Hausa

Author(s):  
Benedetta Rossi

The term “Hausa” refers to a language spoken by over thirty million first-language speakers living mainly in the region now comprising northern Nigeria and southern Niger, with large Hausa-speaking enclaves in northern Cameroon, Ghana, Togo, and the Sudan. This term is also commonly used to refer to the society that speaks this language. However, historically Hausa society has been so internally diverse that it would be preferable to speak of “Hausa-speaking societies”: “It is almost impossible to say exactly what a Hausa is now, for he is admittedly a mixture of mixtures” (Tremearne 1911) Until the early-20th-century researchers of Hausaphone societies tended to distinguish between Muslim and “pagan” Hausa, with the latter comprising groups collectively labeled Maguzawa (northern Nigeria) and Azna, Arna, or Anna (southern Niger). Throughout the 20th century a regional process of Islamization resulted in the marginalization of non-Muslim and syncretic religious practices. Only a small minority of Hausa converted to Christianity. Political anthropologists distinguished between, on one hand, dynastic Hausa, politically centralized groups settled in the main Hausa cities, and on the other hand, lineage-based Hausa: farming communities living in the countryside. In the early 21st century these classifications are slowly becoming obsolete as all Hausa speakers are integrated in national political structures, and young people with rural origins gravitate toward large urban centers within and outside Africa in search of jobs and resources. While the literature on Hausa history, societies, and cultures in northern Nigeria is voluminous and primarily English, studies of Hausaphone southern Niger are fewer and mainly in French.

Author(s):  
И. В. Покатилова ◽  
А. Ф. Лукина

Актуальность темы связана с новыми методологическими подходами в исследовании современной культуры Якутии начала 21 века. Авторы попытались применить метод междисциплинарного подхода в исследовании образной географии Якутии начала 21 века на примере проекта «Образная карта - маршрут Таттинского улуса». Город и село в 20 веке являются разными средами обитания современного человека. В первой среде зарождается креативная культура, а во второй - дольше сохраняется традиционная культура. Трансформация традиционной культуры в начале 20 века в городе Якутске привело к зарождению нового креативного типа культуры, а в конце 20 века в постсоветском пространстве формируется образная география конкретного региона или улуса, стянув пространство ландшафта и памятников культурного наследия, что ярко прослеживается на материале Таттинского улуса. The relevance of the topic is related to new methodological approaches in the study of modern culture of Yakutia in the early 21st century. The authors tried to apply the method of an interdisciplinary approach in the study of the figurative geography of Yakutia of the early 20th century by the example of the project "Figurative map - the route of Tatta ulus". City and village in the 20th century are different environments of a modern man. In the first environment, creative culture is born, and in the second, traditional culture is preserved longer. Transformation of traditional culture at the beginning of the 20th century in Yakutsk city led to the birth of a new creative type of culture, and at the end of the 20th century, in the post-Soviet space, a figurative geography of a specific region is formed, pulling together the space of the landscape and cultural heritage monuments, which is clearly seen in the material of Tatta ulus.


ICONI ◽  
2019 ◽  
pp. 159-171
Author(s):  
Anton А. Rovner ◽  

The article presents the history of an extraordinary music festival organized in St. Petersburg by two composers Igor Rogalev and Igor Vorobyev. The festival was fi rst called “From the Avant-garde to the Present Day,” subsequently “From the Avant-garde to the Present Day. Continuation,” and during the last three years — “The World of Art. Contrasts.” This festival was founded in 1992, and its aim was to create a venue for performance of music by contemporary composers and representatives of the “forgotten generation” of the early 20th century Russian avant-garde movement, such as Nikolai Roslavetz, Alexander Mosolov, Arthur Lourie, etc. Many premieres of these and other composers were performed at this festival, as well as well-known works by such early 20th century established masters as Arnold Schoenberg, Alexander von Zemlinsky, Igor Stravinsky, Bela Bartok, etc. Some of the leading contemporary composers of the late 20th and early 21st century were invited to participate in the festival, as were numerous outstanding performances, ensembles and orchestras up to the St. Petersburg Mariinsky Theater, artists, poets and writers. At the present time the artistic goal of the festival is to connect the strata of music by contemporary composers with the masterpieces of the great classics of the previous centuries — from the Renaissance era to the 19th century. Each year the festival has a certain particularthemes, such as, for instance, Italian music or Japanese music, around which the program is built endowed with a broad stylistic and genre-related pallette.


2020 ◽  
pp. 1-27
Author(s):  
Yan Wang

Abstract Based on the systemic functional framework, this paper attempts to compare verbal projection in two comparable translated texts of a detective story entitled A Scandal in Bohemia, one from the early 20th century (henceforth TT1) and the other from the early 21st century (henceforth TT2). Approximately one hundred years apart, these two translations are strikingly different in their language use, with classical Chinese being used in TT1 and plain (colloquial) Chinese being used in TT2. By analysing and comparing the lexicogrammatical features of the verbal clauses in the two translated texts, this paper summarises the choices made by the translators in these two different historical moments: when translating the source text, TT1 translators show more flexibility by incorporating more addition and omission into their translation than TT2 translators.


