The GAKhN Dictionary: An Introduction

October ◽  
2017 ◽  
Vol 162 ◽  
pp. 39-40
Author(s):  
Devin Fore
Keyword(s):  
Visual Arts ◽  
The State ◽  
History Of ◽  
First Time ◽  
Selection Of

Devin Fore introduces the GAKhN Dictionary of Artistic Terms (1923–29), a selection of which is published in translation here for the first time. After a brief history of the State Academy of Artistic Sciences (GAKhN), which was established in 1921 and dissolved in 1930, Fore situates the unfinished collaboration between the academy's Section of Visual Arts and the Philosophical Department in the context of GAKhN's larger commitment to democratizing knowledge, and he suggests that what emerges from these dictionary entries are the contours of a program for a positivist aesthetics.

The Department of Restoration and Examination of Works of Art of the Kharkiv State Academy of Design and Arts in the History of Restoration in Slobozhanshchyna

2021 ◽  
Vol 2021 (02) ◽  
pp. 186-198
Author(s):  
V. Shulika ◽  
Keyword(s):  
Educational Institution ◽  
The State ◽  
Educational Process ◽  
Art Gallery ◽  
Works Of Art ◽  
The First World War ◽  
Teachers And Students ◽  
History Of ◽  
Scientific Practical ◽  
First Time

The article is devoted to the scientific, practical and pedagogical experience of the Department of Restoration and Examination of Works of Art of the Kharkiv State Academy of Design and Arts throughout its existence in the context of the development of this industry in the historical territory of Sloboda Ukraine. The REWA department of KSADA is the only educational institution in the East of Ukraine that trains artists-restorers of easel and monumental painting, specialists in expertise. Over the years, the department has restored many hundreds of works of art, and graduates of the department successfully work in restoration and museum institutions in Ukraine and the EU. The establishment of the REWA department was preceded by a long historical process of restoration activities in the region, which dates back to the second half of the seventeenth century, the time of the founding of Slobozhanshchyna. The first local restorers were icon painters, who were invited to perform works of art in cities and monasteries. Later, in the nineteenth century, the role of restorers was performed by local, including well-known, painters (I. Bunakov, I. Kulikovsky, M. Uvarov). Restoration education in Slobozhanshchyna dates back to 1902, when the training and icon-painting workshop was opened in Sloboda Borysivka, where the restoration of icon-painting was taught for the first time in the historical Ukrainian lands. During the First World War, the unveiling of the icon of St. Nicholas of Miletus Monastery became a significant event in Kharkiv (1915). In the 1920s and 1930s well-known restorers and representatives of related professions who mastered the profession of a restorer (M. Kasperovych, I. Sviatenko, P. Fomin, etc.), worked in Kharkiv. A restoration workshop operated at the Ukrainian Art Gallery in 1930s, and in 1938 the first Ukrainian-language edition on this subject was published and a separate section devoted to restoration (V. Lokhanko “Artistic Materials and Painting Techniques”). In 1984, Kharkiv branch of the State Research and Restoration Workshops was opened. Higher restoration education in Slobozhanshchyna was started in 1988, as a section of painting restoration, which was transformed into an independent graduating department in 1994. Teachers and students of the department within the educational process carry out practical restoration of works of art, monitoring of private and museum collections, the state of preservation of monumental paintings. They develop and improve methods of restoration, publish and patent developments and discoveries. The Department of REWA is constantly working on improvement of teaching and methods of evaluating the work of students, planning to open new educational programs.

THE PROJECT OF STAGING "KHOVANSHCHINA" BY M. P. MUSSORGSKY IN B.V. ASAFYEV’S ORCHESTRATION

2020 ◽  
Vol 1 (2) ◽  
pp. 95-102
Author(s):  
V. A. Aleksandrova ◽  
Keyword(s):  
The State ◽  
National Museum ◽  
State Archive ◽  
Central State ◽  
Saint Petersburg ◽  
Russian State ◽  
Archival Documents ◽  
History Of ◽  
Orchestral Score ◽  
First Time

The article is devoted to the history of an unrealized performance of M. P. Mussorgsky’s opera "Khovanshchina" orchestrated by B. V. Asafyev. On the basis of archival documents, stored in the Russian State Archive of Literature and Arts, the Russian National Museum of Music, Central State Archive of Literature and Art of Saint Petersburg, the Bolshoi Theatre Museum, most of which are introduced into scientific circulation for the first time, studied the circumstances under which the opera was planned to be staged in the State Academic Theatre of Opera and Ballet (nowadays — the Mariinsky Theatre). Fragments from the reports of the Artistic Council of Opera at the State Academic Theatre of Opera and Ballet meetings, the correspondence between B. V. Asafyev and P. A. Lamm, the manuscript "P. A. Lamm. A Biography" by O. P. Lamm and other unpublished archival documents are cited. The author comes to the conclusion that most attempts to perform "Khovanshchina" were hindered by the difficult socio-political circumstances of the 1930s, while the existing assumptions about the creative failure of the Asafyev’s orchestration don’t find clear affirmation, neither in historical documents, nor in the existing manuscript of the orchestral score.

