scholarly journals Influence of France on the formation of ballroom choreography in the context of Western Europe culture development in the XVI — early XXI centuries

2021 ◽  
pp. 166-171
Author(s):  
T. Pavliuk
Keyword(s):  
Western Europe ◽  
Practical Significance ◽  
Active Member ◽  
Ballroom Dancing ◽  
The World ◽  
French Culture ◽  
Ballroom Dance ◽  
Culture Development ◽  
Xix Century ◽  
Positive Effect

The purpose of this paper to analyze the transformations in the French ballroom and choreographic practice, in the context of the development of culture of Western European countries of the XVI — early XXI centuries. The methodology is an organic set of basic principles of research: objectivity, historicism, multifactority, systemicity, complexity, development and pluralism, and to achieve the goal, the following methods of scientific knowledge are used: problem-chronological, concrete historical, statistical, descriptive, logical and analytical. The results. The analysis of trends in the development of ballroom dance in France and the influence of French culture on the formation of ballroom choreography in the XVI — early XXI centuries. The analysis of trends in the development of ballroom dance in France and the influence of French culture on the formation of ballroom choreography in the XVI — early XXI centuries took place. The processes of transformation and democratization of ballroom choreography in the XVIII century, which already in the XIX century turned from salon art into a leisure object for various social strata throughout Europe, were investigated. In the XX century it was France that discovered non-European types of ballroom dancing for Europe, which subsequently acquired standardization in the English professional environment. In the XX century France became the country where foreign art forms appeared and adapted to the conditions of European realities. France attracted artists from all over the world because of the special national culture formed in it. During the XX century the art of ballroom choreography in France developed rapidly. French performers and teachers continued long-standing national traditions. This factor had a positive effect on the training level of dancers in the field of professional and amateur ballroom dancing. Since 2010, France has been an active member of the World Dance Sports Federation (WDSF). The French Dance Federation (Fédération Française de Danse) is one of the largest organizations that develops ballroom choreography in the country. Over the past decades, dozens of open national and world ballroom dancing championships have been held in French cities (Paris, Marseille, Lyon, Nice, etc.). The scientific topicality is to identify the processes of the influence of French culture on the development of ballroom choreography in the XVI — early XXI centuries. The practical significance. The research may be used in developing lectures by specialists in choreography.

scholarly journals Anglicization and Canonization of Ballroom Dance, Late 19th — Early 20th Century

2021 ◽  
pp. 91-97
Author(s):  
T. Pavlyuk
Keyword(s):  
Basic Research ◽  
Practical Significance ◽  
Ballroom Dancing ◽  
Dance Culture ◽  
Dance Teachers ◽  
British School ◽  
The World ◽  
Ballroom Dance ◽  
The Media ◽  
The Uk

The purpose of this article. The purpose of the article is to determine the specifics of the evolutionary processes in the English dance style of the XX — early XXI century. The methodology is an organic set of basic research principles: objectivity, historicism, multifactority, systemacity, complexity, development and pluralism, and to achieve the goal, the following methods of scientific knowledge are used: problem­chronological, concrete historical, statistical, descriptive, logical­analytical. The results. The evolution of the English dance style took place through professionalization. Communication at the international level between teachers­choreographers, the popularization of dance competitions and tournaments, the development of a judging system formed not only the content of new ballroom dances, but also the manner of their performance. The English style of performance has become a model for the world dance society for many years. Foreign­born dances, which were fashionable among the general public, were transformed by the British dance society in the 1920s and 1930s to form the so­called “English style” of ballroom dancing. Consistently claiming that dance is an expression of national character, the country’s professional dancers and dance teachers have sought to create a British dance form that is distinct from foreign forms. It was the process of “Anglicization” of foreign ballroom dancing that became one of the most important elements of the national dance culture of Great Britain in the 1920s and 1930s. The original British school of ballroom dancing, the style and methods of which were popularized in European countries in the early 1930s, led to the development and standardization of requirements for the conduction of competitions and championships. Improving the national rating system, the English system of training and identifying the best performers of ballroom choreography for many decades of the XX century remained the only generally recognized dance school in the world. Now the UK remains a leader in the art of ballroom choreography in many of its aspects — from pedagogical methods of training high­class performers and choreographers to the media and tournament sphere. The topicality. An attempt has been made to research the topical issues of the development of the English dance style of the XX — early XXI century. The practical significance. The research may be used in developing lectures by specialists in choreography.

scholarly journals North Africa in Russian Travelers Perception: Algeria, Tunisia, Egypt in Russian Travelogues

2020 ◽  
Vol 17 (4) ◽  
pp. 505-513
Author(s):  
Samiha Mulahi
Keyword(s):  
North Africa ◽  
Western Europe ◽  
Geographical Area ◽  
North African ◽  
African Countries ◽  
The World ◽  
Xix Century ◽  
North African Countries

