scholarly journals Research on the Interactive Development of Dong Village Cultural Heritage Protection and Night Tourism: a Case Study of Huangdu Dong Village in Hunan

2021 ◽  
Vol 251 ◽  
pp. 02005
Author(s):  
Mengyao Tian ◽  
Wenjun Zheng ◽  
Na Wang

Under the policy of cultural tourism integration, the huge economic and social benefits brought by night tourism are gradually recognized. Based on the compatibility, in response to the needs of cultural heritage protection and night tourism development in the Southwest Dong area, a driving mechanism for night tourism and cultural heritage live protection with the spirit of place as the core is proposed. Taking the Huangdu Dong Village in Hunan as an example, the research explored the traditional night culture of Dong Village, analysed the development status of night tourism, and proposed interactive development strategies for Dong Village night tourism and cultural heritage protection, which will help the destination resource allocation shift from space expansion to time expansion and accelerate its innovative development on the basis of the protection of the authenticity of cultural heritage. The research has certain reference significance for the survival of traditional culture and the innovative development of tourism in ethnic minority villages.

2020 ◽  
Vol 6 (4) ◽  
pp. 307-319
Author(s):  
Vicki Oliveri ◽  
Glenn Porter ◽  
Pamela James ◽  
Jenny Wise ◽  
Chris Davies

Purpose This paper aims to explore how stolen Indian antiquities were purchased by a major Australian collecting institution, despite cultural protection policies designed to prevent such inappropriate acquisitions. Using the acquisition of the Dancing Shiva as a case study, the purpose of this paper is to examine how collecting institutions such as the National Gallery of Australia experience difficulty when determining legal title through provenance research. The impact of incautious provenance research produces significant risk to the institution including damaging its social responsibility credentials and reputation when the acquisition is discovered to be stolen. Design/methodology/approach This research applies a qualitative case study method and analysis of sourced official policy documents, personal communication with actors involved with the case, media reports and published institutional statements. Findings This work identifies four contributing factors that resulted in the National Gallery of Australia’s acquisition of stolen Indian artefacts: a misguided level of trust of the art dealer based on his professional reputation; a problematic motivation to expand the gallery’s Asian art collection; a less transparent and judicious acquisition process; and a collaboration deficiency with cultural institutions in India. Crime preventative methods would appear to be a strategic priority to counter art crime of this nature. Research limitations/implications Additional research into how collecting institutions can be effectively supported to develop and implement crime preventative methods, especially less-resourced institutions, can potentially further enhance cultural heritage protection. Practical implications Fostering a higher degree of transparency and institutional collaboration can enhance cultural heritage protection, develop a greater level of institutional ethics and social responsibility and identify any potential criminal activity. Changing the culture of “owning” to “loaning” may provide a long-term solution for cultural heritage protection, rather than incentivising a black market with lucrative sums of money paid for artefacts. Social implications Art crime involving the illegal trade of antiquities is often misinterpreted as a victimless crime with no real harm to individuals. The loss of a temple deity statue produces significant spiritual anguish for the Indian community, as the statue is representative not only of their God but also of place. Collecting institutions have a social responsibility to prioritise robust provenance policy and acquisition practices above collection priorities. Originality/value Art crime is a relatively new area within criminology. This work examines issues involving major collecting institutions acquiring stolen cultural heritage artefacts and the impact art crime has on institutions and communities. This paper unpacks how motivations for growing more prestigious collections can override cultural sensibilities and ethical frameworks established to protect cultural heritage. It highlights the liabilities associated with purchasing antiquities without significant due diligence regarding provenance research and safeguarding cultural heritage. It also emphasises the importance for collecting institutions to establish robust acquisition policies to protect the reputation of the institutions and the communities they represent.


2021 ◽  
Vol 13 (10) ◽  
pp. 5337
Author(s):  
Norbert Sipos ◽  
Norbert Pap ◽  
Tibor Gonda ◽  
Ákos Jarjabka

The Süleyman’s Türbe in Szigetvár (Hungary) is a historical monument with exceptional features; the aim of the study is to present the planned cultural-tourism centre investment goals, risks and externalities. Cultural and tourism specificities significantly influence the implementation of such unique, three nations concerning projects. One of the crucial conditions of the implementation is the integration into the existing cultural heritage plans and the proper management of the related uncertainties. The authors decided to handle the Türbe as an investment project; therefore, a tourism exploratory analysis, a risk analysis, and externalities identification are discussed in this paper. The project development was carried by nominal groups between June and December of 2019 using professional experts workshops, group decision and information gathering approaches. The paper is using a case-study-based investigation. The most significant risks and their mitigation strategies are the emergences of Turkish influence: Turkish–Hungarian consultation, intensive consultation with Turkish Cooperation and Coordination Agency (TCCA); problems related to expropriation: preventive communication, cultivating good relations; delay in project implementation: professional lobby, preparation of scenarios. This study aims to present the design model of this multifaceted, international-scale project. It is suggested that similar projects should be handled and considered as a whole to reach the maximum of their potential.