2018 ◽  
Vol 30 (2) ◽  
pp. 134-166
Author(s):  
Gertrud Reershemius

This paper analyzes the linguistic repertoires of Jews in the Low German-speaking areas in the first decades of the 20th century, as a contribution to historical sociolinguistics. Based on fieldwork questionnaires held in the archives of the Language and Culture Atlas of Ashkenazic Jewry (LCAAJ), it addresses the question of whether the Jewish minorities spoke a supralectal form of standard German or Koiné forms of dialects, relating this to issues of language shift from Western Yiddish. The study shows that many Jews living in northern Germany during the 1920s and 1930s still had access to a multilingual repertoire containing remnants of Western Yiddish; that a majority of the LCAAJ interviewees from this area emphasized their excellent command of standard German; and that their competence in Low German varied widely, from first language to no competence at all, depending on the region where they lived.*


Neurology ◽  
2018 ◽  
Vol 91 (1) ◽  
pp. 36-40
Author(s):  
Harvey B. Sarnat

Many academic neurologists and neuropathologists who retire at the peak of their careers continue to be productive in research and teaching, enhanced by years of experience and mature perspective. The early 20th-century model of institutions depending upon the generosity of such individuals to donate their time and efforts without proper recognition or compensation, despite the service, prestige, and recognition they bring to their institutions, should be reconsidered in the early 21st century in the context of fairness, honesty, dignity, and increased longevity. University pensions do not distinguish retirees who continue to contribute from those who stop working. This essay represents the author's personal reflections and experience, reinforced by similar thoughts and encouragement by numerous distinguished colleagues named at the end of the text. Funding of stipends for active emeritus professors lacks precedent but should be sought.


2013 ◽  
Vol 54 (2) ◽  
pp. 161-177
Author(s):  
Barbara Stelmaszczyk

Summary This article joins the current debate about the challenges faced by contemporary literary theory by drawing attention to aporias that open up for historians of literature. A case in point is Cyprian Kamil Norwid’s idea of the role of the artist and the function of art and the misrepresented, distorted account of his views that dominate the history of the reception of his work. The article distinguishes two interpretations of the Romantic tradition which coincide with two phases in the reception of Romanticism. The first of them was given shape by the Young Poland movement in the late 19th and early 20th century (most notably by Stanisław Brzozowski), while the other (represented by Agata Bielik-Robson) is a product of our own time, ie. the early 21st century. They are discussed in turn. A critical reappraisal of Young Poland’s understanding of Romanticism is complemented by an examination of Brzozowski’s approach, which is distinctly his own. A hundred years later, Brzozowski is given a key role in Agata Bielik-Robson’s review of the Polish Romantic tradition, and yet her take on it is markedly different from his.


Author(s):  
Sharina Maillo-Pozo

Pedro Henríquez Ureña is arguably the most influential Dominican thinker of the 20th century and one of the most esteemed Latin American and Caribbean intellectuals. He spent almost ten years in the United States where he engaged in literary and intellectual activities and has been deemed by many critics as one of the precursors of the Caribbean intellectual diaspora. Yet, since his legacy predates the consolidation of Latina/o studies in the late 1960s, his vast body of work has been regarded as valuable contribution exclusive to the Latin American and Caribbean intellectual archive rather than as testimony of the long-standing presence of Latina/o writings in the United States. The seminal works of scholars such as Alfredo Roggiano, Silvio Torres-Saillant, Victoria Nuñez, and Danny Méndez have shifted the dialogues on Pedro Henríquez Ureña’s trajectory considering his life in the United States and his experience in the New York metropolis. Situating him in a “Latino continuum,” to borrow Carmen Lamas’s term, within United States latinidad, engages with early 21st century scholarship on Latina/o studies that challenge the limitations of nationalist US literary and intellectual history and regionalist Latin American studies. The case of Pedro Henríquez Ureña sheds light on the important contributions of Spanish-speaking Caribbean-Latina/o writings in the early 20th century and highlights the intellectual activity of Dominicans, an ethnic group within the Latina/o umbrella that has remained obliterated in general discussions on latinidad. Thus, Pedro Henríquez Ureña’s trajectory in the United States, and most specifically New York, underscores the cultural dynamism of Latinas/os in early-20th-century New York with a special focus on pre-diasporic Dominican latinidad.


