ПРИНЦИПИ ПІЗНАННЯ ПОБУТУВАННЯ ПЕРФОРМАНСУ

2020 ◽  
pp. 54-60
Author(s):  
Admink Admink ◽  
Жанна Шкляренко
Keyword(s):  
Social Media ◽  
Performance Art ◽  
Research Performance ◽  
Emotional States ◽  
Performance Study ◽  
Modern Culture ◽  
Cultural Phenomenon ◽  
The Social ◽  
The Creation ◽  
Dividing Line

Стаття присвячена дослідженню шляхів вивчення перформансу як культурного явища. Зростаюча увага до цього феномену зумовлена відсутністю лінії розмежування його з життям, створенню особливої реальності, спроможністю викликати потужні емоційні стани та взаємоемпатії. Проблематичність у вивченні його полягає у складності архівування, хиткий своєрідний наратив, що вислизає зі сприйняття непідготовленого глядача, міграція з виставкових зал у соціальну сферу, супроводжувана жанровими новоутвореннями. Даним дослідженням зроблено спробу аналізу шляхів пізнання культурного явища перформансу, визначені особливості побутування, виявлено закономірності проявів та варіативність в сучасній культурі. The article is devoted to the study of ways to research performance study as a cultural phenomenon. The growing interest in the phenomenon of performance art is due to the lack of a dividing line with our life, the creation of a special reality, the ability to cause strong emotional states and mutual empathy. The difficulty of study is also in trouble archiving it, shaky kind of narrative which escapes the perception of the unprepared viewer, the migration of the exhibition halls and in the social media sphere, followed by the creation of new genres. This analyzes the ways of understanding the cultural phenomenon of performance art. The features of being are determined, patterns and a variety of its manifestations in modern culture are revealed.

Performatywne alter ego

2019 ◽  
Vol 26 (26) ◽  
pp. 108-133
Author(s):  
Agata Szuba Szuba
Keyword(s):  
Social Media ◽  
Performance Art ◽  
Wide Spectrum ◽  
Art Gallery ◽  
Leaving Home ◽  
New Methods ◽  
The Social ◽  
Art Scene ◽  
Alter Ego ◽  
Global Art

The dynamic development of the Internet and the constant search for new ways of reaching the user bring about the availability of materials that were previously unattainable. Performance art, thanks to its special openness to new methods of expression, reaches the mass media, while showing the individual’s psyche and character of the author’s work. The set of gestures, their sequence and narration are the basis for creating performance art, understood not only as a clear alternative to conventional art, but also characterized by unpredictability, in which the viewer is not prepared for the way messages are received. Undoubtedly, social platforms create an illusion. “The influencer” can reach thousands of viewers and gain fame without leaving home. Without a doubt, social media have created a new entry point to the global art scene, opening way to a wide spectrum of diverse artistic activities. The method of recording, the non-cutaneous nature of the phenomenon makes it possible to own performative actions. The context of a performance is particularly important. It affects what can be universally recognized as art. The question arises (since we distinguish two values of the performative action: in the art gallery and on the street), what frames on the social media allow the audience to interpret it as art, and assuming that it is an art, does it change the perception of a given phenomenon?

WEB MINING IN CLASSIFYING YOUTH EMOTIONS

2018 ◽  
Vol 3 (1) ◽  
pp. 1
Author(s):  
Zura Izlita Razak ◽  
Shuzlina Abdul rahman ◽  
Sofianita Mutalib ◽  
Nurzeatul Hamimah Abdul hamid
Keyword(s):  
Social Media ◽  
Web Mining ◽  
Daily Activities ◽  
The Internet ◽  
Emotional States ◽  
States Of Mind ◽  
Social Settings ◽  
The Social ◽  
Triggering Events ◽  
Mining Model

