The Environment in Australian Literature

2017 ◽  
Author(s):  
Tony Hughes-d'Aeth
Keyword(s):  
At Risk ◽  
20Th Century ◽  
18Th Century ◽  
Colonial Period ◽  
Ecological Consciousness ◽  
Late 18Th Century ◽  
The Relationship ◽  
Australian Literature

While the relationship between humans and environment in Australia stretches back some 50,000 years, the colonization of the continent by Europeans in the late 18th century dramatically altered Australia’s ecology. Creative literature has responded variously to the encounter that colonization precipitated. In particular, modulations appear through successive epistemological and ideological paradigms: Enlightenment rationality, romantic sensibility, nationalist celebration, and ecological alarm. While early conservationist impulses are visible in the colonial period, in the middle of the 20th century, the birth of the modern ecological consciousness understands that not only particular species or habitats are at risk, but the entirety of nature seems to suddenly face a historically unprecedented vulnerability. In this sense, it is methodologically useful to separate Australian environmental texts between those that are “pre-ecological” and those that are “post-ecological.”

Russian Empire’s Religious Institutions in the 18th - Early 20th Century: The Evolution of “Friend - Alien - Foe” Relations

2021 ◽  
Vol 20 (1) ◽  
pp. 8-31
Author(s):  
Alexandre Yu. Bendin
Keyword(s):  
20Th Century ◽  
Legal Status ◽  
18Th Century ◽  
Early 20Th Century ◽  
Religious Institutions ◽  
Religious Tolerance ◽  
Religious Discrimination ◽  
Old Believers ◽  
Institutional Relations ◽  
The Relationship

The Russian governments three principal institutions to regulate the empires diverse religions from the 18th to the early 20th century are examined. Its author describes the evolution of these bodies, their features and purpose, as well as defining the concept of religious security by analyzing its specific historical content. The author also discusses the relationship between the institutions of the official Russian Church, religious tolerance for foreign confessions, and discrimination against the Old Believers through the prism of friend - alien - foe relations. This approach helps us understand the hierarchical nature of the relations and contradictions that existed between the institutions, whose activities regulated the religious life of the Russian Empires subjects until 1905. The article goes on to analyze the relationship between the official legal status of the Russian Church, imperial tolerance, and religious discrimination. It concludes that the formation of the three state-religious institutions that began in the 18th century ended during the reign of Emperor Nicholas I. That time saw the beginning of the gradual evolution of friend - alien - foe inter-institutional relations, which peaked under Emperor Nicholas in 1904-1906. The author also considers the changes in the governments policy towards the Russian schism of the 17th century, which ultimately removed the friend-or-foe opposition in the relations between the Russian state, the Russian Church and the schismatic Old Believers. In accordance with the modernized legislation on religious tolerance, lawful Old Believers and sectarians moved from the category of religious and political foes to that of aliens, to which foreign confessions traditionally belonged. Under the new legal and political conditions, intolerance and religious discrimination against the schism ceased to be an instrument of state policy.

scholarly journals The Development of the Tarekat among the Madurese Population until the Beginning of the 20th Century

2021 ◽  
Vol 3 (2) ◽  
pp. 291-301
Author(s):  
Iswahyudi
Keyword(s):  
Rural Communities ◽  
20Th Century ◽  
Performing Arts ◽  
18Th Century ◽  
Arabic Language ◽  
The Relationship ◽  
Strong Suspicion

In its development, the number of tarekat found in Madura was three, namely the tarekat Qadiriyah, the  tarekat Qadiriyah Wa Naqshabandiyah, and the  tarekat Tijaniyah. In addition, the tarekat Syatariyah, which had a lot of contact with the traditions of the local Madurese community, had also been influential, even though it was not so big. In this case it is known that starting from the development of the performing arts among the Madurese population called rateb, or from the Arabic language ratib which is similar to the debus performances in Banten and Aceh, there is a strong suspicion that the  tarekat Samaniyah  has also developed in Madura since the 18th century. In its journey, the popularity of the  tarekat Sammaniyah, especially in Madura, was replaced by the Qadariyah wa Naqsabandiyah. This tarekat in its development has replaced the fame of the tarekat Sammaniyah in the archipelago. The description from the sketch shows that in reality, we are often faced with local Islamic sketches, in the form of rituals, such as tarekat, tahlilan, salvation, and so on. The approaches used to telescope this are textual-contextual and structural-functional approaches. From the analysis, it is found that the patterns of understanding and attitudes of the majority of rural communities, especially Madurese, practice Islamic teachings in the form of rituals that are independent, walk alone, without recognizing the relationship between students and sheikhs or murshids.  

