From the Church to the Concert Hall

2021 ◽  
pp. 109-128
Author(s):  
R. Larry Todd
Keyword(s):  
Nineteenth Century ◽  
Sacred Music ◽  
Concert Hall ◽  
Concert Music ◽  
The Church

‘Every room in which Bach is performed is transformed into a church.’ We do not know the context for this remark attributed to Mendelssohn (sometime before March 1835), but it reflects one significant thread in the nineteenth-century ‘emancipation of music’, namely the revival of the music of J.S. Bach, and his transformation from a largely forgotten Leipzig church musician into a dominant, canonic figure in European concert music. This chapter revisits some familiar aspects of Mendelssohn’s revival of Bach’s music, for example the seminal revival of the St. Matthew Passion in 1829, and Mendelssohn’s spiritual trajectory from Judaism to Christianity, and then explores ways in which his own music tested boundaries between sacred music for performance in church versus the concert hall. One way in which Mendelssohn allied his music with the spiritual was through the use of imaginary, ‘free’ chorales—that is, newly composed, textless chorale melodies that he inserted into a number of his purely instrumental compositions as a means of underscoring his newly acquired Protestant faith. The chapter concludes by exploring the significance of this device for several other nineteenth-century composers who similarly invoked the divine and sacred in their concert music

The Township, the Pregnant Girl and the Church: Community Dynamics, Gender and Social Control in Early Nineteenth-century Scotland

2019 ◽  
Vol 10 (1) ◽  
pp. 41-67
Author(s):  
Elizabeth Ritchie
Keyword(s):  
Nineteenth Century ◽  
Rural Communities ◽  
Social Control ◽  
Community Dynamics ◽  
Church Discipline ◽  
Sexual Offences ◽  
Early Nineteenth Century ◽  
Female Community ◽  
The Church ◽  
Unmarried Girl

In 1814 in a small Highland township an unmarried girl, ostracised by her neighbours, gave birth. The baby died. The legal precognition permits a forensic, gendered examination of the internal dynamics of rural communities and how they responded to threats to social cohesion. In the Scottish ‘parish state’ disciplining sexual offences was a matter for church discipline. This case is situated in the early nineteenth-century Gàidhealtachd where and when church institutions were less powerful than in the post-Reformation Lowlands, the focus of most previous research. The article shows that the formal social control of kirk discipline was only part of a complex of behavioural controls, most of which were deployed within and by communities. Indeed, Scottish communities and churches were deeply entwined in terms of personnel; shared sexual prohibitions; and in the use of shaming as a primary method of social control. While there was something of a ‘female community’, this was not unconditionally supportive of all women nor was it ranged against men or patriarchal structures.

Scottish Missionaries, ‘Protestant Hinduism’ and the Scottish Sense of Empire in Nineteenth- and Early Twentieth-century India

2007 ◽  
Vol 86 (2) ◽  
pp. 278-313 ◽  
Author(s):  
Philip Constable
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Late Nineteenth Century ◽  
Western India ◽  
Early Nineteenth Century ◽  
Church Of Scotland ◽  
Free Church ◽  
Intellectual Engagement ◽  
Late Nineteenth ◽  
The Church

This article examines the Scottish missionary contribution to a Scottish sense of empire in India in the nineteenth and early twentieth centuries. Initially, the article reviews general historiographical interpretations which have in recent years been developed to explain the Scottish relationship with British imperial development in India. Subsequently the article analyses in detail the religious contributions of Scottish Presbyterian missionaries of the Church of Scotland and the Free Church Missions to a Scottish sense of empire with a focus on their interaction with Hindu socioreligious thought in nineteenth-century western India. Previous missionary historiography has tended to focus substantially on the emergence of Scottish evangelical missionary activity in India in the early nineteenth century and most notably on Alexander Duff (1806–78). Relatively little has been written on Scottish Presbyterian missions in India in the later nineteenth century, and even less on the significance of their missionary thought to a Scottish sense of Indian empire. Through an analysis of Scottish Presbyterian missionary critiques in both vernacular Marathi and English, this article outlines the orientalist engagement of Scottish Presbyterian missionary thought with late nineteenth-century popular Hinduism. In conclusion this article demonstrates how this intellectual engagement contributed to and helped define a Scottish missionary sense of empire in India.

