scholarly journals A systematic literature review of qualitative research methods for eliciting the views of young people with ASD about their educational experiences

2017 ◽  
Vol 33 (3) ◽  
pp. 349-365 ◽  
Author(s):  
Rainart Fayette ◽  
Caroline Bond
2018 ◽  
Vol 17 (1) ◽  
Author(s):  
Putri Novalita ◽  
RM. Pramutomo

AbstrakTari Opak Abang berasal dari Desa Pasigitan, Kecamatan Boja, Kabupaten Kendal. Opak Abang adalah akronim kata Opak yang diambil dari kata kethoprak dan Abang merupakan alat musik pengiringnya yaitu terbang atau rebana. Gerakan pada tari Opak Abang sederhana dan banyak yang diulang-ulang. Ragam gerak dan musik pada tari Opak Abang yang khas dengan menggunakan gerak-gerak kerakyatan yang rampak dan diiringi alat musik rebana. Tari Opak Abang diresmikan dan diakui oleh Pemerintah Kabupaten Kendal sekitar tahun 1970-an. Tari Opak Abang dianggap oleh masyarakat Kabupaten Kendal sebagai salah satu tarian yang menjadi identitas Kabupaten Kendal. Permasalahan penelitian ini adalah bagaimana bentuk pertunjukan tari Opak Abang dan mengapa tari Opak Abang menjadi simbol identitas masyarakat Kabupaten Kendal. Metode penelitian yang akan digunakan untuk melaksanakan penelitian menggunakan pendekatan etnokoreologi. Jenis penelitian ini menggunakan metode penelitian kualitatif deskriptif analitis. Penelitian kualitatif menggunakan teknik pengumpulan data antara lain dengan studi pustaka, observasi, wawancara, dokumentasi dan analisis data.Kata kunci: Opak Abang, Simbol, Identitas, Kendal.AbstractOpak Abang dance come from, Pasigitan Village, Boja Subdistrict, Kendal Regency. Opak Abang is an acronim, Opak is come from kethoprak and Abang is one of music escort it is terbang or rebana. The motion of Opak Abang is simple and a lot of repetitive motion. The typical Range of motion and music in Opak Abang using populist motions that dense and the music rebana is escorted. Opak abang dance inagurated and recognized by Kendal Regency Goverment about 1970’s. Opak Abang dance reputed by Kendal Regency society as one of dance that to be the identity of Kendal Regency. The problem of this research is How is the performance form of Opak Abang dance and Why is Opak Abang dance is to be an identity of Kendal Regency society. The method of this reseach is using ethocoreology approach. This type of the research is using qualitative research methods descriptive anaysis. Qualitative research using data collecting technique it is with literature review, observation, interview, documentation and data analysis.Keywords : Opak Abang, Symbol, Identity, Kendal.


2021 ◽  
Vol 11 (2) ◽  
pp. 991-1000
Author(s):  
Mohd Rilizam Rosli

The problem of getting pregnant out of wedlock among the Muslim community is a big issue that is getting worse in this country. The establishment of women's shelters is one of the methods to curb these symptoms. However, the management of this center is often faced with the problem of lack of funds for operations due to the high total management costs. Zakat fund is seen as one of the solutions to this problem, especially for the allocation of asnaf zakat riqab. Therefore, this study aims to identify the interpretation of asnaf zakat riqab according to contemporary Islamic scholars as well as analyze the management of shelters for pregnant women out of wedlock and suggest a model of distribution of zakat asnaf riqab to Women Protection Centers. Qualitative research methods are used to obtain and complete the information of this study. Researchers first examine the reference materials in forming the theoretical framework of this study through the literature review. The results of this study show the management model of the distribution of zakat asnaf riqab to a systematic shelter by the Zakat Institution in Malaysia. It is hoped that with this study, the symptoms of extramarital pregnancy can be curbed and at the same time succeed in making the country free from this problem.


