scholarly journals Pejzaż narodowy z Leninem w tle. Narodowe wspólnoty wyobrażone w byłym Bloku Wschodnim [National landscape with Lenin in the background. Imagined national communities in the former Eastern Bloc]

Author(s):  
Xawery Stańczyk

National landscape with Lenin in the background. Imagined national communitiesin the former Eastern BlocThe paper is a critical review of two recently published monographs on the subject of the everyday and banal forms of nationalism in the post-socialist countries of Europe and Asia. The authors of the monographs, drawing on the theories of national identity and nationhood by Benedict Anderson, Ernest Gellner, Eric Hobsbawm, Michael Billig, Michael Skey, Tim Edensor and others, showed their deep understanding of the processes of nation-building, while their ethnographic approach allowed them to gather original and non-obvious data on everyday practices and discourses by which citizens of the post-socialist countries reproduce and reconstruct their identities. However, both volumes display some shortcomings resulting from their renditions of the historical background, including the ethnic policies of the socialist states, as well as from constraints of the Western liberal perspective as applied to the social reality of the former Eastern Bloc. Pejzaż narodowy z Leninem w tle. Narodowe wspólnoty wyobrażone w byłym Bloku WschodnimCelem artykułu jest krytyczna recenzja dwóch opublikowanych ostatnio monografii na temat codziennych, banalnych form nacjonalizmu w krajach postsocjalistycznych Europy i Azji. Autorzy obu monografii, bazując na teoriach narodu i tożsamości narodowej Benedicta Andersona, Ernesta Gellnera, Erica Hobsbawma, Michaela Billiga, Michaela Skeya, Tima Edensora i innych badaczy, wykazali się głębokim zrozumieniem procesów konstruowania narodu, natomiast dzięki przeprowadzeniu badań etnograficznych zebrali oryginalny i nieoczywisty materiał dotyczący codziennych praktyk i dyskursów, poprzez które obywatele krajów postsocjalistycznych reprodukują i rekonstruują swoje tożsamości. Jednak oba tomy wykazują pewne mankamenty wynikające z ukazania zjawisk na skromnym tle historycznym, chociażby w kwestii polityk etnicznych państw socjalistycznych, jak również ograniczenia związane z nakładaniem liberalnej perspektywy zachodniej na realia społeczne byłego Bloku Wschodniego.

Panggung ◽  
2013 ◽  
Vol 23 (2) ◽  
Author(s):  
Arief Datoem

ABSTRACT This article aims at deepening the possibility of utilizing the art of photography that is rich of sig- nificance of the socio-cultural representation. The visual ethnographic field or photo-ethnography, which is relatively new, can provide assistance and answer for this. Therefore, the author has tried a form of collaboration between the photo-ethnographic approach and the sense approach in doing his research on the subject in order to obtain the deep understanding and the truth significance attached to them. The method of digital photography art creation which is intuitively the basis of the art cre- ation in digital domain, then was tried to be formulated, based on heuristics research in the process of the art of digital photography. This concept was developed from the experience in the field of digital photography and visual anthropology, guided by the basic theories of creativity, quantum theory in art, and theory of artistic creation that has existed before. Through emotional approach as a method, along with the structured systematic approach of photo-ethnography and with the deep awareness of the environment and social life of the subject leads to the creation of the image that tends to be better and more meaningful, more productive in a social sense, and offers a credible empiric documentation. Keywords: photo-ethnography, photography art works  ABSTRAK Artikel ini dibuat dalam upaya melakukan pendalaman mengenai kemungkinan peman- faatan seni fotografi yang kaya makna representasi sosio-kultural. Bidang etnografi visual atau foto-etnografi yang relatif masih baru, dapat memberikan bantuan dan jawaban un- tuk hal ini. Oleh karena itu penulis mencoba suatu bentuk kolaborasi antara pendekatan foto-etnografi dengan pendekatan rasa ketika melakukan penelitian terhadap subjek agar diperoleh pemahaman mendalam serta makna kebenaran yang menyertainya. Metode penciptaan seni fotografi digital yang merupakan dasar dari penciptaan seni secara intu- itif dalam domain digital, kemudian dicoba dirumuskan, berdasarkan penelaahan heu- ristik dalam proses seni fotografi digital. Konsep ini dikembangkan dari pengalaman di bidang fotografi digital dan antropologi visual, dipandu oleh teori-teori dasar kreativitas, teori kuantum dalam seni, dan teori penciptaan seni yang telah ada sebelumnya. Melalui pendekatan emosional sebagai metode, disertai dengan pendekatan sistematis yang ter- struktur dari foto-etnografi dan dengan kesadaran yang mendalam mengenai lingkungan dan kehidupan sosial subjek mengarah pada penciptaan gambaran yang cenderung lebih baik dan lebih bermakna, lebih produktif dalam arti sosial, dan menawarkan dokumentasi empiris yang kredibel. Kata kunci: foto-etnografi, karya seni fotografi


