The Rules of the Game
This chapter’s examination of the registers of the Comédie-Italienne provides more detailed context to Goldoni’s career at the Hôtel de Bourgogne by focusing specifically on the status of the author in this theatre. A detailed account of the payments made to the opéra-comique authors working alongside Goldoni illustrates his particular value to the troupe. This data modifies the straightforward vision of the Comédie-Italienne as a lucrative commercial venue; however, a consideration of relative timescales for payment also suggests that although payments there were often low, the theatre’s accessibility with respect to the Comédie-Française could nonetheless still make it attractive. Goldoni’s employment by the Italian troupe is posited as not only an attempt to address increasingly pressing economic concerns, as recent re-evaluations suggest, but also as part of a move by the theatre’s administration to re-enter an older logic of prestige and historical status.