Author(s):  
Andrés Estefane ◽  
Luis Thielemann

Marxist thought in Latin America was impacted by various transatlantic intellectual, and social influences. The changes in Latin American Marxism can be placed in a five-stage chronological framework. The first stage, from the late 19th century to the early 20th century, encompasses the arrival of European immigrants, who introduced the first references to Marxist socialism, and the local development of that repertoire among workers, journalists, and intellectuals in the urban centers of Latin America. The initial influence of the Second International and Karl Marx’s texts started to change during the second decade of the 20th century, following the debates sparked by the Russian Revolution and the emergence of communism. This context framed the beginning of the second stage, characterized by the emergence of a group of thinkers who questioned the Eurocentric tone and the mechanical assimilation of European Marxism. Taking as a point of departure the particularity of Latin American social formations, and inspired by a strong anti-imperialist discourse, these intellectuals and revolutionary leaders aimed at developing an original reading of Marxist thinking, more pertinent to the rural and indigenous character of the continental societies and the structural legacies of the colonial past. A third stage began in the 1930s, after the fall of the Spanish Republic, the ascent of fascism and Nazism in Europe, and the ideological purges that followed the Stalinization of the Communist Party of the Soviet Union. The increasing influence of the Comintern (the Communist International) deactivated the creative impetus of the early 20th century, though it did not prevent the emergence of intellectuals and local organizations—led by Trotskyism and Left Opposition groups—who strongly criticized Stalinism and the bureaucratization of Soviet Communism. The triumph of the Cuban Revolution in 1959 marked the beginning of a fourth stage in the history of Latin American Marxism. That event inverted the traditional direction of the transatlantic influence, since Latin America became a landmark case for Western Marxism. In the midst of a complex and productive intercontinental dialogue with Europe, Latin American Marxism developed crucial debates on such topics as the colonial legacy of the continental capitalist development, the relationship between racial hierarchies and class struggle, and over the political “routes” to building socialist orders. These dialogues and debates came to an abrupt end after the wave of coup d’états that shook the continent between the 1960s and the 1980s. The political defeats of the attempts to construct socialist systems provoked a Marxist diaspora that brought many European intellectuals back to their own continent and sent many militants and thinkers into exile in Latin America and elsewhere. Interestingly, the evaluation of the defeat was the basis for an ample renovation of the Marxist thought, which marked the beginning of the fifth and current stage, characterized by the emergence of the Latin America’s progressive governments of the 21st century and the gradual withdrawal from the old bases of historical materialism. Although this periodization recognizes the diverse transatlantic contexts that influenced Latin American Marxism, it also seeks to highlight that the production of Marxist thinking on the continent has mainly been connected with the experience of active militants and intellectuals proscribed or marginalized in academia. By extension, the development of Latin American Marxism appears to be intimately linked to the political struggle of the continental Left, which does not negate that Latin American thinkers have also produced theoretical works on Marx.


Author(s):  
Александр Васильевич Черных

В статье анализируется история собирания, изучения и публикации в Пермском Прикамье былинных текстов в ХIХ - начале ХХ в., выявления и собирания фольклорных текстов с былинными сюжетами во второй половине ХХ - начале ХХI в. История былиноведения в регионе насчитывает более двух веков от первого упоминания о былинных сюжетах В. Берха (1821) до записей начала ХХI в. Поиск былин и собирательская деятельность в регионе связана с именами видных российских фольклористов Н. Е. Ончукова и А. В. Маркова. Несмотря на многочисленные публикации и свидетельства о бытовании былин, собственно былинных текстов записано и опубликовано крайне мало. Большинство записей принадлежит пермским исследователям; отчасти это обусловлено тем, что при характерном для Прикамья точечном и единичном бытовании былин такие записи были возможны только при многолетнем целенаправленном изучении фольклора. Значительно число публикаций, в которых приводится информация о былинах, но она не подкреплена текстовыми материалами. Анализируются записи и упоминания о былинных сюжетах в коми-пермяцком фольклоре. Рассматриваются особенности выявления новых текстов былин и былинных сюжетов в государственных архивных собраниях и фольклорных архивах. Рассмотрена работа пермских фольклористов в последние десятилетия и записи былинных сюжетов. В приложении к статье опубликовано несколько текстов из архивных собраний и полевых записей. This article analyzes the history of collecting, studying and publishing bylina texts in the Perm Kama Region in the 19th - early 20th century, and the identification and collection of folklore texts with bylina subjects in the second half of the 20th - early 21st century. The history of bylina studies from the region dates back almost two centuries, from the first mention of bylina stories by V. Berkh (1821) to recordings of the beginning of the 21st century. The search for bylinas and collecting activity in the region are associated with the names of the prominent Russian folklorists N. E. Onchukov and A. V. Markov. Despite numerous publications and evidence of the existence of bylinas, very few actual bylinas have been recorded and published. Most of the recording was done by Perm researchers; this is partly due to the fact that because of the characteristically spotty and sporadic presence of bylinas in the Kama Region, their documentation was only possible by long-term purposeful study. There is a significant number of publications that provide information about bylinas, but it is not supported by textual material. In this article, the existing records and references to bylina stories in Komi-Permian folklore are analyzed. It examines the particularities of identifying new bylina texts and subjects in state archival collections and folklore archives. It also considers the work of Permian folklorists in recent decades and their recording of bylina stories. Several texts from archival collections and field recordings are published in the appendix to the article.


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