Art and the Structuralist Perspective

October ◽  
2019 ◽  
Vol 169 ◽  
pp. 3-16
Author(s):  
Annette Michelson

Introducing Structuralism and theories of Claude Lévi-Strauss to American audiences in a 1970 lecture at the Guggenheim Museum, Annette Michelson stresses the importance of the linguistic mode for structuralist analysis and examines the nature and limits of its consequences for art and aesthetics. Structuralist anthropology, the author argues, is fundamentally rationalist in approach, proposing an intelligibility of the universe through the organization of differences into overarching schema; it is the relationship between signs, rather than the nature of the individual signs themselves, that determines meaning. Michelson concludes that while such a method may seem applicable to contemporary art, the radically rational stance of Structuralism inhibits our understanding of it. Rather than serving a semantic function, one that could be elucidated through structural analysis, art informs us of the nature of consciousness itself.

2015 ◽  
Vol 32 (2) ◽  
pp. 297-320 ◽  
Author(s):  
Carol Atack

Aristotle’s account of kingship in Politics 3 responds to the rich discourse on kingship that permeates Greek political thought (notably in the works of Herodotus, Xenophon and Isocrates), in which the king is the paradigm of virtue, and also the instantiator and guarantor of order, linking the political microcosm to the macrocosm of the universe. Both models, in separating the individual king from the collective citizenry, invite further, more abstract thought on the importance of the king in the foundation of the polity, whether the king can be considered part of, or separate from, the polis, and the relationship between polis and universe. In addressing these aspects of kingship theories, Aristotle explores a ‘metaphysics of monarchy’, part of the long-running mereological problem of parts and wholes in the construction of the polis, and connecting his account of kingship to his thought on citizenship and distributive justice within the polis.


Neophilology ◽  
2021 ◽  
pp. 241-247
Author(s):  
Alyona A. Rubas ◽  
Antonina S. Shcherbak ◽  
Atirkul E. Agmanova

We consider the educational text as a cognitive fund of scientific achievements, which is explicated in the communicative field of “educational discourse”, which predetermines its diffe-rential features that distinguish it from other texts by formal and substantive criteria. We prove that the educational text indicates not only what is really present in it, but also what is subject to semantic inference. Based on the educational text, students make inferences, which is facilitated by the cognitive mechanism “perspectivization”. We establish that this is one of the main cognitive mechanisms that can serve to form the projection of educational discourse in the individual mind. From the standpoint of the relationship of cognitive (educational), communicative, linguistic criteria, we prove that it is the mechanism of “perspectivization” that presupposes the advancement of such a text sign as a title, represented by words or phrases correlated with words in the direct meaning. The title of the educational text reflects the information of the conceptual structure of the entire educational text and dictated by the need for the process of understanding the educational text and comprehending the various metatext created on the basis of educational texts. We make the assumption that the units of the educational text act as a means of representing other conceptual areas, since the educational text reflects the semantic function of the language.


2021 ◽  
Vol 6 (15) ◽  
pp. 1-10
Author(s):  
İlhame XANKIŞIYEVA

The article we presented is devoted to the analysis of A.Dadashov's piano music. Although some of the composer's piano works have been examined in various studies, this heritage has not been examined in its entirety. The images created by A.Dadashov include the relationship between man and the universe, the desire for the creation of the individual world, as well as aspects related to the inner world of man. Piano music, which is an important part of A.Dadashov's work, is represented by various genres, large and small. Here you can find all kinds of genres, from piano and orchestral concerts to small preludes. Thus, the composer's piano music offers a wide choice for pianists of different ages. Azer Dadashov's piano works include three concerts written for piano and camera orchestra, as well as a series of small miniatures and independent plays. The composer composed three concerts for piano and orchestra. The first concert took place in 2004, the second in 2009 and the third in 2010. Miniature genres dominate Azer Dadashov's piano music. The series for young pianists is particularly noteworthy here. A.Dadashov’s “Six Preludes”, “Six Miniatures”, “For the Flower” consisting of seven dances, as well as four sonatinas, pastoral, etc. There are piano works. Taking into account the technical abilities of the young pianist, who has mastered the art of performance, the composer tried to portray the children's colorful dance power, the world of bright images and create interesting musical panels. The composer's piano series “Six Preludes” (1966), “Six miniatures” (1968), “Six melancholy miniatures” (1985), “For Flowers” (1986), and “Atmacalar” (2001) are included in the children's music teaching repertoire. These miniatures are widely included in the concert program of school and young pianists. As the name suggests, most of these sequences are programmed. In sequences of a particular genre, each instance has its own image-emotional content and is ordered within the sequence according to a certain linking principle. Azer Dadashov's piano music is also characteristic of independent plays of different volume and content. These include “Poema” (2012), “Space song” (2015), “Bagatel” (2010), “Praise”, “Funny dance” (2009), four sonatas, “Three almonds and a walnut” for piano and chamber orchestra. ”, “Sacrifice of God”, “My Flag”, “Trial”, “Grace” and others. Although the use of modern means of expression and the writing techniques of the composer are observed in A.Dadashov's piano music, the composer prefers classical traditions to embody the form. In the composer's music, each motif serves to embody the main idea down to the smallest detail, depending on its general content.


