scholarly journals ‘Oh, Oh Rodeo!!’: American Cowboys and Post-Independence Ireland

2022 ◽  
pp. 033248932110702
Author(s):  
Conor Heffernan

In 1924 Tex Austin, an American showman, brought his world travelling Rodeo to Croke Park in Dublin. Coming at a time of significant social and political upheaval in Ireland, Austin's rodeo promised an entirely new kind of spectacle which was free from imperial or British connotations. Austin's rodeo, and cowboy paraphernalia in general, seemed largely immune from cultural suspicions despite the fact that few citizens knew what a rodeo actually entailed. The purpose of the present article is twofold. First it provides a detailed examination of Tex Austin's Dublin Rodeo, and a growing proliferation of cowboy culture in interwar Ireland. Second, it uses Austin's Rodeo and its aftermath, to discuss the rise of cowboy masculinities in Ireland. Done to highlight the multiplicity of masculine identities in the Free State, the article discusses the appeal of cowboy inspired masculinity in Ireland, as well as the mediums through which it passed. Such an identity was not all encompassing but it did exist, and was sustained by the entertainment and leisure industry. Its study reiterates the need for more work on the various pressures and influences brought to bear on Irish masculinity.

2021 ◽  
pp. 1-29
Author(s):  
Samuel Fullerton

Abstract This article argues for a reconsideration of the origins of Restoration sexual politics through a detailed examination of the effusive sexual polemic of the English Revolution (1642–1660). During the early 1640s, unprecedented political upheaval and a novel public culture of participatory print combined to transform explicit sexual libel from a muted element of prewar English political culture into one of its preeminent features. In the process, political leaders at the highest levels of government—including Queen Henrietta Maria, Oliver Cromwell, and King Charles I—were confronted with extensive and graphic debates about their sexual histories in widely disseminated print polemic for the first time in English history. By the early 1650s, monarchical sexuality was a routine topic of scurrilous political commentary. Charles II was thus well acquainted with this novel polemical milieu by the time he assumed the throne in 1660, and his adoption of the “Merry Monarch” persona early in his reign represented a strategic attempt to turn mid-century sexual politics to his advantage, despite unprecedented levels of contemporary criticism. Restoration sexual culture was therefore largely the product of civil war polemical debate rather than the singular invention of a naturally libertine young king.


Experiment ◽  
2019 ◽  
Vol 25 (1) ◽  
pp. 53-67
Author(s):  
Maria Taroutina

Abstract Although traditionally associated with the ascendance of National Romanticism, Slavic folklore, and the Neo-Russian style in painting, architecture, and the decorative arts, the Abramtsevo artistic circle was also privy to the inception and production of a number of manifestly Orientalist works, such as Vasilii Polenov’s Christ and the Adulteress (1888), Mikhail Vrubel’s ceramic sculptures of The Assyrian, The Egyptian Girl, The Pharaoh, and The Libyan Lion (1890s), and the costumes and set designs for the theatrical productions Judith (1878, 1898), Joseph (1880, 1881, 1887, 1889), The Black Turban (1884, 1887, 1889), King Saul (1890), and To the Caucasus (1891). In addition, a series of hybrid works that fused elements of the exotic with national thematic and stylistic content, such as Viktor Vasnetsov’s Underwater Kingdom (1884) and Mikhail Vrubel’s Princess Volkhova (1898), were likewise produced under the auspices of Savva Mamontov and the Abramtsevo community, thus blurring the boundaries between native and foreign, local and global, self and other, and Slavophilia and Orientalia. The present article posits that an understanding of the romanticized, Neo-Russian artistic and theatrical productions, and the nationalist polemics of the Abramtsevo artistic circle is necessarily incomplete without a detailed examination of the various Orientalist crosscurrents which informed and structured many of the group’s artworks throughout the 1880s and 1890s—a narrative that has been largely left out of scholarly accounts of the movement.


2019 ◽  
Vol 124 (1) ◽  
pp. 219-230
Author(s):  
Elena Martínez-Rodríguez

Abstract The present article offers a detailed examination of the Lycian phonetic development from a labial glide u̯ {w} into a fricative {b} [v]/[β], which results from contact with an obstruent ([β]/[v] {b} < u̯/C_, AHP: 289). The study of phonetic contexts within each lexeme will allow us to establish new conditions for this change, whether extensions or restrictions, and also to propose some derivations and etymologies.


2021 ◽  
pp. 36-45
Author(s):  
Ekaterina Sergeevna Bryleva

The present article raises the question of the development of special endurance in girl sprinters. For the purpose of more detailed examination of the question raised, the object, the subject and the aim of the study are clarified in the article. Practical guidelines are also present in the article.


ARTis ON ◽  
2018 ◽  
pp. 45-54
Author(s):  
João Pedro Monteiro

The present article focuses on the work of João Miguel dos Santos Simões (1907-1972), a researcher, historian, scholar and promoter of Portuguese azulejos and their use in Portugal, as well as the founder of the National Azulejo Museum. Santos Simões played a very important role in the identification both of the azulejo’s specific characteristics and of their use in Portugal. He was, in the 20th century, one of the most important promoters of the azulejo as a distinctly Portuguese art form. His main theoretical contribution concerns the recognition of the azulejo’s unique expression in Portugal — and, by extension, in Brazil. Its use gave rise to monumental decorations and helped shape the architecture in original ways. Apart from identifying the main characteristics of the use of azulejos in Portugal, Santos Simões also compared it to the situation in other countries, namely in Spain. Moreover, he studied the azulejo as a touristic phenomenon, a subject whose topicality warrants, according to the author of the present article, a detailed examination.


