To What Extent Does the Reporting Behavior of the Media Regarding a Celebrity Suicide Influence Subsequent Suicides in South Korea?

2014 ◽  
Vol 44 (4) ◽  
pp. 457-472 ◽  
Author(s):  
JeSuk Lee ◽  
Weon-Young Lee ◽  
Jang-Sun Hwang ◽  
Steven John Stack
2014 ◽  
Vol 24 (2) ◽  
pp. 150-157 ◽  
Author(s):  
S. Suh ◽  
Y. Chang ◽  
N. Kim

Background.There is ample evidence media reporting of celebrity suicides increases copycat suicides. This study had three aims: (a) to quantitatively examine copycat suicides with exponential modelling that predicts the copycat suicide effect of South Korean celebrity suicides; (b) to investigate the association between media effect and subsequent suicides following celebrity deaths; and (c) to investigate the extent in which media influences the increase and rate of decline of copycat suicides following a celebrity suicide.Methods.All suicides during 1991–2010 in South Korea were included in this study utilising a nationwide database. Fifteen celebrities were selected based on the frequency of media reports following 1 week after their suicide. The media effect was obtained through the Korean Integrated Newspaper Database System. Exponential curve fits and correlation analyses investigated the quantitative effect of copycat suicides.Results.After controlling for baseline number of average suicides, there was a marked increase in the number of suicides following each celebrity suicides, which followed an exponential model. There was a significant correlation between the total number of copycat suicides and number of media following the celebrity suicide (r = 0.74, p < 0.01). There were weak-to-moderate correlations between the amplitude of increase in suicides (r = 0.45, p = 0.09) and rate of decline (r = 0.38, p = 0.16) with the total number of media coverage.Conclusions.Copycat suicides following celebrity suicides follow exponential modelling. Additionally, there is a strong media effect between the number of media reports following the days after celebrity suicides and subsequent copycat suicides. This may also be associated with the amplitude and rate of decline of copycat suicides. This suggests that improving media reporting and implementing preventative interventions for vulnerable populations may be important.


2020 ◽  
Vol 10 ◽  
Author(s):  
Stephen McDowall

For someone who studies Western perceptions of China, the Covid-19 crisis certainly captures the attention. Writing from the position of a historian, much of the media discourse during the pandemic sounds strangely familiar to the author. Plus ça change, he says, although logic would suggest that the successes of South Korea and Taiwan in dealing with the crisis may begin to erode the image of a backward Asia.


Author(s):  
Mark Ryan

Purpose The media has even been very critical of some East Asian countries’ use of digital contact-tracing to control Covid-19. For example, South Korea has been criticised for its use of privacy-infringing digital contact-tracing. However, whether their type of digital contact-tracing was unnecessarily harmful to the human rights of Korean citizens is open for debate. The purpose of this paper is to examine this criticism to see if Korea’s digital contact-tracing is ethically justifiable. Design/methodology/approach This paper will evaluate Korea’s digital contact-tracing through the lens of the four human rights principles to determine if their response is ethically justifiable. These four principles were originally outlined in the European Court of Human Rights, namely, necessary, proportional, scientifically valid and time-bounded (European Court of Human Rights 1950). Findings The paper will propose that while the use of Korea’s digital contact-tracing was scientifically valid and proportionate (albeit, in need for improvements), it meets the necessity requirement, but is too vague to meet the time-boundedness requirement. Originality/value The Covid-19 pandemic has proven to be one of the worst threats to human health and the global economy in the past century. There have been many different strategies to tackle the pandemic, from somewhat laissez-faire approaches, herd immunity, to strict draconian measures. Analysis of the approaches taken in the response to the pandemic is of high scientific value and this paper is one of the first to critically engage with one of these methods – digital contact-tracing in South Korea.


2020 ◽  
Vol 42 (7-8) ◽  
pp. 1326-1342 ◽  
Author(s):  
Youjeong Oh

Media representation is not a neutral site for reflection of reality, but a process through which discourses are constructed and circulated. When presented in media, urban space is re-mediated and its meanings are newly configured. Discursive currents do not simply remain in the media sphere, but reshape the cultural economy of certain places by attracting tourists and inducing property value increases. This article examines the process in which Ihwa Mural Village, a disenfranchised residential neighborhood in South Korea, has become one of the ‘best photo spots’ for tourists through representation via three distinct types of media – murals, popular culture, and Instagram. The analyses focus on the double functions of each medium: branding function to create particular place meanings, on the one hand, and power to create distance between representation and community realities on the other. This dual tendency is reinforced by transmedia dynamics. When featured in diverse media, images of Ihwa Village proliferate, attracting more participants and enabling further transmedia interactions. Yet, transmedia image flows accentuate only visual and aesthetic qualities of place. The expansive and subtractive transmedia construction consolidates the place myth, while the same process advances its detachment from the reality of the place.


