Phonotactics of the Lycian labial glide clusters

2019 ◽  
Vol 124 (1) ◽  
pp. 219-230
Author(s):  
Elena Martínez-Rodríguez
Keyword(s):  
Present Article ◽  
Detailed Examination

Abstract The present article offers a detailed examination of the Lycian phonetic development from a labial glide u̯ {w} into a fricative {b} [v]/[β], which results from contact with an obstruent ([β]/[v] {b} < u̯/C_, AHP: 289). The study of phonetic contexts within each lexeme will allow us to establish new conditions for this change, whether extensions or restrictions, and also to propose some derivations and etymologies.

The Poetics and Aesthetics of Otherness

Experiment ◽  
2019 ◽  
Vol 25 (1) ◽  
pp. 53-67
Author(s):  
Maria Taroutina
Keyword(s):  
Present Article ◽  
Detailed Examination ◽  
Decorative Arts ◽  
The Caucasus ◽  
Self And Other ◽  
National Romanticism

Abstract Although traditionally associated with the ascendance of National Romanticism, Slavic folklore, and the Neo-Russian style in painting, architecture, and the decorative arts, the Abramtsevo artistic circle was also privy to the inception and production of a number of manifestly Orientalist works, such as Vasilii Polenov’s Christ and the Adulteress (1888), Mikhail Vrubel’s ceramic sculptures of The Assyrian, The Egyptian Girl, The Pharaoh, and The Libyan Lion (1890s), and the costumes and set designs for the theatrical productions Judith (1878, 1898), Joseph (1880, 1881, 1887, 1889), The Black Turban (1884, 1887, 1889), King Saul (1890), and To the Caucasus (1891). In addition, a series of hybrid works that fused elements of the exotic with national thematic and stylistic content, such as Viktor Vasnetsov’s Underwater Kingdom (1884) and Mikhail Vrubel’s Princess Volkhova (1898), were likewise produced under the auspices of Savva Mamontov and the Abramtsevo community, thus blurring the boundaries between native and foreign, local and global, self and other, and Slavophilia and Orientalia. The present article posits that an understanding of the romanticized, Neo-Russian artistic and theatrical productions, and the nationalist polemics of the Abramtsevo artistic circle is necessarily incomplete without a detailed examination of the various Orientalist crosscurrents which informed and structured many of the group’s artworks throughout the 1880s and 1890s—a narrative that has been largely left out of scholarly accounts of the movement.

scholarly journals Application of Circuit Training Method for Development of Special Endurance in 15–16-Year-Old Girls

2021 ◽  
pp. 36-45
Author(s):  
Ekaterina Sergeevna Bryleva
Keyword(s):  
Present Article ◽  
Detailed Examination ◽  
Training Method ◽  
Circuit Training ◽  
Practical Guidelines ◽  
The Subject

The present article raises the question of the development of special endurance in girl sprinters. For the purpose of more detailed examination of the question raised, the object, the subject and the aim of the study are clarified in the article. Practical guidelines are also present in the article.

scholarly journals SANTOS SIMÕES AND THE AZULEJO IDENTITY IN PORTUGAL

ARTis ON ◽  
2018 ◽  
pp. 45-54
Author(s):  
João Pedro Monteiro
Keyword(s):  
Present Article ◽  
20Th Century ◽  
Detailed Examination ◽  
Theoretical Contribution ◽  
Art Form

The present article focuses on the work of João Miguel dos Santos Simões (1907-1972), a researcher, historian, scholar and promoter of Portuguese azulejos and their use in Portugal, as well as the founder of the National Azulejo Museum. Santos Simões played a very important role in the identification both of the azulejo’s specific characteristics and of their use in Portugal. He was, in the 20th century, one of the most important promoters of the azulejo as a distinctly Portuguese art form. His main theoretical contribution concerns the recognition of the azulejo’s unique expression in Portugal — and, by extension, in Brazil. Its use gave rise to monumental decorations and helped shape the architecture in original ways. Apart from identifying the main characteristics of the use of azulejos in Portugal, Santos Simões also compared it to the situation in other countries, namely in Spain. Moreover, he studied the azulejo as a touristic phenomenon, a subject whose topicality warrants, according to the author of the present article, a detailed examination.

scholarly journals EKPHRASTIC REPRESENTATION OF EUGÈNE DELACROIX’S PAINTING “LIBERTY LEADING THE PEOPLE” IN YU.P. ANNENKOV’S SHORT STORY “A SMALL HOUSE IN THE 5TH CHRISTMAS ST.”

