The National Endowment for the Arts, the U.S. Bicentennial, and the Expansion Arts and Jazz/Folk/Ethnic Programs
This chapter investigates the National Endowment for the Arts’s (NEA’s) jazz program, Expansion Arts division, Bicentennial fellowships for “jazz/folk/ethnic” artists, and Folk Arts division. While the NEA mirrored a policy of matching requirements in its Treasury grants—which supported predominantly symphony orchestras—it also provided several millions of dollars to otherwise underrepresented and undersupported artists and communities. Not only were the NEA’s officers keenly committed to helping jazz and folk music, but also they brought in experts from urban, suburban, and rural communities to work as program directors. Vantile Whitfield and A. B. Spellman—key figures in the black arts movement of the 1970s—became directors. These experts recruited panelists of a broader geographical, racial, and gender representation, and similarly funded more diverse musicians and artists. Compared to the Ford and Rockefeller Foundations, which rarely provided funding to jazz or the music of minority communities, the government agency was a lifeline to otherwise unseen and unheard cultural practices.