Whitewashing diverse voices: (de)constructing race and ethnicity in Spanish-language television dubbing

2021 ◽  
pp. 016344372199993
Author(s):  
Laurena Bernabo

When television programs are translated for global audiences, languages are changed, but so too are constructions of diverse identities. Characters who are Black, Indigenous, or people of color (BIPOC) undergo transformations in order to be intelligible outside of their original national contexts; such transformations might reinforce these characters’ difference or eliminate it, effectively whitewashing BIPOC voices. This article unpacks this phenomenon by investigating the translation of diverse characters through the lens of the many industrial norms and constraints that shape the dubbing industry. Using the international Fox hit Glee (2009–2015) as an entry point for exploring the role of dubbing in Latin America, this study complicates conventional notions about global media’s imperialist and hybridizing implications by tracing political economy and industrial practices onto the dubbing of Black, Latinx, and Asian television characters.

1996 ◽  
Vol 3 (1) ◽  
pp. 69 ◽  
Author(s):  
William M. Loker

This paper examines the effects of recent political and economic trends on the wellbeing of campesino communities in Latin America. After briefly reviewing the appropriateness of the term “campesino” in the rapidly changing political economy of Latin America, the article concludes that there is an identifiable group of people for whom the term campesino is appropriate and that members of campesino communities face common problems. Many analysts agree that campesino communities face interlocking social and economic crises with important consequences for the environment and the continued viability of their livelihoods. The paper analyzes these crises and their origins in the historical neglect of the rural poor. The paper concludes with some suggested actions to ameliorate these conditions, with special attention to the role of social scientists in this process.Key words: campesino, Latin America, environment, social scientists.


2011 ◽  
pp. 107-122 ◽  
Author(s):  
A. Nesvetailova

The credit crunch of 2007-2009 has been widely described as a Minsky moment in the world finance, and references to Ponzi schemes recur in the emergent theorizations of this crisis. However, the notion of Ponzi finance captures only one of the many disturbing elements in the complex set of causes of the crisis. Engaging with the emergent theories of the credit crunch, this paper argues that the main controversy of the global credit crunch centers on the role of financial innovation in the economic system. More specifically, it concerns the problem of liquidity and its metamorphoses in the modern financial system. Drawing on the scholarship of Hyman Minsky and heterodox political economy, this paper addresses the conceptual dilemma of the relationship between financial innovation and liquidity, in the light of the lessons of the global credit crunch.


1963 ◽  
Vol 15 (3) ◽  
pp. 403-416 ◽  
Author(s):  
Curt F. Beck

The water is safe to drink in Alexandria and Cairo, Egypt, thanks to a water filter station established by Czechoslovak engineers. A shoe factory in Addis Ababa, Ethiopia, is being built by Czech technicians. Across the frontier, in Somalia, Czechs are building a technical institute to teach some young Somalis the techniques necessary to staff modern factories. Across the continent in Conakry, Guinea, airport inscriptions are in Czech as well as in French and English to accommodate the many Czechs arriving on the direct Prague-to-Conakry airline. In the smaller villages of Ghana special trucks are delivering Czech beer to the local inhabitants. In Mali journalists are being trained by Czechs in the establishment of their own press agency. And in Prague, the capital of Czechoslovakia, there are numerous Africans among the more than 2,000 students from Africa, Asia, and Latin America enrolled at Czech state expense in institutions of higher learning. To say that Africa has assumed a role of real importance for the Czechs is an understatement.


2021 ◽  
Vol 20 (1) ◽  
pp. 25-47
Author(s):  
Xiomara Verenice Cervantes-Gómez

This article focuses on the presence of ‘Blackness’ in Latin America, and the role/location of ‘Blackness’ in the necropolitics of Mexico, in particular, as a visual mode of aestheticizing violence in the aftermath of the 2010 Tamaulipas massacre of 72 undocumented migrants. As an act of remembering the victims, Mexican journalists, writers, and activists created a digital altar: 72 Migrantes. Focusing on photography and narrative as visual frames of Blackness, this article analyzes the representation of Black bodies in the digital altar to conceptualize Blackness as: a constitutive part of violent landscapes; a symptom and supplement of that violence; and, conversely, the location itself from which to critique that violence. At stake is a call for Blackness to be read within hemispheric Latin Americanist visual studies as a locus for understanding antisociality and critical race theory by closely studying the role of the human, social death, and the aesthetics of remembrance. Over 10 years after the massacre, the arguments raised in this article both implicitly and explicitly underscore the need to conceptualize contemporary Blackness and death in the wake of the growing anti-racism activism, Black Lives Matter, and the disproportionate number of people of color who have died as a result of the COVID-19 pandemic.