2020 ◽  
pp. 171-176
Author(s):  
Maria M. Radchenko
Keyword(s):  
Present Article ◽  
Short Story ◽  
Theoretical Basis ◽  
Visual Image ◽  
Detailed Examination ◽  
Verbal Form ◽  
The People ◽  
Small House ◽  
Single Approach ◽  
The Revolution

The present article examines and proves the theory, according to which the short story “A Small House in the 5th Christmas St.” by Yu.P. Annenkov implicitly contains the elements of Eugène Delacroix’s painting “Liberty Leading the People”. The incorporation of painting’s elements into the story’s texture has become possible due to ekphrasis – an instrument Annenkov used quite often in his works. Taking into consideration the fact that there is no single approach in analyzing this “intermedial device”, two concepts of ekphrasis has been chosen as the theoretical basis for the present research – one presented by the work of V.V. Feshchenko and O.V. Koval, another one – by the article of V.V. Lepakhin. After the detailed examination of Annenkov’s short story and Delacroix’s painting it may be concluded that by two characters – Tekla Balchus and her son Stasik – the writer not only ekphrastically represented the key figures and the plot of “Liberty Leading the People”, but also intentionally distorted the initial visual image in order to demonstrate in the verbal form of the story his own disillusionment with the ideas of the revolution.

scholarly journals The so-called ‘Lex lulia Municipalis’

1915 ◽  
Vol 5 ◽  
pp. 207-248
Author(s):  
J. S. Reid
Keyword(s):  
Present Article ◽  
Detailed Examination ◽  
Do So

The first draft of this paper was written nearly four years ago. If it had been completed for publication then, it would have contained a detailed examination of the important but uneven work of Legras, entitled La Table Latine d'Heraclée (Paris, 1907). This has now been rendered in large part needless by the criticisms of Dr. Hardy in a recent number of this Journal. In the present article I shall only refer to Legras when my own argument makes it expedient to do so, or at points where I have not been anticipated by Dr. Hardy, or disagree with his comments.

Degrees of pragmaticalization

2010 ◽  
Vol 10 (2) ◽  
pp. 166-193 ◽  
Author(s):  
Tine Defour ◽  
Ulrique D'Hondt ◽  
Anne-Marie Simon-Vandenbergen ◽  
Dominique Willems
Keyword(s):  
Present Article ◽  
Empirical Analysis ◽  
Detailed Examination ◽  
English Word ◽  
French Word ◽  
French And English ◽  
Corpus Data ◽  
The Cross ◽  
The Empirical Analysis ◽  
Insight Into

Despite their formal resemblance, the English word ‘actually’ and the French word actuellement fulfil very different semantic-pragmatic functions in their present-day usage. In most cases they are ‘false friends’, as they overlap in meaning in a very limited number of contexts only. Since these words can — directly or indirectly (through borrowing) — be traced back to the same origin, their present-day meanings indicate that the words have followed different paths of change. It is the aim of the present article to trace the semantic-pragmatic developments of these words through a detailed examination of the discursive contexts in which they have occurred from their first attestations in the languages concerned until the present time. In this way, the subtle transitions from one meaning to another are laid bare. In addition, the cross-linguistic perspective offers insight into how polysemy may develop in different directions. The analyses are based on French and English monolingual corpus data, both synchronic and diachronic. In addition, translation corpus data provide further evidence for the semantics of the two adverbs. The results of the empirical analysis are interpreted within the framework of pragmaticalization and (inter)subjectification.

The Filiation of Aesthetic Ideas in the Neoplatonic School

1926 ◽  
Vol 20 (3-4) ◽  
pp. 148-151
Author(s):  
H. P. R. Finberg
Keyword(s):  
Present Article ◽  
Detailed Examination ◽  
Fine Art ◽  
Philosophy Of Art ◽  
Aesthetic Theory ◽  
Original Contribution ◽  
Aesthetic Ideas ◽  
As If

