scholarly journals Stuart Hall as a criminological theorist-activist

2020 ◽  
Vol 24 (3) ◽  
pp. 447-460
Author(s):  
Karim Murji

What is the legacy of Stuart Hall for criminology, beyond just Policing the Crisis? In this article I highlight two other engagements by Hall in race and policing one in the 1980s through an independent inquiry, the other in the 1990s through a major public inquiry. Beyond bringing this work to light, this article shows how these engagements reveal Hall’s unique style of theorizing the concrete politics of the present through his stress upon conjunctures and context, and via the concept of articulation. Hall’s interventions in these two cases underscore an analytical and theoretical stance in public forums that made him more than a ‘scholar-activist’ but rather a ‘theorist-activist’ who drew on theory for strategic and ‘applied’ purposes. The ways in which he did this can, I suggest, point to different ways of ‘doing race’ in a critical criminology.

2019 ◽  
Vol 96 (96) ◽  
pp. 5-37 ◽  
Author(s):  
Jeremy Gilbert

When Stuart Hall died in 2014, many tributes and memorial activities were planned by organisations, institutions and publications that felt they owed him a debt. New Formations was no exception, and the editorial board spent some time reflecting on an appropriate tribute. Stuart himself, as many of us knew, had little interest in seeing his work codified or memorialised for its own sake. But there was one injunction that many of us were familiar with from that work, his example, and from frequent personal and political conversations with him. The importance of thinking about 'the conjuncture', of 'getting the analysis right', was one that Stuart frequently emphasised to his students and interlocutors. The importance of mapping the specificity of the present, of situating current developments historically, of looking out for political threats and opportunities, was always at the heart of Stuart's conception both of 'cultural studies' as a specific intellectual practice, and of the general vocation of critical and engaged scholarship in the contemporary world. This is double-issue is the first of two volumes of New Formations to be dedicated, in Stuart's honour, to the understanding of this conjuncture. This introductory essay/editorial considers the relationship between 'cultural studies' and 'conjunctural analysis' as specific types of intellectual practice, before proposing a specific analysis of our present 'conjuncture', in dialogue with the other contributors to this volume.


2016 ◽  
Vol 10 (2) ◽  
pp. 163-177
Author(s):  
Maja Lavrač

Li Shangyin (813–858), one of the most respected, mysterious, ambiguous and provocative of Chinese poets, lived during the late Tang period, when the glorious Tang dynasty was beginning to decline. It was a time of social riots, political division and painful general insecurity. Li Shangyin is famous as a highly original and committed poet who developed a unique style full of vague allusions and unusual images derived from the literary past (the traditional canon, myths and legends) as well as from nature and personal experience. The second important feature of his poetry is a mysteriousness which finally leads to ambiguity. Ambiguity plays an essential role in most of his renowned poems, and he uses it to superbly connect present and past, reality and fantasy, and history and mythology. Thus, ambiguity and obscurity, respectively, often engender different interpretations among Chinese critics. These interpretations reflect the poems’ imaginative qualities, hypotheses and contradictions. Since each interpretive direction emphasizes but a single aspect of the poet’s character, it is more fitting to understand his ambiguous poems in symbolic terms. Such understanding entails that the meaning of the poem is not limited to one interpretation; rather, the poem’s poetic landscape opens itself up to various interpretations.Li Shangyin is actually most popular for his melancholic love poetry that reveals his ambiguous attitude to love. In this poetry, love is shrouded in a secret message. On the one hand, we can sense his moral disapproval of a secret but hopeless love; on the other, we can sense his passion. This leads to a paradox: the pleasing temptations of an illicit romance also exact a high price. In these love poems Li investigates various aspects of the worlds of passion which stoke in him feelings of rapture, satisfaction, joy and hope as well as feelings of doubt, frustration, despair and even thoughts of death.


Author(s):  
Graeme Johanson

This chapter describes the field of Development Informatics as it has emerged in the past two decades, and highlights some of the strengths of its research and practices. It draws on the current literature and the expertise of the other authors of this book to help to define a set of basic terms. Any new intellectual domain is tied to some degree to the vagaries of its institutional alliances, to the perceived international status of its public forums, and to the criticism that on its own it lacks unique methodological rigour. These points are discussed candidly. Multidisciplinarity is the backbone of Development Informatics. The main virtues of Development Informatics are that it offers a platform for an evaluative critique to counterbalance the effects of relentless globalisation, that it comprises strong multidisciplinary teams, that it maintains an intellectual space to build on international momentum that has developed among theorists and practitioners, and that it opens up future imaginative possibilities for collaborative projects which involve communities in developing areas of participatory research and ongoing project evaluation in order to encourage self-sustaining entities.