The article is devoted to the analysis of Russian travelers ideas about North African countries (Algeria, Tunisia, Egypt) in the period from the end of the XIX century to the beginning of the XX century. The paper considers the perception of this geographical area by Russian travelers in literary travelogues. North Africa in the designated period of time was considered not only as the cradle of ancient and great civilization, but also as a Europeanized, modernized territory of the Arab area. The travelogues analyzed in the article make it possible to distinguish in them two different cultural pictures of the world - North Africa and the picture of the world of Western Europe reflected in it.

scholarly journals Anglicization and canonization of ballroom dance, late 19th - early 20th century

2021 ◽  
Author(s):  
Tetiana Pavliuk
Keyword(s):  
National Level ◽  
The United States ◽  
Common People ◽  
Ballroom Dancing ◽  
Social Dances ◽  
Ballroom Dance ◽  
Professional Pride ◽  
The 1960S ◽  
Xix Century ◽  
The 19Th Century

Purpose of the Article. The aim of the article is to analyze the processes of anglicization and canonization of ballroom dance, during the period of democratization of social dances in England, in the late 19th - early 20th centuries. Methodology is an organic set of basic principles of research: objectivity, historicism, multifactor essence, systematicity, complexity, development, and pluralism, to achieve the goal, the following methods of scientific knowledge are used: problem-chronological, concrete historical, statistical, descriptive, logical- analytical. Scientific Novelty. The scientific novelty lies in the identification of the processes of origin and development of competitive ballroom dancing in England at the end of the 19th - beginning of the 20th centuries. Conclusions. The widespread democratization of social dancing in England began as early as the 19th century when the Austrian waltz and other ballroom dancing became popular among all social strata. Democratic fervor of the common people, which at the end of the XIX century got the opportunity to relax on the resort coast of Great Britain, gave birth to the first dance competition in ballroom dancing. It was often noted by professional dance experts that the new British dance forms were superior to the original. Certainly, the distinctive features and high quality of British ballroom dancing were a matter of special professional pride. The advantages of a standardized English style as early as the late 30s. The XX century was recognized outside the country for the extraordinary success of British dancers in international ballroom dancing championships. Gradually, it established the international standard for ballroom dancing and was adopted by many of the world's dance organizations at the national level, with the exception of the United States of America (by many American competitive ballroom dancers, the English style was not adopted until the 1960s.).

scholarly journals THE BEGINNING OF HISTORICAL AND ARTISTIC PERIODIC IN ODESSA AT THE END OF THE XIX CENTURY

2021 ◽  
pp. 58-69
Author(s):  
O. Muzychko
Keyword(s):  
Teaching Methods ◽  
Art History ◽  
Western Europe ◽  
Interdisciplinary Approach ◽  
Cultural Development ◽  
Art And Science ◽  
Initial Stage ◽  
Art Works ◽  
The World ◽  
Xix Century

The purpose of this article is to cover one of the episodes in the initial stage of publishing Odessa almanacs or collections, the authors of which tried to raise to a new professional level the study of the history and theory of art and methods of familiarizing with public art. The object of our study is the collection “From the world of art and science”. Despite the general failure of the project as a periodical, two issues of the collection “From the world of art and science” should be considered a bright phenomenon of cultural development in Odessa during the era of modernization. In this case, the modernization was reflected in the desire of A. O. Matveev to lay the foundations of scientific art history in Odessa, which N. P. Kondakov did at the highest scientific level at the same time in this city, and combined it with the tasks of popularizing and teaching methods of art. The insufficiently defined collection’s character, either as a purely scientific, or as a popularizing and pedagogical one, probably did not attract representatives of the Scientific Humanitarian elite of Odessa, professors of Novorossiysk University – N. P. Kondakov, literary historian A. I. Kirpichnikov, byzantinist F. I. Uspensky, whose works could raise it to a higher level. The collection helped to familiarize first of all Odessa residents with the latest achievements of Art History thought in Western Europe at that time, because A. A. Matveev richly saturated the text with numerous references to the works of Western European scientists, the presentation of their thoughts. The collection is a source for learning about the development of art history pedagogy in Odessa, because some of its articles were lectures by teachers of the Odessa Drawing School. The elegantly published collection is one of the testimonies about the development of printing in Odessa, the experience of highquality publication of art works. The editor’s interdisciplinary approach and desire to integrate various but related branches of art and Science (History, Art History, Literary Studies, musicology) have not lost their relevance.

scholarly journals GERMAN OPEN CHAMPIONSHIP IN THE CONTEXT OF SPECIFIC DEVELOPMENT OF COMPETITIVE BALLROOM DANCING

2020 ◽  
Vol 2 (38) ◽  
pp. 177
Author(s):  
T. Pavlyuk
Keyword(s):  
Program Development ◽  
Compositional Analysis ◽  
Structural Method ◽  
Development Trends ◽  
Dance Movement ◽  
Ballroom Dancing ◽  
The World ◽  
Ballroom Dance ◽  
Transformation Processes

The evolution of the German Open Ballroom Dance Championships (The German Open Competitions) 1987-2020 was investigated. The dynamics of the program of the championship competition through the prism of the genesis of dance sport was examined and the stages of the formation of the sports and dance movement in Germany at the beginning of XIX were revealed. Based on the analysis of the transformation processes of the largest sports ballroom championship in the world, the main trends in the development of dance programs have been identified. The analytical, comparative-typological, systemic, typological-structural method, as well as the method of art and compositional analysis have been applied.Keywords: competitive ballroom dancing, dance sport, The German Open Competitions, competition program, development trends.

