Pyrite

Author(s):  
David Rickard

Most people have heard of pyrite, the brassy yellow mineral sometimes known as fool's gold. Pyrite behaves like stone and shines like metal, and its dual nature makes it a source of both metals and sulfur. Despite being the most common sulfide mineral on the earth's surface, pyrite's bright crystals have attracted the attention of many different cultures, and its nearly identical visual appearance to gold has led to tales of fraud, trickery, and claims of alchemy. Pyrite occupies a unique place in human history: it became an integral part of mining culture in America during the 19th century, and it has a presence in ancient Sumerian texts, Greek philosophy, and medieval poetry, becoming a symbol for anything overvalued. In Pyrite, geochemist and author David Rickard blends basic science and historical narrative to describe the many unique ways pyrite is integral to our world. He explains the basic science of oxidation, showing us why the mineral looks like gold, and inspects death zones of present oceans where pyrite-related hydrogen sulfide destroys oxygen in the waters. Rickard analyzes pyrite's role in manufacturing sulfuric acid and discusses the significant appearance of the mineral in literature, history, and the development of societies. The mineral's influence extends from human evolution and culture, through science and industry, to our understanding of ancient, modern, and future earth environments. Energetic and accessible, Pyrite is the first book to show readers the history and science of a mineral that helped make the modern world.

Author(s):  
Ashlyn Stewart ◽  
Kenneth M. Price

Studying the literature, history, or culture of 19th-century America often requires one to read magazines from the time period. Even more so than today, 19th-century magazines were a place for readers of all kinds across the growing nation to consume news, literature, entertainment, advice, illustrations, and more. Therefore, they provide a valuable record of what the 19th century was like for various segments of society and make for a compelling topic of research in their own right. As printing machinery, distribution networks, and business practices advanced, magazines evolved from short-lived, largely local affairs in the 1830s to long-lasting, wide-reaching publications in the 1880s. Magazines grew in their reach, influence, and sometimes page count; improved in quality of contributor content, presentation, and illustrations; and became more numerous, stable, and enduring. Despite all the changes magazines underwent during the 19th century, one characteristic remained consistent: they were essential forums for 19th-century print culture. For the purposes of this bibliography, we rely on the Oxford English Dictionary definition of “magazine”: the term has been used since at least the early 18th century to describe “a periodical publication containing articles by various writers”—particularly ones that are prepared for a readership with a specialized interest. This definition is broad enough to capture other serialized print publications, and we embrace the inclusive interpretation. The line dividing newspapers from magazines is especially unclear because these media have elastic boundaries; the line has become even more muddied within modern magazine scholarship because studies treating marginalized groups often rely heavily on newspapers. Therefore, we have chosen to be expansive in our treatment of magazines, meaning our sources occasionally consider other serial forms of print because they were an integral part of the wider print landscape of the 19th century. We often use the term “periodical” to include these serialized publications that weren’t strictly magazines. In this bibliography, some studies make heavy use of newspapers oriented toward readers with specific cultural, racial, or ethnic identities. Similarly, scholarship about books is not the focus of this bibliography; however, magazines were often printed in the same shops as books by the same publishers and were distributed along the same routes. Therefore, information about the larger book market and distribution is frequently essential to the works included here. Finally, studying magazines usually requires a multidisciplinary approach that draws on the established fields of literature, history, book history, and cultural studies. It also can require several methodological lenses, including close reading of texts; consideration of historical contexts; biographies of writers and publishers; sensitivity to class, gender, and race; concern for material and economic constraints in production; an eye for audience; thought about distribution; and attention to both niche and mass cultures. This bibliography attempts to wrangle sources from disparate fields and approaches to provide a starting place for those curious about the many facets of 19th-century American magazines.


Fascism ◽  
2019 ◽  
Vol 8 (1) ◽  
pp. 1-8 ◽  
Author(s):  
Roger Griffin

In the entry on ‘Fascism’ published in 1932 in the Enciclopedia Italiana, Benito Mussolini made a prediction. There were, he claimed, good reasons to think that the twentieth century would be a century of ‘authority’, the ‘right’: a fascist century (un secolo fascista). However, after 1945 the many attempts by fascists to perpetuate the dreams of the 1930s have come to naught. Whatever impact they have had at a local level, and however profound the delusion that fascists form a world-wide community of like-minded ultranationalists and racists revolutionaries on the brink of ‘breaking through’, as a factor in the shaping of the modern world, their fascism is clearly a spent force. But history is a kaleidoscope of perspectives that dynamically shift as major new developments force us to rewrite the narrative we impose on it. What if we take Mussolini’s secolo to mean not the twentieth century, but the ‘hundred years since the foundation of Fascism’? Then the story we are telling ourselves changes radically.


