The Private Sphere and the Music Trade

2020 ◽  
pp. 157-229
Author(s):  
Alejandro Vera

This chapter studies the musical life of private houses in the city. Informed by historical documents (namely wills, dowries, inventories, and customs records), music scores, and treatises from the colonial period, it begins by documenting the instruments and books of music that prevailed in the domestic space and its context. Subsequently, it supplies new information about the music trade among individuals from Cádiz, Lima, and Santiago, showing how the elite took advantage of their commercial networks to foster their musical practice. It also revises the role performed by women and the familiar entourage in private musical life, as well as the prevailing genres and styles, highlighting the different ways of performing dances and songs. One of the chapter’s conclusions, indeed, is that the performance—more than the instruments and genres in themselves—acquired increasing importance in social terms during the 18th century, as the enlightened ideas gained more influence in the city.

Author(s):  
Kate Boehme

In India, as in much of the world, the 19th century witnessed the emergence of urban capitalist classes, effected by the rapid growth of global mercantile capitalism and, later, industrial manufacturing. As a colonial city, Bombay—like its eastern counterpart, Calcutta—developed two connected, but distinct business communities: one, a European community with foreign, imperial connections, and the other, an Indian community with roots in long-standing regional networks. In Bombay, the latter took the form of a class known as the “Merchant Princes,” who capitalized on long-standing commercial traditions in western India and their ability to command both Indian and colonial networks to establish themselves as commercial powerhouses. These commercial networks and patterns of behavior, established before the arrival of the British, had an indelible impact on the character of Indian business in colonial Bombay. The business community brought such traditions with them when they migrated to Bombay at the end of the 18th century and used them to build the famous mercantile firms of the early 19th century. The Indian business elite likewise built collaborative links within their own community to expand their business interests; when barriers erected by the colonial establishment sought to limit their expansion, Indian businessmen used the resources at their disposal (both in the Indian hinterland and within the city itself) to circumvent them. Class identity similarly began to emerge as they cooperatively campaigned for particular agendas, intended to improve the fortunes of the entire community. They fought for greater influence in the Bombay government—in line with the wealth they then commanded—and used their financial resources to mold the physical and intellectual landscape of the city in their favor.


Author(s):  
Frank Hatje

Originally, Hamburg was a borough around the cathedral of the archbishops of Hamburg-Bremen and a mercantile port city founded by the counts of Holsatia. In the 13th century both towns were united, given privileges supporting port and trade, and granted an ample political autonomy. As a member of the Hanseatic League, the city grew economically and demographically, particularly when Dutch and Sephardic refugees transferred their capital, know-how, and commercial networks after the fall of Antwerp in 1585. By that time, Hamburg’s merchants had already begun to link the markets around the Baltic and North Seas with the Iberian Peninsula and the Mediterranean. The extraordinary upturn around 1600 is evidenced by a rapid population growth and the huge sums that were spent on public buildings, which reflected Dutch influence, like the fortification and a number of welfare institutions as well as the stock exchange and the bank which turned Hamburg into an international hub of finance and trade ranking next to Amsterdam and London. During the 18th century her port became one of the most important emporia for French colonial goods until the 1790s, when the effects of the revolutionary wars made it crucial for British (re-)exportation to central Europe. The economic development was supported by Hamburg’s extraordinary constitutional setting. In 1618, the city’s status as a Free Imperial City was confirmed, whereas the kings of Denmark relinquished their claims on the city not until 1768, which resulted in strict neutrality policies of an independently acting city state whose rather exceptional republican constitution had been agreed upon by magistrate and citizens’ assembly in 1529, together with adopting the Reformation. Hamburg’s “state church” became a stronghold of orthodox Lutheranism. Since late 17th century, religious pluralism spread and Hamburg became one of the centers of the Enlightenment in the German-speaking lands, not least fostered by its republican political and civic culture. While the French revolution was hailed among the city’s elites, the effects of the French occupation in 1806 and the integration into the Napoleonic Empire in 1811 cooled down any enthusiasm. Although this nourished a considerable current of national patriotism, politics as well as civic identity resulted from the patriotic self-consciousness of a sovereign, independent city state trading with the rest of the world.