Understanding Suicide Terrorism

2017 ◽  
Vol 36 (04) ◽  
pp. 245-250
Author(s):  
A. Speckhard
Keyword(s):  
Western Europe ◽  
Field Research ◽  
Suicide Terrorism ◽  
Terrorist Organizations ◽  
Global Migration ◽  
The Balkans ◽  
Single Region ◽  
Extensive Field ◽  
The World ◽  
Terrorist Groups

SummaryAs a terror tactic, suicide terrorism is one of the most lethal as it relies on a human being to deliver and detonate the device. Suicide terrorism is not confined to a single region or religion. On the contrary, it has a global appeal, and in countries such as Syria, Iraq, Afghanistan, and Pakistan it has come to represent an almost daily reality as it has become the weapon of choice for some of the most dreaded terrorist organizations in the world, such as ISIS and al-Qaeda. Drawing on over two decades of extensive field research in five distinct world regions, specifically the Middle East, Western Europe, North America, Russia, and the Balkans, the author discusses the origins of modern day suicide terrorism, motivational factors behind suicide terrorism, its global migration, and its appeal to modern-day terrorist groups to embrace it as a tactic.

Searching for new Sources of growth. Are the Developing Countries Catching up with the Developed ones?

2015 ◽  
pp. 30-53
Author(s):  
V. Popov
Keyword(s):  
Developing Countries ◽  
Western Europe ◽  
Gdp Per Capita ◽  
The West ◽  
Catching Up ◽  
The Us ◽  
The World ◽  
Economic Divergence ◽  
Per Capita ◽  
Relative Standing

This paper examines the trajectory of growth in the Global South. Before the 1500s all countries were roughly at the same level of development, but from the 1500s Western countries started to grow faster than the rest of the world and PPP GDP per capita by 1950 in the US, the richest Western nation, was nearly 5 times higher than the world average and 2 times higher than in Western Europe. Since 1950 this ratio stabilized - not only Western Europe and Japan improved their relative standing in per capita income versus the US, but also East Asia, South Asia and some developing countries in other regions started to bridge the gap with the West. After nearly half of the millennium of growing economic divergence, the world seems to have entered the era of convergence. The factors behind these trends are analyzed; implications for the future and possible scenarios are considered.

Small Industry, Gimmicks and Moscow Statistics, or How the Small Russian Enterprise Came into the World (Russian Physiological Sketch, 1830-1840)

2009 ◽  
pp. 123-129
Author(s):  
Yu. Golubitsky
Keyword(s):  
Small Businesses ◽  
Statistical Data ◽  
Russian Enterprise ◽  
Small Enterprises ◽  
Business Practices ◽  
Way Of Life ◽  
The World ◽  
Small Industry ◽  
Xix Century

The article considers business practices of Moscow small industry in the XIX century, basing upon physiological sketches of N. Polevoy and I. Kokorev, statistical data and the classification of professions are also presented. The author claims that the heroes of the analyzed sketches are the forefathers of Moscow small businesses and shows what a deep similarity their occupations and a way of life bear to the present-day routine existence of small enterprises.

Consumption Emotions and Consumer Values among Turkish Consumers during the COVID-19 Pandemic

2020 ◽  
Vol 8 (2) ◽  
pp. 135-160
Author(s):  
Nevin Karabiyik Yerden
Keyword(s):  
Questionnaire Survey ◽  
Sampling Method ◽  
Significant Positive Effect ◽  
Consumption Emotions ◽  
The World ◽  
Consumer Values ◽  
Convenience Sampling ◽  
Business Structures ◽  
Consumer Lifestyles ◽  
Positive Effect

The COVID 19 pandemic created economic havoc around the world. Along with healthcare challenges, the pandemic has also been changing consumer lifestyles. It affects business structures and service delivery too. This article draws on an investigation of the effect of consumption emotions of Turkish consumers on consumer values during the COVID 19 Pandemic. A convenience sampling method was adopted in the study and a questionnaire survey was administered to collect 390 consumer cases. The results show that the consumption emotions of Turkish consumers during the COVID 19 Pandemichad a significant positive effect on consumer values. It was found that Turkish consumers were to feel anxiety, calmness and hope more often than not during the pandemic.

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