Malaysia’s contemporary broadcast media regulation through the eyes of regulators

2015 ◽  
Vol 25 (2) ◽  
pp. 231-242
Author(s):  
Chang Peng Kee ◽  
Kho Suet Nie ◽  
Rudiger Korff ◽  
Sascha Helbardt

This paper aims to gauge the perception of media regulators in Malaysia on the contemporary media landscape and regulation processes in Malaysia, specifically focusing on the broadcast media. The researchers aims to understand the regulation procedures conducted, the steps taken to resolve conflicts of regulation if any and also the regulators perceptions on freedom of speech, self regulation and media governance. This study employed the qualitative method of in-depth interviews with five regulators from three different regulatory bodies, namely the Ministry of Home Affairs, Malaysia Communication and Multimedia Commission (MCMC) and Communication and Multimedia Content Forum (CMCF). The interviews proved that contrary to the common belief, the public sphere in Malaysia has a strong influence on the regulators as all regulatory bodies act upon public complaints. The study also showed that there are formal and informal procedures and conflict resolution strategies applied on case-to-case basis. The regulators painted a positive picture of good relationship with the broadcast media with much communication between the two entities. They agreed that the current media law in Malaysia is sufficient, albeit a need to improve the standard operating procedures. They also believe in shared responsibility with the industry rather than self regulation.

2019 ◽  
Vol 5 ◽  
pp. 205032451987228 ◽  
Author(s):  
Jacob S Aday ◽  
Christopher C Davoli ◽  
Emily K Bloesch

While interest in the study of psychedelic drugs has increased over much of the last decade, in this article, we argue that 2018 marked the true turning point for the field. Substantive advances in the scientific, public, and regulatory communities in 2018 significantly elevated the status and long-term outlook of psychedelic science, particularly in the United States. Advances in the scientific community can be attributed to impactful research applications of psychedelics as well as acknowledgement in preeminent journals. In the public sphere, Michael Pollan’s book How to Change Your Mind was a commercial hit and spurred thought-provoking, positive media coverage on psychedelics. Unprecedented psychedelic ballot initiatives in the United States were representative of changes in public interest. Finally, regulatory bodies began to acknowledge psychedelic science in earnest in 2018, as evidenced by the designation of psilocybin-assisted psychotherapy to “breakthrough therapy” status for treatment-resistant depression by the U.S. Food and Drug Administration (FDA). In short, 2018 was a seminal year for psychedelic science.


2014 ◽  
Vol 150 (1) ◽  
pp. 89-95
Author(s):  
Kate Darian-Smith

Although astrological divinations, demonstrations of psychic powers and the teachings of non-conventional and New Age spirituality have had a ubiquitous presence in the Australian print and broadcast media for almost a century, they have attracted scant attention from media scholars. This article surveys the history of astrological and psychic content in the Australian media from the 1920s, arguing that such content generated new genres of programming and entertainment, and challenged the established authority of religion and scientific knowledge in the public sphere.


2019 ◽  
Author(s):  
AG. Eka Wenats Wuryanta

Public broadcasting can relatively accommodate a public sphere that has autonomy and independence. It also facilitates ongoing cultural activities in various aspects of functional life. Public broadcasting as a public sphere is expected to become a new format of public life that can accommodate a variety of public interests into a shared vision in the administration of public life in an honorable and democratic manner. In the context of contemporary reforms, there should be opportunities to develop new formats for the existence of government broadcasting media (RRI / TVRI) to become autonomous and independent institutions that carry out cultural functions in the public sphere (read: public broadcast media). Within the framework of achieving public space based on fulfilling public rights in accessing, receiving, and providing information openly and responsibly.


GIS Business ◽  
2019 ◽  
Vol 14 (6) ◽  
pp. 380-391
Author(s):  
Dr.V.R. Palanivelu ◽  
A. Apdhulkasdhar

Corporate social responsibility (CSR, also called corporate conscience, corporate citizenship, social performance, or sustainable Responsible Business is a form of corporate self-regulation included into a company model. CSR is a process with the aim to embrace responsibility for the company's actions and encourage a positive impact through its activities on the environment, consumers, employees, communities, stakeholders and all other members of the public sphere who may also be considered as stakeholders. This research paper is carried on to find out the level of CSR activities carry out by the companies and their opinion regarding the problems  faced  and  the  companies‟  active participation  to  improve  the  society.  The study is based on primary data collected from 260 respondents by means of a questionnaire.  Convenient sampling technique was applied and statistical tools like Percentage Analysis, Two - way ANOVA, Factor analysis was carried out in order to reveal the results of the study.


