scholarly journals Ethical dangers of facial phenotyping through photography in psychiatric genomics studies

2019 ◽  
Vol 45 (11) ◽  
pp. 730-735
Author(s):  
Camillia Kong
Keyword(s):  
Neurodevelopmental Disorders ◽  
Phenotypic Expression ◽  
Three Dimensional ◽  
Point Of View ◽  
Diagnostic Tools ◽  
Facial Analysis ◽  
Ethical Point ◽  
Genomics Research ◽  
History Of ◽  
Photographic Imagery

Psychiatric genomics research protocols are increasingly incorporating tools of deep phenotyping to observe and examine phenotypic abnormalities among individuals with neurodevelopmental disorders. In particular, photography and the use of two-dimensional and three-dimensional facial analysis is thought to shed further light on the phenotypic expression of the genes underlying neurodevelopmental disorders, as well as provide potential diagnostic tools for clinicians. In this paper, I argue that the research use of photography to aid facial phenotyping raises deeply fraught issues from an ethical point of view. First, the process of objectification through photographic imagery and facial analysis could potentially worsen the stigmatisation of persons with neurodevelopmental disorders. Second, the use of photography for facial phenotyping has worrying parallels with the historical misuse of photography to advance positive and negative eugenics around race, ethnicity and intellectual disability. The paper recommends ethical caution in the use of photography and facial phenotyping in psychiatric genomics studies exploring neurodevelopmental disorders, outlining certain necessary safeguards, such as a critical awareness of the history of anthropometric photography use among scientists, as well as the exploration of photographic methodologies that could potentially empower individuals with disabilities.

The Baptism of Relics of Oleg and Yaropolk: Ethical, Theological and Political Aspects

2021 ◽  
Vol 30 (3) ◽  
pp. 272-286
Author(s):  
Roman Dodonov ◽  
◽  
Vira Dodonova ◽  
Oleksandr Konotopenko ◽  
◽  
...  
Keyword(s):  
Middle Ages ◽  
Religious Beliefs ◽  
Eleventh Century ◽  
Point Of View ◽  
Historical Event ◽  
Ethical Point ◽  
Stereoscopic View ◽  
The Family ◽  
History Of ◽  
The Church

A stereoscopic view on a particular historical event, in which contemporary assessments are combined with mental stereotypes of a medieval man, allows a slightly different assessment of the chronicle plot about the posthumous “baptism of bones” of Oleg and Yaropolk, Princes of Kyivan Rus, in 1044. While from theological positions it is perceived as an absurdity and a direct violation of the rules of the church, in the Middle Ages this act did not contradict the mass religious beliefs. From an ethical point of view, the action of Yaroslav the Wise was regarded as concern for the souls of the ancestors who died pagans and therefore did not claim for the salvation. The soteriological optimism that prevailed in the eleventh century in countries of the late Christianization, including Kyivan Rus, gave hope that living people were able to influence the fate of the souls of the dead. From a political point of view, the baptism of the ashes of the ancestors and their reburial in the family tomb of the Princes of Kyiv in the Church of the Tithes was aimed at expanding the circle of heavenly patrons and protectors of the princely dynasty, expanding the period of the Christian history of Kyivan Rus, and, as a result, legitimizing the power of Yaroslav the Wise.

scholarly journals COLD PLASTIC DEFORMATION OF PROCESSES IN CONDITIONS OF BORDER FORMATION

2021 ◽  
pp. 15-22
Author(s):  
Vasyl Muzychuk
Keyword(s):  
Plastic Deformation ◽  
Stress Tensor ◽  
Three Dimensional ◽  
Point Of View ◽  
Cold Plastic Deformation ◽  
The Third ◽  
Third Invariant ◽  
History Of ◽  
Margin Of Safety ◽  
Comprehensive Study

The article considers the process of forming the inner slot profile on a pipe billet by the method of cold plastic deformation, by compressing them with a matrix on a profile slotted mandrel (by the method of "covering" drawing). A comprehensive study of the mechanics of shaping products to assess their quality and study the possibility of improving the process itself. In the case of three-dimensional molding, the surface of plasticity depends on the history of deformation, which is determined by the change in the stress state with increasing accumulated intensity of deformation. The surface of plasticity in this case is not fixed and can be constructed using the criterion of deformability, which provides the position of the point of the fracture surface, taking into account the history of deformation. The planes of deformation and boundary surfaces of plasticity are constructed, which showed a sufficient margin of plasticity for the process of forming the inner splined profile. It is substantiated that when constructing the load trajectory in the space of dimensionless indicators and its type is unambiguously determined by the conditions of formation characteristic of the studied process and practically does not depend on the mechanical properties of the deformed metal. The areas of deformation closest to the failure are determined by indicators that take into account the influence of the first and third invariants of the stress tensor (lateral region and area of depressions of the profile relative to the process of forming the internal splined profile), in which the used plasticity reaches values = 0,34 ... 0,4. From the point of view of providing a margin of safety, such calculations must be performed taking into account the indicator that takes into account the influence of the third invariant of the stress tensor.

