Illustration

Picture World ◽  
2020 ◽  
pp. 143-214
Author(s):  
Rachel Teukolsky
Keyword(s):  
Nineteenth Century ◽  
New Media ◽  
Subject Matter ◽  
Middle Eastern ◽  
The Self ◽  
Time And Space ◽  
Book Illustration ◽  
World Picture ◽  
The Bible ◽  
East And West

As the illustrated book became newly affordable and highly popular in the nineteenth century, “illustration” emerged as a key aesthetic concept. Chapter 3 examines the illustrated Bible, a crucial example of book illustration and centerpiece of the Victorian parlor. The Bible’s age-old subject-matter—images of Moses and Esther, Jesus and Mary—evoked an aura of pre-industrial authenticity, even while religious publishing thrived on new media networks and new print technologies. Bible illustration served as a form of world-building, presenting a fantastical yet empiricist vision that drew upon recent discoveries in history and archaeology. Illustrators worked to make the Bible British, despite its Middle-Eastern roots, leaping across time and space to create a complicated world picture. These religious images ultimately formed what the chapter calls “orients of the self,” with destabilizing scenes hovering somewhere between East and West, ancient and modern, Jewish and gentile, patriarchal and democratic, and magical and rational.

Scottish Neo-medievalism

2020 ◽  
pp. 234-248
Author(s):  
Sarah Dunnigan ◽  
Gerard Carruthers
Keyword(s):  
Nineteenth Century ◽  
Subject Matter ◽  
Turn Of The Century ◽  
Arts And Crafts ◽  
Educational Practices ◽  
Gothic Architecture ◽  
Book Illustration ◽  
Political Associations

The phenomenon of Scottish neo-medievalism in the long nineteenth century is diverse, finding expression in Gothic architecture; paintings and murals; book illustration; fiction, poetry, revivals of ballad and romance; the founding of scholarly and antiquarian societies; and Arts and Crafts-related educational practices. This chapter explores neo-medieval articulations which can be termed ‘vernacular’—in other words, explicitly Scottish or ‘Celtic’ in subject matter. It traces their recurrent ideological, cultural, and political associations (for example, Catholicism, Anglo-Scottish relationships and Wars of Independence, Jacobitism and political rebellion), and the patterns of nostalgia and desire which underpin them. The chapter also discusses turn-of-the century literary and artistic practices which draw on a distinctly Scottish neo-medieval aesthetic.

The Light of the Word

2021 ◽  
pp. 20-72
Author(s):  
Sarah C. Schaefer
Keyword(s):  
Nineteenth Century ◽  
Visual Culture ◽  
Public Life ◽  
Visual Language ◽  
Book Illustration ◽  
The Bible ◽  
Religious Imagery ◽  
The Status ◽  
Nineteenth Century France

Chapter 1 introduces the context in which Doré’s biblical imagery emerged by focusing on the status of the Bible in the visual culture of nineteenth-century France, with particular emphasis on book illustration. Relying on photographic documentation of Doré’s original drawings, this chapter begins the process of articulating Doré’s visual language and its relationship to preceding attempts at comprehensive Bible illustration projects. The distinction between “biblical” and “religious” imagery is significant in setting the stage for the Doré Bible, as it was initially produced for French Catholic audiences, a contingent for whom direct engagement with the Bible was historically discouraged or even forbidden. Yet, as this chapter demonstrates, biblical illustration in the first half of the nineteenth century reveals the continued centrality of the Bible to artistic and public life in the wake of religious and intellectual upheavals.

العربية المقاربة المقاصديّة في ردّ ابن فودي على القادح في جلستهم الدعويّة

2018 ◽  
Vol 6 (3) ◽  
Author(s):  
Alawiye Abdulmumin Abdurrazzaq ◽  
Ahmad Wifaq Mokhtar ◽  
Abdul Manan Ismail
Keyword(s):  
Nineteenth Century ◽  
West Africa ◽  
Subject Matter ◽  
Analytical Methods ◽  
Men And Women ◽  
The Subject

This article is aimed to examine the extent of the application of Islamic legal objectives by Sheikh Abdullah bn Fudi in his rejoinder against one of their contemporary scholars who accused them of being over-liberal about the religion. He claimed that there has been a careless intermingling of men and women in the preaching and counselling gathering they used to hold, under the leadership of Sheikh Uthman bn Fudi (the Islamic reformer of the nineteenth century in Nigeria and West Africa). Thus, in this study, the researchers seek to answer the following interrogations: who was Abdullah bn Fudi? who was their critic? what was the subject matter of the criticism? How did the rebutter get equipped with some guidelines of higher objectives of Sharĩʻah in his rejoinder to the critic? To this end, this study had tackled the questions afore-stated by using inductive, descriptive and analytical methods to identify the personalities involved, define and analyze some concepts and matters considered as the hub of the study.

