British Historiography Decentralizes

1969 ◽  
Vol 9 (1) ◽  
pp. 143-151
Author(s):  
J. A. Raftis
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Central Government ◽  
Local History ◽  
World War ◽  
National Register ◽  
Scientific Training ◽  
The 1950S ◽  
Set Up ◽  
The Many

One of the most remarkable features of the British historical scene since World War II has been the rapid professionalization of local history. The National Register of Archives was set up in 1954 “to record the location, content and availability of all collections of documents, both large and small, in England and Wales (other than those of the central government).” From 1949 something akin to a diary of the burgeoning interest in this area was provided by the journal Archives. Neither the work of the National Register nor the informed discussion of Archives would have been possible, however, without the labours of permanent professional archivists who were to be found in most county and other major local record offices by the 1950s. It is not the purpose of this article, however, to record archival activities as such or to follow the subdividing of these activities throughout the 1950s indicated by the Bulletin of the National Register of Archives, the Lists of Accessions, and the many catalogues issuing from local archives.For the archivist, interest in local records seemed to follow naturally enough upon his scientific training in national collections. But such was not the case for the academic historian for whom “nationalization” of history had become identified with the development of scientific history itself. While the president of the Historical Association could admit in his Jubilee Address of 1956 that “One of the most important features of the first half of the twentieth century is the realization in one field after another that history is much more than the mere story of governments,” this realization has been very gradual.

Hoffman, Gertrude (1886–1966)

2018 ◽  
Author(s):  
Barbara Cohen-Stratyner
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Western Europe ◽  
Entertainment Industry ◽  
World War ◽  
Protective Association ◽  
Ballets Russes ◽  
Early Twentieth Century ◽  
Set Up ◽  
To Receive

Gertrude Hoffman (Hoffmann) was an early twentieth-century Broadway dance director and performer, and the first woman to receive a dance direction—or choreographic—credit on Broadway. From her first credited choreography for Punch, Judy & Co (1903), through to her retirement in the early 1940s, she was known for her clever and innovative staging of women’s precision choruses for both the Broadway and the international stage. As a solo performer, however, she is remembered as an impersonator of other vaudeville and theater performers and concert dancers, developing a vaudeville feature act called The Borrowed Art of Gertrude Hoffman. Hoffman developed and performed in the first U.S. productions of the Ballets Russes repertoire (1911–15), was the first woman admitted to the Theatrical Managers’ Protective Association, and, after buying herself out of her previously signed contracts, set up her own producing organization. In the 1920s and 1930s, she created and staged dance specialties for precision dance teams, known as The Gertrude Hoffman Girls, comprised of twelve to twenty-four performers. Her troupes appeared in the Shuberts’ annual Broadway revues and musicals, as well as in ‘‘picture palaces’’ and large cinemas in America and Western Europe. She retired when World War II closed access to the European entertainment industry.

Travail of a Broken Family: Evangelical Responses to Pentecostalism in America, 1906–1916

1996 ◽  
Vol 47 (3) ◽  
pp. 505-528 ◽  
Author(s):  
Grant Wacker
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
The Other ◽  
World War ◽  
Early Twentieth Century ◽  
Biological Parents ◽  
The World ◽  
The 1950S

Early pentecostals thought the world of themselves and they assumed that everyone else did too. Not always positively, of course, but frequently, and with secret envy. In one sense it is difficult to imagine how pentecostals could have been more wrong. Till the 1950s most Americans had never heard of them. A handful of observers within the established Churches noticed their existence, and maybe a dozen journalists and scholars took a few hours to try to figure out why a movement so manifestly backward could erupt in the sunlit progressivism of the early twentieth century. But for the American public as a whole, that was about all there was. In another sense, however, pentecostals' extravagant assessment of their own importance proved exactly right. Radical evangelicals, pentecostals' spiritual and in many cases biological parents, marshalled impressive resources to crush the menace in their midst. Abusive words flew back and forth for years, subsiding into sullen silence only in the 1930s. Things improved somewhat after World War II, but even today many on both sides of the canyon continue to eye the other with fear and suspicion.

