scholarly journals Foreword

Author(s):  
Axel Michaels

The Asian perfumery legacy has had appeal in the West for many centuries, as the term ‘perfume’ itself indicates. Based on Latin roots, it means ‘through smoke’, in allusion to incense. This genre of aromatic materials, which are burned for the enjoyment of their olfactory qualities, has been important in Asian cultures for over two millennia or even longer. The term as such however, is modern European in origin and arose only at the beginning of the sixteenth century when Westerners became increasingly involved in Asia. Exotic aromatics were a contributing factor in the further exploration and colonisation of Asia in the following centuries, and make up notable trade goods to supply the globalising perfume industry to this day. Modern business could develop only thanks to the historical impetus and materials supplied from Asia. Its economic success finally led to the current interest in the sense of smell among scientists and their findings suggest the exceptional significance of this sense for the human experience. Thus, we need to assume that an important part of cultural history and understanding has been so far neglected in scholarly work, as fragrant phenomena have widely exited academic discussion. Specifically ritual activities often seem to include the use of aromatic substances.

1996 ◽  
Vol 16 ◽  
pp. 313-344
Author(s):  
J. Södergård

Alchemy and the Hermetic Art are terms that denote a most interesting transitional space, circumscribing an opaque region of human cultural history, shared between matter and psyche, between phantasmagoric reveries and practical experiments, between sincere natural theology and conscious fraud. This is an area of human experience that has been notoriously difficult to define and understand, and which has triggered off contradictory interpretations that are, in their own, of semiotic interest. It has been said that a text — in our case Splendor Solis, and the Hermetic–alchemical texts at large — is a picnic, a Dutch party, in which the author provides the words and the reader, especially a reader with too much or too little erudition, comes up with the meaning of the words. In this article, the author tries to give an overview of the general interpretations of alchemy that have been put forward, and apply Umberto Eco's intentional approach to these interpretations, viz. consider them as various sorts of intentions. The author uses a pseudonymous alchemical tractate from the sixteenth century, Salomon Trismosin's treatise Splendor Solis as an opportunity to picture and evaluate the three main decodings of alchemy that have been attempted; a chemical, a religious—soteriological and a psychological. The author also explores the intertextual web in the Hermetic discourse, and see if its mapping can generate usable knowledge about what has, since the Middle Ages, been called alchemy: a term acknowledging the taking up of a science or art which had been cultivated by Muslim and Nestorian scholars, but with its fountain head in Late Antiquity. 


2018 ◽  
Vol 2 (1) ◽  
pp. 7-24
Author(s):  
Anne Katrine De Hemmer Gudme

This article investigates the importance of smell in the sacrificial cults of the ancient Mediterranean, using the Yahweh temple on Mount Gerizim and the Hebrew Bible as a case-study. The material shows that smell was an important factor in delineating sacred space in the ancient world and that the sense of smell was a crucial part of the conceptualization of the meeting between the human and the divine.  In the Hebrew Bible, the temple cult is pervaded by smell. There is the sacred oil laced with spices and aromatics with which the sanctuary and the priests are anointed. There is the fragrant and luxurious incense, which is burnt every day in front of Yahweh and finally there are the sacrifices and offerings that are burnt on the altar as ‘gifts of fire’ and as ‘pleasing odors’ to Yahweh. The gifts that are given to Yahweh are explicitly described as pleasing to the deity’s sense of smell. On Mount Gerizim, which is close to present-day Nablus on the west bank, there once stood a temple dedicated to the god Yahweh, whom we also know from the Hebrew Bible. The temple was in use from the Persian to the Hellenistic period (ca. 450 – 110 BCE) and during this time thousands of animals (mostly goats, sheep, pigeons and cows) were slaughtered and burnt on the altar as gifts to Yahweh. The worshippers who came to the sanctuary – and we know some of them by name because they left inscriptions commemorating their visit to the temple – would have experienced an overwhelming combination of smells: the smell of spicy herbs baked by the sun that is carried by the wind, the smell of humans standing close together and the smell of animals, of dung and blood, and behind it all as a backdrop of scent the constant smell of the sacrificial smoke that rises to the sky.


2021 ◽  
Vol 86 (2) ◽  
pp. 350-367
Author(s):  
Jennifer Birch ◽  
John P. Hart

We employ social network analysis of collar decoration on Iroquoian vessels to conduct a multiscalar analysis of signaling practices among ancestral Huron-Wendat communities on the north shore of Lake Ontario. Our analysis focuses on the microscale of the West Duffins Creek community relocation sequence as well as the mesoscale, incorporating several populations to the west. The data demonstrate that network ties were stronger among populations in adjacent drainages as opposed to within drainage-specific sequences, providing evidence for west-to-east population movement, especially as conflict between Wendat and Haudenosaunee populations escalated in the sixteenth century. These results suggest that although coalescence may have initially involved the incorporation of peoples from microscale (local) networks, populations originating among wider mesoscale (subregional) networks contributed to later coalescent communities. These findings challenge previous models of village relocation and settlement aggregation that oversimplified these processes.