2020 ◽  
pp. 101-156
Author(s):  
Alejandro Vera

This chapter studies musical life in convents and monasteries during the colonial period. Among other aspects, it shows how music represented for the nuns both a tool for entering the convent and an authentic vocation. It explores the musical links between monastic institutions, and between them and the cathedral, explaining how these frequent contacts facilitated the circulation of musicians and sacred music throughout the city. It also studies the prevailing instruments, repertoires, and musical genres, including music performed by drummers and trumpeters during the main fiestas. Finally, it also analyzes some pieces preserved in the cathedral, but linkable to religious orders, such as three lessons for the Dead by the Franciscan Cristóbal de Ajuria, some villancicos composed for the profession of nuns, and a villancico entitled “Qué hará Perote pasmado,” possibly composed for a monastery in the early 19th century. All of this contributes to situating monastic music in Santiago’s soundscape.


2018 ◽  
pp. 85-99
Author(s):  
Michał Piekarski

In the second half of the 18th century, musical education in Poland was poor. The Commission of National Education (1773–1793) did not take music into account in its projects. The individual willing to change the situation was Father Wacław Sierakowski (1741–1806), provost of the Wawel Cathedral in Krakow. He played a significant role in the musical life of the city as an organiser of public concerts and founder of a private music school. In 1795–1796, he published a three-volume musical textbook, The Art of Music for Young Polish People (Sztuka muzyki dla młodzieży krajowej), one of the first musical textbooks in the Polish language. In Sierakowski’s publication the stress was put on the social and national value of music. The first volume also featured Sierakowski’s petition from 1792, intended for submission before the Sejm (Polish Parliament), in which the author propounded the idea of the state taking over musical education and establishing a major statesponsored music school in Krakow (Alumnatus Vocalistarum). These plans were never carried out as the third partition of Poland ensued in 1795.


1970 ◽  
pp. 36-47
Author(s):  
Fadwa Al-Labadi

The concept of citizenship was introduced to the Arab and Islamic region duringthe colonial period. The law of citizenship, like all other laws and regulations inthe Middle East, was influenced by the colonial legacy that impacted the tribal and paternalistic systems in all aspects of life. In addition to the colonial legacy, most constitutions in the Middle East draw on the Islamic shari’a (law) as a major source of legislation, which in turn enhances the paternalistic system in the social sector in all its dimensions, as manifested in many individual laws and the legislative processes with respect to family status issues. Family is considered the nucleus of society in most Middle Eastern countries, and this is specifically reflected in the personal status codes. In the name of this legal principle, women’s submission is being entrenched, along with censorship over her body, control of her reproductive role, sexual life, and fertility.


2020 ◽  
Vol 49 (1) ◽  
pp. 15-43
Author(s):  
Nadja Reinhard

Abstract According to Jürgen Habermas, equality amongst those of unequal social standing in 18th-century society was limited to the private sphere. Though Gottsched shows how to use this sphere strategically for private policy and cooperation, he knows how to modify his publication strategies wisely in order to achieve the greatest and best possible effectiveness in his attempt to popularise Enlightenment. By his Moralische Wochenschriften as well as by his more popular way of academic writing for students he spreads controversial ideas such as theoretical and practical reason’s primacy over theologic argumentations, the academic education of women, or female authorship. Yet, he does so prudently and expertly uses the opportunities offered by publishing anonymously or under a pseudonym to support scientific integration of women. Gottsched relied upon a variety of rhetorical strategies to introduce controversial ideas to the broader public without embracing them openly. Employing different strategies of publication, he pursued his agenda as a moral educator, promoted emancipation from religious authorities, and advanced his own brand of cultural nationalism in order to unfold and popularise the German literary tradition. He thus significantly contributed to the structural transformation of the public sphere as described by Heinrich Bosse.


Letonica ◽  
2020 ◽  
Author(s):  
Māra Grudule

The article gives insight into a specific component of the work of Baltic enlightener Gotthard Friedrich Stender (1714–1796) that has heretofore been almost unexplored — the transfer of German musical traditions to the Latvian cultural space. Even though there are no sources that claim that Stender was a composer himself, and none of his books contain musical notation, the texts that had been translated by Stender and published in the collections “Jaunas ziņģes” (New popular songs, 1774) and “Ziņģu lustes” (The Joy of singing, 1785, 1789) were meant for singing and, possibly, also for solo-singing with the accompaniment of some musical instrument. This is suggested, first, by how the form of the translation corresponds to the original’s form; second, by the directions, oftentimes attached to the text, that indicate the melody; and third, by the genres of the German originals cantata and song. Stender translated several compositions into Latvian including the text of the religious cantata “Der Tod Jesu” (The Death of Jesus, 1755) by composer Karl Heinrich Graun (1754–1759); songs by various composers that were widely known in German society; as well as a collection of songs by the composer Johann Gottlieb Naumann (1741–1801) that, in its original form, was published together with notation and was intended for solo-singing (female vocals) with the accompaniment of a piano. This article reveals the context of German musical life in the second half of the 18th century and explains the role of music as an instrument of education in Baltic-German and Latvian societies.


