Performing Identity: Some Observations from the World of Ballroom Dance

2003 ◽  
Author(s):  
Jonathan S. Marion
Keyword(s):  
2020 ◽  
Vol 24 (4) ◽  
pp. 168-174
Author(s):  
Yasuyuki Yoshida ◽  
Arunas Bizokas ◽  
Katusha Demidova ◽  
Shinichi Nakai ◽  
Rie Nakai ◽  
...  

Competitive dance, also known as DanceSport, is one of the official sports of the World Games. The most salient characteristic of ballroom dance is the closed-hold position, during which the upper body segments of partner-dancers are linked. This study aimed to investigate partnering effects on joint motion ranges of the lower extremity and step lengths during the waltz in 13 national level competitive dance couples and a world champion couple. A Xsens MVN system was used to record movement at 240 Hz. Solo and pair conditions were examined. Compared with the highly skilled couples, the world champion couple demonstrated superior dance skills for generating the first step length in the pair condition of the waltz. This was particularly evident in the step length and joint motion range of the champion female dancer.


2021 ◽  
pp. 166-171
Author(s):  
T. Pavliuk

The purpose of this paper to analyze the transformations in the French ballroom and choreographic practice, in the context of the development of culture of Western European countries of the XVI — early XXI centuries. The methodology is an organic set of basic principles of research: objectivity, historicism, multifactority, systemicity, complexity, development and pluralism, and to achieve the goal, the following methods of scientific knowledge are used: problem-chronological, concrete historical, statistical, descriptive, logical and analytical. The results. The analysis of trends in the development of ballroom dance in France and the influence of French culture on the formation of ballroom choreography in the XVI — early XXI centuries. The analysis of trends in the development of ballroom dance in France and the influence of French culture on the formation of ballroom choreography in the XVI — early XXI centuries took place. The processes of transformation and democratization of ballroom choreography in the XVIII century, which already in the XIX century turned from salon art into a leisure object for various social strata throughout Europe, were investigated. In the XX century it was France that discovered non-European types of ballroom dancing for Europe, which subsequently acquired standardization in the English professional environment. In the XX century France became the country where foreign art forms appeared and adapted to the conditions of European realities. France attracted artists from all over the world because of the special national culture formed in it. During the XX century the art of ballroom choreography in France developed rapidly. French performers and teachers continued long-standing national traditions. This factor had a positive effect on the training level of dancers in the field of professional and amateur ballroom dancing. Since 2010, France has been an active member of the World Dance Sports Federation (WDSF). The French Dance Federation (Fédération Française de Danse) is one of the largest organizations that develops ballroom choreography in the country. Over the past decades, dozens of open national and world ballroom dancing championships have been held in French cities (Paris, Marseille, Lyon, Nice, etc.). The scientific topicality is to identify the processes of the influence of French culture on the development of ballroom choreography in the XVI — early XXI centuries. The practical significance. The research may be used in developing lectures by specialists in choreography.


2017 ◽  
Vol 6 (26) ◽  
Author(s):  
D. Artemov

The article analyzes the ball choreography in a variety of species, genres and formal technical and stylistic aspects. Specific features of sports ballroom dance are specified. Important factors of existence in the sociocultural process of this choreographic type were revealed. Also, scientific research is given in the field of ballroom choreography. Forms and specificity of dance programs are determined.Key words: ballroom dance, ballroom choreography, ballet, Kyiv municipal academy of variety and circus arts, scientific research, art.


Traversing ◽  
2020 ◽  
pp. 80-109
Author(s):  
Susanna Trnka

This chapter describes the world of sex and the erotic. It discusses movement and interrelationality by means of observing ballroom dance lessons, which is a required part of coming of age for many Czech youth. Following a daughter and her mother through the first steps of becoming a cultured ballroom dancer, the chapter looks at how sexuality, male dominance, and female sexual objectification are both encouraged and circumscribed on the dance floor. It considers the universality of sexual imagery and the prevalence of male violence across a range of domestic and public sites. The chapter also questions what sexuality means in terms of women's agency and whether or not, as Jan Patocka suggested, there is indeed an inherent liberatory potential to deeply intimate, erotic relations. It analyzes whether sex is a possible path to self-transcendence.