2013 ◽  
Vol 6 ◽  
pp. 1-26
Author(s):  
Sabreena Ahmed ◽  
Farhana Zamil Tinny

In recent years, the popularity of FM Radio stations has brought a unique change in speech style among the Bangladeshi youth. This paper compares the views of both the Radio Jockeys (RJ) and the young listeners to find out to what extent this phenomenon of RJ Speech influences the speech of the youth. The authors of the paper have selected 110 tertiary students randomly to collect their opinions through a questionnaire. Besides, seven RJs of four radio stations were interviewed and recordings of different programmes of the four FM radio stations were analysed to trace the new slang words and pronunciations used in this new style of speaking. The findings show that the young listeners think that they use this style both consciously and unconsciously. They sometimes take up this obviously “made up accent” to become a part of the popular and stylish group of friends on campus. On the other hand, the RJs do not want to admit that they are adversely influencing standard Bangla. They claim that it is up to the listeners to take the good or bad part of a programme and RJs will always adhere to their unique style. Stamford Journal of English; Volume 6; Page 1-26 DOI: http://dx.doi.org/10.3329/sje.v6i0.13899 


2018 ◽  
Vol 11 (2) ◽  
pp. 1-17
Author(s):  
Carlos Böes De Oliveira

RESUMO: Este artigo pretende estudar a relação da construção do ethos e da identidade no personagem principal do filme Pequeno Grande Homem (Little Big Man, 1970) de Arthur Penn, além de salientar as representações do Outro (os nativos norte-americanos) na narrativa fílmica. Através de um encontro interdisciplinar entre componentes da Análise do discurso (AD), da linha francesa de Maingueneau, e os estudos culturais, propomos uma visão mais ampla sobre a questão do eu e do Outro no gênero de faroeste. Os referencias teóricos estão focados em Tzvetan Todorov e Stuart Hall, para analisarmos a questão do Outro, a cultura e a identidade. Para enveredarmos na temática do ethos, buscamos teorias do discurso baseadas nos estudos de Dominique Maingueneau, que, por sinal, pertencem à linha de pesquisa da AD de linha francesa. Pretendemos, através deste estudo, problematizar a questão do Outro, entendendo que o personagem principal do filme desconstrói um ethos pré-discursivo, estabelecido na cultura norte-americana, em que a tradição via o nativo como selvagem e bestial. PALAVRAS-CHAVE: Pequeno Grande Homem; outro; ethos; identidade; faroeste.   ABSTRACT: This paper intends to analyze the relation of ethos and identity construction in the protagonist of the film Little Big Man (Arthur Penn, 1970), besides stressing out the representations of the Other (the North American natives) in the filmic narrative. Through an interdisciplinary approach between components of the Discourse Analysis from the French studies of Maingueneau, and cultural studies, we propose a substantial vision about the matter of the other and I in the western genre. The theoretical references are focused on Tzvetan Todorov and Stuart Hall, to analyze the matter of the other, culture and identity. To analyze the discursive ethos, we relied on discourse theories based on the studies of Dominique Maingueneau, that, by the way, belong to the French Discourse Analysis. Through this study, we intend to problematize the issue of the other, understanding that the protagonist of the film deconstructs a pre-discursive ethos, established on the North American culture, where tradition saw the native as a savage. KEYWORDS: Little Big Man; other; ethos; identity; western.