Religions ◽  
2020 ◽  
Vol 11 (12) ◽  
pp. 687
Author(s):  
Ildikó Sz. Kristóf

This is a historical anthropological study of a period of social and religious tensions in a Calvinist city in the Kingdom of Hungary in the first half of the 18th century. The last and greatest plague epidemic to devastate Hungary and Transylvania between cca. 1738 and 1743 led to a clash of different opinions and beliefs on the origin of the plague and ways of fighting it. Situated on the Great Hungarian Plain, the city of Debrecen saw not only frequent violations of the imposed lockdown measures among its inhabitants but also a major uprising in 1739. The author examines the historical sources (handwritten city records, written and printed regulations, criminal proceedings, and other documents) to be found in the Debrecen city archives, as well as the writings of the local Calvinist pastors published in the same town. The purpose of the study is to outline the main directions of interpretation concerning the plague and manifest in the urban uprising. According to the findings of the author, there was a stricter and chronologically earlier direction, more in keeping with local Puritanism in the second half of the 17th century, and there was also a more moderate and later one, more in line with the assumptions and expectations of late 18th-century medical science. While the former set of interpretations seems to have been founded especially on a so-called “internal” cure (i.e., religious piety and repentance), the latter proposed mostly “external” means (i.e., quarantine measures and herbal medicine) to avoid the plague and be rid of it. There seems to have existed, however, a third set of interpretations: that of folk beliefs and practices, i.e., sorcery and magic. According to the files, a number of so-called “wise women” also attempted to cure the plague-stricken by magical means. The third set of interpretations and their implied practices were not tolerated by either of the other two. The author provides a detailed micro-historical analysis of local events and the social and religious discourses into which they were embedded.


2007 ◽  
Vol 1047 ◽  
Author(s):  
Eleni Pavlidou ◽  
N. Civici ◽  
E. Caushi ◽  
L. Anastasiou ◽  
T. Zorba ◽  
...  

AbstractIn this paper are presented the studies of the paint materials and the technique used in 18th century wall paintings, originated from the orthodox church of St Athanasius, in the city of Maschopolis, a flourishing economical and cultural center, in Albania. The church was painted in 1745 by Konstantinos and Athanasios Zografi, and during the last years, restoration activities are being performed at the church. Samples that included plasters and pigments of different colors were collected from important points of the wall paintings. Additionally, as some parts of the wall-paintings were over-painted, the analysis was extended to the compositional characterization of these areas. The identification of the used materials was done by using complementary analytical methods such as Optical Microscopy, Fourier Transform Infrared spectroscopy (FTIR), Scanning Electron Microscopy (SEM-EDS) and X-ray fluorescence (TXRF).The presence of calcite in almost all the pigments is indicative for the use of the fresco technique at the studied areas, while the detection of gypsum and calcium oxalate, indicates an environmental degradation along with a biodegradation. Common pigments used in this area at 15-16th centuries, such as cinnabar, green earth, manganese oxide, carbon black and calcite were identified.


2001 ◽  
Vol 14 ◽  
pp. 56-57 ◽  
Author(s):  
Bettina Bergmann

We have reached an important moment in the study of the Roman house. The past 20 years have been extremely active, with scholars approaching domestic space down different disciplinary and methodological avenues. Since the important essay on Campanian houses by A. Wallace-Hadrill in 1988, new excavations and scores of books and articles have changed the picture of Pompeii and, with it, that of the Roman house. Theoretical archaeologists have taken the lead, approaching Pompeii as an "archaeological laboratory" in which, armed with the interpretative tools of spatial and statistical analysis, they attempt to recover ancient behavioral patterns. The interdisciplinary picture that emerges is complex and inevitably contradictory. There is so much new information and such a tangle of perspectives that it is time to consider what we have learned and what kinds of interpretative tools we might best employ. Without doubt this is an exciting time in Roman studies. But two overviews of recent scholarship to appear this year, the present one by R. Tybout and another by P. Allison (AJA 105.2 [2001]), express considerable frustration and resort to ad hominem recriminations that signal a heated backlash, at least among some.


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