scholarly journals Innovative Research on the Protection and Inheritance of Folk Cultural Heritage under the Background of Poverty Alleviation

2020 ◽  
Vol 9 (6) ◽  
pp. 39
Author(s):  
Zhaozhen Song ◽  
Jing Lu

Chinese traditional culture is the root and soul of the Chinese nation, the soft power of the national culture, and the source to strengthen cultural confidence. As an important part of traditional Chinese culture, folk culture is the basis for telling Chinese stories well. Folk cultural heritage is the golden name card of national culture going to the world, and protecting and inheriting it is an important mission given by the new era. The important discussion on cultural heritage protection is not only a scientific inquiry into the practice of cultural heritage protection, but also points out the direction for cultural tourism to help poverty alleviation work.

2017 ◽  
Vol 8 (2) ◽  
pp. 137-146 ◽  
Author(s):  
Xing Yu Zhu ◽  
Abdul Razaque Chhachhar

Abstract China is becoming one of the super powers in the world and the Chinese government is trying to promote Confucianism, the core philosophy of East Asia to the rest of the world in order to strengthen its soft power. As modernization is becoming the global process since the Cold War, the modernization of Confucianism is as well under process to fit in the new era. This article is based on a case of Confucianism promoting project to study the process and effect of cultural modernization and test how modernization helps the promotion of traditional Chinese culture. Such as, 1. The modernization will trigger voluntary and involuntary changes of the culture. 2. Cultural modernization will create a common language with other culture background people that are helpful in order to better understand Chinese traditional culture. 3. Different cultural background people are more sensitive to their own cultural elements even modernization combines various factors of traditional and modern culture or foreigner and local culture.


Author(s):  
Ainur Rohimah ◽  
Joni Wibowo ◽  
Ricky Yulius Kristian

The discovery of Statue and Red Bricks (Bata Abang) located in Sukoreno Village. The Red Brick in Sukoreno site has scattered in settlements and suspected that many Red Bricks has been crushed by residents. Being a cultural heritage of the past, this site needs deep attention and is very important to be studied as an Indonesian nation's self-image. The researcher used the folklore method to uncover the surrounding of the cultural and historical context. In addition, through physiological comparative studies, the shape and characteristics of decapitated statue and red bricks with Majapahit relics in Trowulan, it is found that decapitated statues (Sukoreno statues) have physiological characteristics (shapes and models) that are similar to the Nandiswara or Mahakala statues. The first identification lead the researcher how the connection of  the Sukoreno Site with The East Majapahit Kingdom. This effort is expected to be able to support the development of the cultural tourism area in Jember Regency and contribute to the retention of assets of national culture, especially the culture of the people in Jember. This research concludes that The Sukoreno Site as an important area and assume The Sukoreno Site as a palace.


Author(s):  
Aranya Siriphon ◽  
Jiangyu Li

Abstract It has become known that the Confucius Institute (CI) and the Overseas Chinese Affairs Office (Qiaoban) are operated as tools of state-led mechanism, or Chinese statecraft with the ultimate goal of expanding China's cultural soft power. Following the direction, Xi Jinping has been pushing the notion of the “Chinese dream,” focusing on the realm of Chinese traditional culture and launching a new state-led mechanism. This article examines an emerging state-led mechanism known as “Chinese Homeland Bookstores” (CHBs), which was proposed by a provincial government-financed state-owned enterprise, and recently expanded to Thailand and various Mekong countries. I contend that the entities, such as CHBs and also CI and Qiaoban, are being extensively utilized as part of a larger state apparatus supporting the regime's Chinese traditional culture campaign. However, the CHB case and those of other government-led institutions illustrate how they combine nation-state work with market-oriented business strategies, to effectively promote Chinese culture “going out” with a focus on financial sustainability.


Author(s):  
Chen Chenlin

Cultural soft power is the overall influence and competitiveness of a country's culture. Enhancing the soft power of national culture has become a major strategic issue of each country all over the world. As the world’s second largest economy, the development of cultural industry and the promotion of Chinese culture has always been regarded as an important task, which has made good achievements in the development of China’s cultural soft power. Especially, in recent years, China's leaders have paid high attention to cultural soft power, which has produced cultural influence and attraction to a certain level internationally, and created a beautiful image of China at the same time. This paper makes a systematic analysis on the effect of the development of China's cultural soft power. By combining with the reality of the development of Ukraine's cultural soft power, this paper tries to put forward the way and strategies to develop Ukraine's cultural soft power, to improve policies and regulations, and to implement innovative development of Ukraine's culture on the basis of studying the development measures and beneficial experience of China's cultural soft power. In this way, Ukraine's cultural industry will be stronger and larger, and then, the system of Ukraine’s culture dissemination to foreign countries will be established.