The famous passage (Enn. V. 8. 1) in which Plotinus declares that fine art, so far from simply reproducing nature, ‘goes back to the Reason-principles from which nature herself emanates,’ has hitherto been generally regarded as a tacit criticism of Plato's teaching, and as an original contribution to the philosophy of art involving a rupture with the entire previous tradition of Greek aesthetic theory. Yet Plotinus introduces it, not as if he were proclaiming a new gospel, but almost casually, as a subordinate link in his discussion of Intelligible Beauty. And though his respect for Plato was not the half-superstitious reverence of the later Neoplatonists, he was at all times more zealous to walk in Plato's footsteps than to correct or criticize him, tacitly or otherwise. Moreover, can it be said with certainty that his doctrine is in itself opposed to Plato's? That question can be answered only by a detailed examination of Plato's theory of art—a task which I hope to accomplish elsewhere. In the present article, postponing all enquiry into the relation between these two aesthetic theories, I shall endeavour to show that the teaching of Plotinus was not a sudden innovation, but the natural and indeed inevitable outcome of preceding thought.

scholarly journals Ranobizantska tvrđava Σικλαι: etimološka analiza toponima

2017 ◽  
Vol 4 (1) ◽  
pp. 99
Author(s):  
Jasminka Kuzmanovska
Keyword(s):  
Present Article ◽  
Detailed Examination ◽  
The Other ◽  
Early Byzantine

Early Byzantine fort Σίκλαι (Siclae) was recorded by the historian Procopius in his Buildings, more precisely, in the list for Macedonia from Book IV. Procopius’ form of the place name confirms the disappearance of the unstressed vowel in the penult as one of the most important features in Vulgar Latin phonetics. Apart from considering the morphological peculiarities of the toponym, the present article also focuses on a more detailed examination of its etymology. To this effect, two equally possible solutions regarding the origin of the name are presented. According to the first one, the appellative sicla/sikla forms the basis of this toponym, which is the Vulgar Latin variant of the noun situla, denoting a ‘bucket, pail, jug, pitcher’. The other possibility, equally strong, is that this toponym is related to the name of the Illyrian tribe Siculi/Siculotae (Σικελοί).

scholarly journals ‘Oh, Oh Rodeo!!’: American Cowboys and Post-Independence Ireland

2022 ◽  
pp. 033248932110702
Author(s):  
Conor Heffernan
Keyword(s):  
Present Article ◽  
Detailed Examination ◽  
Free State ◽  
Political Upheaval ◽  
Leisure Industry ◽  
Cowboy Culture

In 1924 Tex Austin, an American showman, brought his world travelling Rodeo to Croke Park in Dublin. Coming at a time of significant social and political upheaval in Ireland, Austin's rodeo promised an entirely new kind of spectacle which was free from imperial or British connotations. Austin's rodeo, and cowboy paraphernalia in general, seemed largely immune from cultural suspicions despite the fact that few citizens knew what a rodeo actually entailed. The purpose of the present article is twofold. First it provides a detailed examination of Tex Austin's Dublin Rodeo, and a growing proliferation of cowboy culture in interwar Ireland. Second, it uses Austin's Rodeo and its aftermath, to discuss the rise of cowboy masculinities in Ireland. Done to highlight the multiplicity of masculine identities in the Free State, the article discusses the appeal of cowboy inspired masculinity in Ireland, as well as the mediums through which it passed. Such an identity was not all encompassing but it did exist, and was sustained by the entertainment and leisure industry. Its study reiterates the need for more work on the various pressures and influences brought to bear on Irish masculinity.

Electron Irradiation Effects in Polyoxymethylene Crystals Grown Inside Trioxane Crystals

1971 ◽  
Vol 29 ◽  
pp. 78-79
Author(s):  
J. P. Colson ◽  
D. H. Reneker
Keyword(s):  
Cross Section ◽  
Cross Sections ◽  
Detailed Examination ◽  
The Other ◽  
Electron Micrograph ◽  
Irradiation Effects ◽  
Threefold Axis ◽  
Typical Sample ◽  
Polymer Crystals ◽  
Chain Axis

Polyoxymethylene (POM) crystals grow inside trioxane crystals which have been irradiated and heated to a temperature slightly below their melting point. Figure 1 shows a low magnification electron micrograph of a group of such POM crystals. Detailed examination at higher magnification showed that three distinct types of POM crystals grew in a typical sample. The three types of POM crystals were distinguished by the direction that the polymer chain axis in each crystal made with respect to the threefold axis of the trioxane crystal. These polyoxymethylene crystals were described previously.At low magnifications the three types of polymer crystals appeared as slender rods. One type had a hexagonal cross section and the other two types had rectangular cross sections, that is, they were ribbonlike.

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