Social media sites are websites used as mediums to create and share various types of contents over the internet. These sites can also be accessed through applications on mobile gadgets. Different social media sites are available for free, and most teenagers or youths have at least one active account. They use social media sites to connect and share their online profiles, daily activities, stories, and emotions. Depending on their social settings, their activities may or may not be seen by others. One of the latest trends that is spreading over the social media is the Korean Pop entertainment or popularly known as KPop. Over the social media, youths share and express how they feel about their Korean celebrities, music, and drama. However, the issue of excessive sharing of emotion-sharing over social media may increase the risk of mental illness and affect their mental health. Their obsession to keep up-to-date with their idols might lead or cause adverse consequences on their emotional states of mind. Thus, the aim of this research is to study the changes of youths’ emotions in two different countries which are Malaysia and Korea that are related to the KPop trend. We extract texts from tweets from Twitter social media sites using the Twitter API as the basis of our study. Then, the keyword 'KPop' is used to filter the tweets. Web mining model classifies the 12,000 tweets into six emotion categories, which are joy, sadness, fear, anger, disgust, and surprise. The system then records the emotion changes and the triggering events respectively. 

The Aspirational Labor of an Academic

2017 ◽  
Author(s):  
Brooke Erin Duffy
Keyword(s):  
Social Media ◽  
Personal Identity ◽  
Social Practices ◽  
Creative Industries ◽  
Cultural Work ◽  
Ivory Tower ◽  
Work Output ◽  
Striking Resemblance ◽  
The Social ◽  
The Creation

This concluding chapter explains how the ideologies and social practices propelling the social media sphere bear a striking resemblance to contemporary academe. With its staid, ivory tower facade, the academy might seem far removed from the creative industries, a cluster of professions marked by an aura of bohemian cool. But it is much less of a conceptual leap to understand the creation and dissemination of knowledge as a form of cultural work. And many of the same venerated ideals—autonomy, flexibility, the perennial quest to “do what one loves”—seem to animate workers in both arenas. Indeed, academia is unique among professions that fuse the personal identity of their workers so intimately with the work output, which might well be said of the creative industries.

scholarly journals Musical culture of the post-industrial society: on the problem of analyzing basic definitions

2021 ◽  
pp. 45-50
Author(s):  
Ekaterina B. Kostiuk ◽  
Keyword(s):  
Public Discourse ◽  
Industrial Society ◽  
Pop Music ◽  
Musical Culture ◽  
Modern Culture ◽  
Cultural Phenomenon ◽  
Industrial Culture ◽  
The Social ◽  
The Status ◽  
Post Industrial

The article deals with the problem of definitions and boundaries of concepts widely used in modern postindustrial culture, scientific and public discourse: «mass», «popular», «academic», «classical», «elite» music. Mass music has several features that are largely determined by the specifics of the socio-cultural and technical development of society in the post-industrial era. However, the loosely applied term «popular» in relation to this direction of music is inaccurate, since not only the works of mass music become well-known, but also classical, academic. In the conditions of post-industrial culture, works of not only mass, but also academic, elite music are used as entertainment, and as a commodity of «organized consumer culture», receiving, among other things, the status of «popular», which is not identical in essence to the concept of «pop music», which is one of the directions of mass music as a cultural phenomenon of the XX century. The consideration of the essential aspects of the musical directions of mass and elite music leads to the conclusion about the social conditionality of the vector of development and their demand in the conditions of modern culture.

scholarly journals Solidarity as the phenomenon of modern culture

2021 ◽  
pp. 26-32
Author(s):  
Evgeniy Aleksandrovich Popov
Keyword(s):  
Historical Memory ◽  
Social Aspects ◽  
Special Role ◽  
Modern Culture ◽  
Cultural Phenomenon ◽  
Social Nature ◽  
Sacred Values ◽  
The Social ◽  
Universal Values ◽  
Sociocultural Systems

This article elucidated the phenomenon of solidarity from the perspective of value-semantic characteristic. The existing research on solidarity focus attention on the social nature and social aspects of the formation and development of this phenomenon. However, this is insufficient to get a clear picture of the factors that determine the solidary interaction of individuals: sacred values, values of the good, historical memory, etc. Examination of solidarity from such perspective allows developing such independent avenue of research as axiology of solidarity, etc. The main conclusions acquired in the course of studying solidarity as the cultural phenomenon consists in the following statements: 1) values are the determinants of solidarity, although the type of values (political, ideological, social) are of little significance; 2) solidarity is rather associated with universal values that are present in each culture, regardless of its national distinctness; 3) special role in studying solidarity is played by the empirical techniques  that allow specifying the value aspects of manifestations of solidarity in various social groups and communities, as well as sociocultural systems

