scholarly journals Eating alone, or commensality redefined? Solo dining and the aestheticization of eating (out)

2020 ◽  
pp. 146954052095521
Author(s):  
Sami Koponen ◽  
Pekka Mustonen
Keyword(s):  
Consumer Culture ◽  
Social Aspects ◽  
Consumer Group ◽  
Cultural Phenomenon ◽  
The Social ◽  
Eating Out ◽  
The Aesthetic ◽  
Restaurant Meals ◽  
Late Modern ◽  
The Ideal

Consumers’ increasing fascination with recreational eating out has contributed to numerous transformations in the upmarket restaurant practice. This paper explores such changes in regard to the “social” aspects of eating out, focusing particularly on the “cultural phenomenon” and practice of eating publicly alone (solo dining). Specifically, the paper extends previous portrayals of solo dining as a bundle of aloneness and togetherness by exploring such interplay in the context of the aestheticization of eating and/or the aesthetic food(ie) movement. Based on the interviews of Finnish food/restaurant enthusiasts and exponents of solo dining, the paper firstly depicts solo dining as a practice in which eating publicly alone is celebrated for the sake of enhanced aesthetic immersion. Secondly, the paper argues that solo dining can indeed be interpreted as a form of eating together and depicts the myriad ways, both concrete and “anonymous”, through which solo restaurant meals are shared between like-minded enthusiasts. Thus, the aesthetically oriented slice of solo dining becomes not understood as a complete departure from the ideal of shared public meals but as an alternative manifestation of commensality within an enthusiasm-based consumer group characteristic of late modern consumer culture.

Adorno’s Philistine: the Dialectic of Art and its Other

2019 ◽  
pp. 1-31
Author(s):  
Paul Ingram
Keyword(s):  
The Other ◽  
Critical Potential ◽  
The Social ◽  
The Aesthetic ◽  
Critical Turn ◽  
The Ideal

Abstract Theodor Adorno’s philistine functions as the other of art, or as the ideal embodiment of everything that the bourgeois aesthetic subject is not. He insists on the truth-content of the derogation, while recognising its unjust social foundation, and seeking to reflect that tension in a self-critical turn. His model of advanced art is negatively delimited by the philistinism of art with a cause and the philistinism of art for enjoyment, which represent the poles of the aesthetic and the social. The philistine is also the counterpart to the connoisseur, with the interplay between them pointing to his preferred approach to aesthetics, in which an affinity for art and alienness to it are combined without compromise. However, Adorno fails to realise fully the critical potential of the philistine as the immanent negation of art and aesthetics.

scholarly journals Solidarity as the phenomenon of modern culture

2021 ◽  
pp. 26-32
Author(s):  
Evgeniy Aleksandrovich Popov
Keyword(s):  
Historical Memory ◽  
Social Aspects ◽  
Special Role ◽  
Modern Culture ◽  
Cultural Phenomenon ◽  
Social Nature ◽  
Sacred Values ◽  
The Social ◽  
Universal Values ◽  
Sociocultural Systems

This article elucidated the phenomenon of solidarity from the perspective of value-semantic characteristic. The existing research on solidarity focus attention on the social nature and social aspects of the formation and development of this phenomenon. However, this is insufficient to get a clear picture of the factors that determine the solidary interaction of individuals: sacred values, values of the good, historical memory, etc. Examination of solidarity from such perspective allows developing such independent avenue of research as axiology of solidarity, etc. The main conclusions acquired in the course of studying solidarity as the cultural phenomenon consists in the following statements: 1) values are the determinants of solidarity, although the type of values (political, ideological, social) are of little significance; 2) solidarity is rather associated with universal values that are present in each culture, regardless of its national distinctness; 3) special role in studying solidarity is played by the empirical techniques  that allow specifying the value aspects of manifestations of solidarity in various social groups and communities, as well as sociocultural systems

scholarly journals Evaluacion de la sostenibilidad de la arquitectura, aspectos sociales, culturales, estética e hitos : Evaluation of architecture sustainability, social aspects, lacks, esthetics culturally and milestones

2015 ◽  
Vol 1 (3) ◽  
pp. 23
Author(s):  
Raul Cordero Gulá ◽  
Justo García Navarro
Keyword(s):  
Energy Consumption ◽  
Carbon Footprint ◽  
Social Housing ◽  
Social Needs ◽  
Social Aspects ◽  
Evaluation Tool ◽  
Housing Production ◽  
The Social ◽  
The Aesthetic ◽  
The University