The 1912 Duma Elections: The State, the Opposition and the Clergy

Orthodoxia ◽  
2021 ◽  
pp. 111-124
Author(s):  
F. A. Gayda
Keyword(s):  
The State ◽  
Election Campaign ◽  
Difficult Situation ◽  
The Public ◽  
The Press ◽  
History Of ◽  
The Government ◽  
The Russian Empire ◽  
First Time ◽  
The Church

This article deals with the political situation around the elections to the State Duma of the Russian Empire in 1912 (4th convocation). The main actors of the campaign were the government, local administration, liberal opposition and the clergy of the Orthodox Russian Church. After the 1905 revolution, the “official Church” found itself in a difficult situation. In particular, anti-Church criticism intensified sharply and was expressed now quite openly, both in the press and from the rostrum of the Duma. A consequence of these circumstances was that in this Duma campaign, for the first time in the history of Russian parliamentarianism, “administrative resources” were widely used. At the same time, the authorities failed to achieve their political objectives. The Russian clergy became actively involved in the election campaign. The government sought to use the conflict between the liberal majority in the third Duma and the clerical hierarchy. Duma members launched an active criticism of the Orthodox clergy, using Grigory Rasputin as an excuse. Even staunch conservatives spoke negatively about Rasputin. According to the results of the election campaign, the opposition was even more active in using the label “Rasputinians” against the Holy Synod and the Russian episcopate. Forty-seven persons of clerical rank were elected to the House — three fewer than in the previous Duma. As a result, the assembly of the clergy elected to the Duma decided not to form its own group, but to spread out among the factions. An active campaign in Parliament and the press not only created a certain public mood, but also provoked a political split and polarization within the clergy. The clergy themselves were generally inclined to blame the state authorities for the public isolation of the Church. The Duma election of 1912 seriously affected the attitude of the opposition and the public toward the bishopric after the February revolution of 1917.

Live birth following the first mutation specific pre-implantation genetic diagnosis for haemophilia A

2006 ◽  
Vol 95 (02) ◽  
pp. 373-379 ◽  
Author(s):  
Edward Tuddenham ◽  
Cathy Turner ◽  
Ben Lavender ◽  
Stuart Lavery ◽  
Katerina Michaelides
Keyword(s):  
Live Birth ◽  
Genetic Diagnosis ◽  
Proteinase K ◽  
Amplification Efficiency ◽  
Haemophilia A ◽  
Singleton Pregnancy ◽  
Single Nucleotide ◽  
History Of ◽  
First Time ◽  
Selection Of

SummaryHaemophilia A is an X-linked, recessive, inherited bleeding disorder which affects 1 in 5000 males born worldwide. It is caused by mutations in the FactorVIII (F8) gene on chromosome Xq28. We describe for the first time two mutation specific, single cell protocols for pre-implantation genetic diagnosis (PGD) of haemophilia A that enable the selection of both male and female unaffected embryos. This approach offers an alternative to sexing, frequently used for X-linked disorders, that results in the discarding of all male embryos including the 50% that would have been normal. Two families witha history of severe haemophilia A requested carrier diagnosis and subsequently proceeded to PGD. The mutation in family1 isa single nucleotide substitution c. 5953C>T, R1966X in exon 18 and in family 2, c. 5122C>T, R1689C in exon 14 of the F8 gene. Amplification efficiency was compared between distilled water and SDS/proteinase K cell lysis (98.0%, 96/98 and 80%, 112/140 respectively) using 238 single lymphocytes. Blastomeres from spare IVF cleavage-stage embryos donated for research showed amplification efficiencies of 83.3% (45/54) for the R1966X and 92.9% (13/14) for the R1689C mutations. The rate of allele dropout (ADO) on heterozygous lymphocytes was 1.1% (1/93) for R1966X and 5.94% (6/101) for R1689C mutations. A single PGD treatment cycle for family1 resulted in two embryos for transfer but these failed to implant. However, with family 2, two embryos were transferred to the uterus on day 4 resulting in a successful singleton pregnancy and subsequent live birth of a normal non-carrier female.

scholarly journals The Interaction of the State Museum Fund and Museums of the Tatar ASSR in the 1920s

2018 ◽  
Vol 15 (6) ◽  
pp. 754-763 ◽  
Author(s):  
Natalia V. Gerasimova
Keyword(s):  
Fine Arts ◽  
The State ◽  
Public And Private ◽  
Art Collections ◽  
Art Collection ◽  
State Museum ◽  
Scientific Principles ◽  
History Of ◽  
Private Museums ◽  
First Time