The “individual” in Johann Friedrich Overbeck’s and Franz Liszt’s Seven Sacraments

2013 ◽  
Vol 54 (4) ◽  
pp. 339-356
Author(s):  
Dolores Pesce
Keyword(s):  
Nineteenth Century ◽  
Franz Liszt ◽  
Individualized Treatment ◽  
Sacred Art ◽  
The Individual ◽  
Individual Voice ◽  
Emotional Effects ◽  
The Church

In the preface to his Septem sacramenta (1878–1884), Franz Liszt acknowledged its stimulus — drawings completed in 1862 by the German painter J. F. Overbeck (1789–1869). This essay explores what Liszt likely meant by his and Overbeck’s “diametrically opposed” approaches and speculates on why the composer nonetheless acknowledged the artist’s work. Each man adopted an individualized treatment of the sacraments, neither in line with the Church’s neo-Thomistic philosophy. Whereas the Church insisted on the sanctifying effects of the sacraments’ graces, Overbeck emphasized the sacraments as a means for moral edification, and Liszt expressed their emotional effects on the receiver. Furthermore, Overbeck embedded within his work an overt polemical message in response to the contested position of the pope in the latter half of the nineteenth century. For many in Catholic circles, he went too far. Both works experienced a problematic reception. Yet, despite their works’ reception, both Overbeck and Liszt believed they had contributed to the sacred art of their time. The very individuality of Overbeck’s treatment seems to have stimulated Liszt. True to his generous nature, Liszt, whose individual voice often went unappreciated, publicly recognized an equally individual voice in the service of the Church.

Contested Citizenship

2017 ◽  
Vol 9 (2) ◽  
pp. 15-39 ◽  
Author(s):  
Ingrid Brühwiler
Keyword(s):  
Nineteenth Century ◽  
Public Education ◽  
Nation State ◽  
The Church ◽  
The Ideal

This article examines public education and the establishment of the nation-state in the first half of the nineteenth century in Switzerland. Textbooks, governmental decisions, and reports are analyzed in order to better understand how citizenship is depicted in school textbooks and whether (federal) political changes affected the image of the “imagined citizen” portrayed in such texts. The “ideal citizen” was, first and foremost, a communal and cantonal member of a twofold society run by the church and the secular government, in which nationality was depicted as a third realm.

Priesthood Ordination

2018 ◽  
Author(s):  
Jonathan A. Stapley
Keyword(s):  
Nineteenth Century ◽  
Black Men ◽  
Church Leaders ◽  
Men And Women ◽  
Joseph Smith ◽  
Book Of Mormon ◽  
The Temple ◽  
The Church ◽  
Power And Authority

Early Mormons used the Book of Mormon as the basis for their ecclesiology and understanding of the open heaven. Church leaders edited, harmonized, and published Joseph Smith’s revelation texts, expanding understandings of ecclesiastical priesthood office. Joseph Smith then revealed the Nauvoo Temple liturgy, with its cosmology that equated heaven, kinship, and priesthood. This cosmological priesthood was materialized through sealings at the temple altar and was the context for expansive teachings incorporating women into priesthood. This cosmology was also the basis for polygamy, temple adoption, and restrictions on the participation of black men and women in the church. This framework gave way at the end of the nineteenth century to a new priesthood cosmology introduced by Joseph F. Smith based on male ecclesiastical office. As church leaders expanded the meaning of priesthood to comprise the entire power and authority of God, they struggled to integrate women into church cosmology.

Introduction

2018 ◽  
Author(s):  
Emma Mason
Keyword(s):  
Nineteenth Century ◽  
Environmental Crisis ◽  
Church Fathers ◽  
Communal Experience ◽  
In Christ ◽  
The Church ◽  
Francis Of Assisi

This chapter locates Rossetti in the context of the book’s ecotheological argument, which traces an ecological love command in her writing through her engagement with Tractarianism, the Pre-Raphaelite Brotherhood, the Church Fathers, and Francis of Assisi. It establishes her Anglo-Catholic imagining of the cosmos as a fabric of participation and communal experience embodied in Christ. The first section reads Rossetti in the context of current Victorian ecocriticism, which underplays the role of Christianity in the development of nineteenth-century environmentalism. The next sections question critical readings of Rossetti as a reclusive thinker and argue instead for an educated and politicized Christian for whom indifference to the spiritual is complicit with an environmental crisis in which the weak and vulnerable suffer most. This introduction also refers to the wider field of Rossetti studies and introduces her reading of grace and apocalypse as a major contribution to the intradiscipline of Christianity and ecology.

