The End of the First Decade
Chapter 4 draws primarily from oral history interviews and journalistic accounts to track the ways that house music radio, record labels, and specialty DJ stores expanded commercial pathways for amateur house music producers in Chicago. It argues that this constellation of commercial entities helped to codify house music as a corporate genre with simplified sonic contours even as the city’s DIY punk spaces and North Side juice bars integrated ever-more heterogeneous musical programming, and dancers. Chapter 4 concludes by describing some of ways that the ravages of HIV/AIDS affected the preservation of house music’s queer of color roots, and considers how various structural factors and cultural actors helped the house sound spread beyond Chicago during the second half of the 1980s.