On Poetry and Prophecy in Jeremiah

2021 ◽  
pp. 191-216
Author(s):  
Job Y. Jindo
Keyword(s):  
Poetic Discourse ◽  
The Subject

It is a virtual consensus in modern scholarship to regard prophetic speech as a form of poetic discourse. Thus, more often than not, studies of biblical prophecy take it as a given that the prophet is a poet, without assessing the strengths and weaknesses of this assumption. This chapter, therefore, addresses the extent to which biblical prophecy can be viewed as poetry, and how this convention has affected Jeremiah studies. It surveys major approaches to Jeremiah’s poetic prophecy and considers potential pitfalls in this consensus, as well as some of the key hermeneutic considerations that help better explore the subject.

scholarly journals Identity marks in the poetic worlds of Zaim Azemović and Faiz Softić

2020 ◽  
pp. 127-136
Author(s):  
Kemal Džemić ◽  
Ramiz Tiganj
Keyword(s):  
Literary Traditions ◽  
Poetic Discourse ◽  
The Subject ◽  
Interpretative Approach

The paper deals with the poetic features of Zaim Azemović (1935 - 2015) i Faiz Softić (1958), the contemporary Sandžak poets, writers, publicists, essayists, critiques and researchers of folklore who have given the original poetic discourse to Sandzak-Bosniak and the entire Bosniak literature with their works, whereby enriching these literary traditions with new thematic-motive material and peculiar language expression. Zaim and Faiz shaped their artistic worlds with classic methodological acts, but also with modernistic literary and artistic techniques. Using the interpretative approach, in this paper we comparatively observe their most significant poetic accomplishments, basing the research on the hypothesis that identity mark significantly influenced the poetics of these two notable Sandžak poets. The richness and diversity of the opus of these two Sandžak and Bosniak poets, visible influences they left and are leaving on the contemporary literary messengers, and the esthetic qualities of their creativity, are the main incentive for choosing the authors and the corpus of works that are the subject of our research.

scholarly journals POETIC DISCOURSE AS AN ACT OF COMMUNICATIVE INTERACTIONS BETWEEN ADDRESSER AND ADDRESSEE

10.23856/4319 ◽  
2021 ◽  
Vol 43 (6) ◽  
pp. 153-157
Author(s):  
Tetyana Yeshchenko
Keyword(s):  
Research Method ◽  
Verbal Interaction ◽  
Poetic Form ◽  
Functional Parameters ◽  
Poetic Discourse ◽  
Poetic Text ◽  
Speech Interaction ◽  
The Subject ◽  
Selection Of ◽  
Discursive Approach

The author substantiates the idea of the anthropocentric nature of the poetic text, in which the addresser and the addressee form an interactive communicative chain, and artistic- poetic communication in the aspect of discursive approach is considered as a process in which the subject of verbal interaction between its participants is encoded in poetic form. Poetic verbal goals act as the source for this research, from which a selection of units that manifest the text category «anthropocentrism» is done in a way of accurate and complete inventory. The research method is descriptive. The author considers the poetic text as an intermediate link in the paradigm, which presupposes certain communicative roles of the addresser (author) and the addressee (reader). This triadic structure of speech interaction is caused by the tactical and strategic repertoire of the speaker, their intention, functional parameters of the text and pragmatic effect. The prospect of the research is the description of the text category «anthropocentrism» and its components (addresser / addressee) in semantic, pragmatic, communicative aspects.

scholarly journals The aesthetics of vision in the poem of supplication in the models of the poetry of Asir region: جماليات الرؤيا في قصيدة المناجاة في نماذج من شعر منطقة عسير

2019 ◽  
Vol 5 (1) ◽  
Author(s):  
Taher Massad Saleh Al - Jaloub - Abdul Hamid Saif Ahmed Al -
Keyword(s):  
The Self ◽  
Poetic Discourse ◽  
The World ◽  
The Subject ◽  
The Absolute ◽  
The Aesthetic ◽  
Asir Region ◽  
The Relationship ◽  
Study Plan