scholarly journals „Domorodci“ ne/známého „domova“. Cesty německých vyhnanců a vysídlenců do Československa a jejich percepce místního obyvatelstva ve vysídleneckých periodikách

Český lid ◽  
2020 ◽  
Vol 107 (4) ◽  
pp. 439-468
Author(s):  
Sandra Kreisslová ◽  
Jana Nosková
Keyword(s):  
World War Ii ◽  
Gradual Increase ◽  
Local Population ◽  
Forced Migration ◽  
Displaced Persons ◽  
World War ◽  
The 1950S ◽  
The Many

The study focuses on a specific type of tourism (the so-called Heimattourismus) whose main aim is to visit countries, or better said, localities, which expelled and displaced Germans had to abandon after the end of World War II due to forced migration and which they consider(ed) as one of their ‘homes’. After the first unofficial trips, it is possible to observe a gradual increase in organised and individual tourism of displaced Germans to Czechoslovakia since the second half of the 1950s. In this article, we focus on one of the many topics related to Heimattourism, namely reflections of the local population in the former homeland and the stereotypes constructed about locals by Sudeten German tourists. We examine the topic by analysing ‘travel reports’ published by displaced persons and expellees in their journals since these trips had begun until mid-1960s.

Mormons at Midcentury

2020 ◽  
pp. 193-207
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Great Basin ◽  
American Culture ◽  
Latter Day Saints ◽  
World War ◽  
The 1950S ◽  
National Mood

This chapter describes the American national mood in the middle of the twentieth century that made things feel so welcoming for Latter-day Saints. It highlights the golden era of Mormonism that happened between the end of World War II and the end of John F. Kennedy's presidency. It also talks about the era of the 1950s when Latter-day Saints may have felt that they were in step with the wider American culture. The chapter analyzes the press's treatment of Mormonism at mid-century that implies an underlying message that the matters of politics trumped matters of theology. It discusses American journalists that were writing about Mormons in 1947, which was the year that marked the centennial of the Latter-day Saints' epic trek west to their new Great Basin home.

From Race Relations to Community Relations

2017 ◽  
Author(s):  
Allan W. Austin
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
World War Ii ◽  
Civil Rights ◽  
Race Relations ◽  
Civil Rights Movement ◽  
Community Relations ◽  
World War ◽  
Interracial Relations ◽  
The 1950S

This chapter explores the activities of the Race Relations Committee, which was established in 1943 and remained after World War II. The new committee created several integrated projects (including housing efforts and a work camp) as well as interracial projects such as minority hiring efforts and a university lectureship program. By 1950, Quakers in the AFSC had thus developed an indirect, Friendly approach to interracial relations that while still working to correct individual ignorance now saw the need to reform society as well. Understanding the details of that approach and how Quakers arrived at it provides important insights into Quakers and race in the first half of the twentieth century. It also helps to fill in the historiographical gap concerning the racial activism of Quakers between their nineteenth-century efforts at reform and their participation in the Civil Rights Movement that blossomed in the 1950s and beyond.

John Cranko's Antigone (1959): A Ballet Lost and Found

2015 ◽  
Vol 33 (1) ◽  
pp. 1-15
Author(s):  
Henrietta Bannerman
Keyword(s):  
World War Ii ◽  
Jean Racine ◽  
World War ◽  
Martha Graham ◽  
Detailed Consideration ◽  
Lost And Found ◽  
The Many ◽  
Tragic Drama ◽  
The Relationship

John Cranko's dramatic and theatrically powerful Antigone (1959) disappeared from the ballet repertory in 1966 and this essay calls for a reappraisal and restaging of the work for 21st century audiences. Created in a post-World War II environment, and in the wake of appearances in London by the Martha Graham Company and Jerome Robbins’ Ballets USA, I point to American influences in Cranko's choreography. However, the discussion of the Greek-themed Antigone involves detailed consideration of the relationship between the ballet and the ancient dramas which inspired it, especially as the programme notes accompanying performances emphasised its Sophoclean source but failed to recognise that Cranko mainly based his ballet on an early play by Jean Racine. As Antigone derives from tragic drama, the essay investigates catharsis, one of the many principles that Aristotle delineated in the Poetics. This well-known effect is produced by Greek tragedies but the critics of the era complained about its lack in Cranko's ballet – views which I challenge. There is also an investigation of the role of Antigone, both in the play and in the ballet, and since Cranko created the role for Svetlana Beriosova, I reflect on memories of Beriosova's interpretation supported by more recent viewings of Edmée Wood's 1959 film.

