scholarly journals Bobby Brown, MD, former New York Yankee and medical role model

2020 ◽  
Vol 33 (4) ◽  
pp. 701-702
Author(s):  
John Davis Cantwell
Keyword(s):  
New York ◽  
2012 ◽  
Vol 53 (1) ◽  
pp. 47-61
Author(s):  
Dariusz Konrad Sikorski

Summary After 1946, ie. after embracing Christianity, Roman Brandstaetter would often point to the Biblical Jonah as a role model for both his life and his artistic endeavour. In the interwar period, when he was a columnist of Nowy Głos, a New York Polish-Jewish periodical, he used the penname Romanus. The ‘Roman’ Jew appears to have treated his columns as a form of an artistic and civic ‘investigation’ into scandalous cases of breaking the law, destruction of cultural values and violation of social norms. Although it his was hardly ‘a new voice’ with the potential to change the course of history, he did become an intransigent defender of free speech. Brought up on the Bible and the best traditions of Polish literature and culture, Brandstaetter, the self-appointed disciple of Adam Mickiewicz, could not but stand up to the challenge of anti-Semitic aggression.


Author(s):  
Stacy L. Lorenz ◽  
Braeden McKenzie

This article explores cultural constructions of hockey, violence, and masculinity through a close examination of one of the game’s most successful and prominent players in the postwar period, Gordie Howe. By combining skill and scoring ability with toughness, physicality, and a willingness to fight when necessary, Howe epitomized many qualities of the ideal hockey player over the course of his lengthy professional career, which extended from 1946 to 1980. In particular, this study focuses on media coverage of Howe’s highly publicized fight against Lou Fontinato of the New York Rangers on February 1, 1959. Using Canadian and American newspapers and magazines as the primary research base, we analyze media representations of Gordie Howe in the context of ideals and anxieties related to North American masculinity following the Second World War. Historians have identified this period as a time when Canadian and American manhood was perceived to be in decline. We argue that Howe demonstrated a combination of controlled violence and humble manliness suggested by his early nickname in the Detroit press, the“Bashful Basher.” Howe’s rational and expert application of violence – especially in contrast to the emotional Fontinato – firmly established his masculine credentials within the culture of hockey, while positioning him more widely as a “modern” yet rugged role model for masculine renewal in postwar Canada. Howe’s example of gentlemanly masculinity normalized and celebrated a culture of fighting in hockey while establishing a standard of conduct for superstar players that persists to the present day. At the same time, cultural constructions of Howe’s manhood contributed to the entrenchment of a dominant version of heroic, white, heteronormative hockey masculinity in Canadian life.


2021 ◽  
Vol 1 (2) ◽  
pp. 108-117
Author(s):  
Dorpaima Lumbangaol

Terrorism is a significant issue in national and global security. Since the 9/11 terrorist attacks in New York, USA, the fight against terrorism has continued to this day. Resistance to terrorists has also changed the stereotype of Muslims, which affects Indonesia's reputation as the largest Muslim country in the world. The Bali I bombing attacks in 2002 by Jamaah Ansharut Daulah (JAD) terrorism group reconstructed its identity as Islam Moderate and Indonesia's foreign policy. The method used is the literature study method. Literature study is all efforts made by researchers to collect various information relevant to the topic or problem that will be studied. Through the identity, Indonesia can convince the western countries that Indonesia is worth reflecting true Islam and space to involve in the international political stage. As a pioneer of the Non-Aligned Movement and track record in the region, Indonesia trusted to be a role model for the Islamic world, especially the Middle East, that Islam and democracy are compatible. Through this, Indonesia seed as a strategic country to build international cooperation against radicalism and terrorism, which still becomes a global challenge presently.