Perpindahan dan Perubahan : Transportasi dalam Struktur Naratif Riwayat Perjalanan ke Amerika di Era Viktorian

Metahumaniora ◽  
2017 ◽  
Vol 7 (1) ◽  
pp. 1
Author(s):  
Ari J. Adipurwawijdana
Keyword(s):  
Nineteenth Century ◽  
Subject Matter ◽  
Henry James ◽  
World View ◽  
Democratic Society ◽  
Transportation Infrastructure ◽  
Material Base ◽  
Travel Narrative ◽  
Infrastructure System ◽  
The Subject

ABSTRAKRiwayat yang disajikan penulis Britania era Viktorian tentang perjalannnya ke Amerikamengasumsikan adanya sebuah jaringan prasarana transportasi. Sistem transportasiterkait dengan riwayat perjalanan (travel narrative) dalam tiga hal, yaitu (1) sebagaibasis material bagi perjalanan, (2) sebagai substruktur riwayat, dan (3) sebagai pokokpembicaraan dalam riwayat itu sendiri. Buku Domestic Manners of the Americans (1832)merupakan model bagi cara infrastruktur transportasi menentukan aspek naratologis,yaitu urutan dan perspektif dalam struktur naratif riwayat perjalanan. Karya tersebut jugamenyajikan transportasi sebagai pokok pembicaraan dalam teksnya itu sendiri walaupun tidaksejauh sebagaimana yang tampak pada The Amateur Emigrant (1895) karya Robert LouisStevenson. Dalam hal ini, The American Scene (1907) karya Henry James juga relevankarena, walaupun tidak secara gamblang membicarakan transportasi sebagai topik dantidak pula menampakkan ciri-ciri riwayat perjalanan, karya tersebut merepresentasicara wawasan Britania-Amerika trans-Atlantik dianggap sebagai sesuatu yang lumrah.Wawasan ini juga memandang menganggap perjalanan trans-Atlantik sebagai semacamperjalanan menembus waktu, yang menunjukkan ketidaknyaman para penulis Britaniaabad kesembilanbelas terhadap transformasi sosial ke masyrakat demokratis yangdirepresentasi secara metaforis oleh pemahaman mereka tentang Amerika.Kata kunci: catatan perjalanan Viktorian, transportasi, wisataABSTRACTNarratives presented by Victorian British writers about their travels to America assume theavailability of a transprtation infrastructure system. Such a system is related to the travelnarrative in three things, namely, (1) as a material base for travel, (2) as a narrative substructurehistory, and (3) as the subject-matter of the narratives. Fanny Trollope’s Domestic Mannerof the Americans (1832) is a model for the way transportation infrastructure determinesnarratological aspects, namely order and perspective in the structure of the travel narrative.The piece also presents transportation as a subject-matter in its text although it does notgo so far as do Robert Louis Stevenson’s The Amateur Emigrant (1895). In discussingtransportation Henry James’ The American Scene is also relevant because, despite it’s notexplicitly speaking of transportation as a topic nor does it show the convential characteristicsof the travel narrative, the work represents a British-American trans-Atlantic world viewas a given. This world view also considers trans-Atlantic travels as a kind of voyage acrosstime, implying the discomfort of nineteenth-century British writers concerning the socialtransition into a democratic society represented by America as a metaphor.Keywords: Victorian travel narrative, transportation, tourism

„Rzymski” Żyd – nieznana twórczość Romana Brandstaettera

2012 ◽  
Vol 53 (1) ◽  
pp. 47-61
Author(s):  
Dariusz Konrad Sikorski
Keyword(s):  
New York ◽  
Social Norms ◽  
Cultural Values ◽  
Interwar Period ◽  
Free Speech ◽  
Role Model ◽  
The Self ◽  
Polish Literature ◽  
The Bible ◽  
The Law

Summary After 1946, ie. after embracing Christianity, Roman Brandstaetter would often point to the Biblical Jonah as a role model for both his life and his artistic endeavour. In the interwar period, when he was a columnist of Nowy Głos, a New York Polish-Jewish periodical, he used the penname Romanus. The ‘Roman’ Jew appears to have treated his columns as a form of an artistic and civic ‘investigation’ into scandalous cases of breaking the law, destruction of cultural values and violation of social norms. Although it his was hardly ‘a new voice’ with the potential to change the course of history, he did become an intransigent defender of free speech. Brought up on the Bible and the best traditions of Polish literature and culture, Brandstaetter, the self-appointed disciple of Adam Mickiewicz, could not but stand up to the challenge of anti-Semitic aggression.

