Experimental study of the POP technique: focus on the physical basis of the process

2020 ◽  
Vol 21 (6) ◽  
pp. 953-958
Author(s):  
Laurent Royon ◽  
Jacques Merckx ◽  
Rémi Herbaut ◽  
Philippe Brunet ◽  
Christian Dupont ◽  
...  
Keyword(s):  
Experimental Study ◽  
The Body ◽  
Upward Movement ◽  
Peripheral Vascular ◽  
Timely Manner ◽  
Vascular Access Devices ◽  
Complete Occlusion ◽  
Adequate Care ◽  
Saturation Vapour Pressure ◽  
Definition Of

Introduction: Central or peripheral vascular access devices have been in use for many decades. However, despite adequate care and maintenance, complete occlusion may occur, and its impact cannot be overlooked. A new procedure using a percussion technique has been published and referred as ‘the POP technique’. Methods: A hydrodynamic bench was used permitting both the recording of the movement of the piston with a fast camera and the pressure variations in the polyurethane and silicone catheters while connected to 2- and 3-piece syringes. Results: The results are twofold. First the upward movement of the piston leads to the installation of a saturation vapour pressure in the body of the syringe. During this sequence, the clot is submitted to a force of aspiration. Then the release of the plunger leads to a pulse pressure whose dynamics and intensity are dependent of the types of syringes and catheters. Conclusions: The experiments bring to light the importance of practical features such as the orientation of the syringe and the nature of the polyurethane or silicone catheters. Then the analysis enables the definition of practical rules for safe practice of the POP technique. This study will impact clinicians as many may be tempted to use the technique in hope to resolve the occlusion safely, in a timely manner.

Derrida on Pornography: Putting (It) Up for Sale

Derrida Today ◽  
2013 ◽  
Vol 6 (1) ◽  
pp. 97-114 ◽  
Author(s):  
Christopher Morris
Keyword(s):  
Cultural Studies ◽  
English Translation ◽  
The Body ◽  
The Past ◽  
French Original ◽  
Definition Of ◽  
Critical Discourses ◽  
Academic Debate

Over the past thirty years, academic debate over pornography in the discourses of feminism and cultural studies has foundered on questions of the performative and of the word's definition. In the polylogue of Droit de regards, pornography is defined as la mise en vente that is taking place in the act of exegesis in progress. (Wills's idiomatic English translation includes an ‘it’ that is absent in the French original). The definition in Droit de regards alludes to the word's etymology (writing by or about prostitutes) but leaves the referent of the ‘sale’ suspended. Pornography as la mise en vente boldly restates the necessary iterability of the sign and anticipates two of Derrida's late arguments: that there is no ‘the’ body and that performatives may be powerless. Deriving a definition of pornography from a truncated etymology exemplifies the prosthesis of origin and challenges other critical discourses to explain how pornography can be understood as anything more than ‘putting (it) up for sale’.

Embodying the culture of achievement: Culture between illness and perfection is a ‘thin line’ – obtaining the ideal female body as an act of achievement

2021 ◽  
pp. 1354067X2110040
Author(s):  
Josefine Dilling ◽  
Anders Petersen
Keyword(s):  
Experimental Study ◽  
Human Body ◽  
Female Body ◽  
The Body ◽  
Thin Line ◽  
Complex Processes ◽  
The Individual ◽  
Different Levels ◽  
The Ideal ◽  
Body Ideals

In this article, we argue that certain behaviour connected to the attempt to attain contemporary female body ideals in Denmark can be understood as an act of achievement and, thus, as an embodiment of the culture of achievement, as it is characterised in Præstationssamfundet, written by the Danish sociologist Anders Petersen (2016) Hans Reitzels Forlag . Arguing from cultural psychological and sociological standpoints, this article examines how the human body functions as a mediational tool in different ways from which the individual communicates both moral and aesthetic sociocultural ideals and values. Complex processes of embodiment, we argue, can be described with different levels of internalisation, externalisation and materialisation, where the body functions as a central mediator. Analysing the findings from a qualitative experimental study on contemporary body ideals carried out by the Danish psychologists Josefine Dilling and Maja Trillingsgaard, this article seeks to anchor such theoretical claims in central empirical findings. The main conclusions from the study are used to structure the article and build arguments on how expectations and ideals expressed in an achievement society become embodied.

