scholarly journals Feminativi v luči sodobne slovenske glasbe

2021 ◽  
Vol 56 ◽  
Author(s):  
Tjaša Markežič

Feminitives in Contemporary Slovene Music This article focuses on the use of feminine forms derived from masculine nouns in contemporary Slovene music. Feminine nouns denoting persons were extracted from selected song lyrics and analysed in terms of their word formation. Based on the analysis of feminine forms derived from masculine nouns it is suggested that in music women are often sexualised – their overall image implies sexuality and is clearly based on male fantasies; linguistic reality often reflects social reality. Feminatywy we współczesnej muzyce słoweńskiejNiniejszy artykuł skupia się na wykorzystaniu form żeńskich pochodzących od rzeczowników rodzaju męskiego we współczesnej muzyce słoweńskiej. Rzeczowniki żeńskie oznaczające osoby wyekstrahowano z wybranych tekstów piosenek i zanalizowano pod względem słowotwórczym. Analiza form żeńskich pochodzących od rzeczowników rodzaju męskiego wskazuje, że w muzyce kobiety są często seksualizowane – ich ogólny wizerunek implikuje seksualność i jest wyraźnie oparty na męskich fantazjach; rzeczywistość językowa często odzwierciedla rzeczywistość społeczną.

2019 ◽  
Vol 1 (2) ◽  
pp. 53-59
Author(s):  
Ferawaty Puspitorini

The study concerned with discussing about slang words used in Bruno Mars song lyrics. The research design of this study is descriptive qualitative method. In this study, the theory of word-formation process by George Yule process (1986) in his book “the study of language” is used to analyze the formation process of each slang word. The researcher only analyzes five in Bruno Mars song lyrics. They are count on me, show me, the lazy song, liquor store blues and just the way you are. There are consists of two research problem : (1) what is the type of slang word used by Bruno Mars in lyrics, (2) what is the dominant slang word found in Bruno Mars song lyrics. The data were document analysis, the research tried to find and identity the slang word in lyric by marking, finding and analyzing the slang word. The result shows that from 58 data taken, not all process of slang-word formation appear in the lyrics. Five process of slang-word formation found in the lyrics. The process of slang word formation that are used in the lyrics are clipping(160%), blending(120%), coinage(80%), borrowing(0%), and acronym(60%).  


2021 ◽  
Vol 16 (2) ◽  
pp. 133
Author(s):  
Diah Iskafatmawati Saputri ◽  
Wihadi Admojo

AbstrakPenelitian ini membahas mengenai relasi makna leksikal lirik lagu pada kesenian rodad sekarwangi  yang terletak di desa Kendelban, Kecamatam Kemusu Kabupaten Boyolali. Jenis penelitian yang digunakan adalah deskriptif kualitatif. Teori yang digunakan adalah teori dari I Dewa Putu Wijana dan Josh Daniel Parera. Pengumpulan data diperoleh dari dokumentasi dan  diperkuat dengan wawancara serta observasi. Analisis data dilakukan dengan (1) mengumpulkan data dari lirik lagu kesenian rodad, (2) melakukan klasifikasi dari data yang termasuk ke dalam bagian relasi makna leksikal, (3) menyajikan data dalam bentuk tabel dan analisis, kemudian (4) menyimpulkan temuan data. Hasil penelitian menunjukkan, dalam lirik lagu kesenian rodad terdapat relasi makna leksikal berupa, antonimi 12 data, sinonimi 32 data makna denotasi sebanyak 72 data dan konotasi 13 data. Sehingga dapat disimpulkan, bahwa makna denotasi dominan guna mengetahu makna secara kongkrit sehingga merepresentasikan budaya masyarakat, agama masyarakat, kondisi bahasa, proses pembentukan kata dan penuturan yang berbeda. Kata kunci: semantik, relasi makna, rodad AbstractThis study discusses the relation of the lexical meaning of song lyrics in the Sekarwangi rodad art located in Kendelban village, Kemamatu Kemusu, Boyolali Regency. The type of research used is descriptive qualitative. The theory used is the theory of I Dewa Putu Wijana and Josh Daniel Parera. Data collection was obtained from documentation and strengthened by interviews and observations. Data analysis was performed by (1) collecting data from the lyrics of the rodad song, (2) classifying data included in the lexical meaning relation, (3) presenting data in tabular form and analysis, then (4) summarizing the data findings. The results showed, in the lyrics of the rodad art song there is a relation of lexical meaning in the form, antimony 12 data, synonym 32 data meaning denotation as much as 72 data and connotation of 13 data. So it can be concluded, that the meaning of the dominant denotation in order to find out the meaning concretely so that it represents the culture of the community, the religion of the people, the condition of the language, the process of word formation and different speech. Keywords: semantics, lexical relation, rodad  


2021 ◽  
Vol 77 (2) ◽  
pp. 61-74
Author(s):  
Paweł Kowalski

This article presents the selected problems to do with the description of hierarchical relations in the area of word-formation. Hierarchy as a form of categorizing the linguistic reality, reduced to the word-formation framework, delimits two larger thematic areas related to the polysemy of the very term of word-formation in Polish. The first concerns the selection of topics and their respective ordering of the individual word-formation mechanisms described in derivatological research, while the second involves the implementation of hierarchies and hierarchical meanings in the investigated language. This paper mainly focuses on the first aspect that concerns the issue of hierarchy in Polish word-formation descriptions.