The article is devoted to one of the Soviet State’s policy directions at the first stage of its existence, aimed at the preservation of cultural va­lues and the formation of museum art collections. The poorly studied question about the features of this policy implementation is revealed on the example of the TASSR (Kazan Province — before May 1920), where in the 1920s a whole network of museums was created; almost in each of them, an art department was organized. The appeal to this topic is relevant in connection with the opening of a large number of public and private museums, which face similar challenges, as well as the active scientific activities of museums to study their own collections, in the framework of creation of the State Catalogue of the Museum Fund of the Russian Federation. For the first time, the article introduces into scientific circulation a number of sources, on the basis of which the main directions of this activity, as well as the museums’ art collections themselves, are analyzed. In the TASSR, the interaction with the State Museum Fund (SMF) was carried out by the Department for Museums and Protection of Monuments of Art, Anti­quities and Nature, employees of which (P.M. Dulsky and P.E. Kornilov) were engaged not only in organization of the artworks’ transferring to museums, but also in their selection. The article states that, thanks to the SMF, the Central Museum of the TASSR had the most complete and valuable art collection, and an interesting collection was formed in the Kozmodemyansky District Museum, which was part of the Kazan Province until 1920. This study shows that the SMF was an important and effective mechanism for the implementation of state policy in the field of culture: its activities contributed to the creation of provincial museums’ collections, based on scientific principles and aimed at presenting the history of fine arts development.

scholarly journals Shakespeare in Digital Games and Virtual Worlds

2018 ◽  
Vol 18 (33) ◽  
pp. 129-144 ◽  
Author(s):  
Eleni Timplalexi
Keyword(s):  
Visual Arts ◽  
Virtual Worlds ◽  
Virtual World ◽  
Digital Games ◽  
Fundamental Aspect ◽  
Digital Gaming ◽  
Digital Performance ◽  
History Of ◽  
Immense Potential ◽  
First Time

Shakespeare’s plays have long flirted with using various artistic and medial forms other than theatre, such as cinema, music, visual arts, television, comics, animation and, lately, digital games and virtual worlds. Especially in the 20th and 21st century, a fascination with Shakespeare both as a historical and theatrical figure and as a playwright has become evident in screen based media (cinema, television and video), ranging from “faithful,” almost documented performances of his plays to free style adaptations or vague film references. Digital games and virtual worlds carry on this tradition of the transmedial journey of Shakespeare’s plays to screen based media but top it up with new forms of interaction and performativity. For the first time in the history of mankind everyone can enjoy firsthand from his armchair and for free the experience of taking part in a play by the Bard by entering a virtual world as if it was a stage and by assuming roles through avatars. The article attempts first to introduce the reader to the deeper needs that gave rise to animation, a fundamental aspect of digital gaming and virtual worlds. It then tries to illuminate the various facets of digital performance and gaming, especially in relation to Shakespeare-themed and inspired digital games and virtual worlds, by putting forward some axes of classification. Finally, it both suggests some ideas that may be of use in rendering the Shakespeare gaming experience more “complete” and “theatrical” and ends by acknowledging the immense potential for the exploration of theatricality and performativity in digital games and virtual worlds.

UPRAVNO SUDSTVO PREMA VIDOVDANSKOM USTAVU

2021 ◽  
Author(s):  
Zoran Jovanović ◽  
◽  
Stefan Andonović
Keyword(s):  
Second World War ◽  
The State ◽  
State Council ◽  
World War ◽  
Basic Principles ◽  
Legal Nature ◽  
History Of ◽  
Administrative Courts ◽  
Second World ◽  
Selection Of

The Vidovdan Constitution of the newly formed Kingdom of Serbs, Croats and Slovenes is one of the most important monuments of regional history of constitutional law. Adopted in 1921, in order to determine the basic principles of state and social organization, the Vidovdan Constitution contained certain provisions that are still acceptable today 100 years later. Moreover, the Vidovdan Constitution represents one of the most important moments in the creation of the administrative judiciary of the states that later emerged in the territory of the Kingdom. Namely, the literature states that the organization of the administrative judiciary, provided by the Constitution, leads to the most significant period in the development of the administrative judiciary (in Serbia) from its founding in 1869 until the Second World War. In this regard, as one of the most important aspects, authors emphasize the introduction of a two-tier administrative judiciary, with significant guarantees of professionalism in the selection of judges. Having in mind its significance in the history of the administrative judiciary, the authors will analyze the basic constitutional norms regarding the legal nature and organization of the administrative judiciary. Also, the research will include the issue of the position of judges of the administrative court and members of the State Council. In addition to the constitutional provisions, paper gives mentions to relevant provisions of the Law on the State Council and Administrative Courts, as well as the Decree on the State Council and Administrative Courts adopted shortly after the Vidovdan Constitution.

