scholarly journals Face‐Work: Making Hair Matter in Sixteenth‐Century Central Europe

2021 ◽  
Author(s):  
Stefan Hanß
Keyword(s):  
Sixteenth Century ◽  
Central Europe

Latin American Connections: Recent Work on German Interactions with Latin America

2013 ◽  
Vol 46 (2) ◽  
pp. 362-394 ◽  
Author(s):  
H. Glenn Penny
Keyword(s):  
Latin America ◽  
Sixteenth Century ◽  
South America ◽  
Early Modern ◽  
Central Europe ◽  
Latin American ◽  
Mining Operations ◽  
Almost Everywhere ◽  
Wide Range ◽  
German Speaking

German interactions with Latin America have a long history. Indeed, early modern historians have demonstrated that people from German-speaking central Europe took part in all aspects of the European conquest of Central and South America. They have shown that these people were critical to mining operations and publishing in sixteenth-century Mexico; they have found them among Portuguese and Spanish sailors and soldiers almost everywhere; and they have located them playing important roles in a wide range of professions from Mexico to the south of Chile.

The Church of England and the Palatinate, 1566–1642

2010 ◽  
Author(s):  
Anthony Milton
Keyword(s):  
Sixteenth Century ◽  
Central Europe ◽  
Church Of England ◽  
The Church

This chapter explores a long-neglected relationship, which has escaped scholarly notice in part because of the assumption that reformation remained fixed after the sixteenth century. Historians previously focused on fragmentation within the Lutheran tradition following the death of Luther in 1546. Yet the conversion of the Elector Palatine Frederick III to the reformed faith in 1561 has more recently drawn attention for inaugurating a second reformation in central Europe along with the confessional conflicts that contributed to the outbreak of the Thirty Years’ War. The discussion follows the peculiar role of the Palatinate in constructing the Church of England’s reformed identity from the late sixteenth to the early seventeenth centuries. The unique circumstances of reform initiated by the Prince, for instance, could be used by both conformist and puritan divines.

Building the Frontier of the Habsburg Empire:

2019 ◽  
Vol 78 (2) ◽  
pp. 187-207 ◽  
Author(s):  
Dragan Damjanović
Keyword(s):  
Sixteenth Century ◽  
Ottoman Empire ◽  
Urban Design ◽  
Central Europe ◽  
Habsburg Empire ◽  
Administrative Organization ◽  
New Public ◽  
Administrative Unit ◽  
Joseph Ii ◽  
The Military

The Military Frontier, an administrative unit within the Habsburg Empire, was established during the sixteenth century to consolidate the border with the Ottoman Empire. In Building the Frontier of the Habsburg Empire: Viennese Authorities and the Architecture of Croatian-Slavonian Military Frontier Towns, 1780–1881, Dragan Damjanović considers architecture and urban planning there from the time Emperor Joseph II assumed the throne until the Frontier was abolished in 1881. Beginning with an overview of the region's architecture, urban design, and administrative organization, Damjanović proceeds to an examination of how modernization processes and the gradual demilitarization of the Frontier affected architecture and planning there. As they did for other provinces, Viennese authorities commissioned numerous new public and church buildings for the region—part of a larger effort toward modernization. Showing the influence of a variety of styles then fashionable elsewhere in Central Europe, these buildings were nonetheless well adapted to their local circumstances.

scholarly journals Needlework and Moral Instruction in English Seventeenth-Century Households: the Case of Rebecca

2014 ◽  
Vol 50 ◽  
pp. 254-268
Author(s):  
Amanda Pullan
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Central Europe ◽  
Young Women ◽  
Large Scale ◽  
Female Figures ◽  
Moral Instruction

In the seventeenth-century household, in which biblically themed decor was fashionable, many needlework projects included images of female biblical characters. Rebecca was among the most frequently embroidered. In both Protestant and Catholic traditions, Rebecca’s story, recorded in Genesis 24, was perceived as especially pertinent to the household. Depictions of her story appeared in the sixteenth-century picture Bibles which were dedicated to, and circulated among, Protestant and Catholic audiences in parts of western and central Europe. Rebecca also featured in Erhard Schön’s didactic illustrated woodcut,Zwölf Frawen des Alten Testaments(c.1530). Not all biblical stories involving female figures were included in these illustrated works, so the inclusion of her story suggests that Rebecca was perceived as a proper model for young women. Moreover, the absence of Rebecca from the large-scale tapestries which throughout the fourteenth to sixteenth centuries commonly depicted biblical scenes provides an important contrast to the popularity of her story in smaller-scale domestic needlework projects.