Author(s):  
Maria M. Radchenko

The present article examines and proves the theory, according to which the short story “A Small House in the 5th Christmas St.” by Yu.P. Annenkov implicitly contains the elements of Eugène Delacroix’s painting “Liberty Leading the People”. The incorporation of painting’s elements into the story’s texture has become possible due to ekphrasis – an instrument Annenkov used quite often in his works. Taking into consideration the fact that there is no single approach in analyzing this “intermedial device”, two concepts of ekphrasis has been chosen as the theoretical basis for the present research – one presented by the work of V.V. Feshchenko and O.V. Koval, another one – by the article of V.V. Lepakhin. After the detailed examination of Annenkov’s short story and Delacroix’s painting it may be concluded that by two characters – Tekla Balchus and her son Stasik – the writer not only ekphrastically represented the key figures and the plot of “Liberty Leading the People”, but also intentionally distorted the initial visual image in order to demonstrate in the verbal form of the story his own disillusionment with the ideas of the revolution.


1977 ◽  
Vol 20 (3) ◽  
pp. 545-567 ◽  
Author(s):  
Lois G. Schwoerer

The Convention Parliament, the revolutionary tribunal of the English Revolution of 1689, prohibited the printing of news of its affairs and barred the public from its debates. Authors, printers and publishers, however, defied these orders and published unlicensed accounts of speeches, votes, committee reports, and the membership of the Convention. Although the laws and administrative procedures which the later Stuarts had used to restrict the press were still in effect, they were not enforced. During the weeks of political crisis, quantities of news-sheets, newspapers and tracts reporting parliamentary news and political opinion appeared. At a time of growing scholarly and popular interest in the Glorious Revolution, it may be useful to examine the relationship between parliament and press. Although studies of the early press and of parliamentary reporting have been made, no detailed examination of these matters during the months of political upheaval in the winter of 1688–9 has been undertaken. Two central questions suggest themselves. How did the politically conscious public learn about what was happening in Westminster where their elected representatives and the peers of the realm were meeting to resolve the crisis facing the nation? What was the attitude of those representatives and peers to having information about their affairs spread beyond their chambers? The answers to such questions may deepen understanding of the Convention and of one aspect of the part played by the press in the Revolution.


1915 ◽  
Vol 5 ◽  
pp. 207-248
Author(s):  
J. S. Reid

The first draft of this paper was written nearly four years ago. If it had been completed for publication then, it would have contained a detailed examination of the important but uneven work of Legras, entitled La Table Latine d'Heraclée (Paris, 1907). This has now been rendered in large part needless by the criticisms of Dr. Hardy in a recent number of this Journal. In the present article I shall only refer to Legras when my own argument makes it expedient to do so, or at points where I have not been anticipated by Dr. Hardy, or disagree with his comments.


Author(s):  
Malcolm Macourt

The physical boundary (‘the border’) between Northern Ireland and the rest of Ireland has featured as a crucial part in relationships across the island, not least in the negotiations between the UK and the EU over Brexit.  Under the Anglo-Irish Treaty of December 1921, a Boundary Commission was established with Professor Eoin MacNeill as the representative of the Irish Free State.  It started its work after the civil war in the Irish Free State (1922-23) had ceased.  It almost achieved its objective of a revised border.  With the agreement of all sides, the major source of data was religion in the 1911 Census, but individual returns were not made available to the Commission.  The areas agreed for transfer involved large majorities of Catholics to the Free State and large majorities of Protestants to the North.  The only exception was the Laggan in northeast Donegal, an area with a small Protestant majority.  At the last moment MacNeill withdrew, the Commission could not produce a unanimous report, therefore its report was unenforceable and it remained secret for over 40 years.  The 1911 Census forms became available in the new millennium permitting detailed examination of the Laggan.  This paper addresses the outcomes of the Commission’s work and questions whether there was a particular problem which caused MacNeill to withdraw.  Speculation on MacNeill’s activity in this exercise is offered and related to his official reasons for sinking the Commission.


2010 ◽  
Vol 10 (2) ◽  
pp. 166-193 ◽  
Author(s):  
Tine Defour ◽  
Ulrique D'Hondt ◽  
Anne-Marie Simon-Vandenbergen ◽  
Dominique Willems

Despite their formal resemblance, the English word ‘actually’ and the French word actuellement fulfil very different semantic-pragmatic functions in their present-day usage. In most cases they are ‘false friends’, as they overlap in meaning in a very limited number of contexts only. Since these words can — directly or indirectly (through borrowing) — be traced back to the same origin, their present-day meanings indicate that the words have followed different paths of change. It is the aim of the present article to trace the semantic-pragmatic developments of these words through a detailed examination of the discursive contexts in which they have occurred from their first attestations in the languages concerned until the present time. In this way, the subtle transitions from one meaning to another are laid bare. In addition, the cross-linguistic perspective offers insight into how polysemy may develop in different directions. The analyses are based on French and English monolingual corpus data, both synchronic and diachronic. In addition, translation corpus data provide further evidence for the semantics of the two adverbs. The results of the empirical analysis are interpreted within the framework of pragmaticalization and (inter)subjectification.


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