2017 ◽  
Vol 2 (1) ◽  
pp. 47-58
Author(s):  
Kukuh Rizki Satriaji

The old downtown area of ​​Banda Aceh holds high historical value, as evidenced by the many historic relics that still survive as a historic object in the region. The existence of these ancient artifacts can complement the historical narrative as well as the authentic proof of the identity of the city of Banda Aceh. The central area of ​​Banda Aceh requires interesting public spaces to make the existence of these historic assets more prominent as an element of the attraction of this historic area. This study aims to strengthen the identity of the downtown area of ​​Banda Aceh through an architectural design concept in a potential public corridor that has not been optimally utilized. The idea is to assemble historic spaces in this corridor to make it easier and convenient for pedestrians to access. This research is done by recording visual image of open space in public corridor area to capture visual picture and to know physical quality of public spaces in the location. Increased visual accentuation in the public corridors of the downtown area of ​​Banda Aceh can form visual sequences that provide different spatial experiences. The experience of this space arises from the historical space-themed space phases supported by the gradual display of space elements. The key to success in strengthening the identity of this corridor is the selection of the design of appropriate elements of space, in accordance with the character of space that can represent the values ​​and historical identity of the region.


TRANSFORMATIF ◽  
2021 ◽  
Vol 4 (2) ◽  
pp. 211-221
Author(s):  
Novita Sari ◽  
Jarman Arroisi

The rapid science in the modern era, provides significant changes for humans, both in the fields of economics, politics, culture, environment, society, education, and even religion. The 19th century is a century of science that is growing rapidly, this can be seen from the emergence of various scientists who provide concepts, theories based on philosophy with basic ontology, epistemology, and axiology as a contribution to the development of science. One of them, the scientist known as the father of sociology, was Auguste Comte a scientist from France. Comte is famous for its philosophy of postivism because of the many references by scientists in the contemporary era. This is based on the calculation of the success of designing the social structure of modern humans with three stages of law, but one side of the theory he produced has eliminated the fundamental value in humans, namely eliminating the metaphysical basis. In a three-stage law, more concerned with physical values than metaphysical values, this will result in a society that abandons religion and even eliminates the existence of God. The thoughts produced by Comte are thoughts originating from the west, where the basic West is relativism so if viewed from an Islamic point of view this theory will produce atheists and eliminate the sanctity of religion. In Islam religion and society are inseparable because religion is a guideline that is used as a basis in people's lives based on the values of the Qur'an and Sunnah. Therefore in this paper we will study more deeply the criticisms of Aguste Comte's thinking, using qualitative research types, with descriptive analysis methods and theological philosophical approaches. 


2017 ◽  
Vol 5 (1) ◽  
pp. 230-238
Author(s):  
Sayantan Gupta

The technology of Quantum Green Computing has been discussed in this paper. It also discusses the need of the many implementation techniques and approaches in relation with Fog-Cloud Computing. Moreover, we would like to introduce the latest algorithms like Stack Algorithm, Address Algorithm and many others which will help in the analysis of Green-Quantum Computing Technology in the modern society and would create a technological revolution. With the Internet of Things rising in the modern world time, new security issues have also been developed. So, our proposed Model the Fog-Things Model will help us to determine the security issues and indeed secure the entire IoT network.


