scholarly journals Simplicity and Complexity in Creoles and Pidgins: What’s the Metric?

2013 ◽  
Vol 6 (1) ◽  
pp. 161-179 ◽  
Author(s):  
Salikoko S. Mufwene

This review article is a response to the way the editors of and contributors to Simplicity and Complexity in Creoles and Pidgins respond to McWhorter’s (2001) claim that creoles have the world’s simplest grammars. Although I agree with the contributors that creoles are not as simple as they may look to some, I express several concerns about the ways they (fail to) raise and/or address some fundamental issues regarding the subject matter. These include discussing what the notions simplicity and complexity really mean as they are applied to languages and whether linguistics has yet developed the necessary metric(s) for assessing complexity without biasing the issues in favor of or against particular types of languages. My arguments are intended to prompt linguists to think harder over how we can contribute to the scholarship on complexity as related to emergence, thinking of languages as emergent multi-modular phenomena, internally and externally interactive, always in the state of flux, and in search of (transient) equilibrium.

Author(s):  
Filippo Sabetti

This article attempts to take stock of the state of research on democracy and culture by providing answers to several sets of questions. It seeks to improve the understanding of the relationship between culture and action, and between political culture and democratic outcomes. The article begins by exploring the way the literature has dealt with the possible meaning of culture and political culture and their relationship to action. It also suggests why there has been little contribution to democracy derived from political culture research, and identifies how the efforts to rethink how and why the subject matter is approached in certain ways led many analysts to break out of established epistemological demarcations. This eventually led to the reinvigorated tools of investigation and research on democracy and civic culture. The article concludes with a discussion on the implications of improved tools of investigation for future research.


2021 ◽  
Vol 13 (2) ◽  
pp. 319-329
Author(s):  
Kamaluddin Abbas

The government has made many laws and regulations, but corruption issues cannot yet be controlled. Police and Prosecuting Attorney Institutions have not yet functioned effectively and efficiently in eradicating corruption. Therefore, the public hopes Komisi Pemberantasan Korupsi (KPK)/the Corruption Eradication Commission eliminates the crime. KPK is considerably appreciated by the public due to Operasi Tangkap Tangan (OTT)/Red-handed Catch Operation to many government officials involved in bribery action, but the subject matter thereof is whether the OTT is in line with the fundamental consideration of KPK founding pursuant to Law Number 30 of 2002 as updated by the Law Number 19 of 2019 in order to increase the eradication of corruption crime causing the state's financial loss with respect to people welfare particularly KPK powers pursuant to the provision of Article 11 thereof, among others, specifying that KPK shall be authorized to conduct inquiry, investigation and prosecution on corruption crime related to the state financial loss of at least Rp 1,000,000,000 but in fact many OTTs performed by KPK have a value of hundred million Rupiah only and even there are any cases below Rp 100,000,000.-, and bribery action control through OTT being more dominant if compared to the state's financial corruption is not in line with the primary consideration of KPK founding, and similarly the OTT below 1 billion Rupiah doesn't conform to the provision of Article 11 thereof.


1994 ◽  
Vol 40 ◽  
pp. 81-107 ◽  
Author(s):  
Alessandro Schiesaro

1. If I had to sum up as concisely as I possibly can the subject matter of this paper, I would probably say that it was originally stimulated by the attempt to understand how Lucretius articulated his didactic plot. What is the plot of a poem that presents itself as analysing nothing less than ‘the nature of things’? It is safe to assume as a starting-point that a didactic poem which intends to revolutionize each and every principle of perception and evaluation of reality cannot remain unaffected by the theoretical views it tries to prove, and that the persuasive impact of those theories on the reader will inevitably be strengthened or weakened by the way the text situates itself in respect to those theories: the poem itself will be the most effective or the most damning example of its own theories.


Author(s):  
Seema Shrivastava

Food processing industry (FPI) is at a nascent stage and is tagged as a sunshine industry. The efficiency and productivity of the inputs for the aforesaid industries have to be measured to not only find out if the potential is achieved or not, but also to identify the grey areas. Against such a backdrop, it is obvious that industries like FPI would grow and become the subject matter for further investigation. The research revealed that the majority of cases have been consistent with the real facts and the underlying principles, and the structure of the economy provide valid reasons for it. However, in some cases, the results have not been consistent with the movement of the economy and there are no valid economic reasons for the performance of the state.


