scholarly journals Miejsce i rola kobiety w rodzinie na przestrzeni wieków. Od Antyku po I wojnę światową. Zarys problematyki

2018 ◽  
pp. 33-41
Author(s):  
Rafał Kamprowski
Keyword(s):  
Twentieth Century ◽  
Time History ◽  
Women's Issues ◽  
The Past ◽  
The Status ◽  
Long Time ◽  
History Of ◽  
Role Of Women ◽  
The One

For a long time, history of women was not in the mainstream of interest. The interest for this topic was not shown untill the twentieth century. The aim of this paper is to present a long and difficult struggle to gain the status similar to the one women have nowadays. It is difficult to understand the present reality without going back to the past. The role of women is undergoing a lot of changes all the time. This subject is a huge field for research. The article attempts to give a summary of publications which deal with women’s issues.

Veronicas and Artists

2017 ◽  
Keyword(s):  
Contemporary Art ◽  
Religious Images ◽  
The Public ◽  
The Past ◽  
History Of Art ◽  
The Status ◽  
History Of ◽  
The Way ◽  
Contemporary Artists

Chapter One deals with several central issues with regard to understanding the role of religious motifs in contemporary art. Besides being a repetition of imagery from the past, religious motifs embedded in contemporary artworks become a means to problematise not only the way different periods in the history of art are delimited, but larger and seemingly more rigid distinctions as those between art and non-art images. Early religious images differ significantly from art images. The two types are regulated according to different sets of rules related to the conditions of their production, display, appreciation and the way images are invested with the status of being true or authentic instances of art or sacred images. Chapter One provides a discussion of the important motif of the image not made by an artist’s hand, or acheiropoietos, and its survival and transformation, including its traces in contemporary image-making practices. All images are the result of human making; they are fictions. The way the conditions of these fictions are negotiated, or the way the role of the maker is brought to visibility, or concealed, is a defining feature of the specific regime of representation. While the cult image concealed its maker in order to maintain its public significance, and the later art image celebrated the artist as a re-inventor of the old image, contemporary artists cite religious images in order to reflect on the very procedures that produce the public significance and status of images.

Women in the history of linguistics

2020 ◽  
pp. 1-30
Author(s):  
Wendy Ayres-Bennett ◽  
Helena Sanson
Keyword(s):  
Language Acquisition ◽  
Central Section ◽  
Future Directions ◽  
The Past ◽  
Early Stages ◽  
Challenges And Opportunities ◽  
History Of Linguistics ◽  
History Of ◽  
Role Of Women

This Introduction outlines the need for a ‘true history’ (Lerner 1976) of the role of women in the history of linguistics, which considers them on their own terms, and challenges categories and concepts devised for traditional male-dominated accounts. We start by considering what research has already been conducted in the field, before exploring some of the reasons for the relative dearth of studies. We outline some of the challenges and opportunities encountered by women who wished to study the nature of language and languages in the past. The geographical and chronological scope of this volume is then discussed. In a central section we examine some of the major recurring themes in the volume. These include attitudes towards women’s language, both positive and negative; women and language acquisition and teaching; and women as creators of new languages and scripts. We further explore women as authors, dedicatees, or intended readers of metalinguistic texts, as interpreters and translators, and as contributors to the linguistic documentation and maintenance. We consider how women supported male relatives and colleagues in their endeavours, sometimes in invisible ways, before reviewing the early stages of their entry into institutionalized contexts. The chapter concludes with a brief section on future directions for research.

Women in Buddhism

Buddhism ◽  
2012 ◽  
Author(s):  
Kim Gutschow
Keyword(s):  
Ample Evidence ◽  
Buddhist Studies ◽  
Methodological Choices ◽  
History Of ◽  
Role Of Women ◽  
And Gender ◽  
Women And Buddhism ◽  
The One ◽  
Women In Buddhism

The very existence of a “Women and Buddhism” entry but no “Men in Buddhism” entry implies a set of methodological lacunae in Buddhist studies. On the one hand, Buddhist studies have often proceeded as if the history of men in Buddhism stands in for Buddhist history, with little effort made to mention or recover the significance of women. On the other hand, systematic methodological choices, such as the discounting of feminist analysis and the privileging of text over other sources of knowledge, have exacerbated the tendency to elide the role of women in Buddhism. This elision of women, or their marginalization, in Buddhist analyses where “man” or “male” is assumed to represent “human” has prompted a countersurge of analyses. These latter analyses have found ample evidence for the centrality of gender and women in shaping Buddhist society and soteriology. Although works are now available that cover the role of women and gender in most Buddhist eras or societies, these have only scratched the surface of an extraordinarily rich set of material and questions. It remains to be seen how well Buddhist scholarship can give gender and women their proper place in developing its central concerns.