2020 ◽  
Vol 2 (38) ◽  
pp. 177
Author(s):  
T. Pavlyuk

The evolution of the German Open Ballroom Dance Championships (The German Open Competitions) 1987-2020 was investigated. The dynamics of the program of the championship competition through the prism of the genesis of dance sport was examined and the stages of the formation of the sports and dance movement in Germany at the beginning of XIX were revealed. Based on the analysis of the transformation processes of the largest sports ballroom championship in the world, the main trends in the development of dance programs have been identified. The analytical, comparative-typological, systemic, typological-structural method, as well as the method of art and compositional analysis have been applied.Keywords: competitive ballroom dancing, dance sport, The German Open Competitions, competition program, development trends.


2021 ◽  
pp. 91-97
Author(s):  
T. Pavlyuk

The purpose of this article. The purpose of the article is to determine the specifics of the evolutionary processes in the English dance style of the XX — early XXI century. The methodology is an organic set of basic research principles: objectivity, historicism, multifactority, systemacity, complexity, development and pluralism, and to achieve the goal, the following methods of scientific knowledge are used: problem­chronological, concrete historical, statistical, descriptive, logical­analytical. The results. The evolution of the English dance style took place through professionalization. Communication at the international level between teachers­choreographers, the popularization of dance competitions and tournaments, the development of a judging system formed not only the content of new ballroom dances, but also the manner of their performance. The English style of performance has become a model for the world dance society for many years. Foreign­born dances, which were fashionable among the general public, were transformed by the British dance society in the 1920s and 1930s to form the so­called “English style” of ballroom dancing. Consistently claiming that dance is an expression of national character, the country’s professional dancers and dance teachers have sought to create a British dance form that is distinct from foreign forms. It was the process of “Anglicization” of foreign ballroom dancing that became one of the most important elements of the national dance culture of Great Britain in the 1920s and 1930s. The original British school of ballroom dancing, the style and methods of which were popularized in European countries in the early 1930s, led to the development and standardization of requirements for the conduction of competitions and championships. Improving the national rating system, the English system of training and identifying the best performers of ballroom choreography for many decades of the XX century remained the only generally recognized dance school in the world. Now the UK remains a leader in the art of ballroom choreography in many of its aspects — from pedagogical methods of training high­class performers and choreographers to the media and tournament sphere. The topicality. An attempt has been made to research the topical issues of the development of the English dance style of the XX — early XXI century. The practical significance. The research may be used in developing lectures by specialists in choreography.


2018 ◽  
Vol 41 ◽  
Author(s):  
Ana Gantman ◽  
Robin Gomila ◽  
Joel E. Martinez ◽  
J. Nathan Matias ◽  
Elizabeth Levy Paluck ◽  
...  

AbstractA pragmatist philosophy of psychological science offers to the direct replication debate concrete recommendations and novel benefits that are not discussed in Zwaan et al. This philosophy guides our work as field experimentalists interested in behavioral measurement. Furthermore, all psychologists can relate to its ultimate aim set out by William James: to study mental processes that provide explanations for why people behave as they do in the world.


2020 ◽  
Vol 43 ◽  
Author(s):  
Michael Lifshitz ◽  
T. M. Luhrmann

Abstract Culture shapes our basic sensory experience of the world. This is particularly striking in the study of religion and psychosis, where we and others have shown that cultural context determines both the structure and content of hallucination-like events. The cultural shaping of hallucinations may provide a rich case-study for linking cultural learning with emerging prediction-based models of perception.


2019 ◽  
Vol 42 ◽  
Author(s):  
Nazim Keven

Abstract Hoerl & McCormack argue that animals cannot represent past situations and subsume animals’ memory-like representations within a model of the world. I suggest calling these memory-like representations as what they are without beating around the bush. I refer to them as event memories and explain how they are different from episodic memory and how they can guide action in animal cognition.


Sign in / Sign up

Export Citation Format

Share Document