2019 ◽  
Vol 18 (1) ◽  
Author(s):  
Gabriella Saras Katungga ◽  
S Syahrial

Tanggai Dance is a welcome guest dance in the city of Palembang. Tanggai Dance is one of the dance that until now continues to exist and become a dance that must be known and studied by young people especially women. It is not recklessly to dance the Tanggai dance, but dancers should also know the contents of the dance, because there is a value to be conveyed to the people who appreciate the Tanggai dance. There are two focus problems that will be researched and formulated in the research question which is how the form of Tanggai dance and what is the meaning of the movement of Tanggai dance in the city of Palembang. This research uses qualitative research methods. The research aims to discuss the shape and meaning of the dance movements of Tanggai. The discussion of the form uses the concept of Suzzane K. Langer and Soedarsono about the form which means the structure of a relationship of various factors that are intertwined. Discussion of the meaning of motion using the concept expressed by Anya Peterson Roice about the three things of use is, mimetic, abstract, and metaphoric. The result of this research is Tanggai dance in Palembang city is a packaging dance form for welcome guests. Related to the meaning of the whole movement of Tanggai dance that has the meaning of surrender to the Lord Almighty.Keywords: dance form and motion meaning.


1995 ◽  
Vol 18 (2) ◽  
pp. 111-130 ◽  
Author(s):  
Sidney M. Moon ◽  
Deborah R. Dillon

This study investigated an eleven-year-old boy with multiple exceptionalities. The participant was verbally gifted, learning-disabled in math, and health-impaired. Because of his health impairment, he had received home-bound instruction throughout his elementary school years and had had little contact with formal schooling. Using qualitative research methods, the investigators explored the participant's learning characteristics and educational experiences. Implications of Alec's story for the identification and education of gifted children with disabilities are discussed.


2016 ◽  
Vol 5 (1) ◽  
Author(s):  
Rini H. Sinaga

This study aims to determine how the existence of folklore in BatakToba society and pinpoint how "Reconstruction Folklore Batak Tobain the form Tortor performances Sigale-gale". For a discussion of theresearch objectives above, use the theories related to the researchtopic, such as the reconstruction theory, the theory of folklore, thetheory of forms of performance, tortor understanding, andunderstanding existence. The research was conducted to discuss"Reconstruction Folklore Batak Toba In The Form Of PerformingTortor Sigale-gale" was conducted for 2 Months namely frontier inDecember 2015 to February 2016. The research is in the area ofPangururan Samosir and Medan Helvetia. The population in thisstudy are some of the figures of young and old artists. The resultsusing qualitative research methods include the presentation andinterpretation of the data that is how "Reconstruction Folklore BatakToba In The Form Of Performing Tortor Sigale-gale. Folklore(folklore) in the Toba Batak society is a kind of oral folklore andfolklore instead of orally. Sigale-gale statue can move with thevarious movements that detail, such as hand movements up and down,rigid (staccato) and head could only shake his head. ReconstructionFolklore Sigale-gale lifted many of the artists into a work of artperformances.Performances Tortor Sigale-gale one of the creativityof young people and parents are engaged in the arts.In the form ofdance performances include the presence of motion, accompaniment,makeup, and clothing