The Birth of Anglicanism

2004 ◽  
Vol 7 (35) ◽  
pp. 418-428 ◽  
Author(s):  
Diarmaid MacCulloch
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
New England ◽  
Central Europe ◽  
Canon Law ◽  
Northern Europe ◽  
Henry Viii ◽  
English Reformation ◽  
European Context ◽  
Middle Way

The paper surveys the English Reformation in the wider European context to demonstrate that the concept of ‘Anglicanism’ is hardly appropriate for the post-Reformation English Church in the sixteenth century: it was emphatically Protestant, linked to Reformed rather than Lutheran Protestantism. Henry VIII created a hybrid of a Church after breaking with Rome, but that was not unique in northern Europe. There were widespread attempts to find a ‘middle way’, the model being Cologne under Archbishop Hermann von Wied. Wied's efforts failed, but left admirers like Albert Hardenberg and Jan Laski, and their Reformations gradually moved towards those of central Europe—the first Reformed theologians. Edward VTs Reformation aligned itself with this new grouping, and produced prototypes of liturgy and theological formulary which endure to the present day—with the exception of a proposed reform of canon law, with its provisions for divorce. Elizabeth Ts 1559 religious settlement fossilised Edward's Church from autumn 1552. It made no concessions to Catholics, despite later A nglo- Catholic myth-making: minor adjustments were probably aimed at Lutherans. There is nevertheless a ‘Nicodemite’ association among the leading figures who steered the Settlement through its opening years. Important and unlikely survivals were cathedrals, uniquely preserved in a Protestant context and a source of future ideological Catholic ‘subversion’. Nevertheless the theological tone of the Elizabethan Church was a broadly-based Reformed Protestantism, aligned to Zürich rather than to Geneva. Early seventeenth-century Arminianism or Laudianism represented a new direction, and the Puritanism of New England may better represent the English Reformation than the ‘Anglican’ synthesis which came to fruition in the English Church after Charles II's restoration in 1660. In any case, Anglicanism continues to represent in uneasy but useful tension the two poles of theology contending for mastery in the century after Elizabeth Is coming to power.

scholarly journals Renaissance Anatomy: The Path from Ars to Scientia with a Focus on Anatomical Works of Johannes Jessenius

2020 ◽  
Vol 42 (1) ◽  
pp. 95-115
Author(s):  
Tomáš Nejeschleba
Keyword(s):  
Twentieth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
Central Europe ◽  
16Th Century ◽  
Fundamental Change ◽  
Andreas Vesalius ◽  
Definition Of ◽  
University Of Padua ◽  
The University

Johannes Jessenius (1566–1621) became known by his contemporaries mostly as an exponent of the Italian anatomical Renaissance in Central Europe at the end of the sixteenth and at the beginning of the seventeenth century. The image of Jessenius in the twentieth century was also created with respect to his activities in the area of anatomy in Wittenberg and Prague in particular. The aim of this article is to put Jessenius into the context of the development of anatomy in the sixteenth century. An important point in this progression can be seen in the change of the definition of anatomy from the art (ars) of dis- secting bodies and a “method” of instructing students to the way of acquiring knowledge (scientiaa) of bodies and nature. The crucial role in this process played anatomical writings of the second half of the 16th century and the development seems to be connected with methodological discussions at the University of Padua. Jessenius, in his anatomical writings, primarily followed the Paduan anatomist Andreas Vesalius (1514–1564), whose work De humani corporis fabrica (1543) expresses the fundamental change in Renaissance anatomy. In addition, the methodological background of the anatomical Renaissance, which Jessenius became acquainted with during his studies in Padua, also echoes in Jessenius’ works.

