesitate to compare them, as Professor Lovejoy does, to Patrick Manning's projections based on decennial samples of plantation papers. The relatively high proportion of Hausa, Nupe and Voltaic slaves that Lovejoy remarks on was caused by the preponderance of post-1780 sources in my sample.

scholarly journals Percepciones de la fiesta en la España del siglo XVIII : la mirada ajena

1997 ◽  
Author(s):  
Ramón Maruri Villanueva
Keyword(s):  
Eighteenth Century ◽  
Travel Literature ◽  
Social Reality ◽  
Frame Of Reference ◽  
Ancien Regime ◽  
Public And Private ◽  
The Social ◽  
Marked Preference ◽  
Ancien Régime ◽  
Shed Light

La fiesta en la España Moderna, con acusada preferencia la pública y barroca, tía venido siendo, desde 1980 fundamentalmente, un campo histohográfico bien frecuentado por los investigadores. Enmarcado en él, el presente trabajo se centra en cómo fue percibida por un conjunto de extranjeros que recorrieron la España del siglo XVIII. Sus percepciones, que hemos llamado mirada ajena, nos son conocidas a través de la denominada literatura de viajes y hablan de la fiesta pública y privada, profana y religiosa, civil y política. Dicha literatura, que no había sido utilizada con carácter sistemático en monografías sobre la fiesta, hemos considerado que podía iluminar tanto aspectos de ésta como de la mentalidad de quienes la recrearon en sus diarios y cartas: cuáles llamaron su atención; qué juicios les merecieron; en qué medida algunos de éstos sirvieron para construir, perpetuar o atemperar estereotipos; qué cambios pudieron producirse en los rituales festivos y de qué cambios en la realidad social podían dar cuenta; en qué se desviaba, o no, la percepción de los viajeros de la de españoles de la época o de la imagen recuperada por la investigación histórica contemporánea.Since about 1980 festivities in Spain of the Ancien Régime, with a marked preference for public and baroque festivities, have been a historiographic field frequently studied by researchers. Set in the frame of reference of this field, this work centers on how festivities were perceived by a group of foreigners who traveled around Spain in the eighteenth century. Their perceptions, which we call the foreign perspective, are known to us through what is called travel literature, and speak about various kinds of festivities: public and prívate, secular and religious, civilian and political. We believed that this literature, which had not been used systematically in studies of festivities, could shed light not only on facets of the festivities themselves but also on aspects of the mentality of those that described them in their diaries and letters: which festivities captured their attention; what judgments they made about them; to what extent these judgments served to construct, perpetúate or modérate stereotypes; what changos might have taken place in the festivo rituals and what changos in the social reality they could reveal; in what respects the perception of the travelers differed from that of Spaniards of the time or from the image recovered by contemporary historie research.

scholarly journals Johan Ernst Gunnerus and the Quest for the Soul in the Eighteenth Century

2015 ◽  
Vol 12 ◽  
pp. 132-160
Author(s):  
Friedemann Stengel
Keyword(s):  
Eighteenth Century ◽  
Present Article ◽  
Salient Feature ◽  
Political Scientist ◽  
Clear Cut ◽  
The Enlightenment ◽  
European Culture ◽  
Interdisciplinary Nature ◽  
Immortality Of The Soul ◽  
Shed Light

The Norwegian bishop, theologian, philosopher, political scientist, and naturalist, Johan Ernst Gunnerus, can be regarded as one of the most significant proponents of continental European culture in eighteenth-century Norway. The eighteenth-century debate on the meaning and locus of the soul, considered the most central scholarly debate of the ‘Century of Enlightenment’, clearly exemplifies Gunnerus’ own entanglement in contemporaneous philosophical and theological debates. While delineating his position within it, the present article seeks to shed light on its crucial dimensions and arguments, while also illuminating its impact on the transmission of traditional Christian ideas. Theological-philosophical concepts underwent dramatic transformations – in particular, on the question of the immortality of the soul – that also extended to anthropology, eschatology and the divine doctrine. Positioning Gunnerus within this debate demonstrates the interdisciplinary nature of scholarly interactions on topics that today might be deemed purely theological. Their vigorous resistance to dogma and barriers to autonomous thinking form a salient feature of the Enlightenment era. In contextualizing Gunnerus’ doctrine on the soul, it becomes clear that classifying theologies and philosophies according to clear-cut categories like ‘Enlightenment’, ‘Pietism’, or ‘Esotericism’, prunes the complexity of the debates and implicates far-reaching perspectives of the Enlightenment discourse in notions generated in the centuries thereafter.