Modelyuvannya istorychnoho slovnyka polonizmiv (na materiali pivnichnoukrayins'kykh pam'yatok XVI–XVII st.)

2021 ◽  
pp. 161-177
Author(s):  
Valentyna Tytarenko
Keyword(s):  
Point Of View ◽  
Public And Private ◽  
Lexical Meaning ◽  
Foreign Word ◽  
Ethical Point ◽  
History Of ◽  
Polish Language ◽  
Confessional Literature ◽  
Source Of Information ◽  
Unambiguous Interpretation

This article substantiates the relevance of the historical dictionary of words borrowed from the Polish language, describes the principles of its construction, the structure of the dictionary articles. The main purpose of the dictionary is to collectively present the Polonisms that functioned in the northern Ukrainian records of the XVI–XVII centuries as well as to indicate origins, semantics, chronology, territory, etc. The register of lexicographical work will include Polonisms found in the records of the XVI–XVII centuries. Borrowed words will be selected from the etymological source, etymon will be added to them, each lexical meaning will be illustrated, the location and time of writing the record will be indicated. If necessary, the words will be given a broader commentary on the semantics, phonetic or grammatical design, etc. Today, its file contains about 800 words of Polish origin, found in various texts of the XVI–XVII centuries in northern Ukrainian area (acts of city, sub-chamber and district governments in Volodymyr-Volynskyi, Lutsk, Zhytomyr, Ovruch, Kyiv, diplomas, universals both public and private; texts of various genres: fiction, polemical, confessional literature). In the publication we substantiate that before borrowing there must be an indication of the source of information (relevant etymological dictionaries or other work), because, firstly, it confirms the origin of foreign words, and secondly, from an ethical point of view, researchers often do not trace history of a foreign word, and on the basis of existing studies of etymologists, respectively, there should be a vocation, and thirdly, a number of tokens in Ukrainian linguistics do not have an unambiguous interpretation, so the researcher of borrowings thus illustrates whose views he adheres or has his own opinion.

Perspectives of Reforming the System of Interbudget Relations in Russia (in the Light of the International Experience)

2006 ◽  
pp. 112-127 ◽  
Author(s):  
V. Nazarov
Keyword(s):  
Social Welfare ◽  
Intergovernmental Relations ◽  
International Experience ◽  
Point Of View ◽  
Short History ◽  
History Of

The attempts to reconstruct the instruments of interbudget relations take place in all federations. In Russia such attempts are especially popular due to the short history of intergovernmental relations. Thus the review of the ¬international experience of managing interbudget relations to provide economic and social welfare can be useful for present-day Russia. The author develops models of intergovernmental relations from the point of view of making decisions about budget authorities’ distribution. The models that can be better applied in the Russian case are demonstrated.

Sea Urchins and Circuses: The Modernist Natural Histories of Jean Painlevé and Alexander Calder

2018 ◽  
Vol 13 (2) ◽  
pp. 187-211
Author(s):  
Patricia E. Chu
Keyword(s):  
New Media ◽  
Sea Urchins ◽  
Life Sciences ◽  
Three Dimensional ◽  
Machine Age ◽  
Avant Garde ◽  
History Of ◽  
And Performance ◽  
The One ◽  
Natural Historian

The Paris avant-garde milieu from which both Cirque Calder/Calder's Circus and Painlevé’s early films emerged was a cultural intersection of art and the twentieth-century life sciences. In turning to the style of current scientific journals, the Paris surrealists can be understood as engaging the (life) sciences not simply as a provider of normative categories of materiality to be dismissed, but as a companion in apprehending the “reality” of a world beneath the surface just as real as the one visible to the naked eye. I will focus in this essay on two modernist practices in new media in the context of the history of the life sciences: Jean Painlevé’s (1902–1989) science films and Alexander Calder's (1898–1976) work in three-dimensional moving art and performance—the Circus. In analyzing Painlevé’s work, I discuss it as exemplary of a moment when life sciences and avant-garde technical methods and philosophies created each other rather than being classified as separate categories of epistemological work. In moving from Painlevé’s films to Alexander Calder's Circus, Painlevé’s cinematography remains at the forefront; I use his film of one of Calder's performances of the Circus, a collaboration the men had taken two decades to complete. Painlevé’s depiction allows us to see the elements of Calder's work that mark it as akin to Painlevé’s own interest in a modern experimental organicism as central to the so-called machine-age. Calder's work can be understood as similarly developing an avant-garde practice along the line between the bestiary of the natural historian and the bestiary of the modern life scientist.