2020 ◽  
pp. 277-328
Author(s):  
Reda Griškaitė

JAŠIŪNAI MANOR AS A SPACE FOR WRITING LITHUANIAN HISTORY The aim of this article is to discuss the Jašiūnai manor (Pol. Jaszuny; Russ. Яшуны; Vilniaus Governorate, Vilnius County), owned by the historian, journalist, poet, translator and collector Michał vel Michał Wincenty Feliks Baliński (1794–1864). The manor will be discussed not only as a cultural hub for intellectuals in a general sense, but also as a unique space for writing Lithuanian history. The term “space” is understood here in the broad sense, as of the manor—as well as in the more narrow sense, as of the library itself (the historian’s office). Especially important for this research was the latter concept of a “space within a space”, the “historian’s workshop”, and its epicenter—the archive (manuscript collection). The aim of the research was to reconstruct the story of the emergence and fate of this collection of documents including its contents, sources, and most importantly its thematic direction and distinctiveness. The research showed that the largest collection of historical documents once housed in the archive of the Jašiūnai manor library is now kept in the Jagiellonian Library (Krakow). This material remains important to the history of the city of Vilnius, Vilnius University, and Lithuania’s academic history. Supplementary elements include attention to the Radvila family, the period of Steponas Batoras’s rule, and the history of the Szubrawcy (rascals) Society. This last component can be considered as an integral part not only of the history of Vilnius city but also of its university. The dual nature of the Jašiūnai archive is not necessarily an asset. When the library and archive of Jan vel Jan Chrzciciel Władysław Sniadecki vel Śniadecki (1756–1830) was transferred to the manor, Baliński’s own collection, which initially focused on the history of Lithuanian cities and Szubrawcy Society (especially of the latter), wound up relegated to the background. Keeping in mind the “competition for libraries” among the intellectual manors of Lithuania in the first half of the 19th century as they sought to distinguish themselves, it is very possible to conclude that the former University rector’s installment in the manor can today be viewed as a “historical error”. Thus Jašiūnai lost some of its playfulness and distinctiveness in the context of other intellectual manors of that time. The situation would have been different if the Auszlawis (such was Balinski’s pseudonym in the Szubrawcy Society) collection had been associated not with Jan Sniadecki, but rather with the documentary legacy of Sotwaros (i.e. Jędrzej Sniadecki vel Śniadecki [1768–1838]), especially his documentation of the Szubrawcy. All the more so since the egodocuments of Balinski suggest the idea that its real hero was not Sniadecki the Elder, but Sniadecki Jr. Analysis of the Balinski archival collection only confirmed that which was shown by the previously executed so-called common biographical research of this historian and lord: he was relegated to the background by circumstances. That is to say, relegated to a life lived in the shadow of Jan Sniadecki’s personality and to the importance of the Szubrawcy ideology, especially in the early and last periods of his life. The Jašiūnai document collection housed in the Manuscripts Department of the Wroblewski Library of the Lithuanian Academy of Sciences shows that the latter circumstance was fully understood by Tadeusz vel Tadeusz Stanisław Wróblewski (1858–1925) and his peers. From here stems another “archival” conclusion regarding the uniqueness of the Wroblewski Library in our cultural and historical geography. The circumstances surrounding the transferral of the document collection from Jašiūnai remain unclear to this day, however it is very likely that Baliński’s will and testament was not taken into consideration. This shows that the owner of Jašiūnai did not have a Continuator for his work, and this can be seen in the ad te ipsum fragility of the collection.


Antiquity ◽  
1965 ◽  
Vol 39 (156) ◽  
pp. 247-252 ◽  
Author(s):  
Roland Martin

The Gallo-Roman sanctuary of Sequana is situated in the little wooded valley where the Seine rises, some 35 km. north-west of Dijon. It has been excavated at regular intervals from the middle of the 19th century onwards, and for over a century attention has been drawn to the many and varied finds made there [I]. After the excavations of 1953 it was decided, in conjunction with the Service des Monuments historiques, to undertake a complete and systematic study of the whole site with a view to its restoration. We planned to engage workmen to clear and restore the foundations of the two temples already known, to re-establish the line of the old terraces around the sanctuary, and to organize the river Seine itself, which, in the first few hundred yards of its existence, had become wayward in the extreme.