Measuring the impact of COVID-19 papers on the social web: an altmetric study

2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Metwaly Ali Mohamed Edakar ◽  
Ahmed Maher Khafaga Shehata
Keyword(s):  
Social Media ◽  
Social Impact ◽  
Service Providers ◽  
Research Performance ◽  
Future Research ◽  
Content Type ◽  
The Social ◽  
Social Media Platforms ◽  
Number Of Citations ◽  
The Impact

Purpose The rapid spread and severity of the coronavirus (COVID-19) virus have prompted a spate of scholarly research that deals with the pandemic. The purpose of this study is to measure and assess the coverage of COVID-19 research on social media and the engagement of readers with COVID-19 research on social media outlets. Design/methodology/approach An altmetric analysis was carried out in three phases. The first focused on retrieving all papers related to COVID-19. Phase two of the research aimed to measure the presence of the retrieved papers on social media using altmetric application programming interface (API). The third phase aimed to measure Mendeley readership categories using Mendeley API to extract data of readership from Mendeley for each paper. Findings The study suggests that while social media platforms do not give accurate measures of the impact as given by citations, they can be used to portray the social impact of the scholarly outputs and indicate the effectiveness of COVID-19 research. The results confirm a positive correlation between the number of citations to articles in databases such as Scopus and the number of views on social media sites such as Mendeley and Twitter. The results of the current study indicated that social media could serve as an indicator of the number of citations of scientific articles. Research limitations/implications This study’s limitation is that the studied articles’ altmetrics performance was examined using only one of the altmetrics data service providers (altmetrics database). Hence, future research should explore altmetrics on the topic using more than one platform. Another limitation of the current research is that it did not explore the academic social media role in spreading fake information as the scope was limited to scholarly outputs on social media. The practical contribution of the current research is that it informs scholars about the impact of social media platforms on the spread and visibility of COVID-19 research. Also, it can help researchers better understand the importance of published COVID-19 research using social media. Originality/value This paper provides insight into the impact of COVID-19 research on social media. The paper helps to provide an understanding of how people engage with health research using altmetrics scores, which can be used as indicators of research performance.

Performative alter ego

2019 ◽  
Vol 26 (26) ◽  
pp. 108-132
Author(s):  
Agata Szuba
Keyword(s):  
Social Media ◽  
Performance Art ◽  
Wide Spectrum ◽  
Art Gallery ◽  
Leaving Home ◽  
New Methods ◽  
The Social ◽  
Art Scene ◽  
Alter Ego ◽  
Global Art

The dynamic development of the Internet and the constant search for new ways of reaching the user bring about the availability of materials that were previously unattainable. Performance art, thanks to its special openness to new methods of expression, reaches the mass media, while showing the individual’s psyche and character of the author’s work. The set of gestures, their sequence and narration are the basis for creating performance art, understood not only as a clear alternative to conventional art, but also characterized by unpredictability, in which the viewer is not prepared for the way messages are received. Undoubtedly, social platforms create an illusion. “The influencer” can reach thousands of viewers and gain fame without leaving home. Without a doubt, social media have created a new entry point to the global art scene, opening way to a wide spectrum of diverse artistic activities. The method of recording, the non-cutaneous nature of the phenomenon makes it possible to own performative actions. The context of a performance is particularly important. It affects what can be universally recognized as art. The question arises (since we distinguish two values of the performative action: in the art gallery and on the street), what frames on the social media allow the audience to interpret it as art, and assuming that it is an art, does it change the perception of a given phenomenon?

scholarly journals Modelling the Degree of Emotional Concern: COVID-19 Response in Social Media

2021 ◽  
Vol 11 (9) ◽  
pp. 3872
Author(s):  
Jose Moreno Ortega ◽  
Juan Bernabé-Moreno
Keyword(s):  
Social Media ◽  
Emotional Response ◽  
Emotional States ◽  
Daily Lives ◽  
The Social ◽  
The World ◽  
Tragic Event ◽  
Emotional Concern ◽  
Media Stream ◽  
Over Time