scholarly journals MARKERS OF INFLECTIONAL GRAMMATICAL MEANINGS IN THE KOMI-PERMYAK LANGUAGE OF THE LATE 18TH CENTURY (BASED ON THE MATERIAL OF ARCHPRIEST ANTONY POPOV’S HANDWRITTEN DICTIONARIES)

2021 ◽  
pp. 34-46
Author(s):  
Алевтина Степановна Лобанова ◽  
Роман Валентинович Гайдамашко
Keyword(s):  
20Th Century ◽  
18Th Century ◽  
Past Tense ◽  
Future Tense ◽  
Dictionary Entry ◽  
Late 18Th Century ◽  
Wide Range ◽  
Case Markers ◽  
Historical Grammar ◽  
Spatial Semantics

В статье представлен фрагмент лингвистического анализа памятников ранней коми-пермяцкой письменности — рукописей протоиерея Антония Попова (1748–1788), которые датированы 1785 годом и на данный момент известны как первые фундаментальные труды по пермяцкому языкознанию — опыт грамматики и два словаря — алфавитный и тематический. Эти рукописи до сих пор не изданы и исследованы в недостаточной степени. Цель настоящего исследования — выявить и проанализировать показатели словоизменительных грамматических значений в коми-пермяцком языке конца XVIII века на материале словарей А. Попова. В сопоставительном и ареальном аспектах рассматриваются показатели коми-пермяцких словоизменительных грамматических значений следующих категорий: а) число имен, б) падеж, в) лично-притяжательность, г) время. В большинстве своем они идентичны современным грамматическим формам и грамматическим значениям, однако есть и любопытные особенности. Суффикс множественного числа имени существительного представлен в рукописях А. Попова более архаичным вариантом [jɛs] (при современном [ɛz]), который еще во второй половине XX в. фиксировался в различных говорах коми языкового континуума, преимущественно периферийных. В рукописях зафиксирован широкий спектр падежных показателей: вместе с номинативом представлены еще десять падежных форм (из них семь — местные падежи, реализующие пространственную семантику, так называемые внутриместные и внешнеместные падежи). Слово-изменительные показатели со свойственными им значениями «спрятаны» в составе наречий, серийных послелогов и отчасти числительных, а показатель лишительного падежа оформлен отдельной словарной статьей как предлог. Обращает на себя внимание грамматический показатель переходного падежа -ты — в современном коми-пермяцком языке семантика данного падежа реализуется формой -öт. Показатели представленной в работах категории лично-притяжательности сходны с современными семантическими и грамматическими показателями. Данная словоизменительная категория реализуется суффиксами -мъ (возм. -е), -тъ, -съ, -нымъ, -нытъ, -нысъ (при современных -ö ‘мой’, -ыт ‘твой’, -ыс ‘его’, -ным ‘наш’, -ныт ‘ваш’, -ныс ‘их’). Словоизменительные формы глаголов, зафиксированные в рукописях А. Попова, демонстрируют настоящее, будущее, прошедшее очевидное и прошедшее неочевидное времена; показан фрагмент будущего сложного времени. Не удалось обнаружить хотя бы элементы аналитического прошедшего времени. Показатели всех обозначенных времен тождественны соответствующим показателям в современном коми-пермяцком языке. Настоящая статья является не только вкладом в изучение финно-угорского рукописного наследия, но и скромным шагом на пути к разработке исторической грамматики коми-пермяцкого языка. The article presents a fragment of linguistic analysis of monuments of early Komi-Permyak writing — the manuscripts of Archpriest Antony Popov (1748–1788), which are dated 1785 and are currently known as the first fundamental works on Permyak linguistics — grammar sketch and two dictionaries — alphabetical and thematic. These manuscripts have not yet been published and have not been sufficiently studied. The aim of current study is to identify and analyze markers of inflectional grammatical meanings in the Komi-Permyak language of the late 18th century based on the material of the A. Popov’s dictionaries. Markers of Komi-Permyak inflectional grammatical meanings of the following categories are considered in comparative and areal aspects: a) number of nouns and adjectives, b) case, c) personal possessiveness, d) tense. Most of them are identical to modern grammatical forms and grammatical meanings, but there are also interesting features. The plural suffix of the noun is represented in the A. Popov’s manuscripts by a more archaic variant [jɛs] (cf modern [ɛz]). It was recording still in the second half of the 20th century in various dialects of the Komi language continuum, mainly peripheral. The manuscripts contain a wide range of case markers: along with the nominative, there are ten more case forms (seven of them are local cases that implement spatial semantics, the so-called internal and external cases). Inflectional markers with their own meanings are “hidden” within adverbs, serial postpositions and partly numerals. The marker of abessive case is designed as a separate dictionary entry as a preposition. Attention is drawn to the grammatical marker of the prolative case -ты [tɨ] — in the modern Komi-Permyak language, the semantics of this case is realized by the form -öт [ɘt]. Markers of the category of personal possessiveness presented in the manuscripts are similar to modern semantic and grammatical markers. This inflectional category is implemented by the suffixes -мъ [m ] (-е [e]), -тъ [t ], -съ [s ], -нымъ [nɨm ], -нытъ [nɨt ], -нысъ [nɨs ] (cf modern -ö [ɘ] ‘my’, -ыт [ɨt] ‘your (SG)’, -ыс [ɨs] ‘his’, -ным [nɨm] ‘our’, -ныт [nɨt] ‘your (PL)’, -ныс [nɨs] ‘their’). Inflectional forms of verbs recorded in A. Popov’s dictionaries demonstrate present, future, past I and past II tenses. A fragment of compound future tense is shown. It was not possible to detect at least elements of the analytical past tense (perfect). The markers of all these tenses are identical to the corresponding markers in the modern Komi-Permyak language. This article is not only a contribution to the study of the Finno-Ugric manuscript heritage, but also a modest step towards the development of a historical grammar of the Komi-Permyak language.

