scholarly journals TARI OPAK ABANG SEBAGAI SIMBOL IDENTITAS MASYARAKAT KABUPATEN KENDAL

2018 ◽  
Vol 17 (1) ◽  
Author(s):  
Putri Novalita ◽  
RM. Pramutomo
Keyword(s):  
Qualitative Research ◽  
Literature Review ◽  
Range Of Motion ◽  
Research Methods ◽  
Qualitative Research Methods ◽  
Repetitive Motion ◽  
Data Collecting ◽  
Using Data ◽  
Typical Range

AbstrakTari Opak Abang berasal dari Desa Pasigitan, Kecamatan Boja, Kabupaten Kendal. Opak Abang adalah akronim kata Opak yang diambil dari kata kethoprak dan Abang merupakan alat musik pengiringnya yaitu terbang atau rebana. Gerakan pada tari Opak Abang sederhana dan banyak yang diulang-ulang. Ragam gerak dan musik pada tari Opak Abang yang khas dengan menggunakan gerak-gerak kerakyatan yang rampak dan diiringi alat musik rebana. Tari Opak Abang diresmikan dan diakui oleh Pemerintah Kabupaten Kendal sekitar tahun 1970-an. Tari Opak Abang dianggap oleh masyarakat Kabupaten Kendal sebagai salah satu tarian yang menjadi identitas Kabupaten Kendal. Permasalahan penelitian ini adalah bagaimana bentuk pertunjukan tari Opak Abang dan mengapa tari Opak Abang menjadi simbol identitas masyarakat Kabupaten Kendal. Metode penelitian yang akan digunakan untuk melaksanakan penelitian menggunakan pendekatan etnokoreologi. Jenis penelitian ini menggunakan metode penelitian kualitatif deskriptif analitis. Penelitian kualitatif menggunakan teknik pengumpulan data antara lain dengan studi pustaka, observasi, wawancara, dokumentasi dan analisis data.Kata kunci: Opak Abang, Simbol, Identitas, Kendal.AbstractOpak Abang dance come from, Pasigitan Village, Boja Subdistrict, Kendal Regency. Opak Abang is an acronim, Opak is come from kethoprak and Abang is one of music escort it is terbang or rebana. The motion of Opak Abang is simple and a lot of repetitive motion. The typical Range of motion and music in Opak Abang using populist motions that dense and the music rebana is escorted. Opak abang dance inagurated and recognized by Kendal Regency Goverment about 1970’s. Opak Abang dance reputed by Kendal Regency society as one of dance that to be the identity of Kendal Regency. The problem of this research is How is the performance form of Opak Abang dance and Why is Opak Abang dance is to be an identity of Kendal Regency society. The method of this reseach is using ethocoreology approach. This type of the research is using qualitative research methods descriptive anaysis. Qualitative research using data collecting technique it is with literature review, observation, interview, documentation and data analysis.Keywords : Opak Abang, Symbol, Identity, Kendal.

scholarly journals Potentials Zakat Distribution to Asnaf Ar-Riqab: The Women Protection Centre

2021 ◽  
Vol 11 (2) ◽  
pp. 991-1000
Author(s):  
Mohd Rilizam Rosli
Keyword(s):  
Qualitative Research ◽  
Literature Review ◽  
Pregnant Women ◽  
Research Methods ◽  
Reference Materials ◽  
Theoretical Framework ◽  
Qualitative Research Methods ◽  
Management Model ◽  
Muslim Community ◽  
Women's Shelters

The problem of getting pregnant out of wedlock among the Muslim community is a big issue that is getting worse in this country. The establishment of women's shelters is one of the methods to curb these symptoms. However, the management of this center is often faced with the problem of lack of funds for operations due to the high total management costs. Zakat fund is seen as one of the solutions to this problem, especially for the allocation of asnaf zakat riqab. Therefore, this study aims to identify the interpretation of asnaf zakat riqab according to contemporary Islamic scholars as well as analyze the management of shelters for pregnant women out of wedlock and suggest a model of distribution of zakat asnaf riqab to Women Protection Centers. Qualitative research methods are used to obtain and complete the information of this study. Researchers first examine the reference materials in forming the theoretical framework of this study through the literature review. The results of this study show the management model of the distribution of zakat asnaf riqab to a systematic shelter by the Zakat Institution in Malaysia. It is hoped that with this study, the symptoms of extramarital pregnancy can be curbed and at the same time succeed in making the country free from this problem.

scholarly journals GANESHA TANPA MAHKOTA DALAM PUSARAN RELIGI MASYARAKAT JAWA KUNA (SEBUAH KAJIAN PERMULAAN)

KALPATARU ◽  
2020 ◽  
Vol 29 (1) ◽  
pp. 1-14
Author(s):  
Ashar Murdihastomo
Keyword(s):  
Qualitative Research ◽  
Literature Review ◽  
Southeast Asia ◽  
Research Methods ◽  
Secondary Data ◽  
Qualitative Research Methods ◽  
Initial Assessment ◽  
National Museum ◽  
Previous Discussion

