Applied Heritage

Author(s):  
Rachael Kiddey

At the start of this book I offered examples of how archaeological knowledge and skills are being applied in ways that are socially useful and relevant to contemporary society. Building on what Holtorf and Fairclough (2013) term the ‘New Heritage’, I want to go further to suggest that some participatory cultural heritage work might explicitly set out to function as a therapeutic social intervention with marginalized communities. I will call this Applied Heritage. Before I outline what Applied Heritage could conceivably comprise I want to look more closely at the findings and results of the Homeless Heritage project. In the first part of this chapter I unpack how material culture relates to and stimulates memories which shape perceptions and may be useful in aiding the reconstruction of identities following experiences of marginalization or trauma. Following this, I will look at the negative impact that memories can have for populations who feel ‘out of place’ in the physical environments in which they are forced to exist. I examine several ways in which a cultural heritage lens can be shown to have been useful in addressing some of the challenges first experienced in engaging people on the Homeless Heritage project. The second part of this chapter looks at how an archaeological approach to contemporary homelessness was useful in identifying how historic attitudes to homelessness, which were enshrined in policies intended to deal with vagrancy, continue to haunt current homeless legislation. Archaeologist Michael Shanks has observed that ‘a key component of archaeological thinking is . . . personal standpoint, in a context of sometimes considerable state investment in heritage and stewardship of the remains of the past’. The Homeless Heritage project sought to document multiple ‘personal standpoints’ which often directly contravened those memories of the past preferred and pushed by the state. As we saw in the brief history of the development of homelessness as a social status offered in Chapter 4, states have increasingly conflated homelessness and associated social deprivation with criminality.

2018 ◽  
Vol 43 (3) ◽  
pp. 274-313
Author(s):  
Enver Hasani

Kosovo’s Constitutional Court has played a role of paramount importance in the country’s recent history. The author uses a comparative analysis to discuss the role of the Court in light of the work and history of other European constitutional courts. This approach sheds light on the Court’s current role by analyzing Kosovo’s constitutional history, which shows that there has been a radical break with the past. This approach reveals the fact that Kosovo’s current Constitution does not reflect the material culture of the society of Kosovo. This radical break with the past is a result of the country’s tragic history, in which case the fight for constitutionalism means a fight for human dignity. In this battle for constitutionalism, the Court has been given very broad jurisdiction and a role to play in paving the way for Kosovo to move toward Euro-Atlantic integration in all spheres of life. Before reaching this conclusion, the author discusses the specificities of Kosovo’s transition, comparing it with other former communist countries. Among the specific features of constitutionalism in Kosovo are the role and position of the international community in the process of constitution-making and the overall design of constitutional justice in Kosovo. Throughout the article, a conclusion emerges that puts Kosovo’s Constitutional Court at the forefront of the fight for the rule of law and constitutionalism of liberal Western provenance.


Kebudayaan ◽  
2019 ◽  
Vol 14 (1) ◽  
pp. 27-42
Author(s):  
I Made Sutaba

Archaeological researches in Indonesia have discovered a number of various historical and archaeological artifacts that belong to cultural heritage. As historical evidences, this cultural heritage is an important source of the plural information and messages of the past life of our society. It is remarkable that this cultural heritage has some problems for example problem of typology, function, meanings, and the other for the society. Studying the problems, it is interesting to do research on its function as a teller of the past history that contained various aspects of the life of our society that not yet studied until today. By learning the problems, this research goal is to find the answer of the problems. To reach this goal, we do this research gradually by collecting data through literature study and field observation along with interviews. The next step is analysis carried out through methods of typology analysis, contextual, functional analysis, ethno archaeological and ethno historical approach. Finally the result showed that the function of our cultural heritage is as teller of the many-sided aspects of the past history of our artifacts such as technological aspects, social, and religious aspects but it is impossible to get full completed information due to some reasons. Keywords: archaeological and historical artifacts, cultural heritages, teller of the past.  AbstrakPenyelidikan arkeologi di Indonesia sudah berhasil menemukan artefak sejarah dan arkeologi yang beraneka ragam, yang tergolong sebagai warisan budaya. Sebagai bukti-bukti sejarah, warisan budaya ini adalah sumber informasi dan pesan-pesan kehidupan masyarakat masa lalu yang bersifat pluralistik. Menarik perhatian, bahwa warisan budaya ini mempunyai permasalahan yaitu, permasalahan tipologi, fungsi dan makna dalam kehidupan masyarakat. Mempelajari masalah ini, sangat menarik untuk melakukan penelitian mengenai fungsinya sebagai penutur sejarah masa silam, yang mengandung aneka ragam, aspek kehidupan masyarakat, yang belum dikaji sampai sekarang. Dengan mencermati permasalahan ini, maka tujuan penelitian ini, adalah untuk meneliti permasalahan tadi. Untuk mencapai tujuan ini, penulis melakukan penelitian secara bertahap melalui pengumpulan data dengan metode kajian pustaka dan observasi lapangan yang disertai dengan wawancara. Langkah selanjutnya, adalah melakukan analisis dengan analisis tipologi, kontekstual, analisis fungsional, pendekatan etnoarkeologi dan etnohistori. Hasil penelitian ini menunjukkan bahwa cagar budaya itu berfungsi sebagai penutur kehidupan masa silam yang mengandung aspek yang bersfiat jamak, adalah aspek teknologi, sosial dan religi, tetapi tidak mungkin untuk mendapat informasi yang lengkap karena berbagai faktor.Kata kunci: peninggalan sejarah dan purbakala, warisan budaya, penutur masa silam.