Archduke Ferdinand II of Austria

2021 ◽  
Keyword(s):  
Sixteenth Century ◽  
Detailed Analysis ◽  
Central Europe ◽  
Visual Arts ◽  
Interdisciplinary Cooperation ◽  
Southern Europe ◽  
Comprehensive Understanding ◽  
Art And Science ◽  
New Information ◽  
Mutual Relations

The book examines the cultural patronage of Archduke Ferdinand II of Austria (1529–1595), a son of Emperor Ferdinand I. Being the second-born, the Archduke never reached the imperial throne but served as the Governor of Bohemia in Prague and then he reigned in the Tyrol. The volume aims to show how Ferdinand II’s unclear dynastic position was significant in determining his fate, and which strategies he used to represent himself as an important member of the Habsburg dynasty. Twenty-three essays organized in five sections cover his main cultural aims, starting with the structure of his court and its entertainment, architectural projects, visual arts, and the interests of the humanistic circle he gathered around him. The book also presents new information about his famous collection of art and curiosities at Ambras Castle in Innsbruck, which served as a model for Emperor Rudolf II's collecting practice. The interdisciplinary cooperation of scholars from different countries gives readers a unique and comprehensive understanding of the actions of the Archduke in mutual relations. The book portrays the Archduke as a skilled manager, creative inventor and successful networker as the Renaissance movement was developing in Central Europe in the second half of the sixteenth century. Although the Archduke couldn’t fulfil his political ambitions, through his support for collecting, art and science, he contributed significantly to the development of the regions where he resided and connected them with the cultural achievements of Western and Southern Europe. As a whole, the book offers a detailed analysis of the lifestyle of the ''model prince“ in this era.

scholarly journals Policy and prophecy. The legend of the last emperor and the iconography of the ruler crowned by angels in Wallachia

Zograf ◽  
2019 ◽  
pp. 171-184
Author(s):  
Elisabeta Negrău
Keyword(s):  
Sixteenth Century ◽  
Central Europe ◽  
Political Climate ◽  
Made In

The article analyses the occurrence of the iconography of the ruler crowned by angels in Wallachia in the mid-sixteenth century, a late revival of a Byzantine iconographic model with no examples known in Wallachia prior to this date. In the nave of the infirmary chapel of Cozia Monastery (1543), voivode Radu Paisie is depicted crowned by an angel and blessed by Saint Methodius of Patara, an iconographical hapax. The key for decoding the scene is provided by the Pseudo-Methodian Apocalypse, where a coronation by angels episode is found in the legend of the Last Christian Emperor. The frescoes were made in a political climate when anti-Ottoman war plans intensified in Central Europe following the occupation of Buda.

scholarly journals Central European Connections of Six Manuscript Organ Tablature Books of the Reformation Era from the Region of Zips (Szepes, Spiš)

2015 ◽  
Vol 56 (1) ◽  
pp. 3-37 ◽  
Author(s):  
Marta Hulková
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Central Europe ◽  
Instrumental Music ◽  
Church Music ◽  
Central European ◽  
Protestant Church ◽  
Lutheran Church ◽  
The Reformation ◽  
Music Collection

Tablature notations that developed in the sixteenth century in the field of secular European instrumental music had an impact also on the dissemination of purely vocal and vocal-instrumental church music. In this function, the so-called new German organ tablature notation (also known as Ammerbach’s notation) became the most prominent, enabling organists to produce intabulations from the vocal and vocal-instrumental parts of sacred compositions. On the choir of the Lutheran church in Levoča, as parts of the Leutschau/Lőcse/Levoča Music Collection, six tablature books written in Ammerbach’s notation have been preserved. They are associated with Johann Plotz, Ján Šimbracký, and Samuel Marckfelner, local organists active in Zips during the seventeenth century. The tablature books contain a repertoire which shows that the scribes had a good knowledge of contemporaneous Protestant church music performed in Central Europe, as well as works by Renaissance masters active in Catholic environment during the second half of the sixteenth century. The books contain intabulations of the works by local seventeenth-century musicians, as well as several pieces by Jacob Regnart, Matthäus von Löwenstern, Fabianus Ripanus, etc. The tablatures are often the only usable source for the reconstruction of sixteenth- and seventeenth-century polyphonic compositions transmitted incompletely.

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