Author(s):  
William Welstead

Wildlife art does not receive the critical attention that it deserves. In this chapter, William Welstead considers how the images made after close observation in the field incorporate the signs and visual clues that enable us to identify the species, have some idea of what the individuals are doing and how they relate to the wider environment. These are all important factors in building an informed view of the non-human world and establishing how we feel about it. Wildlife artists tread a difficult path between serving science and catering for the affective response of viewers and between the representational and the abstract in depicting their subject matter. Welstead suggests that the way we recognise wildlife by its overall look or ‘jizz’ means that drawings and paintings can capture in a few lines and shapes the essence of the creature. This economical application of lines and colour therefore allows for at least some level of abstraction. The subject would merit further attention from ecocritics.


This chapter presents various aspects of material handling devices. At first, brief guidelines about the way to select various material handling devices is provided, followed by various material handling tasks and equipment. Based on the subject matter of this book, this chapter provides an overview of various intelligent techniques which have been applied to various aspects of intelligent vehicles. The last section provides overviews of all the subsequent chapters.


2013 ◽  
Vol 3 (1) ◽  
pp. 46-63 ◽  
Author(s):  
Kostas Boyiopoulos

This essay looks at Arthur Machen's underexplored experimental masterpiece The Hill of Dreams (1897/1907), his personal novel rooted in the Decadent nineties. Its daringness does not just lie in the subject matter but also in the manner its stylistic techniques evoke. The present investigation is interested in Machen's multifarious use of the image of the maze/labyrinth – or Welsh caerdroia – an apt symbol for the presentation of London. Machen's labyrinth is a motif, a metaphor for the thought process, and a metafictional device. In the story of Lucian Taylor, the troubled self-destructive litterateur, the labyrinthine characterises not only setting, terrain, self-movement, mind, and textual tissue, but also the way these components, or modalities, come together. Aside from showcasing the various ways the labyrinth materialises in The Hill of Dreams, the essay argues that Machen's achievement consists of a discursive meta-labyrinth that cuts across, or combines, the different spheres of consciousness, terrain, and textuality. The concepts of pattern recognition, liminal thresholds, and ‘infolding’ are employed in support of the claims made.


1977 ◽  
Vol 11 ◽  
pp. 25-35
Keyword(s):  

The subject-matter of the D.R.N. is physics, not ethics; yet the genesis of the poem, as of the Epicurean system itself, must be sought in a moral revulsion. This is one of several apparent paradoxes confronting the interpreter of Lucretius. Like Juvenal (though the comparison with Juvenal’s nostalgic myopia should not be pressed) Lucretius looked at the state of mankind and was appalled by what he saw. He himself would have desired no better epitaph than the words that he applied to Epicurus (6. 24-34). But in taking on himself the mantle of Epicurus he did not inevitably become, what page after page of the D.R.N. proclaims him to be, one of the great satirists of all time. This character no doubt suited his bent; if words alone can ever demonstrate what the romantic critic calls sincerity, Lucretius was sincere.


2017 ◽  
Vol 9 (1) ◽  
pp. 123-0
Author(s):  
Zbigniew Niemczyk

The article is concerned with the subject matter of covert policing involving cases where a hostage is unlawfully taken and detained with the purpose of forcing other persons to act in a specific manner. Such activities, being among the most difficult procedures relevant to the work of law enforcement agencies, are usually conducted in conditions determined by a rapidly changing factual situation, high level of criminal conspiracy and the state of permanent risk to the hostage’s life, the saving of which is the ultimate objective of public officers. Due to these factors, covert policing related to this kind of cases — given its nature and its investigative potential — becomes extremely important. The author’s aim is to determine the essence and functions of covert policing, and in particular to present conditions which must be met to adequately process covertly obtained intelligence for the needs of criminal proceedings.


Antichthon ◽  
2011 ◽  
Vol 45 ◽  
pp. 58-76 ◽  
Author(s):  
Diana Burton

AbstractThis paper discusses a series of archaic poems in which one poet responds directly to the work of another, identifying the other by name or by direct allusion (for example, Simonides frag. 542 PMG, Solon frag. 20 West, Sappho frag. 137 Voigt). Such responses often disagree with their models, and this disagreement is frequently constructed in terms of a correction, not only to the subject matter, but also to the way in which the original is composed. These responses, therefore, not only reflect the pattern of improvisation and ‘capping’ common to much Greek poetry, but form an ongoing debate on the nature and role of the poet and his poetry. The construction of such responses also serves to underline both the importance of improvisation and the permanency of the fame conveyed by the completed poem.


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