2018 ◽  
Vol 7 (1) ◽  
pp. 43-61 ◽  
Author(s):  
Minh T.N. Nguyen

AbstractThis article discusses the everyday practices of a mobile network of migrant waste traders originating from northern Vietnam, locating them in an expanding urban waste economy spanning across major urban centres. Based on ethnographic research, I explore how the expansion of the network is foregrounded by the traders’ dealing with the precarious nature of waste trading, which is rooted in the social ambiguity of waste and migrants working with waste in the urban order. Characterised by waste traders as a “half-dark, half-light zone”, the waste economy is unevenly regulated, made up of highly personalised ties, and relatively hidden from the public. It is therefore rife with opportunities for accumulating wealth, but also full of dangers for the waste traders, whose occupation of marginal urban spaces makes them easy targets of both rent-seeking state agents and rogue actors. While demonstrating resilience, their practices suggest tactics of engaging with power that involve a great deal of moral ambiguity, which I argue is central to the increasing precaritisation of labour and the economy in Vietnam today.


2020 ◽  
Author(s):  
Kevin Dew ◽  
P Norris ◽  
J Gabe ◽  
K Chamberlain ◽  
D Hodgetts

© 2014 Elsevier Ltd. This article extends our understanding of the everyday practices of pharmaceuticalisation through an examination of moral concerns over medication practices in the household. Moral concerns of responsibility and discipline in relation to pharmaceutical consumption have been identified, such as passive or active medication practices, and adherence to orthodox or unorthodox accounts. This paper further delineates dimensions of the moral evaluations of pharmaceuticals. In 2010 and 2011 data were collected from 55 households across New Zealand and data collection techniques, such as photo- and diary-elicitation interviews, allowed the participants to develop and articulate reflective stories of the moral meaning of pharmaceuticals. Four repertoires were identified: a disordering society repertoire where pharmaceuticals evoke a society in an unnatural state; a disordering self repertoire where pharmaceuticals signify a moral failing of the individual; a disordering substances repertoire where pharmaceuticals signify a threat to one's physical or mental equilibrium; a re-ordering substances repertoire where pharmaceuticals signify the restoration of function. The research demonstrated that the dichotomies of orthodox/unorthodox and compliance/resistance do not adequately capture how medications are used and understood in everyday practice. Attitudes change according to why pharmaceuticals are taken and who is taking them, their impacts on social relationships, and different views on the social or natural production of disease, the power of the pharmaceutical industry, and the role of health experts. Pharmaceuticals are tied to our identity, what we want to show of ourselves, and what sort of world we see ourselves living in. The ordering and disordering understandings of pharmaceuticals intersect with forms of pharmaceuticalised governance, where conduct is governed through pharmaceutical routines, and where self-responsibility entails following the prescription of other agents. Pharmaceuticals symbolise forms of governance with different sets of roles and responsibilities.


2019 ◽  
Vol 68 (3) ◽  
pp. 590-605
Author(s):  
Charles L.T. Corsby ◽  
Robyn L. Jones

Recent attempts to ‘decode’ the everyday actions of coaches have furthered the case for sports coaching as a detailed site of ‘work’. Adhering to Harold Garfinkel’s ethnomethodological project, the aim of this article is to deconstruct contextual actors’ interactions, paying specific attention to the conditions under which such behaviours occur. The article thus explores the dominant taken-for-granted social rules evident at Bayside Rovers Football F.C. (pseudonym), a semi-professional football club. A 10-month ethnomethodologically informed ethnography was used to observe, participate in and describe the Club’s everyday practices. The findings comprise two principal ‘codes’ through which the work of the Club was manifest: ‘to play well’ and ‘fitting-in’. In turn, Garfinkel’s writings are used as a ‘respecification’ of some fundamental aspects of coaches’ ‘unnoticed’ work and the social rules that guide them. The broader value of this article not only lies in its detailed presentation of a relatively underappreciated work context, but that the fine-grain analysis offered allows insightful abstraction to other more conventional forms of work, thus contributing to the broader interpretive project.


2020 ◽  
Author(s):  
Kevin Dew ◽  
P Norris ◽  
J Gabe ◽  
K Chamberlain ◽  
D Hodgetts

© 2014 Elsevier Ltd. This article extends our understanding of the everyday practices of pharmaceuticalisation through an examination of moral concerns over medication practices in the household. Moral concerns of responsibility and discipline in relation to pharmaceutical consumption have been identified, such as passive or active medication practices, and adherence to orthodox or unorthodox accounts. This paper further delineates dimensions of the moral evaluations of pharmaceuticals. In 2010 and 2011 data were collected from 55 households across New Zealand and data collection techniques, such as photo- and diary-elicitation interviews, allowed the participants to develop and articulate reflective stories of the moral meaning of pharmaceuticals. Four repertoires were identified: a disordering society repertoire where pharmaceuticals evoke a society in an unnatural state; a disordering self repertoire where pharmaceuticals signify a moral failing of the individual; a disordering substances repertoire where pharmaceuticals signify a threat to one's physical or mental equilibrium; a re-ordering substances repertoire where pharmaceuticals signify the restoration of function. The research demonstrated that the dichotomies of orthodox/unorthodox and compliance/resistance do not adequately capture how medications are used and understood in everyday practice. Attitudes change according to why pharmaceuticals are taken and who is taking them, their impacts on social relationships, and different views on the social or natural production of disease, the power of the pharmaceutical industry, and the role of health experts. Pharmaceuticals are tied to our identity, what we want to show of ourselves, and what sort of world we see ourselves living in. The ordering and disordering understandings of pharmaceuticals intersect with forms of pharmaceuticalised governance, where conduct is governed through pharmaceutical routines, and where self-responsibility entails following the prescription of other agents. Pharmaceuticals symbolise forms of governance with different sets of roles and responsibilities.