scholarly journals Zur exakten Behandlung von kollektiven Rotationen Teil A: Theorie / On the Exact Treatment of Collective Rotations Part A: Theory

1973 ◽  
Vol 28 (2) ◽  
pp. 206-215
Author(s):  
Hanns Ruder
Keyword(s):  
Coordinate System ◽  
Perturbation Expansion ◽  
Rotational Energy ◽  
The Body ◽  
System A ◽  
N Body Problem ◽  
Definition Of ◽  
Fixed System ◽  
Body Fixed Coordinate System ◽  
Groundstate Energy

Basic in the treatment of collective rotations is the definition of a body-fixed coordinate system. A kinematical method is derived to obtain the Hamiltonian of a n-body problem for a given definition of the body-fixed system. From this exact Hamiltonian, a consequent perturbation expansion in terms of the total angular momentum leads to two exact expressions: one for the collective rotational energy which has to be added to the groundstate energy in this order of perturbation and a second one for the effective inertia tensor in the groundstate. The discussion of these results leads to two criteria how to define the best body-fixed coordinate system, namely a differential equation and a variational principle. The equivalence of both is shown.

scholarly journals Spiritual nursing care: A concept analysis

Curationis ◽  
2012 ◽  
Vol 35 (1) ◽  
Author(s):  
Lydia V. Monareng
Keyword(s):  
Nursing Care ◽  
Concept Analysis ◽  
Operational Definition ◽  
The Body ◽  
Empirical Literature ◽  
Spiritual Needs ◽  
Optimal Care ◽  
Health Crisis ◽  
Group Interviews ◽  
Definition Of

Although the concept ‘spiritual nursing care’ has its roots in the history of the nursing profession, many nurses in practice have difficulty integrating the concept into practice. There is an ongoing debate in the empirical literature about its definition, clarity and application in nursing practice. The study aimed to develop an operational definition of the concept and its application in clinical practice. A qualitative study was conducted to explore and describe how professional nurses render spiritual nursing care. A purposive sampling method was used to recruit the sample. Individual and focus group interviews were audio-taped and transcribed verbatim. Trustworthiness was ensured through strategies of truth value, applicability, consistency and neutrality. Data were analysed using the NUD*IST power version 4 software, constant comparison, open, axial and selective coding. Tech’s eight steps of analysis were also used, which led to the emergence of themes, categories and sub-categories. Concept analysis was conducted through a comprehensive literature review and as a result ‘caring presence’ was identified as the core variable from which all the other characteristics of spiritual nursing care arise. An operational definition of spiritual nursing care based on the findings was that humane care is demonstrated by showing caring presence, respect and concern for meeting the needs not only of the body and mind of patients, but also their spiritual needs of hope and meaning in the midst of health crisis, which demand equal attention for optimal care from both religious and nonreligious nurses.

scholarly journals A global framework for a systemic view of brain modeling

2021 ◽  
Vol 8 (1) ◽  
Author(s):  
Frederic Alexandre
Keyword(s):  
Instrumental Conditioning ◽  
The Body ◽  
Posterior Cortex ◽  
Reciprocal Relationships ◽  
Brain Modeling ◽  
Brain Theory ◽  
Habitual Behavior ◽  
Definition Of ◽  
The Brain ◽  
Specific Contribution

AbstractThe brain is a complex system, due to the heterogeneity of its structure, the diversity of the functions in which it participates and to its reciprocal relationships with the body and the environment. A systemic description of the brain is presented here, as a contribution to developing a brain theory and as a general framework where specific models in computational neuroscience can be integrated and associated with global information flows and cognitive functions. In an enactive view, this framework integrates the fundamental organization of the brain in sensorimotor loops with the internal and the external worlds, answering four fundamental questions (what, why, where and how). Our survival-oriented definition of behavior gives a prominent role to pavlovian and instrumental conditioning, augmented during phylogeny by the specific contribution of other kinds of learning, related to semantic memory in the posterior cortex, episodic memory in the hippocampus and working memory in the frontal cortex. This framework highlights that responses can be prepared in different ways, from pavlovian reflexes and habitual behavior to deliberations for goal-directed planning and reasoning, and explains that these different kinds of responses coexist, collaborate and compete for the control of behavior. It also lays emphasis on the fact that cognition can be described as a dynamical system of interacting memories, some acting to provide information to others, to replace them when they are not efficient enough, or to help for their improvement. Describing the brain as an architecture of learning systems has also strong implications in Machine Learning. Our biologically informed view of pavlovian and instrumental conditioning can be very precious to revisit classical Reinforcement Learning and provide a basis to ensure really autonomous learning.