Abstract. The Ganesha statue without a crown is one of the unique depictions of archeological remains in Indonesia. These statues can be found in several areas such as Temanggung, Pekalongan, the National Museum, and Yogyakarta. This uniqueness is a reason to be appointed in an initial assessment. This is because no one has ever discussed this topic. Therefore, the challenge to be raised on this occasion is about the Ganesha in the community regarding their portrayal in the form without a crown? The objective to be achieved from this discussion is a discussion of Javanese society related to the previous discussion. In answering these questions, qualitative research methods are used by taking secondary data from a literature review. The approach used in this review discusses the iconology proposed to explain the background of phenomena that occur through related stories or mythologies. Through an analysis of the results, offering three initial responses to the crownless Ganesha statue, related to the story of Ganesh who prevented Ravana from bringing Atmalinga to Lanka, the spread of Gupta art in Southeast Asia, and related to traditions outside the palace. Keywords: Ganesha, Ancient Java, Brahmin   Abstrak. Arca Ganesha tanpa mahkota merupakan salah satu bentuk penggambaran unik dari tinggalan arkeologi di Indonesia. Keberadaannya diketahui terdapat di beberapa wilayah seperti Temanggung, Pekalongan, dan Museum Nasional. Keunikan tersebut menjadi alasan untuk diangkat dalam sebuah kajian permulaan. Hal ini dikarenakan belum pernah ada kajian yang membahas topik tersebut. Oleh karena itu, permasalahan yang coba diangkat pada kesempatan ini adalah bagaimana posisi dewa Ganesha di lingkungan masyarakat pada penggambarannya dalam wujud tanpa mahkota? Tujuan yang ingin dicapai adalah mengetahui pandangan masyarakat jawa Kuno terkait dengan keberadaan arca tersebut. Dalam upaya menjawab permasalahan tersebut, digunakan metode penelitian kualitatif dengan mengambil data sekunder dari kajian pustaka. Pendekatan yang digunakan pada kajian ini adalah pendekatan ikonologi, yang berusaha untuk menjelaskan latar belakang keberadaan fenomena tersebut melalui kisah atau mitologi yang terkait. Melalui hasil analisis, diperoleh tiga asumsi awal terhadap keberadaan arca Ganesha tanpa mahkota, yaitu terkait dengan kisah Ganesha yang mencegah Rahwana membawa Atmalinga ke Lanka, terkait dengan persebaran gaya seni Gupta di Asia Tenggara, dan terkait dengan tradisi luar keraton. Kata kunci: Ganesha, Jawa Kuna, Brahmana

scholarly journals SUNAN KALIJAGA’S DA'WAH STRATEGY IN SULUK LINGLUNG AND ITS IMPLICATION TO INDONESIAN RADICALISM MOVEMENT

2021 ◽  
Vol 23 (1) ◽  
pp. 1-19
Author(s):  
Mohammad Muslih ◽  
Abdul Rohman ◽  
Ahmad Ahmad ◽  
Ahmad Saifullah
Keyword(s):  
Qualitative Research ◽  
Literature Review ◽  
Research Methods ◽  
Literary Work ◽  
Qualitative Research Methods ◽  
Hermeneutic Approach ◽  
The Media ◽  
The Many

Sunan Kalijaga was known as a creative da’i in spreading da'wah. One of the media for his da’wah is a literary work entitled Suluk Linglung. In the Suluk Linglung manuscript, two da’wah strategies had been employed by Sunan Kalijaga, both of which were expected to be relevant if applied in Indonesia today, considering the many issues of radicalism. This research is a literature review. Data were collected by using documentation method through a research on Suluk Linglung. Therefore, to dissect the contents of the manuscript, the author uses qualitative research methods and Gadamer's hermeneutic approach. Finally, it suggested that Sunan Kalijaga used two da'wah strategies, Sufistic da'wah strategy and multicultural da’wah strategy. It is expected that the use of the strategies in the current da’wah can dismiss the radicalism movement. Therefore, it brings out the principle of da’wah that is gentle, friendly, and nurturing to people, or da'wah rahmatan li-l 'alamin.Sunan Kalijaga dikenal sebagai seorang da’i yang kreatif dalam menyebarkan dakwah. Salah satu media dakwah beliau adalah melalui karya sastra yang berjudul Suluk Linglung. Dalam manuskrip Suluk Linglung tercermin dua strategi dakwah yang pernah dilakukan oleh Sunan Kalijaga, yang keduanya itu diharapkan akan relevan jika diterapkan di Indonesia pada zaman sekarang meninjau banyak sekali isu radikalisme. Penelitian ini berjenis kajian kepustakaan. Metode pengumpulan data menggunakan metode dokumentasi melalui penelitian manuskrip Suluk Linglung. Oleh karenanya, agar dapat membedah isi manuskrip Suluk Linglung, penulis menggunakan metode penelitian kualitatif dan menggunakan pendekatan hermeneutika Gadamer.  Adapun untuk teknik analisa data menggunakan teknik analisis isi. Akhirnya, setelah melakukan penelitian lebih lanjut peneliti mendapatkan hasil bahwasanya dalam manuskrip Suluk Linglung, Sunan Kalijaga menggunakan dua strategi dakwah yang meliputi strategi dakwah sufistik dan strategi dakwah multikultural. Jika dua strategi dakwah tersebut diterapkan pada zaman sekarang, maka diharapkan akan berimplikasi terhadap gerakan radikalisme yakni menepis gerakan radikalisme. Sehingga, akan memunculkan prinsip dakwah yang lembut, ramah, dan mengayomi kepada mad’u atau dapat disebut sebagai dakwah rahmatan li-l ‘alamin.