2019 ◽  
Vol 4 (2) ◽  
pp. 141
Author(s):  
Ellen Agustine Saputra

<strong>Abstract</strong><br />Creative Journal Design as the Dream Setting Canvas Supporting Media. Dream Setting Canvas is a dream achievement media for young people’s dream achievement, which has been applied to several empowerment programs in several non-profit organizations such as Wahana Visi Indonesia and East Bali Poverty Project. In its application, Dream Setting Canvas has weaknesses, of which the target audience has difficulty in analyzing dreams, strategies, and time without assistance. Moreover, without understanding the true essence of analyzing dreams, strategies and time, this method is not completely effective in helping young people achieve and realize their dreams. This research used qualitative research methods. Data collection used literature study, exploration, interviews with interviewees as well as distributes surveys both offline and online. The research results showed that the creative journals design could support<br />the target audience to understand the topic and definition of each block in the Dream Setting Canvas.<br /><div> </div><div> </div><div> </div><div> </div><strong>Abstrak</strong><br />Perancangan Creative Journal sebagai Media Pendukung Dream Setting Canvas. Dream Setting Canvas merupakan media pencapaian mimpi anak muda yang sudah diterapkan pada beberapa program empowerment di beberapa organisasi non-Profit seperti Wahana Visi Indonesia dan East Bali Poverty Project. Pada penerapannya, Dream Setting Canvas memiliki kelemahan, di mana target audiens kesusahan dalam menganalisis mimpi, strategi, serta waktu tanpa pendampingan. Selain itu, tanpa<br />memahami esensi sebenarnya dalam menganalisis mimpi, strategi serta waktu, metode ini tidak sepenuhnya efektif dalam membantu anak muda mencapai dan merealisasikan mimpinya. Penelitian ini menggunakan metode penelitian kualitatif. Pengumpulan data menggunakan studi literatur, eksplorasi, wawancara dengan narasumber serta membagikan survei baik secara offline maupun online. Hasil penelitian menunjukkan<br />bahwa perancangan creative journal dapat mendukung target audiens untuk memahami topik dan definisi setiap blok pada Dream Setting Canvas


2020 ◽  
Vol V (III) ◽  
pp. 33-40
Author(s):  
Muhammad Sulaman Ijaz ◽  
Waheed Chaudhry ◽  
Syed Kazim Ali Shah

Sufism is associated with the expression of devotion towards God and spreading the message of truth. The Sufis in Pakistan and Balochistan remain the ambassadors of love, peace, respect for humanity, and social harmony. The Sufi Saints have contributed significantly to the literature, philosophy, and theological ideas. The study employs an anthropological perspective to examine the impacts of Saint Mast Tawaklis poetry on the Baloch Society by using qualitative research methods. The technique of triangulation and translation was used to verify the data. The research has been conducted in the district of Kohlu, Balochistan. This research reveals that Saint Tawakli is a famous poet of the Balochi language whose poetry is full of messages of love and respect for humanity. His work accurately depicts a lovers emotion and affection, precisely a source of inspiration for young people.


KALPATARU ◽  
2020 ◽  
Vol 29 (1) ◽  
pp. 1-14
Author(s):  
Ashar Murdihastomo

Abstract. The Ganesha statue without a crown is one of the unique depictions of archeological remains in Indonesia. These statues can be found in several areas such as Temanggung, Pekalongan, the National Museum, and Yogyakarta. This uniqueness is a reason to be appointed in an initial assessment. This is because no one has ever discussed this topic. Therefore, the challenge to be raised on this occasion is about the Ganesha in the community regarding their portrayal in the form without a crown? The objective to be achieved from this discussion is a discussion of Javanese society related to the previous discussion. In answering these questions, qualitative research methods are used by taking secondary data from a literature review. The approach used in this review discusses the iconology proposed to explain the background of phenomena that occur through related stories or mythologies. Through an analysis of the results, offering three initial responses to the crownless Ganesha statue, related to the story of Ganesh who prevented Ravana from bringing Atmalinga to Lanka, the spread of Gupta art in Southeast Asia, and related to traditions outside the palace. Keywords: Ganesha, Ancient Java, Brahmin   Abstrak. Arca Ganesha tanpa mahkota merupakan salah satu bentuk penggambaran unik dari tinggalan arkeologi di Indonesia. Keberadaannya diketahui terdapat di beberapa wilayah seperti Temanggung, Pekalongan, dan Museum Nasional. Keunikan tersebut menjadi alasan untuk diangkat dalam sebuah kajian permulaan. Hal ini dikarenakan belum pernah ada kajian yang membahas topik tersebut. Oleh karena itu, permasalahan yang coba diangkat pada kesempatan ini adalah bagaimana posisi dewa Ganesha di lingkungan masyarakat pada penggambarannya dalam wujud tanpa mahkota? Tujuan yang ingin dicapai adalah mengetahui pandangan masyarakat jawa Kuno terkait dengan keberadaan arca tersebut. Dalam upaya menjawab permasalahan tersebut, digunakan metode penelitian kualitatif dengan mengambil data sekunder dari kajian pustaka. Pendekatan yang digunakan pada kajian ini adalah pendekatan ikonologi, yang berusaha untuk menjelaskan latar belakang keberadaan fenomena tersebut melalui kisah atau mitologi yang terkait. Melalui hasil analisis, diperoleh tiga asumsi awal terhadap keberadaan arca Ganesha tanpa mahkota, yaitu terkait dengan kisah Ganesha yang mencegah Rahwana membawa Atmalinga ke Lanka, terkait dengan persebaran gaya seni Gupta di Asia Tenggara, dan terkait dengan tradisi luar keraton. Kata kunci: Ganesha, Jawa Kuna, Brahmana