MENGESAN KEWUJUDAN JIN BERDASARKAN PERUBAHAN WARNA AURA

2017 ◽  
Vol 5 (2) ◽  
pp. 36-49
Author(s):  
YOHAN KURNIAWAN ◽  
ALEXANDER STRAK ◽  
BURHAN BIN CHE DAUD ◽  
HISHAMUDDIN MD. SOM ◽  
ABDUL AZIZ BIN SUAIB
Keyword(s):  
Experimental Study ◽  
Data Collection ◽  
The Body ◽  
Data Collection Methods ◽  
Red Color ◽  
Holy Quran ◽  
The Holy Quran ◽  
Color Data ◽  
Source Of Information ◽  
Collection Methods

Kewujudan jin merupakan suatu kepercayaan yang telah lama wujud dalam kalangan masyarakat Melayu di Nusantara, khususnya di Malaysia. Kewujudan jin telah diterangkan secara jelas dalam kitab suci Al-Quran. Walaupun terdapat sumber maklumat yang sahih akan tetapi kewujudan jin ini belum dapat dibuktikan secara saintifi k. Kajian yang dijalankan ini bertujuan untuk mengenal pasti dan memahami fenomena kewujudan jin berdasarkan warna aura. Kajian yang dijalankan merupakan kajian eksperimental dan melibatkan seorang responden yang memiliki saka. Kaedah pengumpulan data yang digunakan dalam kajian ini adalah perubahan warna aura dan temu bual. Peralatan kajian yang digunakan adalahperalatan WinAura untuk mendapatkan data perubahan warna aura, dan peralatan rakaman untuk data temu bual. Hasil kajian mendapati kewujudan jin dalam badan seseorang ditandai dengan warna merah yang wujud secara tiba-tiba dan konsisten pada bahagian badan tertentu terutamanya pada bahagian dahi, tekak atau pada bahagian badan sebelah kiri. Hasil temu bual mendapati rawatan perubatan Islam yang dilakukan oleh responden mengatakan bahawa terdapat jin dalam diri responden. Kajian ini berjaya membuktikan kewujudan jin dalam diri responden berdasarkan perubahan warna aura.   The existence of the jinn is a phenomena that has long existed among the Malay community in Nusantara, especially in Malaysia. The existence of the jinn has been described clearly in the Holy Quran. Although there is a valid source of information, unfortunately the existence of the genie has not been scientifically proven. The study was aimed to identify and understand the phenomenon of jinn existence based on aura color. The study was an experimental study and involved a respondent who has saka. Data collection methods were used in this study was aura change color and interview. The equipments was used in this research were the WinAura machine to obtain of changing color data of the aura. The study found that the existence of genie in a person’s body was characterized by suddenly and consistent appear of red color in certain parts of the body, especially on the forehead, throat or on the left side of the body. The interviews also found that the characteristics and experience that the respondent’s surrounding and the there are energy or strength that followed respondent. This study proved the existence of supernatural beings (genie) based on aura change color.

The Meaning of Pain and the Pain of Meaning: A Bio-Hermeneutical Inquiry

2021 ◽  
Vol 90 ◽  
pp. 215-234
Author(s):  
Teodora Manea
Keyword(s):  
The Body ◽  
Main Interest ◽  
Main Approach ◽  
Memento Mori ◽  
Finding Meaning ◽  
Pace Of Life ◽  
Before And After ◽  
Definition Of

AbstractMy main interest here is to look at pain as a sign of the body that something is wrong. I will argue that there is a meaning of pain before and after an illness is diagnosed. An illness contains its own semantic paradigm, but the pain before the diagnosis affects the pace of life, not only by limiting our interactions, but also as a struggle with its meaning and a reminder of mortality.My main approach is what I call bio-hermeneutics, an extension of medical hermeneutics branching out from the Continental hermeneutical tradition. As such, I will explore the connection between pain and language, temporality, dialectics, and ontology. Given the centrality of language in constructing the meaning of pain, my analysis is informed by the semantics (looking at pain metaphors), syntax (pain as incoherence), and pragmatics (pain as companion) of expressing pain.The last section explores the meaning of pain in connection with death, as memento mori. Revisiting an old definition of philosophy as melete thanatou, or ‘rehearsal of death’, I will reflect on the difficulty of finding meaning not only for pain, but also for death as cessation of all existential possibilities.