2020 ◽  
Vol 8 (3) ◽  
pp. 601
Author(s):  
Benny Irwan Towoliu ◽  
Dimas Ero Permana ◽  
Fonny Sangari

The purpose of this study was to analyze the residents’ perception towards the Chinese cultural attraction as an icon of cultural heritage tourism in Manado city. Manado is a predominantly Christian community and dominated by indigenous Minahasa tribes. But, now the city is populated by various inhabitants such as Sangir, Gorontalo, Maluku, and even foreign immigrants such as China and Arab migrating since the Dutch colonial era. Of the various communities that exist, practically only the Chinese community that still maintains its rituals amid strong advances in the tourism industry, this cultural practice can become an icon for cultural tourism. However, can the cultural ritual be accepted as an icon of Manado cultural tourism? This research was in the form of a descriptive qualitative approach. The instruments of data collection were questionnaires and field observations. Questionnaires were distributed to 325 respondents spread in Manado. Empirical results showed that every ritual attraction of Chinese Culture had always been awaited and an interesting spectacle for the people of Manado since the people of Chinese descent domiciled in Manado City. These findings could also provide recommendations for policymakers in setting annual tourist agendas as well as providing legal certainty for this region of Chinatown with various attractions as a cultural heritage area.


2014 ◽  
Vol 507 ◽  
pp. 646-649
Author(s):  
Hong Zhou ◽  
Dong Xiang Hu ◽  
Guo Zheng Wu

The ancient waterway of Yuan River, which blended the settlement culture of ancient town, national culture, religion communication and commercial business, is an important cultural lines, and present an important clue for heritage protection. And this research is the preliminary study of cultural routes heritage protection in this area. Under the background of cultural routes heritage protection, it explores the shipping background and geographical features of routes in Yuanshui River by means of documents collection and field survey to renovate it and gropes for the cultural characteristics of water transport economic and the unique living culture generated by shipping to offer experiences for the cultural heritage of Yuanshui Shipping Route.


2021 ◽  
Vol 251 ◽  
pp. 02005
Author(s):  
Mengyao Tian ◽  
Wenjun Zheng ◽  
Na Wang

Under the policy of cultural tourism integration, the huge economic and social benefits brought by night tourism are gradually recognized. Based on the compatibility, in response to the needs of cultural heritage protection and night tourism development in the Southwest Dong area, a driving mechanism for night tourism and cultural heritage live protection with the spirit of place as the core is proposed. Taking the Huangdu Dong Village in Hunan as an example, the research explored the traditional night culture of Dong Village, analysed the development status of night tourism, and proposed interactive development strategies for Dong Village night tourism and cultural heritage protection, which will help the destination resource allocation shift from space expansion to time expansion and accelerate its innovative development on the basis of the protection of the authenticity of cultural heritage. The research has certain reference significance for the survival of traditional culture and the innovative development of tourism in ethnic minority villages.


2020 ◽  
Vol 9 (3) ◽  
pp. 78
Author(s):  
Bowen Yin ◽  
Ting Zhang

In the space design of solar inn, we should grasp the aesthetic fatigue of modern touriststo the common commercial hotel and build a hotel with the theme of national culture. Through on-the-spot investigation of the architectural culture characteristics of the Manchu nationality in Northeast China, the characteristics of the architectural culture of the Manchu nationality in Northeast China are analyzed.The study of folk architecture inherits and develops under the background of the development of the new era, so that the national cultural architecture can be better innovated, especially in the area similar to the Manchu folk culture in northeast China.


2013 ◽  
Vol 357-360 ◽  
pp. 396-399
Author(s):  
Zheng Lei Dong

The traditional Chinese elements, which are the embodiments of Chinese culture, should be naturally applied into modern environmental art design. And the residents psychological needs should be put in the first place in the design process because their natural emotions are closely related to the national culture. So during the design process, designers are required to absorb the essence of traditional Chinese elements and to bring forth new ideas in order to make the environmental art design consistent with the development of Chinese traditional culture.


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