  This study is based on the hypothesis that the vision of the poem (the evangelism)- the transfer of the self- confessed mysteries to the divine self- is its aesthetic peculiarity, which distinguishes it from the vision of other poetic models such as the poem of the spinning, the praise and the lamentation for mere representation. The choice was made to test this hypothesis on the poetry of the Asir region; to clarify the specificity of the vision of the poem in the fabric of its texts; interacting with a striking intimacy with the values ​​of the poet's spiritual surroundings, which leads poets to speak to the divine; Thus, the study reduced its problem with the question: What is the aesthetic peculiarity of a poem in the poetry of Asir? The nature of the subject dictated to the researcher to adopt the mechanism of discourse- according to the theories of critic Henry Mishonic- whose task is to clarify the relationship between the structures of poetic discourse, and the specificity of the self- poet involved. The study plan consists of an introduction, a preface, two papers, and a conclusion. The second is the world of the divine self, which is characterized by the absolute ability to resolve the rift, and the second is the world of the divine self, Serenity, support for the defeated, and the relief of the Mujahedeen.

scholarly journals تشكيل الخطاب الشعري بين المعنى والمقام قصيدة البردة لكعب بن زهير أنموذجا

2017 ◽  
Vol 3 (4) ◽  
pp. 268
Author(s):  
Ismaeel Ibrahim Mustafa ◽  
Kawther Mohammed Ahmad
Keyword(s):  
Human Perception ◽  
Poetic Discourse ◽  
The Subject ◽  
Two Sides

The subject of this study is in the field of discourse, And specifically how to form a poetic discourse, And looks for the most important factors in this regard, It appeared that the poet in the process of artistic construction of the poem takes the context into account, While relying on his technical experience, This will put him in the process of compatibility between influential. With regard to a poet who lived before Islam and fed a Jahiliyya culture and he wanted to produce a poetic speech in an Islamic context, It becomes more important in the content of his discourse, While seeking to satisfy the consignee he draws from his accumulated culture, And is in negotiations between the two sides. Our poet “Kaab bin Zuhair” poet Jahili, But he said poetry before the Messenger of Allah, He had to consider his position and the context of his poem, This has resulted in the poem “AlBurda”, It was discussed during the research on the question of meaning and its relationship to human perception.

PHENOMENOLOGICAL POETICS OF A LYRIC WORK: METHODOLOGICAL ASPECT

2021 ◽  
Vol 7 (3) ◽  
pp. 73-86
Author(s):  
Alexey V. BARYKIN
Keyword(s):  
Research Methodology ◽  
Phenomenological Approach ◽  
Literary Work ◽  
Research Practice ◽  
Main Attention ◽  
Poetic Discourse ◽  
Artistic Experience ◽  
Phenomenological Interpretation ◽  
Poetic Text ◽  
The Subject

The goal of this article is to present the methodological foundations of the phenomenological poetics of a literary work. The subject of the research is the principles of the phenomenological approach to poetological foundations, the object is the structural-semantic, textual-semiotic features of the lyric work. The author summarizes the experience of different concepts of the phenomenological approach to revealing the essence of the receptive strategy of both artistic consciousness and research practice. The main attention is paid to the structure of artistic consciousness, the peculiarities of its intentional nature, reveals the specificity of various types of reduction, allowing to penetrate into the essence of artistic experience, its aesthetic reception. The article puts forward the concept of a phenomenological interpretation of the structure of a poetic text at the syntagmatic and paradigmatic levels, a metaphysical understanding of the traditionally semiotic concepts of syntagmatics and paradigmatics, which formally set the landmarks of text boundaries in their horizontal and vertical deployment. Based on the ontological and phenomenological aspects of the consideration of artistic space, the text appears as a phenomenon that goes beyond the limits of its own sign definition, becoming an essential-valuable “determinant” and regulator of artistic and research intentions, implying different ways and levels of subjective expression in poetic discourse. In addition to the basic, phenomenological approach, the research methodology consists of the principles of “ontological poetics”, “receptive aesthetics”.

Words

PMLA ◽  
1935 ◽  
Vol 50 (4) ◽  
pp. 1320-1327
Author(s):  
Colbert Searles
Keyword(s):  
Subject Matter ◽  
Assistant Professor ◽  
The Subject

THE germ of that which follows came into being many years ago in the days of my youth as a university instructor and assistant professor. It was generated by the then quite outspoken attitude of colleagues in the “exact sciences”; the sciences of which the subject-matter can be exactly weighed and measured and the force of its movements mathematically demonstrated. They assured us that the study of languages and literature had little or nothing scientific about it because: “It had no domain of concrete fact in which to work.” Ergo, the scientific spirit was theirs by a stroke of “efficacious grace” as it were. Ours was at best only a kind of “sufficient grace,” pleasant and even necessary to have, but which could, by no means ensure a reception among the elected.