2019 ◽  
Vol 2 (1) ◽  
pp. 68
Author(s):  
Ni Putu Ratih Pradnyaswari Anasta Putri ◽  
I Putu Adi Widiantara

Abstract: Pura is one of Balinese architectural works that serves as a place of worship for Hindus. Pura as one of the local wisdom of the Balinese people is often associated with the identity of a region and cultural heritage. Pura is considered as one of the real proofs of the history of history from the past until now. The rolling of time and time, and the absence of adequate historical documentation regarding temples in Bali caused changes and developments that often did not match the standard. Many factors can be said to be the cause of changes or developments in a temple, including: (1) lack of documentation; (2) understanding of local people who are still minimal in the process of building a temple; (3) the absence of rules, awig-awig, or guidelines regarding the process of building a temple; (4) the people's desire to carry out practical and inexpensive temple renovation processes; and (5) people's insensitivity to the identity of their territory. Sites that have historical value are instead replaced with new or current models that are not necessarily based on original literature from previous ancestral orders. Seeing this phenomenon, researchers believe that there needs to be a preservation effort, namely a conservation strategy so that changes and developments can be overcome and controlled according to their portion. This research was carried out in an exploratory manner with qualitative data analysis, which explores data in depth through in-depth interviews.                                     Keywords : Pura, Site, Conservation, IdentityAbstrak: Pura merupakan salah satu karya arsitektur Bali yang berfungsi sebagai tempat ibadah bagi umat Hindu. Pura sebagai salah satu kearifan lokal masyarakat Bali seringkali dikaitkan dengan identitas suatu wilayah dan warisan budaya. Pura dianggap sebagai salah satu bukti nyata perjalanan sejarah dari masa lampau hingga sekarang. Bergulirnya waktu dan jaman, serta tidak adanya dokumentasi sejarah yang memadai mengenai pura-pura di Bali menyebabkan terjadinya perubahan dan perkembangan yang seringkali tidak sesuai pakemnya. Banyak faktor yang dapat dikatakan sebagai penyebab dalam perubahan ataupun perkembangan sebuah pura, antara lain : (1) tidak adanya dokumentasi; (2) pemahaman masyarakat setempat yang masih minim terhadap proses pembangunan sebuah pura; (3) tidak adanya aturan, awig-awig, ataupun guidelines mengenai proses pembangunan sebuah pura; (4) keinginan masyarakat untuk melakukan proses renovasi pura dengan praktis dan murah; dan (5) ketidakpekaan masyarakat akan identitas wilayahnya. Situs-situs yang memiliki nilai historis malah diganti dengan model kebaruan atau kekinian yang belum tentu berdasarkan sastra asli dari tatanan leluhur sebelumnya. Melihat fenomena tersebut, peneliti meyakini perlu adanya sebuah upaya pelestarian yaitu strategi konservasi sehingga perubahan dan perkembangan dapat diatasi dan dikendalikan sesuai dengan porsinya. Penelitian ini dilakukan secara eksploratif dengan analisis data kualitatif, dimana menggali data sedalam-dalamnya melalui wawancara mendalam (in depth interview).Kata Kunci: Pura, Situs, Konservasi, Identitas