ResumenLos países emergentes en general son poco consumidores de energía, por tanto tienen poca influencia en la huella de carbono y el daño ecológico al planeta, pero tienen muchas carencias sociales como la falta de vivienda, servicios, problemas de salud, falta de trabajo, etc. Por eso merecen tener una herramienta de evaluación de sostenibilidad arquitectónica que considere todos estos aspectos evaluados desde la óptica de cada cultura y en la que el peso de aspectos como la huella de carbono o el consumo energético no sea el único. Por otra parte esta herramienta evalúa la estética y los hitos arquitectónicos como parte de los aspectos sociales que deberían evaluarse en el mundo, y la propuesta ha sido aplicada en edificios patrimoniales y contemporáneos, realizada como proyecto de investigación de la Universidad de Cuenca, en colaboración con la UPM. AbstractEmerging countries are generally low consumption of energy, and thus have little influence on the carbon footprint and ecological damage to the planet, but instead have many social needs such as homelessness, housing without services, health problems, unemployment, etc. Therefore they deserve an evaluation tool of architectural sustainability which considers the social, housing production, jobs, health, all evaluated from the perspective of each culture and the weight of aspects carbon footprint or energy consumption is not the only one. Moreover this tool evaluates the aesthetic and architectural landmarks as part of the social aspects that should also be evaluated worldwide, and the proposal has been applied in heritage and contemporary buildings, conducted as a research project at the University of Cuenca, in collaboration with UPM.

Readers and Their Pleasures

2021 ◽  
pp. 524-556
Author(s):  
Stratis Papaioannou
Keyword(s):  
Book Art ◽  
The Public ◽  
The Social ◽  
The Aesthetic ◽  
The Ideal

The chapter explores the ways in which the high value of reading and, especially, its association with various kinds of pleasure were constructed and conceived in Byzantium. More specifically, it examines what the effect of reading was, how its experience was perceived, and who was conceived as the ideal reader. It also explores the social profile of readers in Byzantium, and demarcates two main types of readers from the perspective of the typology of ideal discourse: the “ritual” and the “aesthetic” reader, the former predicated on the likely existential transformation enacted by reading, and the latter focused on the materiality and sensuality of reading. In relation to the aesthetics of reading, the chapter also examines the public recitation of texts in Byzantium as well as Byzantine “book art” (both the illustration and the decoration of manuscripts).

Gesellschaftliche Moderne und ästhetische Moderne

2012 ◽  
Vol 37 (1) ◽  
Author(s):  
Andreas Reckwitz
Keyword(s):  
Structural Feature ◽  
Point Of View ◽  
Social Sphere ◽  
The Social ◽  
Aesthetic Modernity ◽  
The Aesthetic ◽  
Late Modern

AbstractThis paper argues that, from a sociological point of view, aesthetic modernity and social modernity are neither autonomous nor opposed structures. On the contrary, one encounters a simultaneous autonomization and shifting of borders within the aesthetic sphere, both of which originate in art and aesthetic movements. This framework is also the basis that gives shape to the modern aesthetic subject. From our - late modern - point of view, the aestheticization of the social sphere appears as a central structural feature of social modernity.

The critical theory of democracy in Western political thought

2020 ◽  
pp. 117
Author(s):  
Ruqaya Saeed Khalkhal
Keyword(s):  
Political Life ◽  
The Political ◽  
Democratic Process ◽  
The Social ◽  
Science And Politics ◽  
Political Realities ◽  
The Church ◽  
Theory Of Democracy ◽  
Or Applications ◽  
The Ideal

The darkness that Europe lived in the shadow of the Church obscured the light that was radiating in other parts, and even put forward the idea of democracy by birth, especially that it emerged from the tent of Greek civilization did not mature in later centuries, especially after the clergy and ideological orientation for Protestants and Catholics at the crossroads Political life, but when the Renaissance emerged and the intellectual movement began to interact both at the level of science and politics, the Europeans in democracy found refuge to get rid of the tyranny of the church, and the fruits of the application of democracy began to appear on the surface of most Western societies, which were at the forefront to be doubtful forms of governece.        Democracy, both in theory and in practice, did not always reflect Western political realities, and even since the Greek proposition, it has not lived up to the idealism that was expected to ensure continuity. Even if there is a perception of the success of the democratic process in Western societies, but it was repulsed unable to apply in Islamic societies, because of the social contradiction added to the nature of the ruling regimes, and it is neither scientific nor realistic to convey perceptions or applications that do not conflict only with our civilized reality The political realization created by certain historical circumstances, and then disguises the different reality that produced them for the purpose of resonance in the ideal application.