Jan van Eyck

2013 ◽  
Author(s):  
Alfred Acres
Keyword(s):  
20Th Century ◽  
18Th Century ◽  
Early Years ◽  
Early Model ◽  
Manuscript Illumination ◽  
The Novel ◽  
20Th Century Literature ◽  
Oil Painting ◽  
Late 18Th Century ◽  
20Th Century Art

Jan van Eyck (b. c. 1390–d. 1441), whose fame was international during his own lifetime and has never faded in the centuries since, was one of the most inventive and influential painters of all time. Born probably in the 1390s in or near Maaseik, his early years and training remain obscure. His career first comes into partial focus in the early 1420s, when he is recorded working in The Hague for John of Bavaria, Count of Holland. In 1425 he was employed by Philip the Good, Duke of Burgundy (r. 1419–1467), one of the most powerful princes in Europe. Based mainly in Bruges, he served Philip and other prestigious patrons for rest of his life. The great esteem in which he was held by the duke and others, along with Jan’s unprecedented assertion of himself among inscriptions and images, made him an early model of the prized court artist, a role that would soon become more familiar in the Renaissance and after. Of the approximately two dozen paintings most confidently attributed to him, the earliest dated work is also the largest and most complex: the Ghent Altarpiece, completed 1432. Its inscription indicates that the project was begun by his brother Hubert (d. 1426), from whom no other surviving works have been confidently identified. The remaining paintings attributed to Jan van Eyck are altarpieces, smaller devotional pieces, and portraits. Lost works mentioned in early sources or echoed in variant paintings and drawings included more of the same, along with at least one genre-like image, of a woman at her bath. It has long been speculated that Jan’s early work may have included manuscript illumination, with the paintings of the Turin-Milan Hours at the center of this scholarship. In his 1550 Lives of the Artists, Vasari credited Jan van Eyck with the invention of oil painting, a claim widely repeated until it was disproven in the late 18th century. But fascination with the brilliant effects of van Eyck’s technique—and especially the novel depths of his realism—has never waned. Much of the 20th-century literature has probed symbolic and related dimensions of meaning in his realism. This interpretive scholarship on van Eyck and his Flemish contemporaries (chiefly Robert Campin and Rogier van der Weyden), associated especially with Panofsky’s conceptions of iconography, iconology, and “disguised symbolism,” became widely influential in 20th-century art history.

