Between the Notes: A Musical Understanding of Change in Group Analysis
This article brings together insights from the fields of communicative musicality and group analysis and suggests that the matrix should be understood as a musical process. Linking the social and the biological, this offers an explanation of many of the mechanisms that are fundamental, both to our nature as social to the core and to the group process (particularly belonging and resonance), but which remain outside of awareness. This musical understanding leads to a recasting of the role of the group analyst, not as conductor but as tonic or home note and a view of change as the development of greater flexibility in relating. The basis for the analogy between music and the group process is, I suggest, the creative space from which meaning emerges that is common to both—the interval in music and the intersubjective space in the group.