Sigurðr, Þórr and Ragnarök and their Christian Counterparts

2019 ◽  
Vol 15 ◽  
pp. 81-104
Author(s):  
Manu Braithwaite-Westoby
Keyword(s):  
Nineteenth Century ◽  
Systematic Study ◽  
Old Norse ◽  
The Bible ◽  
In Christ ◽  
Stone Sculpture ◽  
Popular Subject ◽  
New Religion

Few scholars would deny that some Old Norse myths have Christian counterparts, a phenomenon first noticed by nineteenth-century archaeologists and antiquarians in their observations of Anglo-Scandinavian stone sculpture in northern England. It is strange, therefore, that despite this long tradition, there is no systematic study on the topic. While this ambition is unfortunately outside the scope of this article, it does seek to address a number of Old Norse myths/legends and place them in conjunction with their Christian counterparts. One of the most important myths for Anglo-Scandinavian craftsmen was probably Sigurðr, who has an obvious parallel in Christ. The apocalyptic narrative in Voluspa known as Ragnarök was also a very popular subject and has a clear cognate in the apocalyptic sections of the Bible. Þórr and the Miðgarðsormr, though less appealing to artists, strongly recalls accounts of the conflict between Christ and Satan or Leviathan. This article uses a theoretical methodology called ‘figural interpretation’ to examine the Old Norse myths and explore how they reflect certain myths from the new religion. While distinctly art historical in approach, this article also invokes some Old Norse texts where relevant, which may themselves have been influenced by Christian thinking.

Women and Agency in Bankim’s Rajmohan’s Wife and Tagore’s The Home and The World

2020 ◽  
Vol 12 (5) ◽  
Author(s):  
Manju Dhariwal ◽  
Keyword(s):  
Nineteenth Century ◽  
The Self ◽  
Indian English ◽  
Colonial India ◽  
English Novel ◽  
The World ◽  
The Status ◽  
Insight Into ◽  
Status Of Women

Written almost half a century apart, Rajmohan’s Wife (1864) and The Home and the World (1916) can be read as women centric texts written in colonial India. The plot of both the texts is set in Bengal, the cultural and political centre of colonial India. Rajmohan’s Wife, arguably the first Indian English novel, is one of the first novels to realistically represent ‘Woman’ in the nineteenth century. Set in a newly emerging society of India, it provides an insight into the status of women, their susceptibility and dependence on men. The Home and the World, written at the height of Swadeshi movement in Bengal, presents its woman protagonist in a much progressive space. The paper closely examines these two texts and argues that women enact their agency in relational spaces which leads to the process of their ‘becoming’. The paper analyses this journey of the progress of the self, which starts with Matangini and culminates in Bimala. The paper concludes that women’s journey to emancipation is symbolic of the journey of the nation to independence.

Delving into Horror

2019 ◽  
Vol 29 (5) ◽  
pp. 135-150
Keyword(s):  
The Self ◽  
Time And Space ◽  
The Third ◽  
The World ◽  
The Subject ◽  
Perception Of Time ◽  
Definition Of

The springboard for this essay is the author’s encounter with the feeling of horror and her attempts to understand what place horror has in philosophy. The inquiry relies upon Leonid Lipavsky’s “Investigation of Horror” and on various textual plunges into the fanged and clawed (and possibly noumenal) abyss of Nick Land’s work. Various experiences of horror are examined in order to build something of a typology, while also distilling the elements characteristic of the experience of horror in general. The essay’s overall hypothesis is that horror arises from a disruption of the usual ways of determining the boundaries between external things and the self, and this leads to a distinction between three subtypes of horror. In the first subtype, horror begins with the indeterminacy at the boundaries of things, a confrontation with something that defeats attempts to define it and thereby calls into question the definition of the self. In the second subtype, horror springs from the inability to determine one’s own boundaries, a process opposed by the crushing determinacy of the world. In the third subtype, horror unfolds by means of a substitution of one determinacy by another which is unexpected and ungrounded. In all three subtypes of horror, the disturbance of determinacy deprives the subject, the thinking entity, of its customary foundation for thought, and even of an explanation of how that foundation was lost; at times this can lead to impairment of the perception of time and space. Understood this way, horror comes within a hair’s breadth of madness - and may well cross over into it.

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