2015 ◽  
Vol 15 (2) ◽  
pp. 81-94
Author(s):  
Agnieszka Pieńczak

Abstract In 1998, the source materials of the Polish Ethnographic Atlas - collected over many decades with the participation of the Institute of History of Material Culture (a unit of the Polish Academy of Sciences) and several leading ethnological centres - were moved to the Cieszyn Branch of the University of Silesia (currently the Faculty of Ethnology and Education). It was then that Z. Kłodnicki, the editor of the PEA, came up with the idea to continue and finish the atlas studies. However, the work on fulfilling the PEA, the biggest project in the history of Polish ethnology, is still going on. Nowadays, the materials of the Polish Ethnographic Atlas constitute a precious, unique in the national scale, documentary base. For several years, a lively cooperation has taken place between the PEA staff (representing the Faculty of Ethnology and Education of the University of Silesia) and various cultural institutions, government and non-government organizations. The discussed projects are usually aimed at the preservation and protection of the cultural heritage of the Polish village as well as the broadly related promotion actions for activating local communities. The workers of the Polish Ethnographic Atlas since 2014 have been also implementing the Ministry grant entitled The Polish Ethnographic Atlas - scientific elaboration, electronic database, publication of the sources in the Internet, stage I (scientific supervision: Ph.D. Agnieszka Pieńczak). What is an integral assumption of the discussed project is the scientific elaboration of three electronic catalogues, presenting the PEA resources: 1) field photographs (1955-1971) 2) the questionnaires concerning folk collecting (1948-1952), 3. the published maps (1958-2013). These materials have been selected due to their documentary value. The undertaking has brought about some measurable effects, mostly the special digital platform www.archiwumpae.us.edu.pl. This material database of ethnographic data might become the basis for designing various non-material activities aimed at preserving the cultural heritage of the Polish village.


Author(s):  
Petro Nesterenko

Annotation. The article analyzes the little-studied art of the Ukrainian publishing sign, which has a history of almost fifty years and is well known for its highly artistic works. An excursion into the past of the Ukrainian publishing label has been made, collecting documents scattered across various sources of reports on samples of the publishing labels, both known and in the vast majority of unknown authors, and we pay tribute to this important cultural heritage that has developed in the course of the European process. The publishing signs of the second half of XX – beginning of XXI centuries are described and their artistic features are analyzed. The art of the Ukrainian emblem, especially in the last century, has not been practically studied. Probably, the topic is considered too small to draw enough attention. Turning pages of the book, few people pay atten- tion to the publishing house, thanks to which we have the happy opportunity to hold it. The artistic decision of modern publishing signs, which often quite often has a small font character, is not striking. They are created mainly by artists, editorial staff, without paying much attention to this process. However, there are times when they turn out to be the work of talented young artists who, over time, become famous. For example, the well-known art publishing signs for the leading Kiev publishing houses "Art" (artist V. E. Perevalsky) and "Rainbow" (artist O. I. Gubarev), created at that time by young graphic artists, who are now well-known folk artists of Ukraine. However, the art of the sign is an important component of book graphics, it does not lose its relevance at a new stage of society and deserves in-depth study.


2010 ◽  
Vol 5 (1) ◽  
pp. 137-149
Author(s):  
Staša Babić

The paper examines the history of archaeological investigation into collective identities in the past. Culture-historical approachis fully based upon the concept of cultural group , deeply influenced by the modern understanding of nation-states – unity of territory, material culture, language and ethnic affiliation. The application of this concept led to devastating political abuses of archaeology, most notoriously in the case of Gustaf Kossinna in the Nazi Germany. The realisation that the very essence of thus conceived group identity in the past inevidably leads into the projection of the modern model of nation-state, resulted in thorough reconsideration. Over the last decades, archaeologists are investigating other possible paths of research into the group and individual identities in the past, informed by the constructivist approach.


