Notes from the Trenches

Author(s):  
David Wendell Moller

This chapter details the vicissitudes of race and poverty shaped J. W. Green’s upbringing in the Deep South as well as his adjustment to urban living as an adult. His lack of education, employment opportunity, and personal empowerment led to a “life on the streets.” Stoic faith saw him through a life and death in poverty. Mr. Green teaches us that everyone comes to this phase of life with strengths to cull from their cultural and spiritual beliefs. Mr. Green also teaches us that dignified dying does not require the unfettered exercise of personal autonomy, although a deep and abiding respect for the self-worth of the individual is necessary.

2021 ◽  
Vol 47 (4) ◽  
pp. 392-401
Author(s):  
Volker Kaul

Liberalism believes that individuals are endowed a priori with reason or at least agency and it is up to that reason and agency to make choices, commitments and so on. Communitarianism criticizes liberalism’s explicit and deliberate neglect of the self and insists that we attain a self and identity only through the effective recognition of significant others. However, personal autonomy does not seem to be a default position, neither reason nor community is going to provide it inevitably. Therefore, it is so important to go beyond the liberal–communitarian divide. This article is analysing various proposals in this direction, asks about the place of communities and the individual in times of populism and the pandemic and provides a global perspective on the liberal–communitarian debate.


Author(s):  
Sanna Melin Schyllert

In May Sinclair’s fiction, images of sacrifice abound. From the self-abnegating Katherine Haviland in Audrey Craven (1897) to the eponymous antiheroine of The Life and Death of Harriett Frean (1922), Sinclair’s central characters seem to be eternally struggling with the issue of renunciation. The treatment of the theme is heterogeneous in many of Sinclair’s texts, not least in the novel The Tree of Heaven, which both condemns and praises personal sacrifice for a higher or communal purpose. This displays a fundamental insecurity about the nature, function and value of sacrifice. It is this ambivalence, which underlies so much of Sinclair’s fiction, in combination with the individual mixture of philosophies in her work, that will be explored here. This chapter investigates the concept of sacrifice in the war novel The Tree of Heaven and how it is connected to community and feminism. In order to find an understanding of sacrifice as proposed by Sinclair, and its meaning in the lives of both women and men in the context of early 20th century England, the chapter discusses the crossroads in the text between sacrifice, idealism, feminism, and the nation-wide feeling of community that appears to be required in wartime.


2018 ◽  
Vol 32 (2) ◽  
pp. 57-74
Author(s):  
Damauru Chandra Bhatta

This paper makes an attempt to explore the echoes of the vision of Hindu philosophy in the selected works of T. S. Eliot. The works of Eliot such as his primary essay “Tradition and the Individual Talent,” and his primary poems such as “The Love Song of J. Alfred Prufrock,” “Gerontion,” The Waste Land, “Ash Wednesday,” “A Song for Simeon” and Four Quartets are under scrutiny in this paper. Eliot’s primary texts echo the vision of the Upanishads, the Bhagavad-Gita and the Patanjali Yoga Sutras of the Hindu (Vedic) philosophy. The vision is that rebirth is conditioned by one’s karma (actions). No one can escape from the fruits of his karma. One needs to undergo the self-realization to know the Essence (Brahman). When one knows the Essence, he is liberated from the wheel of life and death. Man himself is Brahman. The soul is immortal. The basic essence of Hindu philosophy is non-dual, which says that all the living beings and non-living objects are the manifestations of the same Ultimate Reality (Brahman). Eliot suggests that the knowledge of this essence can help humanity to promote equality and justice by ignoring discrimination and duality, to end human sorrows and to achieve real peace and happiness. This finding can assist humanity in the quest for understanding the meaning of human existence and the true spiritual nature of life to address the human sorrows resulted from the gross materialistic thinking.


2008 ◽  
Vol 36 (6) ◽  
pp. 851-864 ◽  
Author(s):  
Junsheng Hu ◽  
Ye Yang ◽  
Dengfeng Wang ◽  
Yang Liu

The aim in this study was to examine whether contingency of domain self-esteem moderates the effect of domain self-esteem on global self-esteem. Chinese university students (N = 320) completed the Contingencies of Self-worth Scale and the Self-worth Questionnaire (both by Yang, Hu, Pang, & Wang, 2007) and the Chinese version (Robinson, Shaver, & Wrightsman, 1997) of the Rosenberg Self-esteem Scale (Rosenberg, 1965). Results indicated that in domains that the individual could control, such as ability or behavior style, domain self-esteem directly influenced global self-esteem; in domains that the individual could not control, such as appearance and nationality, contingency of domain self-esteem moderated the effect of domain self-esteem on global self-esteem. Cultural differences in contingencies of domain self-esteem are also discussed.