Artificial satellite orbit computations

1966 ◽  
Vol 25 ◽  
pp. 363-371
Author(s):  
P. Sconzo
Keyword(s):  
Artificial Satellite ◽  
Satellite Orbit ◽  
Artificial Satellites ◽  
Orbital Elements ◽  
Differential Correction ◽  
Gravitational Effects ◽  
Short Intervals ◽  
The Subject ◽  
Introductory Discussion ◽  
Orbit Computation

In this paper an orbit computation program for artificial satellites is presented. This program is operational and it has already been used to compute the orbits of several satellites.After an introductory discussion on the subject of artificial satellite orbit computations, the features of this program are thoroughly explained. In order to achieve the representation of the orbital elements over short intervals of time a drag-free perturbation theory coupled with a differential correction procedure is used, while the long range behavior is obtained empirically. The empirical treatment of the non-gravitational effects upon the satellite motion seems to be very satisfactory. Numerical analysis procedures supporting this treatment and experience gained in using our program are also objects of discussion.

C. Wire Cabling for Telescope Systems

1966 ◽  
Vol 27 ◽  
pp. 159-161
Keyword(s):  
The Subject ◽  
Data Multiplexing

Rule: I'd like at this point to bring up the subject of cables and wireways around the telescope. We've touched upon this twice during previous sessions: the cable wrap up problem, the communications problem, and data multiplexing problem. I think we'll ask Bill Baustian if he will give us a brief run down on what the electrical run problems are, besides doubling the system every year.

The relationship of the scleractinian corals to the rugose corals

Paleobiology ◽  
1980 ◽  
Vol 6 (02) ◽  
pp. 146-160 ◽  
Author(s):  
William A. Oliver
Keyword(s):  
Critical Points ◽  
Scleractinian Corals ◽  
Convincing Evidence ◽  
Early Triassic ◽  
Rugose Corals ◽  
History Of ◽  
The Subject ◽  
Relationship Of ◽  
The Relationship ◽  
Biologic Factors

The Mesozoic-Cenozoic coral Order Scleractinia has been suggested to have originated or evolved (1) by direct descent from the Paleozoic Order Rugosa or (2) by the development of a skeleton in members of one of the anemone groups that probably have existed throughout Phanerozoic time. In spite of much work on the subject, advocates of the direct descent hypothesis have failed to find convincing evidence of this relationship. Critical points are:(1) Rugosan septal insertion is serial; Scleractinian insertion is cyclic; no intermediate stages have been demonstrated. Apparent intermediates are Scleractinia having bilateral cyclic insertion or teratological Rugosa.(2) There is convincing evidence that the skeletons of many Rugosa were calcitic and none are known to be or to have been aragonitic. In contrast, the skeletons of all living Scleractinia are aragonitic and there is evidence that fossil Scleractinia were aragonitic also. The mineralogic difference is almost certainly due to intrinsic biologic factors.(3) No early Triassic corals of either group are known. This fact is not compelling (by itself) but is important in connection with points 1 and 2, because, given direct descent, both changes took place during this only stage in the history of the two groups in which there are no known corals.

Direct Observations of the Epitaxial Growth of Sputtered Ag on Si

1973 ◽  
Vol 31 ◽  
pp. 122-123
Author(s):  
J. S. Maa ◽  
Thos. E. Hutchinson
Keyword(s):  
Epitaxial Growth ◽  
Film Growth ◽  
Ion Beam ◽  
Ion Beam Sputtering ◽  
Microscopy Technique ◽  
Direct Observations ◽  
In Situ Electron Microscopy ◽  
Beam Sputtering ◽  
The Subject

The growth of Ag films deposited on various substrate materials such as MoS2, mica, graphite, and MgO has been investigated extensively using the in situ electron microscopy technique. The three stages of film growth, namely, the nucleation, growth of islands followed by liquid-like coalescence have been observed in both the vacuum vapor deposited and ion beam sputtered thin films. The mechanisms of nucleation and growth of silver films formed by ion beam sputtering on the (111) plane of silicon comprise the subject of this paper. A novel mode of epitaxial growth is observed to that seen previously.The experimental arrangement for the present study is the same as previous experiments, and the preparation procedure for obtaining thin silicon substrate is presented in a separate paper.

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