2016 ◽  
Vol 28 (7) ◽  
pp. 1338-1360 ◽  
Author(s):  
Chulmo Koo ◽  
Youhee Joun ◽  
Heejeong Han ◽  
Namho Chung

Purpose This study aims to investigate the effects of a prospective traveler’s perception of media exposure on their intention to visit a destination (i.e. South Korea). Cultural exposure to a particular country through media affects people’s preference for that foreign country, and may ultimately be a function of the behavior for consuming that country’s cultural products – e.g. traveling to that country. Media exposure has been recognized as a major underlying reason for the desire to visit a destination. Design/methodology/approach This study examines the impacts of potential travelers’ media exposure in three different language-use groups (i.e. English, Japanese and Chinese) and their perception of the media exposure on their intention to visit the actual site (i.e. South Korea). To enhance the understanding of the intention to visit the destination, this study proposes a research model based on use and gratification theory and the belief–desire–intention model. Findings Mass and social media exposure had an effect on the intention to visit a destination as a result of the gratification and desire experienced through the content. Research limitations/implications This study suggests the synthesis of the use and gratification theory and the belief–desire–intention model and an examination of theoretical and practical implications. Originality/value This study involved a sample of users of destination marketing sites. In addition, this study investigated the users’ intentions to visit a real tourism destination taking into consideration mass media (traditional media) and social media (new media) based on the use of gratification theory and the belief–desire–intention model. Practically, the findings highlight the crucial role of social media in the intention to visit the tourism destination.


2017 ◽  
Vol 19 (2) ◽  
pp. 1-30
Author(s):  
Azizah Hamzah ◽  
Rosmani Omar

This article describes the latest developments in the creative industry in South Korea and Malaysia. This article begins with the facts and figures of the global creative economy, followed by a specific discussion of experiences and stories in an effort to develop the creative industry between Malaysia and South Korea. To achieve that goal, this article discusses various business models that have been used that can serve as a guideline in managing the media and cultural industries around the world.


2021 ◽  
Vol 1 (1) ◽  
pp. 78
Author(s):  
Nadia Istiani Zagita ◽  
Rudi Sukandar

Line Webtoon is one of the media used by South Korea in spreading Hallyu Wave. It has driven the views or opinions of the South Korean culture through manhwa (Korean Comic) called "Noblesse" in the application Line Webtoon using Comic Theory from Scott McCloud. The analysis of case studies on the Noblesse manhwa showed that opinions were presented and exhanged related to the characters, the messages being conveyed, and reader's expectations about in the manhwa. The readers' enthusiasm for this manhwa has made Noblesse one of the most favored manhwas. The implications of this research led to the intercultural communication associated with the comic elements in this manhwa.


2019 ◽  
Vol 55 (4) ◽  
pp. 490-506
Author(s):  
Sunčica Bartoluci ◽  
Mojca Doupona

This paper focuses on the relationship between sport, national identity and the media in the post-socialist nation-states of Croatia and Slovenia. It describes what has changed during the eight years since Jakov Fak, a Croatian-born Slovenian biathlete, changed his citizenship and began competing for the Slovenian national team. It also examines how the perception of Jakov Fak as an athlete and of his success has changed through time in different socio-political circumstances – in 2009 and 2010 when he competed for Croatia, and after 2010 when he began competing for Slovenia. To analyse this case we have used different media interpretations of Jakov Fak case, analysing four sports events: the Biathlon World Championships in South Korea (13–22 Feb 2009) and Germany (1–11 Mar 2012), and the Olympic Games in Canada (11–18 Feb 2010) and South Korea (9–25 Feb 2018). The results of discourse analysis show that in the case of Jakov Fak in the years 2009 and 2010, the public was provoked by and exposed to national symbolism, especially in political discourse. The media discourse did change between 2012 and 2018, and discourse typical of civic nationalism began to dominate. Two types of nationalism are mixed in a post-socialist context.


Journalism ◽  
2017 ◽  
Vol 19 (9-10) ◽  
pp. 1257-1274
Author(s):  
Qian Gong ◽  
Gary Rawnsley

This article analyses the perceptions of media freedom and responsibility by journalists and politicians in South Korea during the Presidency of Roh Moo-huyn (2003–2008). It draws on in-depth interviews with 10 journalists and 10 politicians with different political affiliations and interests. Findings suggest that both groups had positive appraisals of the country’s media democratisation. For them, the media could function as a watchdog on political power without having to fear direct political reprisals for doing so. However, the political press remained partially shackled to specific legacies and economic conditions. The most pressing example is the way the paternal power of conservative media owners challenged the editorial independence of journalists. While the Internet media offered some hope to rebalance the power relationship between the conservative and progressive forces, the sensational and hyper-adversarial media motivated by market and political competition emerged as more worrying concerns for the consolidation of democratic political communication in post-transition South Korea. Setbacks in press freedom since 2008 have undermined some of the positive evaluations of the political communication in South Korea, suggesting that the democratic transition in this country resembles ‘a circle rather a straight line’.


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