Introduction
The introduction discusses the tightly interwoven relation between noise, sound, and media and explains why studying the noise of sound media from a media theoretical perspective offers novel ways to rethink the “sound” specific to sound media. After briefly assessing some relevant recent literature, it describes three distinct but historically interrelated concepts of noise: the sonic, physical, and communicational concepts that developed in the context of, respectively, sound and music, physics and engineering, and information and communication theory. By subsequently introducing the book’s main concepts—the myth of perfect fidelity, the logic of noise reduction, the noise resonance of sound media, and the logic of filtering—the introduction explains how a media archaeology analysis of noise can enrich the understanding of the ways in which sound technologies over the past one hundred forty years have shaped the sound of music.