scholarly journals Literacy as Tardis: Stories in Time and Space

2017 ◽  
Vol 119 (12) ◽  
pp. 1-20
Author(s):  
Julia Davies
Keyword(s):  
Meaning Making ◽  
Digital Tools ◽  
Cultural Resources ◽  
Time And Space ◽  
Digital Resources ◽  
Literacy Events ◽  
Space And Time ◽  
The Many ◽  
Background Context ◽  
Do So

Background/Context This article draws on previous work about narrative, which regards the practice of storying our lives as a basic human impulse and one that draws on cultural resources to do so. Neophyte digital resources have fascinated and enticed us as devices to immerse ourselves ever deeply and widely to create shinier, polished narratives. Our new modes and media have impacted on the nature of our narratives, and we reflect on our lives as we read them back to ourselves. Yet the affordances of the devices have allowed us to play also with the modes of time and space. This article draws on theories suggested by Burnett et al.; Leander and Sheehy; Massey; and Lemke to unpack the slippery nature of these notions of space and time. Purpose/Objective/Research The article provides a series of examples from a range of scenarios and research projects to consolidate the proposal that the contexts of literacy events are difficult to delineate, that contexts slip and slide across space and time in ways that seem to defy absolute specificity—that they are “in motion,” mercurial, and subject to change. Nevertheless, within these uncertain spaces, individuals use the cultural resources at their disposal to make sense of who they are and what the world is, through the creation of stories. Research Design This is an analytical essay, which draws on the research of others to create a series of examples of “digital encounters.” Conclusions/Recommendations The article argues that despite the many changes that digital tools have brought to our lives, the narrative impulse and the desire to represent ourselves through images and other media have remained constant. The new tools seem to allow us, however, to play more explicitly with time and space and to incorporate these aspects into our meaning-making practices. We can use tools to explore new types of space and arenas for communication—not just because of our capacity to keep in touch across time and space (which is not new), but because we can disrupt how we perceive these concepts.

scholarly journals SKAMs ’lige her’ og ’lige nu’ : Om SKAM og nærvær

2017 ◽  
Vol 6 (2) ◽  
pp. 75-81 ◽  
Author(s):  
Anne Jerslev
Keyword(s):  
Time And Space ◽  
Space And Time ◽  
The Creation ◽  
The Many ◽  
The Way

The article discusses strategies for creating presence in space and time in SKAM, in particular the way the series unfolds as event and its extended use of close-ups. Moreover, the article discusses Bolter and Grusin’s understanding of immediacy and argues that the many mobile screens as well as the series’ cross-mediality, or hypermediacy, contribute to the creation of an impression of being close to the characters and their world, in time and space.

scholarly journals Tracking the Language of Space and Time, 1948-2008

2011 ◽  
Vol 46 (3) ◽  
pp. 591-609
Author(s):  
Roderick P. Hart ◽  
Elvin T. Lim
Keyword(s):  
Public Domain ◽  
Source Material ◽  
Digital Tools ◽  
Time And Space ◽  
Methodological Innovation ◽  
Change Over Time ◽  
The Public ◽  
Space And Time ◽  
Over Time ◽  
Quantitative Approaches

This article explores how contemporary historians can avail themselves of quantitative approaches to examine how elusive concepts like ‘time’ and ‘space’ have been used in the public domain. By making use of specifically designed programs, historians can use digital tools to harness an unprecedented mass of information. This is a particularly important methodological innovation at a time of rapidly expanding data: news, speeches, and commentary are available first electronically, and they are available on countless sites in an unprecedented array of formats. Mastering these sources digitally is not only imperative for the contemporary historian; it also provides essential source material for understanding how language and meanings change over time, between contexts, and across different media.