2021 ◽  
Vol 23 (1) ◽  
pp. 1-19
Author(s):  
Mohammad Muslih ◽  
Abdul Rohman ◽  
Ahmad Ahmad ◽  
Ahmad Saifullah

Sunan Kalijaga was known as a creative da’i in spreading da'wah. One of the media for his da’wah is a literary work entitled Suluk Linglung. In the Suluk Linglung manuscript, two da’wah strategies had been employed by Sunan Kalijaga, both of which were expected to be relevant if applied in Indonesia today, considering the many issues of radicalism. This research is a literature review. Data were collected by using documentation method through a research on Suluk Linglung. Therefore, to dissect the contents of the manuscript, the author uses qualitative research methods and Gadamer's hermeneutic approach. Finally, it suggested that Sunan Kalijaga used two da'wah strategies, Sufistic da'wah strategy and multicultural da’wah strategy. It is expected that the use of the strategies in the current da’wah can dismiss the radicalism movement. Therefore, it brings out the principle of da’wah that is gentle, friendly, and nurturing to people, or da'wah rahmatan li-l 'alamin.Sunan Kalijaga dikenal sebagai seorang da’i yang kreatif dalam menyebarkan dakwah. Salah satu media dakwah beliau adalah melalui karya sastra yang berjudul Suluk Linglung. Dalam manuskrip Suluk Linglung tercermin dua strategi dakwah yang pernah dilakukan oleh Sunan Kalijaga, yang keduanya itu diharapkan akan relevan jika diterapkan di Indonesia pada zaman sekarang meninjau banyak sekali isu radikalisme. Penelitian ini berjenis kajian kepustakaan. Metode pengumpulan data menggunakan metode dokumentasi melalui penelitian manuskrip Suluk Linglung. Oleh karenanya, agar dapat membedah isi manuskrip Suluk Linglung, penulis menggunakan metode penelitian kualitatif dan menggunakan pendekatan hermeneutika Gadamer.  Adapun untuk teknik analisa data menggunakan teknik analisis isi. Akhirnya, setelah melakukan penelitian lebih lanjut peneliti mendapatkan hasil bahwasanya dalam manuskrip Suluk Linglung, Sunan Kalijaga menggunakan dua strategi dakwah yang meliputi strategi dakwah sufistik dan strategi dakwah multikultural. Jika dua strategi dakwah tersebut diterapkan pada zaman sekarang, maka diharapkan akan berimplikasi terhadap gerakan radikalisme yakni menepis gerakan radikalisme. Sehingga, akan memunculkan prinsip dakwah yang lembut, ramah, dan mengayomi kepada mad’u atau dapat disebut sebagai dakwah rahmatan li-l ‘alamin.


Tumou Tou ◽  
2019 ◽  
pp. 128-145
Author(s):  
Allan Rifandi Sumeleh

Sexuality for some people is often considered a taboo thing to talk about but among young people this is important to know especially among students. Because in the era of openness of various information, it becomes interesting to discuss sexuality in various studies. The purpose of this study is to ethically study theological issues of sexuality in the understanding of students of the Theological Theology Faculty at the Indonesian Christian University of Tomohon by using descriptive qualitative research methods and using the theories of Malcolm Brownlee and J. L. Abineno and trying to study them in Bible view.


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