Epilogue

1999 ◽  
Vol 29 ◽  
pp. 137-138
Keyword(s):  
English Translation ◽  
The State ◽  
De Anima ◽  
Scientific Text ◽  
English Translations ◽  
History Of ◽  
Selection Of ◽  
As If

In 1864 the biologist George Lewes wrote (p. viii) ‘Numerous and exhaustive as are the works devoted to Aristotle’s moral and metaphysical writings, there is not one which attempts to display, with any fullness, his scientific researches . . . Although Aristotle mainly represents the science of twenty centuries, his scientific writings are almost unknown in England. Casual citations, mostly at second hand, and vague eulogies, often betraying great misconception, are abundant; but rare indeed is the indication of any accurate appreciation extending beyond two works, the De Anima, and the History of Animals. The absence of translations is at once a cause and a sign of this neglect.’Things have improved, a bit, in the intervening 135 years. Cohen and Drabkin brought together a large and diverse selection of English translations of ancient scientific works in 1948. Every year for the last 25 years, on average, there has been a new edition or notification of the discovery of a new scientific text. Galen has been the focus of a recent scholarly project whose proportions reflect his corpus. Nevertheless, despite the 9,000 printed pages of that vast corpus already published, there are still unedited and untranslated treatises surviving in full in Arabic, and two-thirds of the corpus still awaits an English translation. The state of editions and translations of ancient scientific works as a whole remains scandalous by comparison with the torrent of modern works on anything unscientific – about 100 papers per year on Homer, for example. And an embarrassingly large number of classicists are as (if not more) ignorant of Greek scientific works as their predecessors were in 1864.

A new species and notes on unusual natural history of Cladochaeta Coquillett, 1900 (Diptera: Drosophilidae)

Zootaxa ◽  
2018 ◽  
Vol 4410 (3) ◽  
pp. 483 ◽  
Author(s):  
FERNANDO DA SILVA CARVALHO-FILHO ◽  
GABRIELA PIRANI ◽  
THIAGO GECHEL KLOSS
Keyword(s):  
New Species ◽  
Natural History ◽  
Brazilian Amazon ◽  
First Record ◽  
The State ◽  
Female Specimen ◽  
Urban Garden ◽  
History Of ◽  
First Time ◽  
A New Species

A new species of Cladochaeta Coquillett (Diptera: Drosophilidae) is described, C. caxiuana sp. nov. from the Brazilian Amazon, based on 10 male and 10 female specimens obtained from nymphs of Sphodroscarta trivirgata (Amyot & Serville, 1843) (Hemiptera: Auchenorrhyncha: Aphrophoridae). The female of Cladochaeta atlantica Pirani & Amorim, 2016 is described based on specimens reared from spider egg sacs of the spider Cryptachaea migrans (Keyserling, 1884) (Araneae: Theridiidae) obtained in the state of Espírito Santo, Brazil. This is the first record of this fly genus attacking a spider egg sac. The species Cladochaeta sororia (Williston, 1896) is recorded for the first time from Brazil, based on specimens collected in an urban garden in the Amazon. In addition, an unidentified female specimen of Cladochaeta Coquillett, 1900 was obtained from the cocoon of a spider wasp of the genus Notocyphus Smith (Hymenoptera: Pompilidae). 

scholarly journals A new stage in the study of the medieval Solkhat and its districts (Review of the Book: A Code of Monuments of History, Architecture and Culture of the Crimean Tatars. Volume IV. Old Crimea)

2021 ◽  
pp. 261-268
Author(s):  
Vadim V. Maiko ◽  
Keyword(s):  
Cultural Heritage ◽  
The State ◽  
Complete List ◽  
Scientific Center ◽  
The Crimea ◽  
History Of ◽  
The Republic ◽  
Cultural Heritage Objects ◽  
Academy Of Sciences ◽  
First Time

The review considered the next IV Volume of a multi-volume publication: A Code of monuments of history, architecture and culture of the Crimean Tatars, prepared jointly by the Crimean Scientific Center of Sh. Marjani Institute of history of Academy of Sciences of the Republic of Tatarstan, the Department of History of Fevzi Yakubov “Crimean Engineering and Pedagogical University” and the State Hermitage with the involvement of specialists studying the history and archeology of Solkhat. This volume is entirely devoted to the monuments of history, archeology and architecture of Solkhat – Stary Krym and its district of the second half of the XIII-XIX centuries. For the first time in Russian historiography, the most complete list of cultural heritage objects has been collected. All archaeological works were carried out in Solkhat and its district from the second half of the 1920s and up to today. Previously unpublished photographs and drawings are given in the volume. This publication is rightly considered a new stage in the study of this unique historical place of the Crimea.

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