Emerson's Memory Loss

2017 ◽  
Author(s):  
Christopher Hanlon
Keyword(s):  
William James ◽  
Memory Loss ◽  
Margaret Fuller ◽  
Final Phase ◽  
Important Work ◽  
The Social ◽  
The Many ◽  
The One ◽  
Do So ◽  
The Way

Emerson’s Memory Loss is about an archive of texts documenting Emerson’s intellectual state during the final phase of his life, as he underwent dementia. It is also about the way these texts provoke a rereading of the more familiar canon of Emerson’s thinking. Emerson’s memory loss, Hanlon argues, contributed to the shaping of a line of thought in America that emphasizes the social over the solipsistic, the affective over the distant, the many over the one. Emerson regarded his output during the time when his patterns of cognition transformed profoundly as a regathering of focus on the nature of memory and of thinking itself. His late texts theorize Emerson’s experience of senescence even as they disrupt his prior valorizations of the independent mind teeming with self-sufficient conviction. But still, these late writings have succumbed to a process of critical forgetting—either ignored by scholars or denied inclusion in Emerson’s oeuvre. Attending to a manuscript archive that reveals the extent to which Emerson collaborated with others—especially his daughter, Ellen Tucker Emerson—to articulate what he considered his most important work even as his ability to do so independently waned, Hanlon measures the resonance of these late texts across the stretch of Emerson’s thinking, including his writing about Margaret Fuller and his meditations on streams of thought that verge unto those of his godson, William James. Such ventures bring us toward a self defined less by its anxiety of overinfluence than by its communality, its very connectedness with myriad others.

Space and Time in Isaac Barrow

2018 ◽  
Author(s):  
Emily Thomas
Keyword(s):  
Time And Space ◽  
Space And Time

This chapter explores Isaac Barrow’s account of time and space. Barrow’s account is important, partly because it is often argued to be one of the sources that Newton drew on in constructing his absolutism. Although Barrow is usually read as a pre-Newtonian absolutist, this chapter argues that Barrow is in fact a modal relationist, identifying space and time with the relational modes of bodies. This new reading entails that Barrow’s account of time may not have played as large a role in the development of Newton’s work as has been thought, but it also raises the possibility that Leibniz drew on Barrow’s relationism.

The Technique of the Boyne Carvings

1956 ◽  
Vol 21 ◽  
pp. 156-159
Author(s):  
O. G. S. Crawford
Keyword(s):  
Presidential Address ◽  
Time And Space ◽  
East Anglia ◽  
Actual Design ◽  
The Many ◽  
To Receive ◽  
Vast Range ◽  
Made In

The prudent contributor to a Festschrift will select some subject about which he thinks he knows as much as the professor who is to receive it. That is peculiarly difficult here because of the vast range of Professor Childe's knowledge, both in time and space, far exceeding the present contributor's. This Note is offered as a grateful tribute from one of the many who have been intellectually enriched by his writings and encouraged by his devotion to scholarship. It is little more than an amplification and criticism of the Abbé Breuil's classic Presidential Address to the Prehistoric Society of East Anglia, delivered in 1934; but on the strength of observations made in August and September, 1955, I have come to different conclusions.The Abbé Breuil detected five successive techniques, all of them found on the stones of the Boyne Tombs:(1) Incised thin lines (pl. XIX, B).(2) Picked grooves left rough (pl. XVIII).(3, a) Picked grooves afterwards rubbed smooth; in this and the preceding group ‘it is invariably the line (groove) itself on which the pattern depends, which gives and is the design’.(3, b) Picked areas which ‘only define the limits of the pattern, the surface, left in relief by the cutting down of the background, constituting the actual design’ (pl. xx, B).(4) Rectilinear patterns where also the pattern is residual, consisting of raised ribs, forming triangles or lozenges, left standing by picking away the surrounding surface (pl. xx, A).

Who tells which story and why? Micro and macro contexts in narrative

2008 ◽  
Vol 28 (3) ◽  
Author(s):  
Anna de Fina
Keyword(s):  
Collective Identity ◽  
Local Community ◽  
Social Space ◽  
Social Power ◽  
Meaning Making ◽  
Symbolic Capital ◽  
Social Processes ◽  
Local Context ◽  
Local Meaning ◽  
The Many

AbstractThis article focuses on the inter-relations between storytelling and micro and macro contexts. It explores how narrative activity is shaped by and shapes in unique ways the local context of interaction in a community of practice, an Italian American card-playing club, but also illustrates how the storytelling events that take place within this local community relate to wider social processes. The analysis centers on a number of topically linked narratives to argue that these texts have a variety of functions linked to the roles and relationships negotiated by individuals within the club and to the construction of a collective identity for the community. However, the narrative activities that occur within the club also articulate aspects of the wider social context. It is argued that, in the case analyzed here, local meaning-making activities connect with macro social processes through the negotiation, within the constraints of local practices, of the position and roles of the ethnic group in the wider social space. In this sense, narrative activity can be seen as one of the many symbolic practices (Bourdieu 2002 [1977]) in which social groups engage to carry out struggles for legitimation and recognition in order to accumulate symbolic capital and greater social power.