Urban Studies ◽  
2017 ◽  
Vol 56 (2) ◽  
pp. 352-367 ◽  
Author(s):  
Hanna Hilbrandt

This paper is an inquiry into the powers at play in the everyday practices of making the city, and the social and spatial relations through which those who inhabit its margins put these powers to work. This exploration is based on a case study that considers informal housing practices and their regulation in allotment gardens in Berlin. To trace the mechanisms through which residents work to stay put in these sites, despite regulations prohibiting residency therein, the paper relates a debate on the transformative potential of the everyday to anthropological literature on the workings of the state, embedding this discussion in relational approaches to power and place. Joining these perspectives, I argue that the gardeners’ possibilities to stay put depend on the ways in which they meditate the presence of regulatory practices through their relations to state actors or institutional frames. These mediations not only highlight that people co-construct the order that takes shape, but also point to the boundaries of inclusion and exclusion built up along the way.


2012 ◽  
Vol 16 (1) ◽  
pp. 75-84 ◽  
Author(s):  
Robert Schmidt ◽  
Daniel Sage ◽  
Toru Eguchi ◽  
Andy Dainty

Our paper addresses how building design elucidates the connection between two definitions of politics: ‘Big Politics’ and micropolitics. We will seek to examine how these two versions of politics are imbricated; how, in other words, codified ideologies and political institutions circulate within the everyday practices by which new actors and sites of contestation enter the social collective. The conceptual space for this argument has already been mapped out by various authors, including Gilles Deleuze and Félix Guattari, Bruno Latour and Michel Foucault. These authors have variously proposed how powerful totalities always travel along small, fragile conduits. Or, as Deleuze and Guattari put it, ‘the boss's office is as much at the end of the hall as on top of the tower’.


2017 ◽  
Vol 12 (2) ◽  
pp. 100-122 ◽  
Author(s):  
Siri Yde Aksnes

In Norway, vocational rehabilitation for people with support needs involves complex inter-professional and inter-organizational processes that do not have clear institutional boundaries. Every process involves a new constellation of actors, representing divergent practices, ideas and objectives. This article argues that much of the current research on the implementation of activation policy inadequately captures the mechanisms and processes that influence vocational rehabilitation practices. The article proposes the use of institutional ethnography (IE) to empirically examine vocational rehabilitation, and argues that IE provides methodological concepts and tools that enable researchers to link and make visible the everyday practices, the social relations and the institutional contexts that make up vocational rehabilitation processes.


2018 ◽  
Vol 24 ◽  
pp. 83-100
Author(s):  
Ewa Nowicka

The subject of this article is the fate of the Greek political refugees – specifically personsforcibly resettled in Poland and other countries of the Soviet Bloc, evacuated from territoriesengrossed in the Civil War of 1946-1949. After a long period in exile, some returned to theirhome country and began a new life, struggling with economic, familial, social, linguistic and cultural problems. The history of the Greek refugees and their re-immigration illustrates the irreversibility and irreparability of the social and psychological damage done by forcedmigration. Returns to the homeland did not reinstate balance, and did not ease the dilemmasinitiated by the first resettlement. History is stuck in the memories as well as the everyday lives of the return migrants and their social milieus; this creates divides, mutual strangeness, and social tensions. Compulsory movement of populations – leading to the severance of connections with one’s fatherland, hometown, mother tongue, and home culture – causes subsequent conflicts and identity problems which continue to haunt those who returned to their birthplace.


Author(s):  
Vincent Mensah Minadzi

The purpose of the study was to examine the impacts of COVID-19 and its implications for teaching Social Studies as integrated curriculum. This was done through review of a number of articles relating to the COVID-19 pandemic as well as Social Studies as integrated discipline. Historical background and the effects of the pandemic specifically in Ghana have been outlined in the paper. Being integrated curriculum, the author argues that the pandemic offers unique opportunity for Social Studies educators and teachers of the subject to demonstrate their understanding of the concept of integration with respect to the impacts of the pandemic. There is no denying the fact that the pandemic had tremendous impacts on all facets of human life including economic, social, psychological, political, religious, and health. Based on the literature review, it is recommended that educators and teachers in the field of Social Studies should draw connection between the COVID-19 and the Social Science subjects. In so doing, it would promote wholistic understanding of the COVID-19 pandemic.


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