Author(s):  
Laura R. Bass ◽  
Tanya J. Tiffany

Domenikos Theotokopoulos (c. 1541–1614), known as El Greco, was born on the Greek island of Crete, but he is most renowned for his long career in Spain. El Greco began his professional life as a successful icon painter and, in the first of many journeys, moved from Crete to Venice in 1567 or 1568. There, he remade his art on the examples of Renaissance masters, in particular Titian and Tintoretto. Several contemporaries described him as Titian’s disciple, but it is unclear whether he worked in the master’s studio or merely emulated his style. El Greco relocated to Rome in 1570; for a time he enjoyed the protection of the powerful Roman Cardinal Alessandro Farnese, although he apparently received few commissions in the city. Perhaps hoping to join the many Italian painters working for King Philip II, El Greco traveled to Spain in 1577 and shortly thereafter to Toledo, where he settled definitively in 1583. El Greco’s critical fortunes have changed dramatically over the centuries. His contemporaries differed in their appraisals of his art, recognizing his immense talent but often censuring his pictorial innovations. He won particular admiration as a portraitist and gained renown for his sacred works. At the same time, several of his religious paintings were criticized for contravening the strict standards of decorum that emerged in the wake of the Council of Trent. For much of the 17th and 18th centuries, writers disparaged what they perceived as the extravagance of his late painterly style. El Greco was discovered outside Spain in the 19th century, when Romantic writers characterized him as a rebellious genius, and painters such as Manet embraced his bold color and loose brushwork. Castilian scholars of the early 20th century associated El Greco with a quintessential “Spanishness” (despite his Greek origins) and argued that his painting embodied the mysticism of religious figures such as Teresa of Ávila and John of the Cross. Others claimed him as a forerunner of modern art. Overall, the view of the mystical artist endured for decades, even as some scholars proposed spurious theories that El Greco suffered from astigmatism and used madmen as models. In the 1980s, scholarly opinion was transformed following the publication of writings by the painter himself, which demonstrated that he was an intellectual fully schooled in Italian artistic theory. El Greco brought his humanistic learning to bear on sacred and secular imagery in ways that remain to be fully explored.


Author(s):  
Marie Lecomte-Tilouine

Within the study of the modern period of Nepali history, history is considered here both as a narrative with its internal logic, notably the periodization of history produced by Nepali historians, as well as a series of statements, events, regulations, etc., which are incorporated in this narrative. Periodization of history in Nepal establishes a direct and necessary link between modern Nepal and its national territory. Indeed, the beginning of the modern era is determined by the “unification” of the fifty independent kingdoms and tribal territories that gave birth to the anational territory of Nepal during the second half of the 18th century. Such a correspondence makes modernity and the unified territory of Nepal coincide in a single space time. Yet, a closer examination of the logic behind periodization sheds light on its Kathmandu-centric, and dynastic perspective. This resulted in the formation of a hybrid conception of the national territory and of its center of power. From being the standard of the territory’s time and space, the Kathmandu Valley became the chronotope of the historical narrative dealing with the first half of the 19th century. It continued to form the territory’s remarkable center following the seizing of power by the Rana prime ministers (1846–1951), but now by assuming a futurist dimension, which conversely, plunged the rest of the country back in time.


Author(s):  
Richard Graham

Although the slave trade to Brazil did not end until 1850, and slavery itself lasted until 1888, the practice of freeing slaves had been common from the time of first colonization by the Portuguese in the 16th century, and the children of freed women were born free. The result was that, by the time of a national census in 1872, there were 4.25 million free blacks and mulattos in the country, accounting for over three quarters of all those of African descent and two fifths of Brazil’s total population. To understand the willingness of Brazilian slave owners to free so many one must first consider the general nature of Brazil’s social structure and the paradigms that ordered it. For most, society was not thought of as being made up of individuals equally protected in their rights and mobile in relationship to one another, but by castes, ranks, corporations, guilds, and brotherhoods, layered one atop another or arranged side by side. Almost everyone could feel superior to someone else, even if inferior to others. The nuanced distinctions of ranks somewhat restrained the threat to social order that free and freed blacks might otherwise have been thought to pose. “Free-and-equal” was not a phrase heard in Brazil. There is overwhelming evidence that race was an important variable affecting one’s position, and discrimination against blacks was widespread and constant. The government reinforced the prejudices of white Brazilians, acquiesced in maintaining a hierarchy based on color, and presented obstacles to the ambitions of free African Brazilians. Civil service positions were usually denied to them, regardless of their qualifications. Recruitment for the army was focused on the poor, that is, on African Brazilians. Yet, it is also true that many individuals found their way around those obstacles and rose to positions of some importance, for skin color was just one of the many characteristics to be considered. There are multiple examples of freeborn mulattos (and some freed and freeborn blacks) who succeeded in 19th-century Brazil. Some became doctors, pharmacists, journalists, and teachers. Others entered politics and rose to positions of real power. A few worked energetically to bring about the end of slavery.


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