It's about Time: The Temporal Evolution of Order
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This article borrows its methodology from physics in order to analyse time in the theatre as evolution of order. Two set designs (both designed by Roni Toren for the Khan Theatre in Jerusalem) are portrayed through this perspective, representing inverse examples. In Measure for Measure, directed by Gadi Roll, the temporal evolution of space is from order to disorder, obeying the second law of thermodynamics. On the other hand, in The Seagull, directed by Ofira Henig, the evolution contradicts that law. The problem of depicting disorder on stage, the possibility of such a contradiction, the implication of the two different perceptions and their ethical values are discussed to prove the effectiveness of a methodology adopted from physics.
1989 ◽
Vol 111
(1)
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pp. 8-15
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2019 ◽
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2021 ◽
Vol 82
(2)
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pp. 61-71
2016 ◽
2018 ◽
Vol 1
(1)
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pp. 38-42
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