2009 ◽  
Vol 26 (2) ◽  
pp. 155-175 ◽  
Author(s):  
Tse-fu Kuan

Scholars have pointed out that the arguments for not-self (anatt?, or “non-self”) recurring in the Buddhist texts are meant to refute the “self” (?tman) in the Upani?ads. The Buddha’s denial of the self, however, was not only pointed at Brahmanism, but also confronted various ?rama?ic trends of thought against Brahmanism. This paper investigates the extant three versions of a Buddhist text which records a debate between the Buddha and Saccaka, an adherent of a certain ?rama?ic sect, over the relationship of the self and the five aggregates (khandha). There exist divergences among the three versions in regard to the account of this debate. The account in sutta 35 of the Majjhima Nik?ya is generally consistent with that in s?tra 110 of the Sa?yukta ?gama in Chinese translation, whereas s?tra 10 of Chapter 37 of the Ekottarika ?gama in Chinese translation tells a very different story. Judging from Saccaka’s title, Niga??haputta, and his background as given in the Pali commentary, he was an adherent of Jainism. This paper demonstrates that Saccaka’s view, which was refuted by the Buddha, as stated in the two similar versions has nothing to do with Jainism, but rather it is an “invention” created by distorting Brahmanical thought. This “invention” has led the Pali commentaries and contemporary scholars to interpret the ‘self’ denied by the Buddha as what comes under one’s mastery or control, and to understand the statement “Each of the five aggregates is not self” in the Buddhist texts as denying the idea that each of the five aggregates can be seen as what comes under control. This, however, misses the point. The mainstream thought in India at that time conceived the ‘self’ or the essence of the individual or of the universe as a ‘controller’, and it is this concept that the Buddha exerted all his energy to overturn. Therefore, the account in those two versions of the text apparently has some mistake. As to the Ekottarika ?gama version of the text, Saccaka’s view as stated therein is very different from what is found in the above two versions. An examination of this version shows that the views rebutted by the Buddha are very similar to those of the ?j?vikas. Since the Buddhist texts frequently confuse the ?j?vikas with the Jains (Niga??ha), it is very likely that Saccaka was actually an adherent of the ?j?vika faith and that this discourse is meant to criticize the ?j?vika doctrines. Since the Ekottarika ?gama version seems to make better sense, this version may be fairly close to the original account, while the other two versions have considerably deviated from the original. By comparing these three versions of the text, I also attempt to explore some important issues regarding the sectarian development of Buddhism, and to shed some light on the unique values of the Chinese Ekottarika ?gama, which is, in terms of sectarian affiliation, significantly distant from the Pali Majjhima Nik?ya and the Chinese Sa?yukta ?gama that belong to two closely related schools.


Semiotica ◽  
2020 ◽  
Vol 2020 (235) ◽  
pp. 27-49
Author(s):  
Sebastián Mariano Giorgi

AbstractWhat is the relationship between consciousness and semiosis? This article attempts to provide some clues to answer this question. For doing it, we explore the application of the Integral model to semiotics; that is to say, the metatheory that integrates the inside, the outside, the individual, and the collective dimension, on one hand and, on the other hand, the levels of development, states and types of consciousness. Our principal hypothesis is that the semiosis depends on the “subjectal” form where the self is located temporarily or permanently. To validate it, we analyze the way in which the universe of meaning changes between the self located below the subject (as a form), and the self located beyond of it. According to the Integral semiotics point of view outlined here, the relationship between consciousness and the meaning has to do with the reduction or expansion of the subjectal spectrum, and the trajectory of the self along of it.


The article is devoted to the analysis of the knowledge phenomenon as a metaphysical basis for the being order. It is the semantic content of this word that retains the meaning of “the light of truth”, “reason”, “word”. This allows a human to see the world around him, that is, makes the world “manifested, clear, understandable”. We are talking about knowledge that reflects a purely spiritual nature, which means that this knowledge is directed to the very essence of the human soul. This is, in its essence, valuable knowledge that “heals”, that is, unites, makes all aspects of human nature (spiritual, physical) one whole. Therefore, this knowledge requires a special perception from a person, makes us feel, go deeper into what we know. As an “ether”, that is, an information environment that is able to fill, inspire a person, transform, connect, reproduce his connections with reality, spiritual knowledge leads to the correspondence of the individual to the ontological laws of joint existence. In other words, these are the principles that underlie the integrity of human existence – its development, the formation of the space of co-existence. That is, we are talking about the metaphysical foundations of the order of the universe. In this perspective, we are talking about the fact that the basis of human existence, its correspondence and correlation, is the need for spiritual knowledge. It is the latter that are that transcendental light, which is endowed with transformative potency. Knowing what corresponds to the nature of a person’s sensibility, the needs of his soul. So, the need to discover this knowledge for oneself is cognition, and is the potential force that moves a person in her life choices, builds the meaning and perspective of her life. If we understand human and the world around him as a coexistence, then we are talking about the relationship between the inner state of the individual (his existential attitude) and the world around him, which is a living, dynamic environment. Light is an ontological order et life condition. In its metaphysical status, light is the basis of being itself, and, therefore, that which fills us with life force, which is incompatible with any manifestation of darkness, ignorance, evil. That is why the ability to see the surrounding reality without distortion, that is, objectively, holistically, is revealed only to the person who is the bearer of this light.