scholarly journals The Past and its Possibilities in Nahḍa Scholarship

2021 ◽  
Vol 6 (3-4) ◽  
pp. 265-287
Author(s):  
Feras Krimsti ◽  
John-Paul Ghobrial
Keyword(s):  
Twentieth Century ◽  
Special Issue ◽  
Record Keeping ◽  
The Past ◽  
History Of ◽  
Historical Heritage ◽  
The Many ◽  
Historical Reflection ◽  
Shed Light

Abstract This introduction to the special issue “The Past and its Possibilities in Nahḍa Scholarship” reflects on the role of the past in nineteenth- and early twentieth-century nahḍa discourse. It argues that historical reflection played a pivotal role in a number of scholarly disciplines besides the discipline of history, notably philosophy and logic, grammar and lexicography, linguistics, philology, and adab. Nahḍawīs reflected on continuities with the past, the genealogies of their present, and the role of history in determining their future. The introduction of print gave new impulses to the engagement with the historical heritage. We argue for a history of the nahḍa as a de-centred history of possibilities that recovers a wider circle of scholars and intellectuals and their multiple and overlapping local and global audiences. Such a history can also shed light on the many ways in which historical reflection, record-keeping practices, and confessional, sectarian, or communalist agendas are entwined.

scholarly journals Women in the Box: Female Projectionists in Post-war British Cinemas

2018 ◽  
Vol 15 (1) ◽  
pp. 46-65 ◽  
Author(s):  
Richard Wallace ◽  
Rebecca Harrison ◽  
Charlotte Brunsdon
Keyword(s):  
Twentieth Century ◽  
Career Progression ◽  
Accurate Representation ◽  
Everyday Lives ◽  
Gendered Space ◽  
Oral Testimony ◽  
History Of ◽  
Role Of Women ◽  
Post War

Cinema projection is usually understood to be a male-dominated occupation, with the projection box characterised as a gendered space separate from the more typically feminine front-of-house roles. Although this is a fairly accurate representation, it risks eliminating all traces of women's labour in the projection box. Previous work by David R. Williams (1997) and Rebecca Harrison (2016) has addressed the role of women projectionists during wartime, and this article begins to excavate a hidden history of women projectionists in a peacetime context. The article uses oral testimony from two women – Florence Barton and Joan Pearson – who worked as projectionists in the mid-twentieth century. Their accounts are presented in the article as two portraits, which aim to convey a sense of the women's everyday lives in the projection box, as well as think about implications that their stories have for our understanding of women's roles in projection more broadly. Of particular significance to both Barton and Pearson are the relationships that they had with their male colleagues, the possibilities afforded for career progression (and the different paths taken by the women) and the nature of projection work. The women's repeated assertions that they were expected to do the same jobs as their male counterparts form a key aspect of the interviews, which suggest there is scope for further investigation of women's labour specifically in projection boxes and in cinemas more generally.

scholarly journals The Eternal Peasant and the Timeless Village. Archaeology and Ideologies of the Past

2020 ◽  
Vol 38 (2) ◽  
pp. 43-73
Author(s):  
Rainer Schreg
Keyword(s):  
Rural Life ◽  
13Th Century ◽  
Rural History ◽  
The Past ◽  
History Of Research ◽  
History Of ◽  
Historical Role ◽  
The One

The perspectives on the medieval village and on the historical role of peasants have changed throughout the history of research. Traditional views on history saw rural life as unchangeable and therefore presumed that villages were rooted in the migration period. Modern research recognised the formation of the medieval village as a complex long-term process that, depending on the region, culminated in the 11th – 13th century. This paper takes a closer look at the situation in southwestern Germany, analysing research history on the one hand and selected episodes of medieval rural history on the other. The paper suggests that due to traditional views on the structure of history, peasants’ agency has been undervalued.  

History of the Division of Rubber Chemistry of the American Chemical Society

1940 ◽  
Vol 13 (1) ◽  
pp. 1-10
Author(s):  
E. V. Osberg
Keyword(s):  
Twentieth Century ◽  
Scientific Knowledge ◽  
American Chemical Society ◽  
Chemical Society ◽  
Laboratory Research ◽  
Abstract Reasoning ◽  
Rubber Industry ◽  
The Past ◽  
History Of