Criminology ◽  
2021 ◽  

Robert King Merton (b. 4 July 1910–d. 23 February 2003) was born to Yiddish-speaking Russian-Jewish parents in South Philadelphia, as Meyer Robert Schkolnick. Merton’s mother, Ida Rasovskaya, was a socialist and his father, Aaron Schkolnick, identified at his US port of entry as Harrie Skolnick, Hebrew and tailor. His parents immigrated to the United States from eastern Europe in 1904. Raised in an apartment above his father’s dairy products shop until the building burned down, Merton had an interesting wealth of cultural experiences. At fourteen years old, he performed magic tricks at parties under the stage name Robert K. Merlin. As a student at South Philadelphia High School, he frequently visited nearby cultural and educational venues, including the Andrew Carnegie Library, Central Library, the Academy of Music, and the Museum of Arts. Merton believed his childhood in South Philadelphia provided an abundance of social, cultural, human, and public capital; every type of capital he needed except financial. After acceptance to Temple University, he changed his name to Robert Merton, worked as a research assistant under George E. Simpson on a project about race and media, and graduated in 1931. Merton married his first wife, Suzanne Carhart, in 1934, with whom he had three children, a son named Robert C. Merton, and daughters Stephanie Merton Tombrello and Vanessa Merton. Merton earned both his Master’s degree, in 1932, and his doctorate, in 1936, at Harvard, where he taught until 1938. Merton then served as professor and chair of the Department of Sociology at Tulane University before joining Columbia University in 1941, where he remained until his retirement from full-time academic work in 1979. Spending most of his life in the Manhattan borough of New York City until his death in 2003, Merton taught as a Special Service Professor, or emeritus faculty, at Columbia University after he retired and served as an adjunct professor at Rockefeller University until 1984. Professional accomplishments include winning a Guggenheim, Parson Prize, and National Medal of Sciences; he was the first sociologist invited to the National Academy of Science, and he served as president of the American Sociological Society. Many of Merton’s childhood experiences would influence his theory of social structure, particularly the concept of the “reference group.” Other notable sociological concepts he developed include “opportunity structure,” “ritualism,” “role model,” “opinion leader,” “unintended consequences,” “self-fulfilling prophecy,” “focus group,” “peer group,” “role strain,” and “deviant behavior.” His record of achievements has led some to refer to Robert Merton as the father of sociology, Mr. Sociology, or the most influential American sociologist of the 20th century.


2018 ◽  
Vol 10 (1) ◽  
pp. 21-36 ◽  
Author(s):  
Jeanie Wills

Purpose This paper aims to examine how women working in the advertising industry during the 1920s and 1930s encouraged and resisted stereotypes about women to establish a professional identity. This seemingly paradoxical approach provided women with opportunities for professional development and network building. Dorothy Dignam is presented as a case study of one such advertising woman. She was a market researcher, a teacher, an advocate for women’s employment in advertising, a historian of women’s advertising clubs and a supporter of and a contributor to women’s professional networking. Design/methodology/approach Archival material is drawn from the N. W. Ayer and Son archives at the Smithsonian Institute, the Advertising Women of New York archives and the Dorothy Dignam Papers at the Schlesinger Library, the Philadelphia Club of Advertising Women papers at Bryn Mawr, the Dignam Collection at the Wisconsin Historical Society and the Women’s Advertising Club of Chicago (WACC) archives at the University of Illinois, Chicago. A close reading method of analysis places the material in a historical context. Additionally, it provides a narrative structure to demonstrate the complementary relationship between advertising club work and professional identity. Findings Dignam’s career strategies helped her to construct a professional identity that situated her as a guide, teacher and role model for other women who worked in advertising. She supported and created an attitude that enabled aspiring career women to embark on their careers, and she assisted in creating a coalition of women who empowered each other through their advertising club work. Practical implications Dignam’s published work about careers for women in advertising, her own career and its advancement and her involvement with women’s advertising clubs all served a rhetorical purpose. Her professional life sought to change both men’s and women’s attitudes about the impact of women in professional roles. In turn, the influence of attitudes helped to create space for women in business, especially those seeking advertising careers. Originality/value This paper illustrates how Dignam’s career, accomplishments and publications coalesce to provide evidence of how women negotiated professional identities and claimed space for themselves in the business world and in the advertising industry.