2019 ◽  
pp. 110-121
Author(s):  
Ted Atkinson

This essay performs a character analysis of Jason Compson IV in The Sound and the Fury. The main focus is on Jason's inability to confront the reality of impending financial ruin because of heavy investment in the self-styled fantasy that he is a capable financier thwarted by forces beyond his control. Jason's aggrieved disposition and cruelty make him easy to write off as despicable, but understanding his inflated ego as an attempt to compensate for emotional as well as financial losses affords him some measure of sympathy. References to popular economics from the 1930s and to Marx's theory of money as a powerful symbolic currency enhance a psychoanalytic approach to Faulkner's rendering of Jason. The conclusion holds that Faulkner offers a finely observed portrait of the damage done to the individual psyche and to familial and social relations by betting on money as a means of increasing self-worth.


KANT ◽  
2020 ◽  
Vol 35 (2) ◽  
pp. 277-282
Author(s):  
Tatyana Martirosova ◽  
Lubov Yackov'skay ◽  
Klara Evsyukova

Currently, there is an awareness of the self-worth and uniqueness of human individuality in any field of activity, including in the field of physical culture and sports. During the period of further democratization and humanization of society, there is a need for a holistic education of the individual, characterized by the presence of a complex of socially significant features. Physical culture and sport are considered as a product of individual development and integration of the individual. In this regard, the strategic task of formation of physical culture of bachelors in the universities of Russia is the development of the younger generation the core values that strengthen physical health in combination with mental development, increase efficiency and adaptation to modern conditions of life.


Author(s):  
Lynne C Howarth

Dementia and Alzheimer’s disease know no boundaries. While this much is known, there is little beyond the medicalization of onset to provide insights into individuals instantly marginalized by a diagnosis with no future. The role of objects and storytelling in supporting the well-being and engagement of those dealing with Alzheimer’s disease and related dementias (ADRD) has recently become an accepted strategy in non-medical interventions for the disease. Many care facilities, day programs, and associations providing support for ADRD offer reminiscence and story sharing as regular activities. Building on research undertaken to explore how objects can be used as memory cues to evoke a memory of a person, place, event, or artefact in an individual’s personal narrative, this paper makes a case for mobilizing object memoir to empower the voices of the cognitively disabled. It argues for respecting the individual storyteller, not for the person he or she once was or may become in the future, but as someone with a unique identity and an inherent value as she or he is in the present. Object memoir as a readily invoked activity not only adds to the self-worth and social efficacy of an individual with ADRD, but also fosters meaningful connection with family, friends, and other caregivers who may be experiencing the loss of their own stories as memories of a shared past fade or disappear.


2010 ◽  
Vol 39 (2) ◽  
pp. 34-36
Author(s):  
Vaia Touna

This paper argues that the rise of what is commonly termed "personal religion" during the Classic-Hellenistic period is not the result of an inner need or even quality of the self, as often argued by those who see in ancient Greece foreshadowing of Christianity, but rather was the result of social, economic, and political conditions that made it possible for Hellenistic Greeks to redefine the perception of the individual and its relationship to others.


2020 ◽  
Author(s):  
Adam Wiesner

With a conscious attempt to contribute to contemporary discussions in mad/trans/queer/monster studies, the monograph approaches complex postmodern theories and contextualizes them from an autoethnographic methodological perspective. As the self-explanatory subtitle reads, the book introduces several topics as revelatory fields for the author’s self-exploration at the moment of an intense epistemological and ontological crisis. Reflexively written, it does not solely focus on a personal experience, as it also aims at bridging the gap between the individual and the collective in times of global uncertainty. There are no solid outcomes defined; nevertheless, the narrative points to a certain—more fluid—way out. Through introducing alternative ways of hermeneutics and meaning-making, the book offers a synthesis of postmodern philosophy and therapy, evolutionary astrology as a symbolic language, embodied inquiry, and Buddhist thought that together represent a critical attempt to challenge the pathologizing discursive practices of modern disciplines during the neoliberal capitalist era.


Author(s):  
Joshua S. Walden

The book’s epilogue explores the place of musical portraiture in the context of posthumous depictions of the deceased, and in relation to the so-called posthuman condition, which describes contemporary changes in the relationship of the individual with such aspects of life as technology and the body. It first examines Alfred Hitchcock’s Vertigo to view how Bernard Herrmann’s score relates to issues of portraiture and the depiction of the identity of the deceased. It then considers the work of cyborg composer-artist Neil Harbisson, who has aimed, through the use of new capabilities of hybridity between the body and technology, to convey something akin to visual likeness in his series of Sound Portraits. The epilogue shows how an examination of contemporary views of posthumous and posthuman identities helps to illuminate the ways music represents the self throughout the genre of musical portraiture.


Sign in / Sign up

Export Citation Format

Share Document