Unseen Women in Psychedelic History

2021 ◽  
pp. 002216782110291
Author(s):  
Mariavittoria Mangini

The drug experiences of women in Western society have been both sensationalized for their scandalous aspects and sterilized in clinical reports, but the role of women in the investigation of psychedelics in modern Western history is obscure, and the identities and activities of early women participants are often unknown. This paper explores some of the under-reported history of women’s contributions to psychedelic exploration and research in the twentieth century. Mabel Luhan and Valentina Wasson represent women whose stories have entered the canon of psychedelic history but have failed to fully represent their individual impact. Wasson’s work is often subsumed under that of her more well-known husband. Luhan is considered to be a psychedelic pioneer, but her pattern of interference in the politics of peyote in the Taos Pueblo is often overlooked. The poet Mary Barnard is well-known as a translator of Sappho, but her lyrical writing on psychedelics is less celebrated. Gertrude Paltin and Kay Parley are female therapists and authors whose valuable writing on psychedelics is almost unknown in the field. There remain many women whose significant contributions to the exploration and employment of psychedelics for spiritual development, personal discovery, individual betterment or therapeutic impact have not been well recorded.

Author(s):  
Rafał Kamprowski

For a long time, history of women was not in the mainstream of interest. The interest for this topic was not shown untill the twentieth century. The aim of this paper is to present a long and difficult struggle to gain the status similar to the one women have nowadays. It is difficult to understand the present reality without going back to the past. The role of women is undergoing a lot of changes all the time. This subject is a huge field for research. The article attempts to give a summary of publications which deal with women’s issues.


2018 ◽  
Vol 15 (1) ◽  
pp. 46-65 ◽  
Author(s):  
Richard Wallace ◽  
Rebecca Harrison ◽  
Charlotte Brunsdon

Cinema projection is usually understood to be a male-dominated occupation, with the projection box characterised as a gendered space separate from the more typically feminine front-of-house roles. Although this is a fairly accurate representation, it risks eliminating all traces of women's labour in the projection box. Previous work by David R. Williams (1997) and Rebecca Harrison (2016) has addressed the role of women projectionists during wartime, and this article begins to excavate a hidden history of women projectionists in a peacetime context. The article uses oral testimony from two women – Florence Barton and Joan Pearson – who worked as projectionists in the mid-twentieth century. Their accounts are presented in the article as two portraits, which aim to convey a sense of the women's everyday lives in the projection box, as well as think about implications that their stories have for our understanding of women's roles in projection more broadly. Of particular significance to both Barton and Pearson are the relationships that they had with their male colleagues, the possibilities afforded for career progression (and the different paths taken by the women) and the nature of projection work. The women's repeated assertions that they were expected to do the same jobs as their male counterparts form a key aspect of the interviews, which suggest there is scope for further investigation of women's labour specifically in projection boxes and in cinemas more generally.


Author(s):  
Andrea Harris

The Conclusion briefly examines the current state of the New York City Ballet under the auspices of industrial billionaire David H. Koch at Lincoln Center. In so doing, it to introduces a series of questions, warranting still more exploration, about the rapid and profound evolution of the structure, funding, and role of the arts in America through the course of the twentieth century. It revisits the historiographical problem that drives Making Ballet American: the narrative that George Balanchine was the sole creative genius who finally created an “American” ballet. In contrast to that hagiography, the Conclusion reiterates the book’s major contribution: illuminating the historical construction of our received idea of American neoclassical ballet within a specific set of social, political, and cultural circumstances. The Conclusion stresses that the history of American neoclassicism must be seen as a complex narrative involving several authors and discourses and crossing national and disciplinary borders: a history in which Balanchine was not the driving force, but rather the outcome.


2020 ◽  
Vol 33 (3) ◽  
pp. 227-250
Author(s):  
Sjang L. ten Hagen

ArgumentThis article contributes to a global history of relativity, by exploring how Einstein’s theory was appropriated in Belgium. This may sound like a contradiction in terms, yet the early-twentieth-century Belgian context, because of its cultural diversity and reflectiveness of global conditions (the principal example being the First World War), proves well-suited to expose transnational flows and patterns in the global history of relativity. The attempts of Belgian physicist Théophile de Donder to contribute to relativity physics during the 1910s and 1920s illustrate the role of the war in shaping the transnational networks through which relativity circulated. The local attitudes of conservative Belgian Catholic scientists and philosophers, who denied that relativity was philosophically significant, exemplify a global pattern: while critics of relativity feared to become marginalized by the scientific, political, and cultural revolutions that Einstein and his theory were taken to represent, supporters sympathized with these revolutions.


1976 ◽  
Vol 38 (2) ◽  
pp. 611-618 ◽  
Author(s):  
Ellen Kimmel

Survey data on the personal career history and the history of the academic department with which they were affiliated are summarized for 33 women psychologist respondents. The results showed that women have played a role in the development of psychology in the South as program pioneers and leaders, as scientists, and, most notably, as mentors for other women.