2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Sandy Campbell

Winter, Jeanette. The Watcher: Jane Goodall's Life with the Chimps. New York: Schwartz & Wade Books, 2011. Print. Jeanette Winter is a prolific and award winning American children’s author and illustrator.  She tells us in her author’s note at the end of this book that, as a child, she wished that she “could have read about someone like Jane Goodall – a brave woman who wasn’t afraid to do something that had never been done before”.  So she wrote this book. The picture book format and the Grade 3 reading level make this work appropriate for the lower elementary school target audience, children who are beginning to think about what they want to be when they grow up. While written mostly in poetic line form, the work is not particularly poetic. However the form does seem to give Winter the licence to begin sentences with conjunctions and end them with prepositions.  The text reads more like folksy spoken American English than poetry.  For example, “She woke at dawn and saw them slowly rise from their nests, sit for a spell, then go off to find food.” Winter’s illustrations are the delight of the book.  They are simple, two-dimensional folk art works.  In this volume Winter purposefully uses two distinct forms of presentation.  In the early part of the book, which traces Goodall’s life from her English childhood until she travels to Gombe, the illustrations are square and centred on a coloured page with the text structured below them.  Once Goodall has set up her camp in the forest, the illustrations are as wild and uncontained as the life Goodall led.  The paintings splash out across the pages and the text fits in and around them wherever there is space. As an introduction to the life of a remarkable female scientist and role model, this is a work that belongs in every public and elementary school library.  However, because the text is not exemplary of well-written English, it should not be used for classroom study. Recommended with reservations: 2 out of 4 stars Reviewer: Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2019 ◽  
Vol 3 (2) ◽  
pp. 137
Author(s):  
Anna Dian Savitri ◽  
Purwaningtyastuti Purwaningtyastuti

<p>This study aims to determine the resilience picture of adolescents infected with HIV AIDS. Subjects in this study were adolescents who tested positive for HIV / AIDS, were undergoing ARV treatment and were willing to become research subjects. The informants who supported this research came from volunteers and the leadership of the shelter where the subjects resided. The method used in this research is a qualitative paradigm with a case study approach. Subject and informant data collection through structured interviews, while the analysis technique used uses triangulation of sources, by comparing the analysis of subject data with research informants. The results of this study are high levels of Sy resilience. Aspects of I Have include support and attention from others, Sy prioritizes pleasure and comfort, has a role model, has the drive to be independent, and has experienced health discrimination, gets good education and safety services. Factor I Am includes having an attractive attitude, expressing love through actions, and caring. I Can aspects include being able to express what is felt and thinking, being able to solve problems, being able to control emotions, and being able to foster good relations with others. The subject has good resilience and is able to accept his condition</p><p><strong><em>Keywords</em></strong><em>: Resilience, Youth, HIV / AIDS</em></p><p><strong><br /></strong></p><p><strong>Daftar Pustaka</strong></p><p>Azwar, S. 2003. <em>Penyusunan Skala Psikologi</em>. Yogyakarta: Pustaka Pelajar Offset</p><p> </p><p>Calhoun, J.F. dan Acocella, J.R. 1995. <em>Psikologi Tentang Penyesuaian dan Hubungan Kemanusiaan</em>. New York : Mc Graw Hill</p><p> </p><p>Chaplin, C.B. 1995. Kamus Lengkap Psikologi. (Terjemahan: Kartini Kartono).ed 1. cetakan ke-2. Jakarta: Grafindo Persada.</p><p>Davidoff. 1991. <em>Psikologi Suatu Pengantar</em>. Jilid 2. Alih Bahasa : Mari Jumiati.Jakarta : Erlangga</p><p> </p><p>Gerungan, W.A. 1996. <em>Psikologi Sosial</em>. Bandung : PT Eresco</p><p> </p><p>Herdiansyah, Haris. 2015. Metodologi Penelitian Kualitatif untuk Ilmu Psikologi. Jakarta : Salemba Humanika</p><p> </p><p>Hurlock, E. 2004. <em>Psikologi Perkembangan</em>. Jakarta : Erlangga Press</p><p> </p><p>Kementrian Kesehatan RI (2012) : <em>MEDIAKOM Mengenal, Mencegah Pertumbuhan</em><em> </em><em>HIV-AIDS. </em>Jakarta.</p><p> </p><p>Komisi Penanggulangan AIDS (KPA), (2003) <em>Strategi Nasional Penanggulangan AIDS, </em>2003-2007, Menkosesra, KPAN, Jakarta.</p><p> </p><p>Kurniawan, Y., &amp; Noviza, N. (2018). Peningkatan Resiliensi pada Penyintas Kekerasan terhadap Perempuan Berbasis Terapi Kelompok Pendukung. <em>Universitas Islam Negeri Walisongo</em>, <em>2</em>(2), 125–142. http://dx.doi.org/10.21580/pjpp.v2i2.1968</p><p> </p><p>Sarafino. 1998. <em>Health Psikologi : Biopsychosocial Interaction</em>. USA : John Willey and sons</p><p> </p><p>Smet, B. 1994, <em>Psikologi Kesehatan</em>. Jakarta : PT Grasindo</p><p><em><br /></em></p>