Beérkezett könyvek

2008 ◽  
Vol 63 (4) ◽  
pp. 769-770
Author(s):  
Csaba Pléh
Keyword(s):  
New York ◽  
Point Of View ◽  
Cambridge University ◽  
New Science ◽  
Oxford University ◽  
History Of ◽  
The Mind ◽  
Oxford University Press

Danziger, Kurt: Marking the mind. A history of memory . Cambridge University Press, Cambridge, 2008Farkas, Katalin: The subject’s point of view. Oxford University Press, Oxford, 2008MosoninéFriedJudités TolnaiMárton(szerk.): Tudomány és politika. Typotex, Budapest, 2008Iacobini, Marco: Mirroring people. The new science of how we connect with others. Farrar, Straus and Giroux, New York, 2008Changeux, Jean-Pierre. Du vrai, du beau, du bien.Une nouvelle approche neuronale. Odile Jacob, PárizsGazzaniga_n

Thanato-Laboratorien. Theorien von Tod und Sterben und Elias Canettis Buch gegen den Tod

2020 ◽  
Vol 4 (1) ◽  
pp. 67-86
Author(s):  
Elisabeth Heyne
Keyword(s):  
Human Life ◽  
Death And Dying ◽  
Point Of View ◽  
Visual Images ◽  
Elias Canetti ◽  
History Of ◽  
Series Of Experiments ◽  
First Time ◽  
Textual Form ◽  
Or History

AbstractAlthough visual culture of the 21th century increasingly focuses on representation of death and dying, contemporary discourses still lack a language of death adequate to the event shown by pictures and visual images from an outside point of view. Following this observation, this article suggests a re-reading of 20th century author Elias Canetti. His lifelong notes have been edited and published posthumously for the first time in 2014. Thanks to this edition Canetti's short texts and aphorisms can be focused as a textual laboratory in which he tries to model a language of death on experimental practices of natural sciences. The miniature series of experiments address the problem of death, not representable in discourses of cultural studies, system theory or history of knowledge, and in doing so, Canetti creates liminal texts at the margins of western concepts of (human) life, science and established textual form.

History of Tour de France from the Geographical Point of View

2013 ◽  
Vol 22 (3-4) ◽  
pp. 255-277 ◽  
Author(s):  
Vladimír Bačík ◽  
Michal Klobučník
Keyword(s):  
Point Of View ◽  
The Past ◽  
Advanced Technologies ◽  
The World ◽  
Spatial Dimensions ◽  
Tour De France ◽  
Wide Circle ◽  
History Of ◽  
Expert Community ◽  
Geographical Point

Abstract The Tour de France, a three week bicycle race has a unique place in the world of sports. The 100th edition of the event took place in 2013. In the past of 110 years of its history, people noticed unique stories and duels in particular periods, celebrities that became legends that the world of sports will never forget. Also many places where the races unfolded made history in the Tour de France. In this article we tried to point out the spatial context of this event using advanced technologies for distribution of historical facts over the Internet. The Introduction briefly displays the attendance of a particular stage based on a regional point of view. The main topic deals with selected historical aspects of difficult ascents which every year decide the winner of Tour de France, and also attract fans from all over the world. In the final stage of the research, the distribution of results on the website available to a wide circle of fans of this sports event played a very significant part (www.tdfrance.eu). Using advanced methods and procedures we have tried to capture the historical and spatial dimensions of Tour de France in its general form and thus offering a new view of this unique sports event not only to the expert community, but for the general public as well.

The Guatemalan Genocide Through Indigenous Mayan Literature Twenty Years After the Peace Accords: Rigoberta Menchú, Humberto Ak´Abal and Victor Montejo

2017 ◽  
Vol 7 (1) ◽  
pp. 31
Author(s):  
David Caballero Mariscal
Keyword(s):  
Social Exclusion ◽  
Dark Period ◽  
Social Situation ◽  
Point Of View ◽  
Contemporary History ◽  
Rigoberta Menchu ◽  
Testimonial Literature ◽  
History Of ◽  
Peace Accords ◽  
Historical Truth

Guatemala experienced a cruel genocide in the early eighties, in the context of a repressive Conflict. Due to the different governments´ repressive policies, this terrible social situation was little known abroad, and even in the own country. Just after the Peace Accords, several organisms worked to uncover the historical truth. In any case, we cannot forget that testimonial literature is a privileged mean to know this dark period of the contemporary history of Guatemala. This genre is particularly relevant, because the main writers are originally Mayans, and have directly suffered both repression and social exclusion due to ethnic reasons. Rigoberta Menchú, Unmberto Ak´abal and Víctor Montejo represent a new and original point of view in the measure in which they describe feelings and situations from the perspective of those who experience them personally. Testimonial literature or the Testimonio becomes an ethnographic document that allows us to know not just a period but a people who have suffered from repression and exclusion for centuries.

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