Author(s):  
Светлана Измайловна Баранова

Статья посвящена истории созданного в 1874 г. в Воскресенском Ново-Иерусалимском монастыре музея Святейшего патриарха Никона, а также истории возрождения музея в новом качестве, ставшего частью программы современного восстановления Ново-Иерусалимского монастыря. Рассмотрена роль устроителя музея архимандрита Леонида (Кавелина) (1822-1891) - настоятеля обители в 1869-1877 гг., выдающегося русского историка, историографа Воскресенского монастыря, собирателя его древностей и исследователя его архивов. Также представлен опыт построения экспозиции нового Музея патриарха Никона, использующий объединение историко-хронологического принципа с художественно-образным, коллекционного - с мемориальным, тематическим и ансамблевым. Восстановление в монастыре музея в новом качестве должно подчеркнуть мемориальную сущность обители как явления русской церковной археологии XIX в. Экспозиция, размещенная в залах музея, должна создать богатый информационновизуальный базис, оставить в памяти посетителя глубокий эмоциональный след, дать пищу для духовного развития и материал для общих размышлений о судьбах Святых Мест христианства, параллелях в жизни России и Святой Земли, колоссальном вкладе патриарха Никона в строительство величественного здания Русской Православной Церкви и зарождавшейся Российской империи. The article is dedicated to the history of the Museum of His Holiness Patriarch Nikon, founded in 1874 in the Resurrection New Jerusalem Monastery as well as the history of the revival of the museum in a new quality, which became part of the restoration program of the New Jerusalem Monastery. The role of the organizer of the museum, archimandrite Leonid (Kavelin) (1822-1891), the abbot of the monastery in 1869-1877, an outstanding Russian historian, the Resurrection Monastery historiographer, a collector of its antiquities and a researcher of its archives, is considered. Also, it is said about the experience of forming a collection of the new Patriarch Nikon’s Museum implementing historical-chronological, artistic-figurative, memorial, thematic and ensemble principles of the collection. Anew quality restoration done in the monastery museum should emphasize the memorial importance of the monastery as a phenomenon of Russian church archeology of the XIX century. The exposition located in the museum halls should create a rich informational and visual basis, have a deep emotional impact in the visitor’s memory, provide food for spiritual development and material for general reflection on the fate of the Holy Chrisitan Places, establish parallels in the life of Russia and the Holy Land, mark an enormous contribution of Patriarch Nikon in the construction of a magnificent building of the Russian Orthodox Church and the nascent Russian Empire.


2018 ◽  
Vol 48 (3-4) ◽  
pp. 215-222
Author(s):  
Lenuta Giukin

This introduction offers an overall framework for the eight articles in this issue of the Journal of European Studies, which focus on Romanian identity and consciousness. It looks at the general history of Romania and the Republic of Moldova to show the evolution of consciousness over a century, since the formation of ‘Great Romania’ in 1918 to the present day. Aspects such as collective memory, migration, the change in the role of women, the crisis of the contemporary state, education and religion, as well as an overall crisis of patriarchy within a globalized context are discussed based on the analysis offered by the authors in their articles.


2016 ◽  
Vol 42 (2) ◽  
pp. 117-136
Author(s):  
Richard Gracious Gadama ◽  
Johannes Wynand Hofmeyr

In this article, we look at the history of charismatic churches in Malawi with a particular focus on some of the early charismatic churches. We first define what charismatic churches are. Secondly, we explore and explain the tremendous charismatic revival, tracing it from the time of its penetration in Malawi, its spread and also its survival on Malawian soil. The article also briefly focuses on the decisive role of women in the establishment of some of the early charismatic churches in Malawi. These include the Living Waters Church, Calvary Family Church, Glad Tidings Church and the Agape Church, among others, before some conclusions for the making of Malawian society are drawn.


2019 ◽  
pp. 70-80
Author(s):  
Lucia Carminati

Zaynab al-Ghazālī (1917-2005) is regarded as a pioneering figure in the field of women’s preaching and religious teaching in Egypt. Her story, however, remains largely undocumented. In Western scholarship, al-Ghazālī has often been framed in terms of a contradictory figure, whose own choices flagrantly undercut her statements on the role of women in Islamic society. Trying to go beyond this type of appraisal, her writings are analyzed in order to question whether or not Zaynab al-Ghazālī’s intellectual genealogy should be understood within the context of her considerable exposure to a well-developed discourse of women’s rights at the turn of the twentieth century. Indeed, she made available to Muslim women a particular field of arguments, while foreclosing for them certain possibilities for action. Overall, her statements and choices in life need to be read as a function of her historical and geographical context and her positioning needs to be framed within the consciousness on the role women had come to play in the public domain.


Adam alemi ◽  
2021 ◽  
Vol 90 (4) ◽  
pp. 142-152
Author(s):  
A. Temirbayeva ◽  
◽  
T. Temirbayev ◽  
K. Tyshkhan ◽  
R. Kamarova ◽  
...  

Previously, women have played an important role in the development of Sufism. Sufi tradition recognizes the unity of being, regardless of the gender duality of the world. The recognition of this doctrine contributed to the spiritual development of women in Sufism. Sufi women play an important role in tariqah. The study of the female Sufi experience, as well as the influence that women had on the Sufi worldview and Sufi practice, is not only valuable from a cultural and historical point of view, but also helps to better understand the place and role of women in Muslim society. In this regard, the article is devoted to the role of women in modern Sufi groups in the world and in Kazakhstan. Famous women-Sufis in history, modern female Sufi organizations in the world and participation of women in modern Kazakhstani tariqas will be considered. The aim is to examine Sufi organizations through the prism of female actors. The materials of the article are based on data from open information and academic sources. Also on field research of Sufi groups in Kazakhstan and Turkey from 2016 to the current period.


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