2020 ◽  
Vol 9 (6) ◽  
pp. 39
Author(s):  
Zhaozhen Song ◽  
Jing Lu

Chinese traditional culture is the root and soul of the Chinese nation, the soft power of the national culture, and the source to strengthen cultural confidence. As an important part of traditional Chinese culture, folk culture is the basis for telling Chinese stories well. Folk cultural heritage is the golden name card of national culture going to the world, and protecting and inheriting it is an important mission given by the new era. The important discussion on cultural heritage protection is not only a scientific inquiry into the practice of cultural heritage protection, but also points out the direction for cultural tourism to help poverty alleviation work.


Author(s):  
W. H. Hsu ◽  
Y. P. Lai

These Many countries have put a lot of efforts, promoting education of cultural heritage, to raise the conservation awareness and increase people’s participation. However, the development of Taiwan's higher education about cultural heritage has not shown a significant growth, so it didn’t train talents with enough cultural heritage awareness. In the workplace, these professionals will inevitably lack of comprehensions and the appropriate professional assessments for cultural heritage. Hence, the main objective of this paper is to study and combine these concepts into the core curriculum of Department of Construction and Spatial Design at Tungnan University. It takes the local "Shenkeng historic cultural district" as a case study, and will gradually develop an proper interdisciplinary course in order to help local residents implement projects of conserving cultural heritage. This plan not only can increase schools’ engagements toward communities, with an ability of social civilization, but also it can encourage the conservation and maintenance of cultural heritages.


2019 ◽  
Vol 10 (2) ◽  
pp. 126-143
Author(s):  
Concepción Martínez Alcalá ◽  
◽  
Encarnación Moral Pajares ◽  

Culture-related economic activity accounts for more than 2.4% of Spain’s GDP. Specifically, according to the 2017 Spanish Cultural Statistical Yearbook, cultural tourism was the motivation for 16.8% of total trips within Spain taken by domestic tourists in 2016, and more than 12% of trips by foreign tourists visiting Spain. The valuation of the cultural heritage assets that attract tourists involves using, among other techniques, direct methods that account for potential visitors’ preferences. The aim of this research is twofold: first, to identify the socioeconomic profile of the tourists who visit Jaén; and second, to quantitatively assess, by means of the contingent valuation method, visitors’ willingness to pay for the services offered by a cultural heritage interpretation centre. The results of this case study confirm the tourism potential of the site.


2015 ◽  
Vol 22 (2) ◽  
pp. 73-92 ◽  
Author(s):  
Iwona Pielesiak

It could be argued that cultural heritage in Poland, like in other post-socialist countries, is losing its importance due to modernisation, and that its preservation is in conflict with new investment. The situation is caused by several factors. Firstly, free use of private property is often more valued than the care for historical landscapes, which could be attributed to the consequences of the economic crisis. Secondly, there are legal shortcomings in spatial planning and heritage conservation systems. Thirdly, cooperation among politicians, urban planners and heritage protection officers is not efficient. Since the transition period of the 1990s, historic relics have been exposed to multiple threats. The following case study of Łódź illustrates the general need for a change of approach towards cultural legacy management, especially in reference to more common heritage elements which are not under hard protection.


2020 ◽  
Vol 9 (1) ◽  
pp. 69-79
Author(s):  
Dominic Uduakabasi Okure

This paper evaluates developments in the intangible cultural heritage (ICH) discourse with particular reference to Nigeria, with a view to identifying  challenges to its proper conservation and management on the one hand, and projecting its potential for optimised cultural tourism on the other. Along with an overview of the ICH industry in Nigeria, the Zangbeto masked tradition of the Ogu of south-western Nigeria was proposed as an  example of the nation’s many intangible cultural heritage models and expressions that could be engineered through nationalisation for enhanced cultural tourism, national development and unity, and international collaboration. Through a triangulation of the phenomenological and case study approaches, complemented by a hermeneutical investigation of some significant themes on the subject, this paper explored the background to the UNESCO Convention on ICH and the attendant conceptual developments and critical junctures in the ICH discourse. It also examined the issue of ICH’s under representation in micro and macro strategies for social and economic development, reconceptualise nationalisation to accommodate specific anthropological concerns, and went on to propose a nationalisation-based analysis and management framework for the celebration, evaluation, effective conservation, preservation and management of Nigeria’s ICH with the Zangbeto tradition as a cultural model. Key Words: Nationalisation; Zangbeto; Intangible Cultural Heritage; Cultural Tourism;Analysis and Management Frameworks.


2015 ◽  
Vol 6 (12) ◽  
pp. 58 ◽  
Author(s):  
José L. Caro ◽  
Salvador Hansen

<p>Everyone knows the importance of new technologies and the growth they have had in mobile devices. Today in the field of study and dissemination of cultural heritage (including archaeological), the use of digital 3D models and associated technologies are a tool to increase the registration quality and consequently a better basis for interpretation and dissemination for cultural tourism, education and research. Within this area is gaining positions photogrammetry over other technologies due to its low cost. We can generate 3D models from forografí as through a set of algorithms that are able to obtain very approximate models and very realistic textures. In this paper we propose the use of game-engines to incorporate one element diffusion: the ability to navigate the 3D model realistically. As a case study we use a Menga dolmen that will serve as a study and demonstration of the techniques employed. </p>


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