scholarly journals Bel Canto - 500 Years Young: A study in the practical application of ​bel canto​ technique to twentieth-century vocal works in English

2021 ◽  
Author(s):  
◽  
Pasquale Orchard
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Mother Tongue ◽  
Bel Canto ◽  
Practical Application ◽  
Classical Singing ◽  
History Of ◽  
Potential Benefits ◽  
Vocal Works ◽  
Shed Light

<p>As a young singer, it is inevitable that one is bombarded with the history of singing. ​Not only are we asked to listen to vocalists of previous ages, but we are also encouraged to analyse their methods and scrutinise their seminal performances in order to better identify the strengths of each singer​. Curious about the extent to which the lauded seventeenth and eighteenth-century ​bel canto vocal techniques hold relevance to contemporary classical singing and newer compositions, my research focused on whether these well-tried techniques are transferable. While the application of ​bel canto principles to the ​bel canto repertoire are clearly pertinent, my investigation concentrated on the feasibility and applicability of transferring these vocal techniques to modern repertoire, specifically songs and arias written in English, my mother tongue. This exegesis details my exploration of the application of such techniques to these two different sets of repertoire, and aims to shed light on the experience of the process of applying the ​bel canto ​principles to such works, and the potential benefits afforded by the practice of them.</p>

scholarly journals Prilozi proučavanju crkve Svetog Mateja u Splitu

Ars Adriatica ◽  
2011 ◽  
pp. 67
Author(s):  
Ivan Basić
Keyword(s):  
Eighteenth Century ◽  
Middle Ages ◽  
Fourteenth Century ◽  
Thirteenth Century ◽  
Ninth Century ◽  
Eighth Century ◽  
Early Christian ◽  
Existing Structures ◽  
The Church ◽  
East West

The church of St Matthew, which stood next to the south entrance to Split cathedral until 1881, was constructed between the peripteros and temenos of Diocletian’s mausoleum, along its east-west axis. A large number of pre-existing structures in the church of St Matthew and their degree of preservation indicate that it was erected at the beginning of the early middle ages, when the original layout of diocletian’s building had been well preserved. The church was the original setting for the sarcophagus with the epitaph of Archbishop John from the second half of the eighth century, which can be linked to the restorer of the Salonitan archbishopric in Split, John of Ravenna, who is mentioned by Thomas, the Archdeacon of Split, in his thirteenth-century chronicle, Historia Salonitana. The analysis of the sources relevant for the burial place of Archbishop John of Ravenna (the fourteenth-century chronicle of A. Cutheis and his catalogue of the archbishops of Split) showed that the data from these records are also of early medieval origin. The chronological frame in which the formula carved on the lid of the Archbishop’s sarcophagus existed, its epigraphic features and comparisons with the deceased’s epitaph, link it with the time when the longer inscription and the decoration of the sarcophagus front were carved - the end of the eighth century, and point to Archbishop John (c. 787) as the likeliest owner of the sarcophagus.  The choice of place for the sarcophagus of prior Peter, immediately next to the entrance to the church of St Matthew, in the ninth century, as well as the decoration and its relationship with the epitaph inspired by that on the sarcophagus of Archbishop john, corroborate that the prior’s sarcophagus was later than that of the Archbishop and the church in which it stood. The description of the church’s interior by D. Farlati in the eighteenth century, together with other indications, confirms that the sarcophagus and the church were made at the same  time, and that the Archbishop’s tomb was originally envisaged within the architectural setting of this church where an arcosolium contributed to its monumentality. The iconographic variant of the crossed-lily decoration and its specific symbolism originated in early christian Ravenna, which corresponds not only to the origin of the  Archbishop buried in the chapel but to the dedication to St Matthew, also of ravennate provenance, which creatively matches the iconographic programme of the sarcophagus. Thus, the sarcophagus, the church of St Matthew and John of Ravenna are connected to John,  the Archbishop of Split in the late eighth century.

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