2016 ◽  
Vol 10 (2) ◽  
pp. 163-177
Author(s):  
Maja Lavrač

Li Shangyin (813–858), one of the most respected, mysterious, ambiguous and provocative of Chinese poets, lived during the late Tang period, when the glorious Tang dynasty was beginning to decline. It was a time of social riots, political division and painful general insecurity. Li Shangyin is famous as a highly original and committed poet who developed a unique style full of vague allusions and unusual images derived from the literary past (the traditional canon, myths and legends) as well as from nature and personal experience. The second important feature of his poetry is a mysteriousness which finally leads to ambiguity. Ambiguity plays an essential role in most of his renowned poems, and he uses it to superbly connect present and past, reality and fantasy, and history and mythology. Thus, ambiguity and obscurity, respectively, often engender different interpretations among Chinese critics. These interpretations reflect the poems’ imaginative qualities, hypotheses and contradictions. Since each interpretive direction emphasizes but a single aspect of the poet’s character, it is more fitting to understand his ambiguous poems in symbolic terms. Such understanding entails that the meaning of the poem is not limited to one interpretation; rather, the poem’s poetic landscape opens itself up to various interpretations.Li Shangyin is actually most popular for his melancholic love poetry that reveals his ambiguous attitude to love. In this poetry, love is shrouded in a secret message. On the one hand, we can sense his moral disapproval of a secret but hopeless love; on the other, we can sense his passion. This leads to a paradox: the pleasing temptations of an illicit romance also exact a high price. In these love poems Li investigates various aspects of the worlds of passion which stoke in him feelings of rapture, satisfaction, joy and hope as well as feelings of doubt, frustration, despair and even thoughts of death.


Author(s):  
Piotr Śmiałowski
Keyword(s):  

Stanisław Różewicz’s The voice from the other world is one of these masterpieces od polish cinematography, which draws inspiration from the authentic case: two fraudsters impersonate a doctor and quack medium. But at the same time Różewicz’s movie has become an artistic event showing the drama of frauders’ victims – people struggling with pain, loneliness and lack of hope. Formation of concept of The voice from the other world and the analysis of its following realization’s stages are the attempt to describe the essence of Stanisław Różewicz’s unique style and his sensitivity as a director.


2016 ◽  
Vol 67 (2) ◽  
pp. 209-229
Author(s):  
Emma Ireton

The Independent Panel Inquiry into Child Sexual Abuse was left in crisis following intense pressure from survivors and their families, the public and media. Two senior legal figures, Baroness Butler-Sloss and Fiona Woolf, both resigned from the position of chair to the inquiry following concerns over their links with the establishment. Questions were raised over the independence of a process convened by the Home Secretary, to investigate apparent failures on the part of institutions, which would include scrutinising the actions of a former Home Secretary in handling allegations of child sexual abuse in the past. Demands for an inquiry with greater statutory powers, including the power to compel the giving of evidence on oath, ultimately resulted in the Independent Panel being disbanded and a new public inquiry, the Independent Inquiry into Child Sexual Abuse, being convened. Against the background of this and other inquiries, this article examines the serious questions raised about the powers of a minister to set up a public inquiry, the lack of open and transparent decision-making processes and the extent to which those ministerial decisions are open to public scrutiny and accountability.


2017 ◽  
Vol 34 (7-8) ◽  
pp. 305-313
Author(s):  
Tony Jefferson

This is a review of two books, one Stuart Hall’s memoir, the other an edited volume of some of his most significant political writings. The former offers a psychosocial portrait of Hall, from Jamaica’s brown middle class, feeling alienated from the cultural norms and beliefs of his thoroughly colonized family of origin and coming to identify with Jamaica’s black masses and the post-colonial. Crucial to the transition was re-locating to England via a scholarship to Oxford. Despite ongoing disenchantment, this move enabled a new, liberating vantage point for understanding himself, namely, that of the diasporic intellectual. The memoir ends with Hall frenetically engaged politically with the new left and CND, which is where Selected Political Writings begins. Covering key moments and events in a changing political scene over more than 50 years, the essays, conjunctural analyses written contemporaneously, show remarkable consistency in political outlook and analytical approach.


Ars Aeterna ◽  
2018 ◽  
Vol 10 (1) ◽  
pp. 21-27
Author(s):  
Pavlína Flajšarová

Abstract Stuart Hall in Black Britain claims that “the experience of black settlement has been a long, difficult, sometimes bitterly contested and unfinished story.” Such is the case in Samuel Selvon’s 1956 novel The Lonely Londoners, which depicts the trauma of diaspora for West Indian newcomers. People from the Caribbean who settle in the “mother country” experience total disillusion because they are not welcomed by the white British. The paper focuses on the influence British politics has had upon the Windrush generation of immigrants. It shows how the characters cope with animosity, loneliness and the sense of failed promise that all lead to the traumatic experience of living in total isolation in a foreign city far from their native islands. The immigrants face xenophobia, suffer from being the “other”, invisible and segregated. They try to cope with the trauma of “not belonging anywhere”, i.e. being uprooted from their homes in the West Indies. In the aftermath of the decolonization process they fail to come to terms with their new living conditions, and as there is no return ticket to the Caribbean, they experience the ever-growing trauma of unsuccessful resettlement.


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