Text Matters ◽  
2013 ◽  
pp. 186-202 ◽  
Author(s):  
Anthony Barker

Since the mid-twentieth century, we have passed from a time where sexual frankness was actively obstructed by censorship and industry self-regulation to an age when pornography is circulated freely and is fairly ubiquitous on the Internet. Attitudes to sexually explicit material have accordingly changed a great deal in this time, but more at the level of the grounds on which it is objected to rather than through a general acceptance of it in the public sphere. Critical objections now tend to be political or aesthetic in nature rather than moralistic. Commercial cinema still seems wary of a frank exploration of sexuality, preferring to address it tangentially in genres such as the erotic thriller. In Europe, an art house canon of sexually explicit movies has formed, starting with Bertolucci’s Last Tango in Paris (1972) and the French-produced In the Realm of the Senses (1976). This article looks at the steps taken since the 1970s to challenge out-of-date taboos and yet at the same time differentiate the serious film about se Xfrom both pornography (operating in parallel with mainstream cinema but in its shadow) and the exploitation film. After reviewing the art film’s relationship with both hard and soft core, two recent films, Intimacy (2000) and 9 Songs (2005), are analyzed for their explicit content and for the way they articulate their ideas about sex through graphic depictions of sexual acts. Compulsive and/or claustrophobic unsimulated sexual behaviour is used as a way of asking probing questions of intimacy (and its filmability). This is shown to be a very different thing from the highly visual and staged satisfactions of pornography.


2021 ◽  
Vol 55 (2) ◽  
pp. 538-561
Author(s):  
Ljubiša Bojić ◽  
Damir Zejnulahović ◽  
Miloš Janković

Social media are becoming an indispensable communication tool today, including political communication. Therefore, technological companies running them have a great power. Every intervention they have in the public sphere may have far-reaching consequences. We will focus on two cases of the influence of technological companies on media, election and legislative processes as basic factors of democracy. We will consider the implications of the prohibition of Donald Trump's use of Twitter, as well as the conflict of Australia's media policy with Facebook and Google. We have reached the conclusion that in these cases technological companies took over the power that used to belong to the judicial and legislative branch of power, in terms of defining what hate speech, as well as media regulation is. Accordingly, this threatens the information system and sovereignty of the countries where these interventions are made. These events indicate that the world is entering a period of domination of technological companies, which may be called technocracy or technofeudalism. Further considerations should be directed towards defining social media as a public good that should be influenced by societies and not only technological companies as the owners of these communication platforms.


2017 ◽  
Vol 1 (1) ◽  
Author(s):  
Daniel Susilo

After 1999, Indonesia's Media became grown up. It is the implication of the fallen of the authoritarian regime, Suharto. The growth has another side effect about trends of media conglomeration. Indonesian Media Conglomerate such as Tanoesoedibjo, Tandjung, Paloh and Bakrie also have the background as a politician. Mass media are an efficient tool to change the mind of people.  Mass society theory makes several basic assumptions about individuals, the role of media, and the nature of social change. Media owner used their media for preserving his political influences. Facing this situation, Indonesian regulation about media ownership ignored by media owners. They used their power in the political area to get away from the regulation. Whereas, in Indonesian Law Number 32, issued on 2002 about Broadcasting Media, Especially on Chapter 36 verse 4 states, "broadcast content must be maintained neutrality and should not put the interests of a group". Many complain from the media audience, but no action from the government. The regulator doesn't enforce the law, especially at Broadcast Media. Most of the press uses the public sphere, who design for democratisation process, not for individual or political party's interest. Keywords: media conglomeration, Indonesia, Politics


eTopia ◽  
2009 ◽  
Author(s):  
Michele Anderson

Dragan Klaic, a leading researcher on festivals in Europe, believes the new emerging purpose of festivals is that they"increasingly… are not just artistic packages with appealing and valued content but instruments to re-examine the urban dynamics, … within the city space.…[F]estivals challenge the habitual pathways and perceptions…. In the urban space, functionally dominated by housing and consumerism, festivals reaffirm the public sphere in its civic dimension, including polemic, debate, critique and collective passion for a certain art form or topic.… [F]estivals appear as a precious force to mark the perimeters of the public sphere, upgrade it by the concentration of creative gestures and their collective appreciation"(202-203).Klaic captures a theme of central importance, one that has been debated already within the context of broadcast media, the Internet and newspaper industry, but that still has yet to be thoroughly explored by theorists within the context of the cultural sphere of festivals: the public sphere. Specifically, because of the nature of festivals as a spatiotemporal event within the physical space of the city, and because political, socioeconomic as well as artistic-cultural spaces intersect the festival event, festivals areunique points of convergence in the context of the public sphere.


2021 ◽  
Vol 107 (3) ◽  
pp. 19-27
Author(s):  
Ai-Leng Foong-Reichert ◽  
Kelly A. Grindrod ◽  
Sherilyn K.D. Houle

ABSTRACT Health professional criminal behavior and clinical incompetence are distinct concepts that both endanger the public. In this paper, we compare and contrast these concepts using the case of convicted Canadian health care serial killer Elizabeth Wettlaufer, who also exhibited a pattern of clinical incompetence throughout her career. As one Canadian province is proposing changes to self-regulation to become more like the United Kingdom, we highlight four ways to improve protection of the public in a self-regulating system. These include meta-regulation, standardized hiring practices, increased transparency by regulatory bodies and improved communication across regulators and other agencies.


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