The Lexicon Musicum Latinum of the Bavarian Academy of Sciences

1990 ◽  
Vol 13 ◽  
pp. 79-82
Author(s):  
Michael Bernhard

The Lexicon musicum Latinum (LmL), begun in 1961, aims to comprehend and investigate the language special to a particular discipline: medieval Latin writing on music. The undertaking should culminate in the publication of a dictionary which makes accessible Latin musical terminology on a scholarly basis. Set down in numerous medieval texts, theoretical discussions of music are of quite special significance for modern study, for they are an important means of understanding music which is completely foreign to us. Only when such a lexicon is available will it be possible to put on a scientifically established basis our pursuit of the tradition of medieval music, which occupies a crucially important position at the beginning of western music.

Fragmentology ◽  
10.24446/tk50 ◽  
2019 ◽  
Vol 2 ◽  
pp. 5-34
Author(s):  
Gabriella Gilányi ◽  
Adrian Papahagi

This article discusses four fragments from a fifteenth-century antiphonal with Hungarian chant notation. Two of these membra disiecta are kept at the National Archives of Hungary, and at the Library of the Hungarian Academy of Sciences in Budapest, and are well-known to scholars of medieval music and liturgy. Two further fragments have recently been identified in the bindings of printed books at the Library of the Romanian Academy, in Cluj, and are studied here for the first time. The authors suggest that the original choir book was used in Transylvania and was possibly dismembered in the former Benedictine abbey of Cluj-Mănăștur in the late sixteenth or early seventeenth century.


Porównania ◽  
2019 ◽  
Vol 23 (2) ◽  
pp. 47-62
Author(s):  
Olena Haleta

After the II World War, literary anthology has become one of the most important means of representing Ukrainian literature, and it has changed depending on the definition and redefinition of the writer’s status. In the meantime, in the Soviet literature under the supervision of the Academy of Sciences, there appear multi-volume editions constructing the figure of the writer as a participant in the socialist reorganization of reality, emigration anthologies develop the myth of the writer as the creator of the textual world, becoming a new “common place” for the entire cultural community. Literary anthologies published after the collapse of the USSR (whose number has grown manyfold) reflect all the problems of transforming the identity of the author from the prophet to the player in an uncertain reality, as well as various models of mythologizing creativity from romanticism to postmodernism. In this context, the change in the genre of anthology becomes especially noticeable; it gradually moves from the collection to the project. On the one hand, commercialization of literature in market conditions and the transformation of the writer into a “producer” of textual goods are visible. On the other hand, next to the classic writer who, in a manner recognized by readers, represents aesthetic values, there emerges the figure of a writer as a public intellectual who undertakes the challenge of creating new meanings and new forms of expression on current issues.


1992 ◽  
Vol 1 (2) ◽  
pp. 175-196
Author(s):  
Peter Jeffery

The critical study of medieval chant, which began in the mid-nineteenth century, is one of the oldest of the disciplines that coalesced into modern musicology. It is also one of the most international, for liturgical chant traditions represent the earliest preserved musical heritage of a great many different countries that are heirs to the medieval Latin and Byzantine worlds and their satellite cultures, ranging from Finland to Ethiopia, from Iceland all the way to southern India. In more recent times the knowledge of these traditions, particularly Gregorian and Byzantine chant, has spread to every continent as Western religious, musical, and educational traditions have been introduced throughout the world. Chant studies, therefore, are being pursued all over the globe, by hundreds of scholars writing in dozens of languages and utilizing countless different approaches – scholars who also desire the benefits of being in better contact with each other. It is to help keep track of these many independent scholarly efforts that the Liturgical Chant Bibliography is being published here, as the successor to the Liturgical Chant Newsletter. Future instalments will appear each year in the second issue of Plainsong & Medieval Music. All chant publications likely to be of interest to scholars are eligible for inclusion, provided (1) they have actually been published and (2) I have been able to see a copy, or have at least received complete bibliographical information (including author, title, publisher, date, page numbers).


2017 ◽  
Vol 6 (5) ◽  
pp. 81
Author(s):  
Ksenia Yu. Khusnutdinova ◽  
Tatyana A. Titova ◽  
Elena V. Frolova

<p>Traditional festive ritual culture occupies an important position in the life of the Kryashens. The article is based on our own field research conducted in 2014. The purpose of the article is to study traditional holidays and their significance for the Kryashens. The article showed popular traditional Kryashen holidays, their innovations and origins, which go deep into history and are closely intertwined with the culture of neighboring peoples. The methodological base of the study assumes the consideration and the analysis of the traditional festive culture of the Kryashens. The work uses general historical methods: historical-comparative, cultural-anthropological, the method of complex analysis and the discriminative method. The work is also based on the combination of quantitative and qualitative methods: discourse - mass survey through questionnaires, in-depth interviews, focus groups, included monitoring. The article gives a detailed description of each holiday. Kryashen people keep the ancient traditions of their ancestors, combining their Turkic roots and Orthodox culture. During the long parallel development of national holidays, customs and religions, Christianity has become an integral part of the Kryashen spiritual life - this confirms the special significance of Orthodox religious holidays. Also, ethnic-cultural characteristics and the celebration of traditional holidays are of great importance for Kryashens. Particularly honored calendar holidays for the Kryashens are the following ones: Easter, Christmas, Epiphany, Petrov Day (Pitrau), Trinity, Nardugan, Semik, Pokrov. These festive traditions are marked by a certain important value and stability in the cultural environment of the Tatarstan Kryashens. The materials of the article can be useful for ethnologists, social and cultural anthropologists, and everyone interested in this topic.</p>


Author(s):  
D. R. Clarke ◽  
G. Thomas

Grain boundaries have long held a special significance to ceramicists. In part, this has been because it has been impossible until now to actually observe the boundaries themselves. Just as important, however, is the fact that the grain boundaries and their environs have a determing influence on both the mechanisms by which powder compaction occurs during fabrication, and on the overall mechanical properties of the material. One area where the grain boundary plays a particularly important role is in the high temperature strength of hot-pressed ceramics. This is a subject of current interest as extensive efforts are being made to develop ceramics, such as silicon nitride alloys, for high temperature structural applications. In this presentation we describe how the techniques of lattice fringe imaging have made it possible to study the grain boundaries in a number of refractory ceramics, and illustrate some of the findings.


1997 ◽  
Vol 2 (2) ◽  
pp. 125-138 ◽  
Author(s):  
Jan Strelau

This paper presents Pavlov's contribution to the development of biological-oriented personality theories. Taking a short description of Pavlov's typology of central nervous system (CNS) properties as a point of departure, it shows how, and to what extent, this typology influenced further research in the former Soviet Union as well as in the West. Of special significance for the development of biologically oriented personality dimensions was the conditioned reflex paradigm introduced by Pavlov for studying individual differences in dogs. This paradigm was used by Russian psychologists in research on types of nervous systems conducted in different animal species as well as for assessing temperament in children and adults. Also, personality psychologists in the West, such as Eysenck, Spence, and Gray, incorporated the CR paradigm into their theories. Among the basic properties of excitation and inhibition on which Pavlov's typology was based, strength of excitation and the basic indicator of this property, protective inhibition, gained the highest popularity in arousaloriented personality theories. Many studies have been conducted in which the Pavlovian constructs of CNS properties have been related to different personality dimensions. In current research the behavioral expressions of the Pavlovian constructs of strength of excitation, strength of inhibition, and mobility of nervous processes as measured by the Pavlovian Temperament Survey (PTS) have been related to over a dozen of personality dimensions, mostly referring to temperament.


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