scholarly journals Analisis Implementasi Prinsip Bagi Hasil dan Resiko pada BPRS Kabupaten Deli Serdang dan BPRS Kota Medan

2020 ◽  
Vol 6 (3) ◽  
pp. 639
Author(s):  
Sariadi Sariadi
Keyword(s):  
Qualitative Research ◽  
Data Collection ◽  
Literature Review ◽  
Research Methods ◽  
Profit Sharing ◽  
Qualitative Research Methods ◽  
Fund Raising ◽  
The Public

This study aims to determine the implementation of the principle of profit sharing and risk in fund raising activities in BPRS Deli Serdang and Medan. This research was conducted using qualitative research methods in two BPRS in Deli Serdang Regency and BPRS Medan City. Data collection in this study was conducted by interviewing, observing, and literature review. The results of the study show that the collection of funds from the public in the BPRS (Deli Serdang and Medan) is done by wadiah and mudharabah savings and Deposit Mudharabah, but on BPRS Puduarta Insani only applies wadiah savings and Deposit Mudharbah, as well as BPRS Amanah Insan Cita only applies the Wadiah and Deposit funds. Mudharabah. Whereas BPRS Al-Washliyah in collecting funds from the public was carried out with mudharabah savings and Mudharabah deposits. However, BPRS Gebu Prima applies the three contracts, namely wadiah savings and mudharabah savings and mudharbah deposits.Keywords: Implementasi, Bagi Hasil, Risiko, BPRS

Fathers’ Experiences of Perinatal Loss: A Sample Meta-Synthesis Study

2020 ◽  
pp. 0192513X2096600
Author(s):  
Ruveyde Aydin ◽  
Kamile Kabukcuoğlu
Keyword(s):  
Qualitative Research ◽  
Literature Review ◽  
Research Methods ◽  
Thematic Analysis ◽  
Synthesis Method ◽  
Perinatal Loss ◽  
Qualitative Research Methods ◽  
Analysis Method ◽  
Support Practices ◽  
Research Criteria

This study aimed to examine fathers’ experiences of perinatal loss systematically. It was conducted using the meta-synthesis method, which is one of the qualitative research methods. The literature review was conducted via PubMed, Scopus, Web of Sciences, CINAHL, EMBASE, and Psyc-INFO databases using keywords, and the results of 17 qualitative studies that meet the research criteria were included in the study. The data were evaluated using the thematic analysis method. Eight main themes were found: being a father, things experienced when the loss is learnt, things experienced by the fathers after the loss, being strong as a male, ways to cope with the loss, support, practices applied for the lost baby, and neglected group of fathers. The results showed that fathers were affected like mothers after perinatal loss.

scholarly journals PRAKTIK BENTUK BANTEN PRAYASCITA DI KOTA DENPASAR

2017 ◽  
Vol 1 (1) ◽  
pp. 76
Author(s):  
Ni Ketut Sukiani
Keyword(s):  
Qualitative Research ◽  
Literature Review ◽  
Research Methods ◽  
Qualitative Research Methods ◽  
Qualitative Approach ◽  
Cultural Phenomenon ◽  
Religious Ceremony ◽  
Correct Form ◽  
Data Source ◽  
The Right

[Title: The form of Banten Prayascita at Denpasar City] In the implementation of Hindu traditional reigious ceremonies in Bali, they are many types and forms of bantens are used. This causes the people’s lack understanding of the correct form of the banten. Especially on Prayascita banten, where this banten has various forms. This study aims to deepen the knowledge of the forms of Prayascita banten used in the conduct of religious ceremonies by Hindu people, thus will let people know the right form of banten Prayascita. In this research, the data source obtained by doing literature review and interviews to interviewees who are experts in religion as well as experts in making the banten itself. This research uses qualitative research methods through a qualitative approach that spend more focuses on the integrity of a cultural phenomenon. Banten Prayascita is one of many kinds of banten which has a very important function and always used in every implementation of Hindu traditional religious ceremony. There are various forms of Prayascita banten used in Hindu ceremonies. The most common forms of Prayascita banten are banten Prayascita biasa, banten Prayascita sakti, and banten Prayascita luwih.

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