The Formation of a Budding Man Alone: The God Boy (Murray Reece, 1976)

2018 ◽  
Author(s):  
Alistair Fox
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
New Zealand ◽  
Religious Beliefs ◽  
Coming Of Age ◽  
World War ◽  
Value System ◽  
Feature Films ◽  
The Family

This chapter analyses the earliest of the New Zealand coming-of-age feature films, an adaptation of Ian Cross’s novel The God Boy, to demonstrate how it addresses the destructive impact on a child of the puritanical value-system that had dominated Pākehā (white) society through much of the twentieth century, being particularly strong during the interwar years, and the decade immediately following World War II. The discussion explores how dysfunction within the family and repressive religious beliefs eventuate in pressures that cause Jimmy, the protagonist, to act out transgressively, and then to turn inwards to seek refuge in the form of self-containment that makes him a prototype of the Man Alone figure that is ubiquitous in New Zealand fiction.

A war hero or a Hitler soldier?

2019 ◽  
pp. 50-57
Author(s):  
Pavel Gotovetsky
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Interwar Period ◽  
Military Service ◽  
Third Reich ◽  
National Committee ◽  
World War ◽  
The Third ◽  
The World ◽  
The Third Reich

The article is devoted to the biography of General Pavlo Shandruk, an Ukrainian officer who served as a Polish contract officer in the interwar period and at the beginning of the World War II, and in 1945 became the organizer and commander of the Ukrainian National Army fighting alongside the Third Reich in the last months of the war. The author focuses on the symbolic event of 1961, which was the decoration of General Shandruk with the highest Polish (émigré) military decoration – the Virtuti Militari order, for his heroic military service in 1939. By describing the controversy and emotions among Poles and Ukrainians, which accompanied the award of the former Hitler's soldier, the author tries to answer the question of how the General Shandruk’s activities should be assessed in the perspective of the uneasy Twentieth-Century Polish-Ukrainian relations. Keywords: Pavlo Shandruk, Władysław Anders, Virtuti Militari, Ukrainian National Army, Ukrainian National Committee, contract officer.

scholarly journals Hand Surgery in Thailand

2021 ◽  
Vol 13 (01) ◽  
pp. 35-41
Author(s):  
Sunyarn Niempoog ◽  
Kiat Witoonchart ◽  
Woraphon Jaroenporn
Keyword(s):  
World War Ii ◽  
Traffic Accidents ◽  
Hand Surgery ◽  
Vital Role ◽  
Second Phase ◽  
World War ◽  
Third Phase ◽  
Foreign Countries ◽  
General Surgeons ◽  
Set Up

AbstractModern hand surgery in Thailand started after the end of World War II. It is divided into 4 phases. In the initial phase (1950-1965), the surgery of the hand was mainly performed by general surgeons. In 1965-1975, which was the second phase, many plastic surgeons and orthopaedic surgeons graduated from foreign countries and came back to Thailand. They played a vital role in the treatment of the surgery of the hand and set up hand units in many centers. They also contributed to the establishment of the “Thai Society for Surgery of the Hand,” which still continues to operate. In the third phase (1975-2000), there was a dramatic development of microsurgery because of the rapid economic expansion. There were many replantation, free tissue transfers, and brachial plexus surgeries in traffic and factory-related accidents. The first hand-fellow training program began in 1993. In the fourth phase (since 2000), the number of hand injuries from factory-related accidents began declining. But the injury from traffic accidents had been increasing both in severity and number. Moreover, the diseases of hand that relate to aging and degeneration had been on the rise. Thai hand surgeons have been using several state-of-the-art technologies such as arthroscopic and endoscopic surgery. They are continuing to invent innovations, generating international publications, and frequently being invited as speakers in foreign countries.

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