scholarly journals Transmedial Prometheus: from the Greek Myth to Contemporary Interpretations

2017 ◽  
Vol 15 (1) ◽  
pp. 88-107
Author(s):  
Nicoleta Popa Blanariu
Keyword(s):  
20Th Century ◽  
Visual Arts ◽  
18Th Century ◽  
Ridley Scott ◽  
Greek Myth ◽  
Ernst Bloch ◽  
History Of ◽  
The Relationship

The myth of Prometheus is well known for its rich polymorphism, celebrating the Titan’s contest with the Olympian gods and its demythisation in the contemporary era. To Ernst Bloch “Faust and Prometheus are the major figures of the Renaissance”, while Gilbert Durand describes the relationship between myth and history as a backwards “evhemerism” which enables a messianic reading of the Promethean symbol, especially at the end of the 18th century and beginning of the following. From the Renaissance to the 20th century, the Promethean symbol slides transmedially from the verbalized narrative towards visual arts. With the exhaustion of the Promethean momentum, for Durand as well as Maffesoli, the 20th century assumes the decadent myths of Dionysus and, eventually, a vast Hermetic mythology. This paper highlights several moments and works which marked the dynamic history of the mythical hero, as revealed to us by Aeschylus, Shelley, Goethe, Gide, Ridley Scott etc.

scholarly journals Considerations about foxing stains in three paper collections ranging from the 16th to the 20th century

2020 ◽  
Author(s):  
Francisca Figueira ◽  
Marta Matos ◽  
Aida Nunes ◽  
Mariana Afonso ◽  
Ana Clara Rocha ◽  
...  
Keyword(s):  
Synergistic Effect ◽  
20Th Century ◽  
Historical Data ◽  
18Th Century ◽  
Light Sources ◽  
Late 18Th Century ◽  
Different Types ◽  
Time Periods ◽  
Paper Conservation

Three surveys on the occurrence of foxing stains were carried out on papers dating from 1560 to 1975 in three Portuguese collections. Foxed papers were found to be more intensely and intrusively stained in certain time periods of each collection. Based on historical data and on the professional paper conservation experience, the authors linked the increased occurrence of foxing stains in certain time periods to the new papermaking processes and materials, which began to be introduced in the late 18th century, and in particular to a synergistic effect between three factors: the use of deficient gelatine sizing which began to present a poorer quality and homogeneity, the presence of iron-containing impurities throughout the paper leaf and a distinct sorbency of moisture. Observing batches of morphologically similar papers by using photographic imaging with different types of light sources and incidences, the authors verified that similar papers present similar foxing stains.

Dilettantismus oder „Nebenwerk“?