Abstract After long years of experience, the rubber industry of today has come to realize the true worth of the chemist and the value of the interchange of scientific knowledge and coöperation in research. Early meetings and discussions held by the Division of Rubber Chemistry of the American Chemical Society and its predecessor, the Rubber Section, were influential in dispelling early ideas as to the value of the chemist and in breaking down the barrier of secrecy in the rubber trade. The chemistry of rubber during the past two decades has undergone a tremendous growth, and the Division through its many activities has played an important role in disseminating knowledge that has been gained from laboratory research. THE EARLY RUBBER CHEMIST Before the turn of the twentieth century, the rubber industry had little or no knowledge of the chemist or what he might accomplish. Funds for research were generally withheld, with no quick profits in sight as a result of these expenditures. Among the comments of rubber manufacturers of that time were: “I have no use for chemists, druggists and apothecaries”; “I would give more for the guess of my old superintendent than all the certainties of the best chemist on earth”; “I had employed chemists but their cost to the company had been greater than any value received from their work.” In 1899 the chemist, Arthur H. Marks, invented the alkali reclaiming process, and in 1906 George Oenslager discovered organic accelerators. Rubber technology was being revolutionized by the chemist, and larger profits were in sight. The tight grip on the purse strings became loosened somewhat, and money was being cautiously expended on research. Practical and immediate results which could be translated into hasty profits were the principal aims. Little encouragement was afforded those who wanted to tackle fundamentals. Competition was keen among manufacturers; the rubber industry was growing rapidly, and no time or money was available for abstract reasoning or for “profitless” research enterprises. Rubber manufacturers were quite willing for their chemists to meet with chemists of other companies provided they did not divulge any of the firm's “secrets”. With most of those attending these early meetings in the role of listeners, little was accomplished in furthering the knowledge of rubber chemistry through the exchange of ideas. Such was the problem during the life of the Rubber Section and through the earlier years of its healthier successor, the Division of Rubber Chemistry.

Revision as Nostalgic Practice: The Imagined Adaptation of The Ballad of Buster Scruggs

Adaptation ◽  
2020 ◽  
Author(s):  
Wibke Schniedermann
Keyword(s):  
Twentieth Century ◽  
The Other ◽  
Narrative Strategies ◽  
The Past ◽  
Ambivalent Relationship ◽  
The One ◽  
Affective Involvement ◽  
National Mythology

Abstract This article investigates the role of nostalgia vis-à-vis practices of adaptation and revision in the genre of the American Western and specifically in Joel and Ethan Coen’s episodic film The Ballad of Buster Scruggs (2018). It proposes a view of the Western as a genre that originates in the revisionist adaptation of American national mythology. As an inherently nostalgic genre, the Western has grappled with its ambivalent relationship with the past throughout the twentieth century. Recent Western productions demonstrate their awareness of the genre’s sentimental falsifications of the past and integrate nostalgic tensions into their aesthetic repertoire. Buster Scruggs taps into both the current success of nostalgic formats on screen and the specific affordances of the Western genre. The close readings in this article explore the visual, structural, and narrative strategies the film employs to, on the one hand, permit and, in fact, encourage nostalgic indulgence while, on the other, engaging in the revision of both the postmodern aversion against affective involvement and its wholesale acceptance in the Western’s early incarnations.

Narration and the experience of history

Semiotica ◽  
2017 ◽  
Vol 2017 (219) ◽  
pp. 511-528
Author(s):  
Roberto Flores
Keyword(s):  
Time History ◽  
Vicarious Experience ◽  
Spanish Conquest ◽  
Narrative History ◽  
The Past ◽  
Long Time ◽  
Textual Basis ◽  
Positive Knowledge ◽  
Conquest Of Mexico

AbstractFor a long time, history has been conceived as a textual fact, whether as positive knowledge of the past, reported in chronicles and original sources, or through acknowledgment of its textual basis, assumed as historiography, as narrative history. In either case, the text appears as the source and goal of knowledge, and has assumed the nature of an immutable monument, an invariable object of reference and information. These texts are limited to constituting a regulatory storehouse of knowledge, a mere object of appropriation. In contrast, we can consider history not just as knowledge enclosed in textual containers, but as experience inscribed in peoples´ memory. This is what Mexican historian Edmundo O’Gorman suggests with his proposal to consider history as readers formulating their own versions of the past. Through these proposals, semiotics is in a position to describe the role of texts in the production of a vicarious experience of history through the act of reading. This paper provides examples taken from accounts of the Spanish Conquest of Mexico and proposes a semiotic interpretation of the experience of history.

scholarly journals Rama Subramanian Uraill Paadauruvaakangal

2021 ◽  
Vol 3 (S-1) ◽  
pp. 193-202
Author(s):  
Santhi A
Keyword(s):  
Twentieth Century ◽  
Long Time ◽  
History Of ◽  
The One

It is only after the books appeared in the early days and were given verbally for a long time that the history of the origin of the Theocratic Text reveals. Written books were also written in palm leaves in the early days. In such a way, it was written without being dotted, without any distinction between the mark-needle, the one-horn-double horn, and the junction undivided. This led to various confusions in the reading and understanding of it by the following. Everyone began to interpret according to their will. This led to differences in subject symmetry and changes in the structure of the book.  There are also differences in the composition of the ancient grammar book, tholkappiyam. The early speakers of tholkappiyam were ilampuranar, Prof. senavaraiyar, Deivachchilaiyar, Nachinarkiniyar, Galladar and palaya uraikarar There are many differences in the text between these contemporaries, and wrote the text for the twentieth-century epic. This article sets out to explore how Rama., Subramaniam differs from them in terms of syllabus and nurpa structure.

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