The massive impact caused by the COVID-19 pandemic has left no one indifferent, becoming an unprecedented challenge. The use of protections such as sanitary masks has become increasingly common, restrictions in our daily lives, such as social distancing or confinements, have had serious consequences on the economy and our welfare state. Although the measures imposed throughout the world follow the same pattern, they have been applied with different criteria depending on the country. Over extended periods of time, people tend to change their perception of an event and its magnitude, or in other words, they stop being so concerned despite the seriousness of the matter. In this paper, we introduce a new metric to quantify the degree of emotional concern of people being affected by a topic, and we confirm how populations from different countries follow this trend of downplaying the effect of the pandemic and reach a state of indifference. To do this, we propose a method to analyze the social media stream over time extracting the different emotional states from the Russel Circumplex plane and computing the shifting created by the tragic event—the pandemic. We complete this metric by incorporating searching behavior to reflect not only push contents but also pull inquiries. The resulting metric establishes a relationship between the pandemic and the emotional response by defining the degree of Emotional Concern. Although the method can be applied to any location with a significant and varied amount of geo-localized social media streams, the scope of this paper covers the most representative cities in Europe.

scholarly journals SOCIAL MEDIA IN THE AUDIENCE ECONOMY: BUSINESS-TO-BUSINESS PARTNERSHIPS AND CO-DEPENDENCE

2021 ◽  
Author(s):  
Fernando Van der Vlist ◽  
Anne Helmond
Keyword(s):  
Social Media ◽  
Business Partnerships ◽  
The Social ◽  
Media Distribution ◽  
Social Media Platforms ◽  
Media Ecosystem ◽  
The Creation ◽  
Collective Development ◽  
Exclusive Or ◽  
Business To Business

Social media platforms’ digital advertising revenues depend considerably on partnerships. Business partnerships are endemic and essential to the business of platforms, yet their role remains relatively underexplored in the literature on platformisation and platform power. This paper considers the significance of partnerships in the social media ecosystem to better understand how industry platforms, and the infrastructure they build, mediate and shape platform power and governance. We argue that partners contribute to ‘platformisation’ through their collective development of business-to-business platform infrastructures. Specifically, we examine how they have integrated social media platforms with what we call the audience economy – an exceptionally complex global and interconnected marketplace of intermediaries involved in the creation, commodification, analysis, and circulation of data audiences for purposes including but not limited to digital advertising and marketing. We determine which relationships exist, which are exclusive or shared, and identify key ecosystem partners. Further, we find that partners build and integrate extensive infrastructures for data-sourcing and media distribution, surfacing infrastructural and strategic sources and locations, or ‘nodes’, of power in this ecosystem. The empirical findings thus highlight the significance of partnerships and partner integrations and call attention to the powerful industry players and intermediaries that remain largely invisible to us as audiences.

scholarly journals A CYBERCULTURE STUDY: K-POP AND THE NEW MEDIA - BTS AND TWITTER

2021 ◽  
Vol 6 (6) ◽  
Author(s):  
Luís Cardoso ◽  
Matilde Castanho
Keyword(s):  
Social Media ◽  
Social Network ◽  
New Media ◽  
South Korea ◽  
Music Industry ◽  
Anglo Saxon ◽  
Cultural Phenomenon ◽  
The Social ◽  
New Form

This paper intends to describe, analyze, and reflect on the presence of K-Pop in the cybernetic environment, as a cultural and artistic manifestation of the XXI century, as well as to study and evaluate the participation of the band BTS (and its fan community) in the social network Twitter, looking for an understanding of its identity and contribution to the cyberculture universe. The importance of “Korean Pop” for the global music industry is, in present times, an undeniable fact, because of the success of several artists and groups of Korean heritage and/or managed by labels from South Korea that have been occupying the top places in charts previously dominated by Anglo-Saxon performers. The band Bangtan Sonyeondan, known worldwide as BTS, formed by Big Hit Entertainment in 2010, is pointed by the critics and specialists as one of the most successful and mediatic groups of the last years. The comparisons between the Beatlemania from the 60s and the behaviour of its fan base (self-proclaimed Army) are quite common. In this context, we intend to study this cultural phenomenon as a new form of culture and interaction between artists and admirers, using social media and new socialization techniques created and adapted to cyberspace. <p> </p><p><strong> Article visualizations:</strong></p><p><img src="/-counters-/edu_01/0875/a.php" alt="Hit counter" /></p>

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