Hymnody and Liturgy

2019 ◽  
pp. 491-506
Author(s):  
Jonathan Hehn
Keyword(s):  
Nineteenth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
North American ◽  
John Calvin ◽  
Church Of Scotland ◽  
Metrical Psalmody ◽  
History Of ◽  
The Church

This chapter outlines the history of Presbyterian worship practice from the sixteenth century to the present, with a focus on North American Presbyterians. Tracing both their hymnody and their liturgy ultimately to John Calvin, Presbyterian communions have a distinct heritage of worship inherited from the Church of Scotland via seventeenth-century Puritans. Long marked by metrical psalmody and guided by the Westminster Directory, Presbyterian worship underwent substantial changes in the nineteenth century. Evangelical and liturgical movements led Presbyterians away from a Puritan visual aesthetic, into the use of nonscriptural hymnody, and toward a recovery of liturgical books. Mainline North American and Scottish Presbyterians solidified these trends in the twentieth and twenty-first centuries; however, conservative North American denominations and some other denominations globally continue to rely heavily on the use of a worship directory and metrical psalmody.

scholarly journals La datation du choeur de l’église de Vaucelles reproduit en plan par Villard de Honnecourt

2018 ◽  
Vol 81 (3) ◽  
pp. 411-417
Author(s):  
Laurence Terrier Aliferis
Keyword(s):  
Nineteenth Century ◽  
Historical Sources ◽  
The West ◽  
West Side ◽  
Villard De Honnecourt ◽  
The Church

Abstract The ruined Cistercian church of Vaucelles is known only by a few preserved fragments and a plan of the choir reproduced by Villard of Honnecourt. Historical sources provide three key dates: 1190 (start of construction), 1215 (entry into the new church), 1235 (date of the dedication). From the nineteenth century until now, it was considered that the foundations were laid in 1190 and that the construction started on the west side of the church. In 1216, the nave would have been completed, and the choir would have been built between 1216 and 1235. Consultation of the historical sources and examination of the historiographic record changes this established chronology of the site. In fact, the construction proceeded from east to west. The choir reproduced in 1216 or shortly before by Villard de Honnecourt presents the building as it then appeared, with the eastern part of the building totally completed.

The Phial of Blood Controversy and the Decline of the Liberal Catholic Movement

1995 ◽  
Vol 46 (1) ◽  
pp. 75-94
Author(s):  
Wendel W. Meyer
Keyword(s):  
Nineteenth Century ◽  
Scientific Inquiry ◽  
Irish Immigrants ◽  
Intellectual Autonomy ◽  
Ecclesiastical Authority ◽  
The Church ◽  
Intense Debate

The second half of the nineteenth century witnessed a major rift within the ranks of English Catholicism. Following the restoration of the hierarchy in 1850, the Ultramontanes began to consolidate their hold on the channels of ecclesiastical authority. Led by the flamboyant Nicholas Wiseman, they began to dominate the newly established English Catholic hierarchy, supported in their efforts by a tide of Irish immigrants, a reservoir of talented and dedicated priests trained at the English College in Rome and a wave of Oxford converts who, in the wake of the Gorham case, thirsted for a fount of unswerving ecclesiastical authority. The domination of the Ultramontanes, both in England and on the continent, meant that Liberal Catholicism was decidedly on the defensive, seeking to combat a rising tide of intellectual and scientific. intolerance. The period from mid-century until the promulgation of the Syllabus of Errors in 1864 was a crucial one in this struggle for intellectual autonomy. It was marked by several events which placed the emerging concepts and theories of scientific inquiry in direct conflict with the authority of the Church as is most sharply demonstrated in the convoluted and intense debate which came to be focused upon an ancient Christian artifact, the ampolle di sangue or the phials of blood.

scholarly journals The spaces of truth and cathedral window light

Literator ◽  
1996 ◽  
Vol 17 (3) ◽  
pp. 93-118
Author(s):  
G. Gillespie
Keyword(s):  
Nineteenth Century ◽  
Cultural Values ◽  
Historical Consciousness ◽  
Turn Of The Century ◽  
Romantic Period ◽  
Multiple Contexts ◽  
Western Development ◽  
Permanent Loss ◽  
The Church ◽  
Complex Expression

Major writers and painters of the Romantic period interpreted the church or cathedral in its organic and spiritual dimensions as a complex expression of a matured Christian civilization. Artists of the mid-nineteenth century continued to produce both secular and religious variations upon this established referentiality. Although divergent uses reciprocally reinforced the fascination for the central imagery of the church and its multiple contexts, they also came to suggest a deeper tension in Western development between what the church had meant in an earlier Europe and what it might mean for late modernity. The threat of a permanent loss of cultural values was an issue haunting Realist approaches. A crucial revision occurred when key Symbolist poets openly revived the first Romantic themes but treated them as contents available to a decidedly post-Romantic historical consciousness. There was an analogous revival of interest in the church as a culturally charged symbol in painting around the turn of the century. Although they might apply this poetic and pictorial heritage in strikingly different ways, writers of high Modernism such as Rilke, Proust, and Kafka understood its richness and importance.

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