Embracing New Digital Technologies: Now and into the Future

Author(s):  
Bradley Merrick

This article assesses the impact of new digital technologies on music education. It argues that music teachers have an obligation to understand and integrate the technologies that students bring into their classrooms. New digital technologies must be seen as instruments in their own right, and used to facilitate the development of knowledge and innovative approaches to exploring and understanding music among various emerging learning communities.

Author(s):  
Michael Raiber

The impact of teacher dispositions on the professional development of preservice music teachers (PMTs) has been substantiated. This chapter describes an approach to dispositional development within the structure of an introduction to music education course. A teacher concerns model is used to organize this systematic approach through three developmental stages that include self-concerns, teaching task concerns, and student learning concerns. A series of 11 critical questions are presented for use in guiding PMTs’ dispositional development through these developmental stages. Activities to engage PMTs in the exploration of each of these questions are detailed for use by music teacher educators desiring to engage PMTs in dispositional development.


Author(s):  
Mary L. Cohen ◽  
Stuart Paul Duncan

Over the past few years, restorative justice and transformative justice have taken on greater research importance in the scholarly community. These two forms of social justice offer ways of dealing with harms that result from conflict. The claim of this chapter is that these two types of justice can be used to structure and shape pedagogy in music education. Research suggests that choral singing within a prison context and the particular pedagogies employed therein can be shaped positively through restorative and transformative justice. Prison choir performances humanize prisoners and bring greater public awareness to their lives. If one accepts the premise that the use of restorative and transformative justice in musical teaching and learning enacts forms of healing, then their application has great potential to create encouraging learning environments and provide tools for music teachers to support the social needs of their learning communities.


2010 ◽  
Vol 11 ◽  
pp. 155-166 ◽  
Author(s):  
Juliet Hess

This paper explores possibilities for constructing creole subjects through world music education. Creolization results from the “fusing and mixing of cultures forced to cohabit together to render something else possible” (Walcott, 2009, p. 170 citing Hall, 2003, p. 193). As cultures fuse musically, our identity shifts. We become creole subjects through the encounters we experience, particularly, Walcott (2009) posits, in highly diverse urban spaces. The mobile nature of cultures is intrinsic to world music. My participation in an Ewe ensemble in Toronto demonstrates that cultures travel musically. The question then becomes: when cultures travel, who or what is refigured or remade and what becomes possible after the encounter? I posit that these encounters affect all parties; people become creole subjects—subjects constantly affected by their continuously changing cultural environments. In this paper, I think about this idea from a utopian perspective. I find thinking in this manner particularly useful in thinking about the future. In many ways, I feel we are mired down in academia with discussions of race and the “crisis of raciology” (Gilroy, 2000, Chapter 1) and that it might be quite productive to think beyond. I begin by arguing that there is the potential for world music education to be a colonizing project. I look specifically to Said (1993) and Thobani (2007) to inform my thinking on this topic. From there, I explore what might happen when an encounter facilitated through world music education occurs and the impact that this encounter could have on the way we define the category of the human. Finally, I think about what might occur after this encounter and redefinition take place.


2016 ◽  
Vol 1 (6) ◽  
pp. 77
Author(s):  
Asta Kriščiūnaitė ◽  
Diana Strakšienė

The article deals with the topic that is especially relevant for the system of education of Lithuania that is undergoing the transformation of educational paradigms – assessment of students’ progress and achievements, which causes an especially great number of discussions in modern artistic/music education because of its specificity. The article focuses on the attitude of future music teachers towards the functions of the assessment of students’ progress and achievements, its impact on the microclimate of the educational process and having identified the relations of the assessment of students’ progress and achievements to the creation of pedagogical self-image it helped to understand what the tendencies of music education in Lithuania are and how they should be improved.


2021 ◽  
Vol 4 ◽  
pp. 205920432110375
Author(s):  
Neva Klanjscek ◽  
Lisa David ◽  
Matthias Frank

Augmented Practice Room is an e-learning tool, developed by the project team, that allows music students to practice in different acoustical environments while remaining physically in their classroom or at home. Music teachers and students from violin, ‘cello, piano, clarinet, guitar, and pop-singing classes have collaborated in testing it for a semester and giving the authors continuous feedback. In this exploratory phase, we used methods such as group discussion and semi-structured diary, with the purpose to gather as many different perspectives and reactions from participants as possible. The analysis of the collected data showed that the tool was in general positively perceived and considered useful. In particular, results merged into a four-dimensional model that describes the impact of the tool on practice: musical expressiveness, level of attention or arousal, instrument-specific technical issues, and emotional state.