Image in the Making

2021 ◽  
Author(s):  
Katherine Thomson-Jones
Keyword(s):  
Digital Technology ◽  
Digital Age ◽  
Digital Art ◽  
Digital Tools ◽  
Human Beings ◽  
Video Installation ◽  
Art Form ◽  
Fundamental Distinction ◽  
Net Art ◽  
Do So

Human beings have always made images, and to do so they have developed and refined an enormous range of artistic tools and materials. With the development of digital technology, the ways of making images—whether they are still or moving, 2D or 3D—have evolved at an unprecedented rate. At every stage of image making, artists now face a choice between using analog and using digital tools. Yet a digital image need not look digital; and likewise, a handmade image or traditional photograph need not look analog. If we do not see the artist’s choice between the analog and the digital, what difference can this choice make for our appreciation of images in the digital age? Image in the Making answers this question by accounting for the fundamental distinction between the analog and the digital; by explicating the technological realization of this distinction in image-making practice; and by exploring the creative possibilities that are distinctive of the digital. The case is made for a new kind of appreciation in the digital age. In appreciating the images involved in every digital art form—from digital video installation to net art to digital cinema—there is a basic truth that we cannot ignore: the nature and technology of the digital expands both what an image can be as an image and what an image can be for us.

Thank you to our contributors

1991 ◽  
Vol 29 (26) ◽  
pp. 104.1-104
Keyword(s):  
Pharmaceutical Industry ◽  
General Practitioners ◽  
Advisory Council ◽  
Consensus View ◽  
One Year ◽  
The Many ◽  
Do So

Articles in the Bulletin have been unsigned since it began. This is because they aim to present a consensus view which incorporates contributions from many people, including specialists, general practitioners and members of the pharmaceutical industry, as well as the Bulletin’s Advisory Council. We are very grateful to them all, but although we have often been asked who they are, we cannot name the many hundreds who have helped us in any one year. However, we can at least name those not listed in our tailpiece who have taken a major share in the production of articles published in the last year, and do so now.

Demystifying intuition as the main decision system used by farmers.

2021 ◽  
Vol 16 (10) ◽  
Author(s):  
Peter Nuthall
Keyword(s):  
Decision Making ◽  
Literature Search ◽  
Relevant Literature ◽  
Farm Management ◽  
Decision Making Process ◽  
Decision System ◽  
Intuitive Process ◽  
Important Improvement ◽  
The Many ◽  
Do So

Abstract Over the decades, many researchers have explored the concept of intuition as a decision-making process. However, most of this research does not quantify the important aspects of intuition, making it difficult to fully understand its nature and improve the intuitive process, enabling an efficient method of decision-making. The research described here, through a review of the relevant literature, demystifies intuition as a decision system by isolating the important intuition determining variables and relating them to quantitative intuition research. As most farm decisions are made through intuition, farmers, consultants, researchers and students of farm management will find the review useful, stimulating efforts for improving decision-making skills in farmers. The literature search covered all journals and recent decades and includes articles that consider the variables to be targeted in improving intuitive skill. This provides a basis for thinking about intuition and its improvement within the farming world. It was found from the literature that most of the logical areas that should influence decisions do in fact do so and should be targeted in improving intuition. One of the most important improvement processes is a farmer's self-criticism skills through using a decision diary in conjunction with reflection and consultation leading to improved decisions. This must be in conjunction with understanding, and learning about, the many other variables also impacting on intuitive skill.

The Development of High-Speed Aircraft

1924 ◽  
Vol 28 (159) ◽  
pp. 158-188
Keyword(s):  
High Speed ◽  
Limited Time ◽  
Short Notice ◽  
The Many ◽  
Do So

I must apologise for the many shortcomings of this paper and plead in excuse that it has been very hurriedly prepared. When I was asked at short notice to write a paper in place of Squadron-Leader Maycock’s, I somewhat rashly undertook to do so, but it has proved a formidable task in the very limited time available.

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