1955 ◽  
Vol 12 (1) ◽  
pp. 25-41
Author(s):  
Eleanor B. Adams

The island of Trinidad was discovered by Columbus on the third voyage in 1498. One of the largest and most fertile of the West Indian islands, for many years it remained on the fringe of European activity in the Caribbean area and on the coasts of Venezuela and Guiana. A Spanish settlement was founded there in 1532, but apparently it disintegrated within a short time. Toward the end of the sixteenth century Berrio and Raleigh fought for possession of the island, but chiefly as a convenient base for their rival search for El Dorado, or Manoa, the Golden Man and the mythical city of gold. Throughout the sixteenth and early seventeenth centuries explorers, corsairs, and contraband traders, Spanish, French, English, and Dutch, passed near its shores, and many of them may well have paused there to refresh themselves and to make necessary repairs to their vessels. But the records are scanty and we know little of such events or of the settlements that existed from time to time.


Zograf ◽  
2014 ◽  
pp. 153-163
Author(s):  
Dragan Vojvodic

In the katholikon of the monastery of Praskvica there are remains of two layers of post-Byzantine wall-painting: the earlier, from the third quarter of the sixteenth century, and later, from the first half of the seventeenth century, which is the conclusion based on stylistic analysis and technical features. The portions of frescoes belonging to one or the other layer can be clearly distinguished from one another and the content of the surviving representations read more thoroughly than before. It seems that the remains of wall-painting on what originally was the west facade of the church also belong to the earlier layer. It is possible that the church was not frescoed in the lifetime of its ktetor, Balsa III Balsic.


2011 ◽  
Vol 1 (2) ◽  
pp. 1-2
Author(s):  
Ruth Illman

The editorial note presents the journal and the current issue. The purpose of this e-journal is to contribute to the plurality of voices in the academic discussion on religion. Approaching Religion aims at offering an accessible, open and explorative forum for scholarly debate on timely issues and concepts related to the study of religion and culture. In order to fulfil the goals of availability and visibility, we have created our journal as an online, open access publication, supported by the internationally compatible Open Journal Systems (OJS) platform. Approaching Religion is primarily a publication channel for articles presented at seminars and conferences arranged by the Donner Institute for Research in Religious and Cultural History in Åbo, Finland. The journal addresses an international readership and our aim is to present articles of highest academic standard that approach the field of religion from a broad, theoretically and methodologically diverse perspective.


2021 ◽  

A Cultural History of Objects in the Modern Age covers the period 1900 to today, a time marked by massive global changes in production, transportation, and information-sharing in a post-colonial world. New materials and inventions – from plastics to the digital to biotechnology – have created unprecedented scales of disruption, shifting and blurring the categories and meanings of the object. If the 20th Century demonstrated that humans can be treated like things whilst things can become ever more human, where will the 21st Century take us? The 6 volume set of the Cultural History of Objects examines how objects have been created, used, interpreted and set loose in the world over the last 2500 years. Over this time, the West has developed particular attitudes to the material world, at the centre of which is the idea of the object. The themes covered in each volume are objecthood; technology; economic objects; everyday objects; art; architecture; bodily objects; object worlds.


Author(s):  
David Faflik

Urban Formalism radically reimagines what it meant to “read” a brave new urban world during the transformative middle decades of the nineteenth century. At a time when contemporaries in the twin capitals of modernity in the West, New York and Paris, were learning to make sense of unfamiliar surroundings, city peoples increasingly looked to the experiential patterns, or forms, from their everyday lives in an attempt to translate urban experience into something they could more easily comprehend. Urban Formalism interrogates both the risks and rewards of an interpretive practice that depended on the mutual relation between urbanism and formalism, at a moment when the subjective experience of the city had reached unprecedented levels of complexity. What did it mean to read a city sidewalk as if it were a literary form, like a poem? On what basis might the material form of a burning block of buildings be received as a pleasurable spectacle? How closely aligned were the ideology and choreography of the political form of a revolutionary street protest? And what were the implications of conceiving of the city’s exciting dynamism in the static visual form of a photographic composition? These are the questions that Urban Formalism asks and begins to answer, with the aim of proposing a revisionist semantics of the city. This book not only provides an original cultural history of forms. It posits a new form of urban history, comprised of the representative rituals of interpretation that have helped give meaningful shape to metropolitan life.


2020 ◽  
pp. 147-160
Author(s):  
Yarí Pérez Marín

This section reflects on the cross-fertilisation between science, medicine, literature and art in the consolidation of New World identity and discourse, beyond the sixteenth century. It invites readers to consider towering figures in the cultural history of colonial Latin America, such as writer Inca Garcilaso de la Vega, polymath Sor Juana Inés de la Cruz and painter Miguel Cabrera, discussing some of their connections to earlier texts on anatomy and physiology. The epilogue makes a case for redefining the medical texts studied in Marvels of Medicine as early matrixes of colonial rhetoric, scientific and literary objects that charted a course for future colonial subjects’ sense of identity in relation to the larger context of global knowledge production.


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