2009 ◽  
Vol 41 (1) ◽  
pp. 27-57 ◽  
Author(s):  
PETER NEWELL

AbstractThis paper examines relations between the state and capital in Argentina with respect to agricultural biotechnology. Argentina is one of the world's leading exporters of genetically modified (GM) crops and is a key player in the global politics of biotechnology. Whereas in other parts of the world, including other countries in Latin America, active civil societies and some governments have rejected the technology, Argentina has adopted it as a central accumulation strategy. The desirability of this strategy has been secured in material, institutional and discursive arenas of power, producing a particular expression of ‘bio-hegemony’. Looking at the role of business in the political economy of agricultural biotechnology is revealing both of the extent and forms of corporate power and contributes to an understanding of hegemony in practice.


Author(s):  
Sergio Quintero

This article takes a journey through history to demonstrate the defining role of social and political conditions on the professionalisation of social work in Latin America. An analysis is made of the influence of the Catholic Church, showing the transition from classic conservative thought towards conservative modernisation and up to aggiornamento and Liberation Theology. Some specific features of the case of Colombia are presented, highlighting the experience of Camilo Torres and Golconda. Through documentary qualitative analysis the influence of the critical renewal of the Catholic Church on Reconceptualisation can be seen, clearly demonstrating the incorporation of a certain degree of Marxism that excludes a critique of political economy.


Author(s):  
Benjamin F. Trump ◽  
Irene K. Berezesky ◽  
Raymond T. Jones

The role of electron microscopy and associated techniques is assured in diagnostic pathology. At the present time, most of the progress has been made on tissues examined by transmission electron microscopy (TEM) and correlated with light microscopy (LM) and by cytochemistry using both plastic and paraffin-embedded materials. As mentioned elsewhere in this symposium, this has revolutionized many fields of pathology including diagnostic, anatomic and clinical pathology. It began with the kidney; however, it has now been extended to most other organ systems and to tumor diagnosis in general. The results of the past few years tend to indicate the future directions and needs of this expanding field. Now, in addition to routine EM, pathologists have access to the many newly developed methods and instruments mentioned below which should aid considerably not only in diagnostic pathology but in investigative pathology as well.


2014 ◽  
Vol 11 (01) ◽  
pp. 35-42
Author(s):  
M. Hermans

SummaryThe author presents his personal opinion inviting to discussion on the possible future role of psychiatrists. His view is based upon the many contacts with psychiatrists all over Europe, academicians and everyday professionals, as well as the familiarity with the literature. The list of papers referred to is based upon (1) the general interest concerning the subject when representing ideas also worded elsewhere, (2) the accessibility to psychiatrists and mental health professionals in Germany, (3) being costless downloadable for non-subscribers and (4) for some geographic aspects (e.g. Belgium, Spain, Sweden) and the latest scientific issues, addressing some authors directly.


2015 ◽  
Vol 33 (1) ◽  
pp. 1-15
Author(s):  
Henrietta Bannerman

John Cranko's dramatic and theatrically powerful Antigone (1959) disappeared from the ballet repertory in 1966 and this essay calls for a reappraisal and restaging of the work for 21st century audiences. Created in a post-World War II environment, and in the wake of appearances in London by the Martha Graham Company and Jerome Robbins’ Ballets USA, I point to American influences in Cranko's choreography. However, the discussion of the Greek-themed Antigone involves detailed consideration of the relationship between the ballet and the ancient dramas which inspired it, especially as the programme notes accompanying performances emphasised its Sophoclean source but failed to recognise that Cranko mainly based his ballet on an early play by Jean Racine. As Antigone derives from tragic drama, the essay investigates catharsis, one of the many principles that Aristotle delineated in the Poetics. This well-known effect is produced by Greek tragedies but the critics of the era complained about its lack in Cranko's ballet – views which I challenge. There is also an investigation of the role of Antigone, both in the play and in the ballet, and since Cranko created the role for Svetlana Beriosova, I reflect on memories of Beriosova's interpretation supported by more recent viewings of Edmée Wood's 1959 film.


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