Author(s):  
Ellen C. Landau

Lee Krasner, born 27 October 1908 in Brooklyn, New York to immigrant parents from Russia, was an abstract expressionist painter whose status as the sole female pioneer of the movement is widely recognized. After attending the National Academy of Design and Cooper Union, Krasner’s talent blossomed at the Hans Hofmann School of Fine Arts, where she developed a radical understanding of the implications of modernism. Throughout her lifetime and long after, Krasner’s artistic career was overshadowed by her role as the wife (and widow) of Jackson Pollock. Credited by critic Clement Greenberg as ‘‘absolutely catalytic’’ for Pollock’s aesthetic development, Krasner shrewdly managed his reputation and prices after his untimely death. This allowed her to establish the Pollock–Krasner Foundation in her will with a multi-million-dollar endowment to support needy and neglected artists. In her Little Image series, created after she and Pollock moved from Manhattan to Long Island in 1945, Krasner explored the possibilities of drawing (and sometimes dripping) in paint in a manner similar to Pollock. By the time Lee Krasner died, on June 20, 1984 in New York City, she was considered a role model for feminist artists. The complexity of what has been characterized as her ‘‘working relationship’’ with Jackson Pollock is a defining feature of her importance to the history of postwar American art.


Author(s):  
Jason Berry

Danny Barker was a musician, writer, and storyteller who reveled in narration: written, sung, or spoken. He grew up in a storied family of New Orleans music. Four of Danny’s uncles were musicians, and Danny himself worked at a dime-a-dance place. He courted Louisa Dupont, a Tremé-born Creole, when he was eighteen and she was thirteen. They married three years later in 1930. Well-paying gigs in New Orleans were evaporating during the Great Depression, so Danny and Louisa went to live with Danny’s uncle, Paul Barbarin, and his friend, Red Allen, in New York. Danny found success as a musician, writer, and songwriter, and learned the art of storytelling from his role model Jelly Roll Morton. Louisa, taking on the stage name Blue Lu, made a name for herself as a singer. The couple had a daughter, Sylvia. The two eventually moved back to New Orleans. Danny died on March 13, 1994. He had told Louisa that he didn’t want a jazz funeral, feeling that burial parades were getting too wild, but his band members and friends persuaded her otherwise. The 1994 funeral parade for Danny was among the most beautiful in recent memory.


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