2021 ◽  
Vol 4 (2) ◽  
pp. 51-68
Author(s):  
Wulan Sari Saputri

The objective of this study are to find out slang language in song lyrics used by Avril Lavigne tofind out the meaning of the slang language in song lyrics used by Avril Lavigne. This study concernwith the analysis slang language in Avril Lavigne song lyrics. This study is descriptive qualitative.The data classified based on word formation processes according to Yule's theory (2010). In thedata analysis the writer applied qualitative. Method and focused on content analysis. The analysisstarted on January 2020 until July 2020. This final project based on a study which attemps to findslang language in Avril Lavigne Song lyrics, and know the types slang language used in AvrilLavigne song lyrics. The results of study, the slang language words of the song Avril Lavigne alsoinfluenced by some of word formation, there are twelve type of slang word formation. There areCoinage, Compounding, Clipping, Blending, Borrowing, Back formation, Acronyms, Multipleprocess, Affixes (Prefix, Infix, Suffix). There are four types of slang language were identified basedon the findings used in Avril Lavigne song lyrics found 4 clipping, 10 blending, 2 compounding,and 1 Back formation . Based on the research, the process of blending is the most common processthat is found in Avril Lavigne song.


2017 ◽  
Vol 1 ◽  
pp. 371
Author(s):  
Niken Fatma Putri ◽  
Fauzia Fauzia

This article entitled “The Use of Slang among American Youths as Related to The rise of Hip Hop Culture: A Sociolinguistics Analysis”. This research focuses on the types of slang commonly used by American youths and the influence of hip hop on slang use among American youths.This research belongs to descriptive qualitative research as a method.  The subject of this research is rap song lyrics, utterances in slang in America YouTube video and Ellen Show: On Fleek Episode as well as the Urban Dictionary slangs. Then, the objects of this research are the use of slang. The researcher collected the data through the utterances in the rap song lyrics,  movie and video, and also slangs in Urban Dictionary.The results of this analysis show that the type of slang used among American youths are divided into two types. They are based on use and word formation. Meanwhile the use of slang among American youths is related to the rise of hip hop culture influence which brought by some of rap song. The slang contained in rap song lyrics are spread easily by the massive consumption of social media and enlighten highly by the report of conventional media. 


2017 ◽  
Vol 24 (2) ◽  
pp. 59
Author(s):  
Aryawan Luh Putu Karina Febriyanti

There were two types of speech style which could be divided into formal and informal type. The informal one was well-known by the name of slang. Slang was non-standard language used in the everyday life created by a certain community and usually used by the teenagers in modern era. Slang was not only found in the daily conversation, but also could be found in literary works like song. Song was a literary work which could reflect the reality and express someone’s feelings. This study analyzes the slangs found in five lyrics of Eminem’s song by using descriptive qualitative method. Besides, this study focused on the word formation of the slangs itself. There are 60 data which has been collected from the lyrics.  From the analysis conducted, the types of word formation are found in the slangs used in the lyrics, such as blending, clipping, coinage, acronym and onomatopoeia. Mostly, the American slangs in the Eminem’s song lyrics are created by the process of blending and clipping.


Author(s):  
Pavol Stekauer ◽  
Salvador Valera ◽  
Livia Kortvelyessy
Keyword(s):  

2001 ◽  
Vol 60 (2) ◽  
pp. 89-98 ◽  
Author(s):  
Alain Clémence ◽  
Thierry Devos ◽  
Willem Doise

Social representations of human rights violations were investigated in a questionnaire study conducted in five countries (Costa Rica, France, Italy, Romania, and Switzerland) (N = 1239 young people). We were able to show that respondents organize their understanding of human rights violations in similar ways across nations. At the same time, systematic variations characterized opinions about human rights violations, and the structure of these variations was similar across national contexts. Differences in definitions of human rights violations were identified by a cluster analysis. A broader definition was related to critical attitudes toward governmental and institutional abuses of power, whereas a more restricted definition was rooted in a fatalistic conception of social reality, approval of social regulations, and greater tolerance for institutional infringements of privacy. An atypical definition was anchored either in a strong rejection of social regulations or in a strong condemnation of immoral individual actions linked with a high tolerance for governmental interference. These findings support the idea that contrasting definitions of human rights coexist and that these definitions are underpinned by a set of beliefs regarding the relationships between individuals and institutions.


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