Author(s):  
Brynne D. Ovalle ◽  
Rahul Chakraborty

This article has two purposes: (a) to examine the relationship between intercultural power relations and the widespread practice of accent discrimination and (b) to underscore the ramifications of accent discrimination both for the individual and for global society as a whole. First, authors review social theory regarding language and group identity construction, and then go on to integrate more current studies linking accent bias to sociocultural variables. Authors discuss three examples of intercultural accent discrimination in order to illustrate how this link manifests itself in the broader context of international relations (i.e., how accent discrimination is generated in situations of unequal power) and, using a review of current research, assess the consequences of accent discrimination for the individual. Finally, the article highlights the impact that linguistic discrimination is having on linguistic diversity globally, partially using data from the United Nations Educational, Scientific and Cultural Organization (UNESCO) and partially by offering a potential context for interpreting the emergence of practices that seek to reduce or modify speaker accents.


Crisis ◽  
2016 ◽  
Vol 37 (4) ◽  
pp. 265-270 ◽  
Author(s):  
Meshan Lehmann ◽  
Matthew R. Hilimire ◽  
Lawrence H. Yang ◽  
Bruce G. Link ◽  
Jordan E. DeVylder

Abstract. Background: Self-esteem is a major contributor to risk for repeated suicide attempts. Prior research has shown that awareness of stigma is associated with reduced self-esteem among people with mental illness. No prior studies have examined the association between self-esteem and stereotype awareness among individuals with past suicide attempts. Aims: To understand the relationship between stereotype awareness and self-esteem among young adults who have and have not attempted suicide. Method: Computerized surveys were administered to college students (N = 637). Linear regression analyses were used to test associations between self-esteem and stereotype awareness, attempt history, and their interaction. Results: There was a significant stereotype awareness by attempt interaction (β = –.74, p = .006) in the regression analysis. The interaction was explained by a stronger negative association between stereotype awareness and self-esteem among individuals with past suicide attempts (β = –.50, p = .013) compared with those without attempts (β = –.09, p = .037). Conclusion: Stigma is associated with lower self-esteem within this high-functioning sample of young adults with histories of suicide attempts. Alleviating the impact of stigma at the individual (clinical) or community (public health) levels may improve self-esteem among this high-risk population, which could potentially influence subsequent suicide risk.


2014 ◽  
pp. 147-153
Author(s):  
P. Orekhovsky

The review outlines the connection between E. Reinert’s book and the tradition of structural analysis. The latter allows for the heterogeneity of industries and sectors of the economy, as well as for the effects of increasing and decreasing returns. Unlike the static theory of international trade inherited from the Ricardian analysis of comparative advantage, this approach helps identify the relationship between trade, production, income and population growth. Reinert rehabilitates the “other canon” of economic theory associated with the mercantilist tradition, F. Liszt and the German historical school, as well as a reconside ration of A. Marshall’s analysis of increasing returns. Empirical illustrations given in the book reveal clear parallels with the path of Russian socio-economic development in the last twenty years.


Author(s):  
Emma Simone

Virginia Woolf and Being-in-the-world: A Heideggerian Study explores Woolf’s treatment of the relationship between self and world from a phenomenological-existential perspective. This study presents a timely and compelling interpretation of Virginia Woolf’s textual treatment of the relationship between self and world from the perspective of the philosophy of Martin Heidegger. Drawing on Woolf’s novels, essays, reviews, letters, diary entries, short stories, and memoirs, the book explores the political and the ontological, as the individual’s connection to the world comes to be defined by an involvement and engagement that is always already situated within a particular physical, societal, and historical context. Emma Simone argues that at the heart of what it means to be an individual making his or her way in the world, the perspectives of Woolf and Heidegger are founded upon certain shared concerns, including the sustained critique of Cartesian dualism, particularly the resultant binary oppositions of subject and object, and self and Other; the understanding that the individual is a temporal being; an emphasis upon intersubjective relations insofar as Being-in-the-world is defined by Being-with-Others; and a consistent emphasis upon average everydayness as both determinative and representative of the individual’s relationship to and with the world.


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