An experimental study of source motion synthesis from first arrivals

1963 ◽  
Vol 53 (5) ◽  
pp. 955-963
Author(s):  
Henry N. Pollack
Keyword(s):  
Experimental Study ◽  
Source Function ◽  
Seismic Source ◽  
The Body ◽  
Body Waves ◽  
Fixed Position ◽  
Explosive Source ◽  
Simple Medium ◽  
Surface Ice ◽  
Source Motion

Abstract The motion near a seismic source is synthesized from experimentally obtained seismograms of non-dispersed body waves. The body waves were emitted from an explosive source submerged in a lake with a frozen surface. The seismograms were recorded at several distances by moving the source to a greater depth for each record, while the seismometer remained in a fixed position on the surface ice sheet. All syntheses of the waveform one meter from the source yield the impulsive nature of the source. Deviations between the synthesized one-meter record and the observed one-meter motion are thought to reflect primarily the changing character of the shot medium with depth from the ice. These results indicate that over the short propagation distances (about three wavelengths for the higher frequencies recorded) through the simple medium of this experiment, the observed waveforms and their associated spectra retain characteristics of the source function. The records also yield some information regarding the nature and structure of the elastic medium about the source.

Bodily Dasein and Chinese Script Components

2017 ◽  
Vol 2017 (2) ◽  
Author(s):  
Kwan Tze-wan
Keyword(s):  
Human Body ◽  
The Body ◽  
Chinese Script ◽  
Chinese Characters ◽  
Body Parts ◽  
Constitutive Principle ◽  
New Perspective ◽  
Social Environmental ◽  
The One ◽  
Definition Of

AbstractIn the Shuowen, one of the earliest comprehensive character dictionaries of ancient China, when discussing where the Chinese characters derive their structural components, Xu Shen proposed the dual constitutive principle of “adopting proximally from the human body, and distally from things around.” This dual emphasis of “body” and “things around” corresponds largely to the phenomenological issues of body or corporeality on the one hand, and lifeworld on the other. If we borrow Heidegger’s definition of Dasein as Being-in-the world, we can easily arrive at a reformulation of Xu Shen’s constitutive principle of the Chinese script as one that concerns “bodily Dasein.” By looking into various examples of script tokens we can further elaborate on how the Chinese make use not only of the body in general but various body parts, and how they differentiate their life world into material nature, living things, and a multifaceted world of equipment in forming a core basis of Chinese characters/components, upon which further symbolic manipulation such as “indication”, “phonetic borrowing”, semantic combination, and “annotative derivation”, etc. can be based. Finally, examples will be cited to show how in the Chinese scripts the human body (and its parts) might interact with other’s bodies (and their parts) or with “things around” (whether nature, living creatures, or artifacts) in various ways to cover the social, environmental, ritual, technical, economical, and even intellectual aspects of human experience. Bodily Dasein, so to speak, provides us with a new perspective of understanding and appreciating the entire scope of the Chinese script.

In the Blink of an Eye

2016 ◽  
pp. 166-186
Author(s):  
Alanna Thain
Keyword(s):  
The Body ◽  
Stop Motion ◽  
Definition Of ◽  
Action Cinema ◽  
Live Action ◽  
The Invisible

Canadian animator Norman McLaren claims that “animation is not the art of drawings that move but the art of movements that are drawn; what happens between each frame is much more important than what exists on each frame; animation is therefore the art of manipulating the invisible interstices that lie between the frames.” That has remained the default definition of animation since he first proposed it. Between the frames lie the alchemical transformations of animation and live-action cinema that exceed the still, photographed images. McLaren’s emphasis on the in-between may explain why his work involves stop-motion animation and was so strongly influenced by dance. Through consideration of McLaren’s collaborations with dancers in Ballet Adagio and Pas de Deux, but especially the aberrant movement and nonhuman dance of his A Chairy Tale, McLaren’s ability to animate change itself links dance’s potential for animation and animation’s ability to bring to screendance new potentials of the body.

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