Author(s):  
Pahrudin

Dalam penelitian ini, penulis  membahas  ‘Koto Rayo’, sebuah pemukiman kuno di sisi Sungai Tabir, Jambi sebagai sebuah budaya dan kearifan lokal. Penelitian difokuskan pada nilai kearifan lokal yang dimiliki masyarakat dalam kaitan dengan situs ini. Hasil penelitian dan pembahasan memunculkan fakta-fakta sebagai berikut. Pulau Sumatera memiliki peradaban tinggi di masa lalu, khususnya melalui Kerajaan Sriwijaya yang mengontrol dan mendominasi seluruh pulau ini dan sebagian besar wilayah Asia Tenggara. Salah satu wilayah Kerajaan Sriwijaya di Pulau Sumatera adalah Jambi, yang dahulu memiliki banyak Kerajaan Melayu. ‘Koto Rayo’ yang terletak di sisi Sungai Tabir ‘mungkin’ salah satu peradaban yang berhubungan dengan sejarah Kerajaan Melayu Jambi dan atau Kerajaan Sriwijaya di masa lalu. Situs ini mempengaruhi beberapa perilaku kearifan lokal pada masyarakat sekitar dalam wujud perilaku yang tegas dalam melestarikan lingkungan dan menjaga warisan budaya. Kearifan lokal ini penting untuk meminimalisir efek negatif globalisasi.The objective of this study is to discuss ’Koto Rayo’, an ancient settlement on the side of Tabir river, Jambi as a culture and local wisdom. The study focused on the value of local knowledge in the communities in connection with this site. Data was collected through observation, interviews and document analysis. The results and discussion led to the following facts. The island of Sumatra has a high civilization in the past, particularly through the kingdom of Srivijaya that controls and dominates the entire island and most of the Southeast Asia region. One of the kingdom of Srivijaya in Sumatra is Jambi, which once had many Malay kingdom. ’Rayo Koto’ located on the side of Tabir river is ’probably’ one of civilization associated with the history of the Malay kingdom of Srivijaya kingdom of Jambi in the past. This site affects some local knowledge on the behavior of the surrounding community in the form of assertive behavior in preserving the environment and maintain the cultural heritage. This local knowledge is essential to minimize the negative effects of globalization.


Author(s):  
Julie-Marie Strange

This article assesses the usefulness of shifting notions of ‘good death’ and discusses the reasons for histories of death pitching science and religion in opposition. It examines the key actors in death scenarios, probing the material culture surrounding death, disposal, and mourning and, more recently, exploring histories of emotion in relation to dying and bereavement. It demonstrates the complex relationship between social and professional organizations, individuals and families. The history of death suggests a linear chronology whereby a sacred and community-centred culture eventually gave way to a privatized and sanitized culture of death. This article explores the legitimacy of this chronology and its implications for understanding attitudes to death in the past.


Author(s):  
Никита Храпунов ◽  
Nikita Khrapunov

The article examines various aspects of descriptions of the past and archeological sites of Crimea prepared by travelers that visited the peninsula in the first decades after its incorporation into Russia in 1783. It demonstrates that Crimea, which had previously been quite unknown to the European audience, became a popular place for educational trips – largely because of the unique concentration of the cultural heritage on its area. The analysis of the travelers’ notes showed that the foreigners had been attracted by monuments associated with the Ancient Greece and Rome, Scythians, Sarmatians and Tauridians, Crimean Goths and Byzantines, medieval Genovese colonies, the Golden Horde and the Crimean Khanate. The vogue of Crimea was boosted by the fashion for antiquity and fascination of the Europeans with the mysterious and romantic Islamic East. The study unveils that the travelers created an extensive, though rather mixed set of sources, whose authors had different intellectual level and varying interests, found themselves in different life circumstances, pursued various objectives and worked in a range of genres. The study of the travel essays helped to reveal the unknown pages in the history of archeological studies of Crimea, specifically, the history of the search for the ancient Chersonese or discovery of the capital of the late Scythians. The paper shows the importance of the travelers’ sketches for the modern architectural and archeological research and restoration projects. It is detected that the travelers turned individual monuments into tourist attractions, created and communicated stereotypes and legends. It is demonstrated that some foreigners applied to the history and archeology of Crimea to back up their economic and political projects.


Author(s):  
Peter N. Miller

Cultural history is increasingly informed by the history of material culture—the ways in which individuals or entire societies create and relate to objects both mundane and extraordinary—rather than on textual evidence alone. Books such as The Hare with Amber Eyes and A History of the World in 100 Objects indicate the growing popularity of this way of understanding the past. This book uncovers the forgotten origins of our fascination with exploring the past through its artifacts by highlighting the role of antiquarianism—a pursuit ignored and derided by modem academic history—in grasping the significance of material culture. From the efforts of Renaissance antiquarians, who reconstructed life in the ancient world from coins, inscriptions, seals, and other detritus, to amateur historians in the nineteenth century working within burgeoning national traditions, the book connects collecting—whether by individuals or institutions—to the professionalization of the historical profession, one which came to regard its progenitors with skepticism and disdain. The struggle to articulate the value of objects as historical evidence, then, lies at the heart both of academic history writing and of the popular engagement with things. Ultimately, this book demonstrates that our current preoccupation with objects is far from novel and reflects a human need to re-experience the past as a physical presence.


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