2021 ◽  
Vol 2 (2) ◽  
pp. 58-73
Author(s):  
Monica Lindgren ◽  
Ragnhild Sandberg-Jurström ◽  
Olle Zandén

In this article, we explore and problematise admission tests to specialist music teacher education in Sweden from a governing perspective, where higher music education is considered a discursive practice. It illustrates how power operates in legitimating the tests. The study uses stimulated recall in jury members’ talk about assessing applicants for music teacher education programmes, and uses Foucault’s concept of governmentality to reveal entrance tests as something regarded as generally good for all. This operating discourse is built on governmental rationality and processes that make it possible to reach conclusions about the applicants’ personalities and prospects for learning and developing in the future. Through care as technology of power, failing applicants are excluded from becoming music teachers and at the same time they are rescued from struggling in the future. The results are discussed in relation to issues of democratic music education, ethics and requirements for widened access to higher music education.


Author(s):  
Lazarus Elad Fotoh ◽  
Johan Ingemar Lorentzon

This study examines the future impact of digitalisation on auditing by synthesising empirical studies, relating them to surveys conducted by accounting bodies, and analysing these findings in relation to extant literature. Based on the synthesis, this study proposes a transitional framework to enable the audit profession to remain competitive. The results show that digitalisation may significantly affect the audit profession in the future. However, the impact is likely to be incremental rather than radical. To remain competitive, the audit profession needs to adopt new metrics, capabilities, skills and evolve its business models to incorporate digital technologies.  The contribution of this study is multi-faceted. The propositions and research agenda presented in this study will be beneficial to academics, practitioners, audit regulators, and the general public as they have the potential to form a foundation for addressing future research questions and for the theorisation and empirical testing of audit digitalisation.


2021 ◽  
Author(s):  
Arif Jetha ◽  
Ali Shamaee ◽  
Emile Tompa ◽  
Peter Smith ◽  
Ute Bultmann ◽  
...  

Abstract Objectives. Technological, sociopolitical and environmental forces are changing the working world and creating conditions that could be disadvantageous to young adults with disabilities. Our study aims to examine the thoughts and perceptions held by young adults with disabilities regarding the future of work.Methods. One-on-one semi-structured interviews with Canadian young adult (ages 18-35 years) with a disability were conducted. Participants were asked questions on their thoughts and perceptions regarding the impact the changing nature and availability of work on their labor market involvement and career aspirations. Themes that emerged from the data were inductively examined. Results. Twenty-two young adults were interviewed of which just over half were employed full-time. Career aspirations and work-related decisions were primarily shaped by a participant’s health needs. Aspects of the future of work were seen as a more proximal determinants to employment. Digital technologies were expected to impact working conditions for people with disabilities and create barriers and facilitators to employment. Participant who were securely employed held positive expectations regarding the impact of digital technology on their work. Conversely, participants working precariously held negative appraisals regarding the impact of digital technologies on employment opportunities.Conclusions. Initiatives that support labor market engagement of young adults with disabilities should consider changes in the future of work and emerging health needs while also accounting for the availability of secure work arrangements.


Author(s):  
Zakhar Dubovyi

The article reflects the main results of the study of the problem of forming the independence of future music teachers in the process of distance learning. The state of the problem of independence of future music teachers in the process of distance learning and the ways of overcoming it are analyzed. The advantages and disadvantages of distance learning are characterized, and it is being argued that nowadays the combined training has attained mass character, and the development and application of distance courses in the field of training future music teacher is not an everyday reality. The diagnostics of the developed methodology of this problem is offered. It is determined, that independent educational activity of the future teacher of music in the remote environment is interpreted as a form of external and internal activity of the individual, activity is largely structured by the students themselves, which is subject to procedural control and correction, carried out with the advisory assistance of the teacher, taking into account the psychological peculiarities and personal interests of the future teachers, is a means of their professional development, provides an intensification of processes of professional selfdetermination, self-education and self-regulation, and, in conclusion, forms the independence of the future music teacher. The main tool of distance learning is devised and developed, the main attention is paid to the issues of self-organization of the future teacher of music in the remote environment. The theoretical elaboration of the main provisions of the methodology for forming of the independence of future music teachers creates the optimal grounds for further practical testing. the main reason for the crisis situation in music education is the socioeconomic instability in the country and as a consequence, the lack of professional activity of music teachers and students of music and pedagogical specialties. However, a factor of no less importance in this situation is the unresolved problem in the field of professional music education in a number of topical problems of a theoretical and organizational-practical nature, concerning, in particular, the use of modern means and methods of musical pedagogy, continuity in the work of the system of continuous musical and pedagogical education; organization of professional education, because it is not a secret that among professional musicians the view on the profession of school teacher of music was rooted in as a secondary, compared to the profession of musician-performer, musicologist or conductor. The ways of further scientific work according the implementation of methodological achievements and their realization in the development and introduction of own distance course are outlined.


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