2021 ◽  
Vol 48 (3) ◽  
pp. 475-499
Author(s):  
Martin Mulsow
Keyword(s):  
18Th Century ◽  
Practical Applications ◽  
Late 18Th Century ◽  
Time Work ◽  
Big Picture ◽  
Part Time ◽  
Main Activity ◽  
The Relationship ◽  
Part Time Work

Dilettantism or “Nebenwerk”? A Gotha Proposal on the Position of Science at the Courts in the Late 18th Century This essay discusses the contents of a presumably collective program that Gotha intellectuals published in 1776. In the text under study, “Von der spielenden Gelehrsamkeit”, they seek to legitimate their scientific and scholarly part-time work in addition to their employment as court officials or professionals in the ducal residence. The text is polyphonious and seems to be based on compromises between different authors. Accordingly, it does not present a consistent argument. For the historian, the consistency of the text is less relevant than what it reveals about the precarious status of part-time science and how it was viewed by contemporaries. The authors of the proposal argue that a self-confident form of patriotism – a patriotism that is related to the princely territory – and the emphasis on practical applications could help to prevent science and scholarship from sliding into pedantic specialization. For the authors, however, this did not mean rejecting the micrology, the collection of seemingly insignificant individual observations. On the contrary: micrology should be possible precisely because the part-time scholars – through their work for the principality at court – would never lose sight of the big picture. In the previous research discussion about the role of dilettantism in the genesis of science, the question of the relationship between the main activity at court and the secondary activity, the Nebenwerk, as a scientist has so far been neglected. The text under discussion therefore throws an important light on the coupling attempts that have been made here between different social subsystems.

scholarly journals Temporalization as Transcendental Aesthetics - Avant-Garde, Modern, Contemporary

2014 ◽  
Vol 23 (44-45) ◽  
Author(s):  
Peter Osborne
Keyword(s):  
18Th Century ◽  
Cultural Representation ◽  
Stable Set ◽  
Theoretical Terms ◽  
Dialectical Logic ◽  
Avant Garde ◽  
Late 18Th Century ◽  
Relationship Of ◽  
The Relationship

Reflections on the relationship of aesthetics to politics tend to circle, almost compulsively, around a relatively stable set of conceptual oppositions, inherited from German philosophies of the late 18th century. This essay proposes an expansion of the theoretical terms of the debate by extending the field of transcendental aesthetics into the domain of historical temporalization. Fundamental art-historical categories may thereby be incorporated, philosophically transformed, into ‘aesthetics’ as forms of historical temporalization: avant-garde, modern, contemporary. The essay expounds two theses, in particular: 1. The historical subsumption of the temporality of the avant-garde by the temporality of the modern: the modern stands to the avant-garde as the negation of its politics by the repetition of the new –‘the new as the ever–same’; 2. the historical subsumption of the temporality of the modern by ‘the contemporary’: the contemporary stands to the modern as the negation of the dialectical logic – and hence specifically developmentalist futurity – of the new by a spatially determined, but imaginary co-presencing. One effect of this latter subsumption, it is argued, is a particular, regressive ‘repetition of the national’, at the level of cultural representation, on the terrain of the global.

scholarly journals Climate variability and grain production in Scania, c. 1702–1911

2021 ◽  
Author(s):  
Martin Karl Skoglund
Keyword(s):  
Climate Variability ◽  
18Th Century ◽  
Interesting Case ◽  
Grain Production ◽  
Climate History ◽  
Late 18Th Century ◽  
Contextual Understanding ◽  
Dry Conditions ◽  
History Of ◽  
The Relationship

Abstract. Scania (sw. Skåne), southern Sweden, offers a particularly interesting case for studying the historical relationship between climate variability and grain production, given the favourable natural conditions in terms of climate and soils for grain production, as well as the relative lack of heat-sensitive grain varieties like wheat in its production composition. In this article, I combine a contextual understanding of historical grain production in Scania, including historical, phenological and natural geographic aspects, with quantitative analysis of available empirical sources to estimate the relationship between climate variability and grain production between the years c. 1702–1911. The main result of this study is that grain production in Scania was primarily sensitive to climate variability during the high summer months of June and July, preferring relatively cool and humid conditions, and to some extent precipitation during the winter months, preferring relatively dry conditions. Furthermore, grain production was relatively insensitive to climate variability during the spring, autumn and harvest seasons. At the end of the study period, these relationships were shifting as the so-called early improved cultivars were being imported from other parts of Europe. Finally, I also shed new light on the climate history of the region, especially for the late 18th century, previously argued to be a particularly cold period, through homogenization of the early instrumental series from Lund (1753–1870).

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