KETERTINDASAN MELAYU DALAM CERPEN “SUKU POMPONG” KARYA FEDLI AZIS DAN CERPEN “RUMAH DI UJUNG KAMPUNG” KARYA HANG KAFRAWI

2017 ◽  
Vol 6 (1) ◽  
pp. 1
Author(s):  
Marlina Marlina
Keyword(s):  
Short Stories ◽  
Large Scale ◽  
Social Aspects ◽  
Land Conversion ◽  
The Public ◽  
Historical Reality ◽  
Sociological Approach ◽  
The Social ◽  
Imaginative Literature ◽  
The Village

Reading short stories “Suku Pompong” (Pompong Tribe) and “Rumah di Ujung Kampung” (House at the End of the Village) is like reading a historical reality that is happening on the ground of Riau Malay. The exploitation of forest resources on a large scale in recent decades in Riau Province has changed the land use of the area of intact forest into plantation area. The exploitation process causes friction in the community. The friction is eventually lead to conflict between communities and plantation companies. Their struggle to resolve conflicts and maintain their ancestral land, the strength of the company that has the license to the land and sadness when the public finally has always been on the losing side. This study objected to describe the objective reality of the Malay community in terms of land conversion, the communal land into plantations and reality of imaginative literature contained in the short stories “Suku Pompong” dan “Rumah di Ujung Kampung”. This study applied the sociology of literature approach, while the sociological approach to literature is a literary approach that specializes in reviewing literature by considering the social aspects. Based on these approaches, it can be concluded that short stories Suku Pompong and Rumah di Ujung Jalan are short stories that raised the reality of the Malay community.AbstrakMembaca cerpen “Suku Pompong” dan cerpen “Rumah di Ujung Kampung” seperti membaca sebuah realita sejarah yang terjadi di tanah Melayu Riau. Ekploitasi sumber daya hutan secara besar-besaran pada beberapa dekade terakhir di Provinsi Riau telah mengubah tata guna lahan dari kawasan hutan yang utuh menjadi kawasan perkebunan. Proses eksploitasi tersebut menimbulkan gesekan-gesekan dalam masyarakat. Gesekan-gesekan inilah yang akhirnya menimbulkan konflik antara masyarakat dengan pihak perusahaan perkebunan. Perjuangan masyarakat dalam menyelesaikan konflik dan mempertahankan tanah leluhur mereka, kekuatan pihak perusahaan yang memiliki surat izin atas tanah tersebut, dan kesedihan ketika masyarakat akhirnya selalu berada di pihak yang kalah. Penelitian ini bertujuan untuk mendeskripsikan realitas objektif masyarakat Melayu Riau dalam hal alih fungsi lahan, dari lahan tanah ulayat menjadi lahan perkebunan, dan realititas imajinatif sastra yang terdapat dalam cerpen “Suku Pompong” dan cerpen “Rumah di Ujung Kampung”. Penelitian ini menggunakan pendekatan sosiologi sastra, yaitu suatu pendekatan sastra yang mengkhususkan diri dalam menelaah karya sastra dengan mempertimbangkan segi-segi sosial kemasyarakatan. Dari pendekatan tersebut dapat diambil kesimpulan bahwa cerpen “Suku Pompong” dan cerpen “Rumah di Ujung Kampung” memang merupakan cerpen yang mengangkat realitas masyarakat Melayu Riau.

ПРИНЦИПИ ПІЗНАННЯ ПОБУТУВАННЯ ПЕРФОРМАНСУ

2020 ◽  
pp. 54-60
Author(s):  
Admink Admink ◽  
Жанна Шкляренко
Keyword(s):  
Social Media ◽  
Performance Art ◽  
Research Performance ◽  
Emotional States ◽  
Performance Study ◽  
Modern Culture ◽  
Cultural Phenomenon ◽  
The Social ◽  
The Creation ◽  
Dividing Line

Стаття присвячена дослідженню шляхів вивчення перформансу як культурного явища. Зростаюча увага до цього феномену зумовлена відсутністю лінії розмежування його з життям, створенню особливої реальності, спроможністю викликати потужні емоційні стани та взаємоемпатії. Проблематичність у вивченні його полягає у складності архівування, хиткий своєрідний наратив, що вислизає зі сприйняття непідготовленого глядача, міграція з виставкових зал у соціальну сферу, супроводжувана жанровими новоутвореннями. Даним дослідженням зроблено спробу аналізу шляхів пізнання культурного явища перформансу, визначені особливості побутування, виявлено закономірності проявів та варіативність в сучасній культурі. The article is devoted to the study of ways to research performance study as a cultural phenomenon. The growing interest in the phenomenon of performance art is due to the lack of a dividing line with our life, the creation of a special reality, the ability to cause strong emotional states and mutual empathy. The difficulty of study is also in trouble archiving it, shaky kind of narrative which escapes the perception of the unprepared viewer, the migration of the exhibition halls and in the social media sphere, followed by the creation of new genres. This analyzes the ways of understanding the cultural phenomenon of performance art. The features of being are determined, patterns and a variety of its manifestations in modern culture are revealed.

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